Tell me if you have a topic you'd like to see. (Contact: LoiS-sez@LoiS-sez.com .)
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Friday, July 26, 2024

Olcott - Story of the Tiger and the Man - Keeping the Public in Public Domain

 
Monday is Global Tiger Day.  The World Wildlife Fund encourages us to "adopt a tiger." No, they don't want you to bring tigers into homes, they want you to Symbolically Adopt a Tiger, supporting their critical conservation work around the globe.

Looking for stories about tigers, a little over two years ago I posted a story by Flora Annie Steel in her Tales of the Punjab, "The Close Alliance." Since the tiger's range is Asia, it's not surprising there is a certain similarity to stories about them. People or animals try to outwit them.  At the same time the tiger is occasionally a trickster outwitted. Wiggin and Smith's The Talking Beasts has many fables like that. I was trying to find something different -- in Public Domain, of course. I was happiest with a Tibetan tale in Frances Jenkins Olcott's The Wonder Garden. Perhaps because Tibet is so isolated it is slightly (but only slightly) different.

I like the introduction with the elderly Father Tiger on his deathbed warning his three younger tigers against hunting or killing Man. The biggest threat to tigers is indeed due to people being unable to coexist with this beautiful but deadly predator. 

When I was a full-time librarian I used to tell classes even if their teachers didn't permit encyclopedia articles in their reports, they should still start there! Why? To get an overview of their topic. Today Wikipedia is the encyclopedia to check. The Tiger article is worthwhile, showing so much about tigers including that this endangered animal has lost two subspecies.  Panthera tigris sondaica has three types of cats: Javan Tiger "thought to have gone extinct by the 1980s.    [23]";  Bali Tiger"The tiger went extinct in the 1940s.[23]"; Sumatran Tiger which "is the only surviving tiger population in the Sunda Islands, where the Bali and Javan tigers are extinct.[3]"

The Sumatran Tiger is considerably reduced. It and other tigers are best preserved by efforts to prevent hunting or poaching them, but habitat loss will continue to add to the difficulty of their co-existing with humans. This is why the World Wildlife Fund says 

Now for the story (found on The Internet Archive.)




Illustration by Milo Winter in The Wonder Garden  


The man in the story may be forgiven for self-preservation, but the dwindling numbers of Tigers today requires us to think of his "beautiful stripes" and "long lashing tail" while keeping ourselves and livestock safe from his "great teeth and claws." The man is smarter in this story and it's up to us on this Global Tiger Day to save wildlife and wild places so this beautiful creature still exists.

******************

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

Other Public Domain story resources I recommend-

  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm

  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.
    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"

The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:        

         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html

         - Richard Martin - http://www.tellatale.eu/tales_page.html

         - Spirit of Trees - http://spiritoftrees.org/featured-folktales

         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for December 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.

       - World of Tales - http://www.worldoftales.com/ 

 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.

     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!

    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.

You can see why I recommend these to you. 

Have fun discovering even more stories

Friday, July 19, 2024

Lang - The Voice of Death - Keeping the Public in Public Domain

Storytellers don't get sick days. Last week, while I knew my voice sounded "rusty" thanks to a viral infection, it worked out because it was a room with good acoustics. That evening's Dinner Detective and maybe this week, too, works out as part of the fun of improvisation.  We'll see.  Have a ton of prescriptions and at least it's not Covid.

In the meantime I went story hunting and found Andrew Lang in his The Red Fairy Book had something to say about voices in this Romanian story of "The Voice of Death." Project Gutenberg gives the story,  but misses a fine illustration.  My book's copy only says "With numerous illustrations by H.J. Ford and Lancelot Speed."  Don't know which artist did this.

THE VOICE OF DEATH

Once upon a time there lived a man whose one wish and prayer was to get rich. Day and night he thought of nothing else, and at last his prayers were granted, and he became very wealthy. Now being so rich, and having so much to lose, he felt that it would be a terrible thing to die and leave all his possessions behind; so he made up his mind to set out in search of a land where there was no death. He got ready for his journey, took leave of his wife, and started. Whenever he came to a new country the first question that he asked was whether people died in that land, and when he heard that they did, he set out again on his quest. At last he reached a country where he was told that the people did not even know the meaning of the word death. Our traveller was delighted when he heard this, and said:

‘But surely there are great numbers of people in your land, if no one ever dies?’

‘No,’ they replied, ‘there are not great numbers, for you see from time to time a voice is heard calling first one and then another, and whoever hears that voice gets up and goes away, and never comes back.’

‘And do they see the person who calls them,’ he asked, ‘or do they only hear his voice?’

‘They both see and hear him,’ was the answer.

