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Tuesday, July 28, 2015

Highland Games + Douglas - Seal-catcher's Adventure - Keeping the Public in Public Domain

Last year I gave a favorite story from Sir George Douglas about an enormous Sea Serpent defeated by a lad named Assipattle.  (Unfortunately the use of Baronet Douglas's title put him alphabetically in the Labels section under "S.")  This was in preparation for the 165th Highland Games of the St. Andrews Society of Detroit.  This Saturday I hope you catch the 166th Highland Games including storytelling in the Wee Bairns area.   Selkie (or Silkie, or Selchie) are the Scottish "Mer people."  There are many stories about them in Douglas's Scottish Fairy and Folk Tales, including the ever-popular tale of the woman trapped in human form until she can find her seal skin, leaving her human husband to return to her Selkie people.  That story has been made into many picture books, including this irresistable Arthur Rackham illustration inspired by a related non-Scottish legend.
Undine (1909) by Friedrich de la Motte Fouqué

That illustration can also be found with a brief re-telling of the Seal Wife story at Bo's Little Black Book of Fae Lore which also mentions a similar Australian creature, the Bunyip.  (There are some great stories the Aussies tell about Bunyips, too!)  
With so much attention on female Selchie, today's story gives an interesting male view.  The Orkney Isles are especially associated with Selkie tales and Orkneyjar gives a concise, but livelier overview than the earlier hotlinked Wikipedia Selkie customarily thorough article
So let's dive right in to the story!



Re-telling this story I'd clarify that "present" mentioned at the end.  It sounds as if the grateful Selkie may have given him a treasure to replace the seal-catcher's former work.  Then again perhaps his life and the adventure were enough? . . . NAH!  The fae folk have treasure and are likely generous in such circumstances.  By the way, re-telling the story I'm sure we all would revise some of the 19th century language, but the tale is surely a keeper to balance all those Mermaids and Selkie wives.  (Douglas precedes this story with "The Mermaid Wife" from Folk Lore and Legends, Scotland published by W.Gibbings -- which is that oh so familiar tale.)

You also probably noticed Douglas, who lists himself as having "Selected and edited" the book's contents, gives his source for this story as W.Grant Stewart's book, Highland Superstitions and Amusements.  Hathitrust has two copies of that book but it's titled The Popular Superstitions and Festive Amusements of the Highlanders, with this story starting on page 65, if you are interested.  Since Douglas is considered the more easily obtained and generally recognized collector, I'm still crediting him, but want to note his source.  

If you really want to get into the spirit of Scottish folklore, Professor D.L. Ashliman, before retiring from University of Pittsburgh, did a digital library page taking you to 79 Scottish folklore books including Douglas and the Gibbings anonymous book, but omits W.Grant Stewart.  There's always more to discover as folklore is a bottomless reservoir that never stops and so we want to Keep the Public in Public Domain.
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This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.  
 


There are many online resources for Public Domain stories, none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I recommended it earlier and want to continue to do so.  Have fun discovering even more stories!
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