Well, the man was amazed when he heard that the people were stupid enough to follow the voice, though they knew that if they went when it called them they would never return. And he went back to his own home and got all his possessions together, and, taking his wife and family, he set out resolved to go and live in that country where the people did not die, but where instead they heard a voice calling them, which they followed into a land from which they never returned. For he had made up his own mind that when he or any of his family heard that voice they would pay no heed to it, however loudly it called.

After he had settled down in his new home, and had got everything in order about him, he warned his wife and family that, unless they wanted to die, they must on no account listen to a voice which they might some day hear calling them.

For some years everything went well with them, and they lived happily in their new home. But one day, while they were all sitting together round the table, his wife suddenly started up, exclaiming in a loud voice:

‘I am coming! I am coming!’

And she began to look round the room for her fur coat, but her husband jumped up, and taking firm hold of her by the hand, held her fast, and reproached her, saying:

‘Don’t you remember what I told you? Stay where you are unless you wish to die.’

‘But don’t you hear that voice calling me?’ she answered. ‘I am merely going to see why I am wanted. I shall come back directly.’

So she fought and struggled to get away from her husband, and to go where the voice summoned. But he would not let her go, and had all the doors of the house shut and bolted. When she saw that he had done this, she said:

‘Very well, dear husband, I shall do what you wish, and remain where I am.’

So her husband believed that it was all right, and that she had thought better of it, and had got over her mad impulse to obey the voice. But a few minutes later she made a sudden dash for one of the doors, opened it and darted out, followed by her husband. He caught her by the fur coat, and begged and implored her not to go, for if she did she would certainly never return. She said nothing, but let her arms fall backwards, and suddenly bending herself forward, she slipped out of the coat, leaving it in her husband’s hands. He, poor man, seemed turned to stone as he gazed after her hurrying away from him, and calling at the top of her voice, as she ran:

‘I am coming! I am coming!’

When she was quite out of sight her husband recovered his wits and went back into his house, murmuring:

‘If she is so foolish as to wish to die, I can’t help it. I warned and implored her to pay no heed to that voice, however loudly it might call.’

Well, days and weeks and months and years passed, and nothing happened to disturb the peace of the household. But one day the man was at the barber’s as usual, being shaved. The shop was full of people, and his chin had just been covered with a lather of soap, when, suddenly starting up from the chair, he called out in a loud voice:

‘I won’t come, do you hear? I won’t come!’

The barber and the other people in the shop listened to him with amazement. But again looking towards the door, he exclaimed:

‘I tell you, once and for all, I do not mean to come, so go away.’

And a few minutes later he called out again:

‘Go away, I tell you, or it will be the worse for you. You may call as much as you like but you will never get me to come.’

And he got so angry that you might have thought that some one was actually standing at the door, tormenting him. At last he jumped up, and caught the razor out of the barber’s hand, exclaiming:

‘Give me that razor, and I’ll teach him to let people alone for the future.’

And he rushed out of the house as if he were running after some one, whom no one else saw. The barber, determined not to lose his razor, pursued the man, and they both continued running at full speed till they had got well out of the town, when all of a sudden the man fell head foremost down a precipice, and never was seen again. So he too, like the others, had been forced against his will to follow the voice that called him.

The barber, who went home whistling and congratulating himself on the escape he had made, described what had happened, and it was noised abroad in the country that the people who had gone away, and had never returned, had all fallen into that pit; for till then they had never known what had happened to those who had heard the voice and obeyed its call.

But when crowds of people went out from the town to examine the ill-fated pit that had swallowed up such numbers, and yet never seemed to be full, they could discover nothing. All that they could see was a vast plain, that looked as if it had been there since the beginning of the world. And from that time the people of the country began to die like ordinary mortals all the world over.[13]

[13] Roumanian Tales from the German of Mite Thremnitz. 

****

I always tell people if you go to The Dinner Detective and it's a night when you can see me, keep it to yourself as a clue to who is maybe the murderer or the victim.  This week I will be thinking about "The Voice of Death."

***************

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

Other Public Domain story resources I recommend-

  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm

  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.
    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"

The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:        

         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html

         - Richard Martin - http://www.tellatale.eu/tales_page.html

         - Spirit of Trees - http://spiritoftrees.org/featured-folktales

         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for December 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.

       - World of Tales - http://www.worldoftales.com/ 

 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.

     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!

    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.

You can see why I recommend these to you. 

Have fun discovering even more stories

Friday, July 12, 2024

"Hello Girls" are overdue to receive the Congressional Gold Medal

Once again this weekend I will portray Oleda Joure Christides, who was a member of the U.S.Army Signal Corps, commonly known as the "Hello Girls."  I believe strongly their long overdue recognition with a Congressional Gold Medal is needed.  It took them 60 years finally to receive their Veterans Status recognition by the Army.  (Oleda was among the few still alive to receive it.)

That is not the only overdue recognition to these telephone operators of World War I.  In 2009, the WASPs received the Congressional Gold Medal. This is the highest medal bestowed by civilians in the United States.  This past year the women working within the United States for World War II, the"Rosies", received the Congressional Gold Medal. Today, the United States World War I Commission is working to honor the Hello Girls with the same award, and we need YOUR help to bring them the recognition they deserve!  

I have reproduced here a flier I will have at my program.  Please read it.  At the bottom I add the information for you to contact your Representative  at https://www.worldwar1centennial.org/honor/valor-medals-image/hello-girls.html

Hello Girls Congressional Medal Legislation Gaining Big Momentum in Senate and House

Great news from the campaign of the World War I Centennial Commission and other organizations, as well as many individuals like you, to encourage the 118th Congress to pass legislation honoring the World War I "Hello Girls" U.S. Army Signal Corps telephone operators, America's First Women Soldiers, with a Congressional Gold Medal. As of the publication of the WWI newsletter, the Senate measure, has gathered 65 of the 67 cosponsors it needs to be brought to a vote and passed in the Senate. H.R.1572, the House measure, has 152 cosponsors, some 70% of the votes needed to pass in the House.This outstanding progress has happened due to all the many organizations and people who have reached out to Senators and Representatives and asked them to cosponsor this important legislation. If you are one of those people, thank you! If you haven't joined the campaign yet, now is a great time to answer the call, and help get this legislation across the finish line.

The Hello Girls made a huge difference in the outcome of WWI. The ability of the bilingual female operators to pass critical tactical information calmly and seamlessly between two allied armies that spoke different languages was a fundamental breakthrough in tactical communications on the Western Front. The service of the Hello Girls helped bring the fighting to an end in the Allies’ favor as much as a year earlier than it might have taken without them, according to General John Pershing, commander of the American Expeditionary Forces. When their nation called in 1918, the Hello Girls answered – will YOU answer their call for recognition in 2024?

Hello Girls Sidebar Ad v2

https://www.worldwar1centennial.org/honor/valor-medals-image/hello-girls.html

That's where my flier ends.  The link also lets you find your representative.  The website also gives the following advice:

You can read the legislation submitted in the House (H.R.1572 - To award a Congressional Gold Medal to the female telephone operators of the Army Signal Corps, known as the "Hello Girls".)

  • On your Representative's web site, navigate to the "Contact form.
  • Fill out the Representative's contact form, then copy and paste the state-specific message in the tab into the "Message" field of the form.
  • We encourage you to customize your note before sending!  Make it a personal message from you.
  • Check "yes, I'd like a response" from your Representative.
  • Click "Send"!
  • If you receive a reply from your Representative, or would otherwise like to contact our team with information, please forward any and all correspondence to hellogirls@worldwar1centennial.org.

 


Friday, July 5, 2024

Mooney - The Origin of the Groundhog Dance - Keeping the Public in Public Domain

This whole long holiday began on Thursday with the Fourth of July (although fireworks started up even earlier).  With Thursday being so close to the weekend, many have st-r-e-t-ched the holiday all the way to Sunday.  

I'll work Saturday since one of the things I do besides storytelling is substitute at two local libraries.  (I also am in the troupe performing The Dinner Detective -- so if you see me, don't tell as it might put you ahead solving the mystery!) 

At one of the libraries where I'm a sub I saw a sign celebrating Independance Day.  I like that idea since I love to dance.  It made me think back to the Degas exhibit at the Detroit Institute of Arts back in 2002 when I told "Stories That Dance."  Of course that made me want to put a story that danced here.  December the 31st of 2023 numerically was 123123, making it Waltz Day!  At that time I posted the Rabbit version of today's story, but the Cherokee version, collected by James Mooney in Myths of the Cherokee tells it as "the Groundhog Dance."  It's also a good choice for audience participation (more about the song Groundhog sings after the very brief story).

ORIGIN OF THE GROUNDHOG DANCE

Seven wolves once caught a Groundhog and said, “Now we’ll kill you and have something good to eat.” But the Groundhog said, “When we find good food we must rejoice over it, as people do in the Green-corn dance. I know you mean to kill me and I can’t help myself, but if you want to dance I’ll sing for you. This is a new dance entirely. I’ll lean up against seven trees in turn and you will dance out and then turn and come back, as I give the signal, and at the last turn you may kill me.”

The wolves were very hungry, but they wanted to learn the new dance, so they told him to go ahead. The Groundhog leaned up against a tree and began the song, Ha′wiye′ĕhĭ′, and all the wolves danced out in front, until he gave the signal, Yu! and began with Hi′yagu′wĕ, when they turned and danced back in line. “That’s fine,” said the Groundhog, and went over to the next tree and started the second song. The wolves danced out and then turned at the signal and danced back again. “That’s very fine,” said the Groundhog, and went over to another tree and started the third song. The wolves danced their best and the Groundhog encouraged them, but at each song he took another tree, and each tree was a little nearer to his hole under a stump. At the seventh song he said, “Now, this is the last dance, and when I say Yu! you will all turn and come after me, and the one who gets me may have me.” So he began the seventh song and kept it up until the wolves were away out in front. Then he gave the signal, Yu! and made a jump for his hole. The wolves turned and were after him, but he reached the hole first and dived in. Just as he got inside, the foremost wolf caught him by the tail and gave it such a pull that it broke off, and the Groundhog’s tail has been short ever since.

***

Mooney in his notes at the end of the book says: 

the song, which is without meaning, is Ha′wiye′ĕhi′ Yaha′wiye′ĕhi [twice]

Yu-u

Hi′yagu′wĕ Hahi′yagu′wĕ [twice]

Yu-yu.

If, like me, your Cherokee language is less than fluent, you may wonder how to chant that.  Mooney gives a glossary at the book's end, saying the "g medial (semisonant), approximating k" and this is how to pronounce these vowels:

a as in far

          i as in pique

          u as in rule

          the letter "e" has two different sounds:

         eas in they.
         ĕas in net. 
                           

Since Mooney also says the song has no meaning, it would be fair to tell your audience you are teaching a slightly simplified version. I like the similarity in Ha′wiye′ĕhi′ and Hahi′yagu′wĕ so this is how I would shorten it, breaking it down into syllables.

Ha′ wi ye′ ĕ hi′ Ha′ wi ye′ ĕ hi′ Yu u for the first song and then for the second song Ha hi′ ya gu′ wĕ Ha hi′ ya gu′ wĕ Yu yu.

If even that seems too tough, you could use just one song (I'd use the first to avoid the troublesome "g ...  approximating k"  and let it be the same song for all seven of the trees.  If you do that be sure to say you are simplifying the songs as Groundhog sang a slightly different song at each tree, but those songs are made of meaningless sounds, just like in many lullabies.

Perhaps the Thompson Motif K606 "Escape by singing song" and K606.2 "Escape by persuading captors to dance" is a bit of folklore indexing that interests you further.  Thompson also lists variants in Africa, India, Indonesia, plus similar ones in Iceland and Ireland where the watchmen are sung to sleep.  

Enjoy your own Independance and don't let any wolves catch you!

 

 

 

Friday, June 28, 2024

Ransome - Prince Ivan, the Witch Baby, and the Little Sister of the Sun - Keeping the Public in Public Domain

Today, June 29, is the birthday of Antoine de Saint-Exupery (1900), best known for the novella, The Little Prince. I won't give it here for two reasons, its length and the fact it was published in 1943 here in the United States and its copyright was indeed renewed in 1971.  You may notice links for both the author and the novella.  If your French is good enough and you really are interested, there's yet another website, https://www.antoinedesaintexupery.com/ . My own French is courtesy of ballet and Google Translate has its limits.  The link for the novella I gave is to "The Little Prince, official website" in English.  (The author's site in French gives that same site in French.) Wikipedia notes the story's translation into "more than 250 languages and dialects and among the top four selling books in the world;[98] made as both movies and TV films in a number of languages, and adapted to numerous other media in many languages." 

Yet that website for "The Little Prince" shows there continue to be events around the world, an incredible number of related products (buy online or the shop in Paris), and even a ten-year old amusement park, Le Parc du Petit Prince, that is "the first aerial theme park in the world, which offers more than 30 attractions for the whole family. Take off in a Captive Balloon, shiver with the Snake, land on a seaplane, discover the many rides, and meet the Foxes for an unforgettable day. All the magic of the Little Prince in a place unique in the world, which has already attracted 1.2 million visitors!" 

Scroll down to the links at the bottom of the site for the annual magazine.  There is yet another article on the park in Alsace (now at 1.5 million visitors and I imagine many more after the Olympics).  The text is bilingual, expecting both English and French readers.

With World War II's Nazi occupation of France the story was only published posthumously in France.  Saint-Exupery died in a plane crash on an Allied reconnaissance mission.  Two years earlier this, his only book for children, was created when " the wife of one of his publishers helped persuade Saint-Exupéry to produce a children's book,[48] hoping to calm his nerves and also compete with the new series of Mary Poppins stories by P.L. Travers."  

Illustrator: Dmitrii Isidorovich Mitrokhin
It's all very French, but knowing I couldn't tell nor publish it here, I began to think about princes and came up with a very Russian little prince.  I love Arthur Ransome's Old Peter's Russian Tales and have more than half a dozen times given here these tellable versions of Russian folklore.  A major character in the book is the classic Russian witch, Baba Yaga.

I first met the witch when Caldecott award-winning illustrator, Blair Lent, published the story from Ransome given in the anthology as "Baba Yaga and the Little Girl with the Kind Heart."  Lent simply titled his book Baba Yaga.  In searching for information for this story, I discovered that he published the book in 1966 using the pen name of Ernest Small as the author when he actually did the adaptation.

There are many stories throughout Slavic folklore and Wikipedia's article on Baba Yaga claims she has two opposite roles.  I have only every found stories of the witch, but they say she may also be "a nice old woman, who helps out the hero.[1] "

-- that footnote is in Russian and now I want to see if I can find any evidence of that personality!

Back to the little Russian prince, I believe the "witch baby", who grows like a corn seed becoming fully grown in six weeks with iron teeth is the start of Baba Yaga.  She certainly pursues the prince in the fashion of the infamous Russian witch.

PRINCE IVAN, THE WITCH BABY, AND THE LITTLE SISTER OF THE SUN.

Decorative Image

Once upon a time, very long ago, there was a little Prince Ivan who was dumb. Never a word had he spoken from the day that he was born—not so much as a "Yes" or a "No," or a "Please" or a "Thank you." A great sorrow he was to his father because he could not speak. Indeed, neither his father nor his mother could bear the sight of him, for they thought, "A poor sort of Tzar will a dumb boy make!" They even prayed, and said, "If only we could have another child, whatever it is like, it could be no worse than this tongue-tied brat who cannot say a word." And for that wish they were punished, as you shall hear. And they took no sort of care of the little Prince Ivan, and he spent all his time in the stables, listening to the tales of an old groom.

He was a wise man was the old groom, and he knew the past and the future, and what was happening under the earth. Maybe he had learnt his wisdom from the horses. Anyway, he knew more than other folk, and there came a day when he said to Prince Ivan,—

"Little Prince," says he, "to-day you have a sister, and a bad one at that. She has come because of your father's prayers and your mother's wishes. A witch she is, and she will grow like a seed of corn. In six weeks she'll be a grown witch, and with her iron teeth she will eat up your father, and eat up your mother, and eat up you too, if she gets the chance. There's no saving the old people; but if you are quick, and do what I tell you, you may escape, and keep your soul in your body. And I love you, my little dumb Prince, and do not wish to think of your little body between her iron teeth. You must go to your father and ask him for the best horse he has, and then gallop like the wind, and away to the end of the world."

The little Prince ran off and found his father. There was his father, and there was his mother, and a little baby girl was in his mother's arms, screaming like a little fury.

"Well, she's not dumb," said his father, as if he were well pleased.

"Father," says the little Prince, "may I have the fastest horse in the stable?" And those were the first words that ever left his mouth.

"What!" says his father, "have you got a voice at last? Yes, take whatever horse you want. And see, you have a little sister; a fine little girl she is too. She has teeth already. It's a pity they are black, but time will put that right, and it's better to have black teeth than to be born dumb."

Little Prince Ivan shook in his shoes when he heard of the black teeth of his little sister, for he knew that they were iron. He thanked his father and ran off to the stable. The old groom saddled the finest horse there was. Such a horse you never saw. Black it was, and its saddle and bridle were trimmed with shining silver. And little Prince Ivan climbed up and sat on the great black horse, and waved his hand to the old groom, and galloped away, on and on over the wide world.

"It's a big place, this world," thought the little Prince. "I wonder when I shall come to the end of it." You see, he had never been outside the palace grounds. And he had only ridden a little Finnish pony. And now he sat high up, perched on the back of the great black horse, who galloped with hoofs that thundered beneath him, and leapt over rivers and streams and hillocks, and anything else that came in his way.

On and on galloped the little Prince on the great black horse. There were no houses anywhere to be seen. It was a long time since they had passed any people, and little Prince Ivan began to feel very lonely, and to wonder if indeed he had come to the end of the world, and could bring his journey to an end.

Suddenly, on a wide, sandy plain, he saw two old, old women sitting in the road.

They were bent double over their work, sewing and sewing, and now one and now the other broke a needle, and took a new one out of a box between them, and threaded the needle with thread from another box, and went on sewing and sewing. Their old noses nearly touched their knees as they bent over their work.

Little Prince Ivan pulled up the great black horse in a cloud of dust, and spoke to the old women.

"Grandmothers," said he, "is this the end of the world? Let me stay here and live with you, and be safe from my baby sister, who is a witch and has iron teeth. Please let me stay with you, and I'll be very little trouble, and thread your needles for you when you break them."

"Prince Ivan, my dear," said one of the old women, "this is not the end of the world, and little good would it be to you to stay with us. For as soon as we have broken all our needles and used up all our thread we shall die, and then where would you be? Your sister with the iron teeth would have you in a minute."

The little Prince cried bitterly, for he was very little and all alone. He rode on further over the wide world, the black horse galloping and galloping, and throwing the dust from his thundering hoofs.

He came into a forest of great oaks, the biggest oak trees in the whole world. And in that forest was a dreadful noise—the crashing of trees falling, the breaking of branches, and the whistling of things hurled through the air. The Prince rode on, and there before him was the huge giant, Tree-rooter, hauling the great oaks out of the ground and flinging them aside like weeds.

"I should be safe with him," thought little Prince Ivan, "and this, surely, must be the end of the world."

He rode close up under the giant, and stopped the black horse, and shouted up into the air.

"Please, great giant," says he, "is this the end of the world? And may I live with you and be safe from my sister, who is a witch, and grows like a seed of corn, and has iron teeth?"

"Prince Ivan, my dear," says Tree-rooter, "this is not the end of the world, and little good would it be to you to stay with me. For as soon as I have rooted up all these trees I shall die, and then where would you be? Your sister would have you in a minute. And already there are not many big trees left."

And the giant set to work again, pulling up the great trees and throwing them aside. The sky was full of flying trees.

Little Prince Ivan cried bitterly, for he was very little and was all alone. He rode on further over the wide world, the black horse galloping and galloping under the tall trees, and throwing clods of earth from his thundering hoofs.

He came among the mountains. And there was a roaring and a crashing in the mountains as if the earth was falling to pieces. One after another whole mountains were lifted up into the sky and flung down to earth, so that they broke and scattered into dust. And the big black horse galloped through the mountains, and little Prince Ivan sat bravely on his back. And there, close before him, was the huge giant Mountain-tosser, picking up the mountains like pebbles and hurling them to little pieces and dust upon the ground.

"This must be the end of the world," thought the little Prince; "and at any rate I should be safe with him."

"Please, great giant," says he, "is this the end of the world? And may I live with you and be safe from my sister, who is a witch, and has iron teeth, and grows like a seed of corn?"

"Prince Ivan, my dear," says Mountain-tosser, resting for a moment and dusting the rocks off his great hands, "this is not the end of the world, and little good would it be to you to stay with me. For as soon as I have picked up all these mountains and thrown them down again I shall die, and then where would you be? Your sister would have you in a minute. And there are not very many mountains left."

And the giant set to work again, lifting up the great mountains and hurling them away. The sky was full of flying mountains.

Little Prince Ivan wept bitterly, for he was very little and was all alone. He rode on further over the wide world, the black horse galloping and galloping along the mountain paths, and throwing the stones from his thundering hoofs.

At last he came to the end of the world, and there, hanging in the sky above him, was the castle of the little sister of the Sun. Beautiful it was, made of cloud, and hanging in the sky, as if it were built of red roses.

"I should be safe up there," thought little Prince Ivan, and just then the Sun's little sister opened the window and beckoned to him.

Prince Ivan patted the big black horse and whispered to it, and it leapt up high into the air and through the window, into the very courtyard of the castle.

"Stay here and play with me," said the little sister of the Sun; and Prince Ivan tumbled off the big black horse into her arms, and laughed because he was so happy.

Merry and pretty was the Sun's little sister, and she was very kind to little Prince Ivan. They played games together, and when she was tired she let him do whatever he liked and run about her castle. This way and that he ran about the battlements of rosy cloud, hanging in the sky over the end of the world.

But one day he climbed up and up to the topmost turret of the castle. From there he could see the whole world. And far, far away, beyond the mountains, beyond the forests, beyond the wide plains, he saw his father's palace where he had been born. The roof of the palace was gone, and the walls were broken and crumbling. And little Prince Ivan came slowly down from the turret, and his eyes were red with weeping.

"My dear," says the Sun's little sister, "why are your eyes so red?"

"It is the wind up there," says little Prince Ivan.

And the Sun's little sister put her head out of the window of the castle of cloud and whispered to the winds not to blow so hard.

But next day little Prince Ivan went up again to that topmost turret, and looked far away over the wide world to the ruined palace. "She has eaten them all with her iron teeth," he said to himself. And his eyes were red when he came down.

"My dear," says the Sun's little sister, "your eyes are red again."

"It is the wind," says little Prince Ivan.

And the Sun's little sister put her head out of the window and scolded the wind.

But the third day again little Prince Ivan climbed up the stairs of cloud to that topmost turret, and looked far away to the broken palace where his father and mother had lived. And he came down from the turret with the tears running down his face.

"Why, you are crying, my dear!" says the Sun's little sister. "Tell me what it is all about."

So little Prince Ivan told the little sister of the Sun how his sister was a witch, and how he wept to think of his father and mother, and how he had seen the ruins of his father's palace far away, and how he could not stay with her happily until he knew how it was with his parents.

"Perhaps it is not yet too late to save them from her iron teeth, though the old groom said that she would certainly eat them, and that it was the will of God. But let me ride back on my big black horse."

"Do not leave me, my dear," says the Sun's little sister. "I am lonely here by myself."

"I will ride back on my big black horse, and then I will come to you again."

"What must be, must," says the Sun's little sister; "though she is more likely to eat you than you are to save them. You shall go. But you must take with you a magic comb, a magic brush, and two apples of youth. These apples would make young once more the oldest things on earth."

Then she kissed little Prince Ivan, and he climbed up on his big black horse, and leapt out of the window of the castle down on the end of the world, and galloped off on his way back over the wide world.

He came to Mountain-tosser, the giant. There was only one mountain left, and the giant was just picking it up. Sadly he was picking it up, for he knew that when he had thrown it away his work would be done and he would have to die.

"Well, little Prince Ivan," says Mountain-tosser, "this is the end;" and he heaves up the mountain. But before he could toss it away the little Prince threw his magic brush on the plain, and the brush swelled and burst, and there were range upon range of high mountains, touching the sky itself.

"Why," says Mountain-tosser, "I have enough mountains now to last me for another thousand years. Thank you kindly, little Prince."

And he set to work again, heaving up mountains and tossing them down, while little Prince Ivan galloped on across the wide world.

He came to Tree-rooter, the giant. There were only two of the great oaks left, and the giant had one in each hand.

"Ah me, little Prince Ivan," says Tree-rooter, "my life is come to its end; for I have only to pluck up these two trees and throw them down, and then I shall die."

"Pluck them up," says little Prince Ivan. "Here are plenty more for you." And he threw down his comb. There was a noise of spreading branches, of swishing leaves, of opening buds, all together, and there before them was a forest of great oaks stretching farther than the giant could see, tall though he was.

"Why," says Tree-rooter, "here are enough trees to last me for another thousand years. Thank you kindly, little Prince."

And he set to work again, pulling up the big trees, laughing joyfully and hurling them over his head, while little Prince Ivan galloped on across the wide world.

He came to the two old women. They were crying their eyes out.

"There is only one needle left!" says the first.

"There is only one bit of thread in the box!" sobs the second.

"And then we shall die!" they say both together, mumbling with their old mouths.

"Before you use the needle and thread, just eat these apples," says little Prince Ivan, and he gives them the two apples of youth.

The two old women took the apples in their old shaking fingers and ate them, bent double, mumbling with their old lips. They had hardly finished their last mouthfuls when they sat up straight, smiled with sweet red lips, and looked at the little Prince with shining eyes. They had become young girls again, and their gray hair was black as the raven.

"Thank you kindly, little Prince," say the two young girls. "You must take with you the handkerchief we have been sewing all these years. Throw it to the ground, and it will turn into a lake of water. Perhaps some day it will be useful to you."

"Thank you," says the little Prince, and off he gallops, on and on over the wide world.

He came at last to his father's palace. The roof was gone, and there were holes in the walls. He left his horse at the edge of the garden, and crept up to the ruined palace and peeped through a hole. Inside, in the great hall, was sitting a huge baby girl, filling the whole hall. There was no room for her to move. She had knocked off the roof with a shake of her head. And she sat there in the ruined hall, sucking her thumb.

And while Prince Ivan was watching through the hole he heard her mutter to herself,—

"Eaten the father, eaten the mother, And now to eat the little brother"

And she began shrinking, getting smaller and smaller every minute.

Little Prince Ivan had only just time to get away from the hole in the wall when a pretty little baby girl came running out of the ruined palace.

"You must be my little brother Ivan," she called out to him, and came up to him smiling. But as she smiled the little Prince saw that her teeth were black; and as she shut her mouth he heard them clink together like pokers.

"Come in," says she, and she took little Prince Ivan with her to a room in the palace, all broken down and cobwebbed. There was a dulcimer lying in the dust on the floor.

"Well, little brother," says the witch baby, "you play on the dulcimer and amuse yourself while I get supper ready. But don't stop playing, or I shall feel lonely." And she ran off and left him.

Little Prince Ivan sat down and played tunes on the dulcimer—sad enough tunes. You would not play dance music if you thought you were going to be eaten by a witch.

But while he was playing a little gray mouse came out of a crack in the floor. Some people think that this was the wise old groom, who had turned into a little gray mouse to save Ivan from the witch baby.

"Ivan, Ivan," says the little gray mouse, "run while you may. Your father and mother were eaten long ago, and well they deserved it. But be quick, or you will be eaten too. Your pretty little sister is putting an edge on her teeth!"

Little Prince Ivan thanked the mouse, and ran out from the ruined palace, and climbed up on the back of his big black horse, with its saddle and bridle trimmed with silver. Away he galloped over the wide world. The witch baby stopped her work and listened. She heard the music of the dulcimer, so she made sure he was still there. She went on sharpening her teeth with a file, and growing bigger and bigger every minute. And all the time the music of the dulcimer sounded among the ruins.

As soon as her teeth were quite sharp she rushed off to eat little Prince Ivan. She tore aside the walls of the room. There was nobody there—only a little gray mouse running and jumping this way and that on the strings of the dulcimer.

When it saw the witch baby the little mouse ran across the floor and into the crack and away, so that she never caught it. How the witch baby gnashed her teeth! Poker and tongs, poker and tongs—what a noise they made! She swelled up, bigger and bigger, till she was a baby as high as the palace. And then she jumped up so that the palace fell to pieces about her. Then off she ran after little Prince Ivan.

Little Prince Ivan, on the big black horse, heard a noise behind him. He looked back, and there was the huge witch, towering over the trees. She was dressed like a little baby, and her eyes flashed and her teeth clanged as she shut her mouth. She was running with long strides, faster even than the black horse could gallop—and he was the best horse in all the world.

Little Prince Ivan threw down the handkerchief that had been sewn by the two old women who had eaten the apples of youth. It turned into a deep, broad lake, so that the witch baby had to swim—and swimming is slower than running. It took her a long time to get across, and all that time Prince Ivan was galloping on, never stopping for a moment.

The witch baby crossed the lake and came thundering after him. Close behind she was, and would have caught him; but the giant Tree-rooter saw the little Prince galloping on the big black horse, and the witch baby tearing after him. He pulled up the great oaks in armfuls, and threw them down just in front of the witch baby. He made a huge pile of the big trees, and the witch baby had to stop and gnaw her way through them with her iron teeth.

It took her a long time to gnaw through the trees, and the black horse galloped and galloped ahead. But presently Prince Ivan heard a noise behind him. He looked back, and there was the witch baby, thirty feet high, racing after him, clanging with her teeth. Close behind she was, and the little Prince sat firm on the big black horse, and galloped and galloped. But she would have caught him if the giant Mountain-tosser had not seen the little Prince on the big black horse, and the great witch baby running after him. The giant tore up the biggest mountain in the world and flung it down in front of her, and another on the top of that. She had to bite her way through them, while the little Prince galloped and galloped.

At last little Prince Ivan saw the cloud castle of the little sister of the Sun, hanging over the end of the world and gleaming in the sky as if it were made of roses. He shouted with hope, and the black horse shook his head proudly and galloped on. The witch baby thundered after him. Nearer she came and nearer.

"Ah, little one," screams the witch baby, "you shan't get away this time!"

The Sun's little sister was looking from a window of the castle in the sky, and she saw the witch baby stretching out to grab little Prince Ivan. She flung the window open, and just in time the big black horse leapt up, and through the window and into the courtyard, with little Prince Ivan safe on its back.

How the witch baby gnashed her iron teeth!

"Give him up!" she screams.

"I will not," says the Sun's little sister.

"See you here," says the witch baby, and she makes herself smaller and smaller and smaller, till she was just like a real little girl. "Let us be weighed in the great scales, and if I am heavier than Prince Ivan, I can take him; and if he is heavier than I am, I'll say no more about it."

The Sun's little sister laughed at the witch baby and teased her, and she hung the great scales out of the cloud castle so that they swung above the end of the world.

Little Prince Ivan got into one scale, and down it went.

"Now," says the witch baby, "we shall see."

And she made herself bigger and bigger and bigger, till she was as big as she had been when she sat and sucked her thumb in the hall of the ruined palace. "I am the heavier," she shouted, and gnashed her iron teeth. Then she jumped into the other scale.

She was so heavy that the scale with the little Prince in it shot up into the air. It shot up so fast that little Prince Ivan flew up into the sky, up and up and up, and came down on the topmost turret of the cloud castle of the little sister of the Sun.

The Sun's little sister laughed, and closed the window, and went up to the turret to meet the little Prince. But the witch baby turned back the way she had come, and went off, gnashing her iron teeth until they broke. And ever since then little Prince Ivan and the little sister of the Sun play together in the castle of cloud that hangs over the end of the world. They borrow the stars to play at ball, and put them back at night whenever they remember.

"So when there are no stars?" asked Maroosia.

"It means that Prince Ivan and the Sun's little sister have gone to sleep over their games and forgotten to put their toys away."

***

That second to the last sentence is from the book's frame of "Old Peter" telling the story.  I like the reply and incorporate it into my own telling saying "When there are no stars at night, it means..."

Now about Baba Yaga. . . when the time rolls around for a witch story, instead of a prince, she's fascinated children for a long time.  I think I'll make a reminder to myself for some Storytelling + Research in October.  Think I'll find that " nice old woman, who helps out the hero[1] "?  Well if I do, I won't tell it in October.

**********************

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

Other Public Domain story resources I recommend-

  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm

  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.
    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"

The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:        

         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html

         - Richard Martin - http://www.tellatale.eu/tales_page.html

         - Spirit of Trees - http://spiritoftrees.org/featured-folktales

         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for December 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.

       - World of Tales - http://www.worldoftales.com/ 

 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.

     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!

    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.

You can see why I recommend these to you. 

Have fun discovering even more stories