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Showing posts with label pigs. Show all posts
Showing posts with label pigs. Show all posts

Friday, February 21, 2025

Cather - The Discontented Pig - Keeping the Public in Public Domain

Shakespeare said it best: Now is the winter of our discontent.

The weather has been awful enough I'm sure I'm not the only one feeling discontented. Even my friends and classmates from Saint Louis have been getting way more snow than usually falls there! Couldn't seem to find a story I wanted to tell. There was always something wrong with whatever I wanted to post . . . until I found the story of "The Discontented Pig."

Sometimes old collections of stories get too obvious with their purpose or too moralistic. Nothing says you have to tell the lesson from a fable or other story, just tell it and let your audience draw their own conclusions. I might be discontented with Katherine Dublap Cather's obvious title for her Educating by Story-Telling and her explanation of the story's purpose, but that doesn't stop me recognizing myself in this little story.

THE DISCONTENTED PIG (Thuringian Folk Tale—Ethics, teaching contentment) Ever so long ago, in the time when there were fairies, and men and animals talked together, there was a curly-tailed pig. He lived by himself in a house at the edge of the village, and every day he worked in his garden. Whether the sun shone or the rain fell he hoed and dug and weeded, turning the earth around his tomato vines and loosening the soil of the carrot plot, until word of his fine vegetables traveled through seven counties, and each year he won the royal prize at the fair. 

But after a time that little pig grew tired of the endless toil. 

“What matters it if I do have the finest vegetables in the kingdom,” he thought, “since I must work myself to death getting them to grow? I mean to go out and see the world and find an easier way of making a living.”

So he locked the door of his house and shut the gate of his garden and started down the road. 

A good three miles he traveled, till he came to a cottage almost hidden in a grove of trees. Lovely music sounded around him and Little Pig smiled, for he had an ear for sweet sounds. 

“I will go look for it,” he said, following in the direction from which it seemed to come. 

Now it happened that in that house dwelt Thomas, a cat, who made his living playing on the violin. Little Pig saw him standing in the door pushing the bow up and down across the strings. It put a thought into his head. Surely this must be easier and far more pleasant than digging in a garden! 

“Will you teach me to play the violin, friend cat?” he asked. 

Thomas looked up from his bow and nodded his head. “To be sure,” he answered; “just do as I am doing.” And he gave him the bow and fiddle. 

Little Pig took them and began to saw, but squeak! quang! No sweet music fell upon his ear. The sounds he heard were like the squealing of his baby brother pigs when a wolf came near them.  

“Oh!” he cried; “this isn’t music!” 

Thomas, the cat, nodded his head. “Of course not,” he said. “You haven’t tried long enough. He who would play the violin must work.”  

“Then I think I’ll look for something else,” Piggywig answered, “because this is quite as hard as weeding my garden.” And he gave back the bow and fiddle and started down the road. 

He walked on and on, until he came to a hut where lived a dog who made cheese. He was kneading and molding the curd into cakes, and Little Pig thought it looked quite easy. 

“I think I’d like to go into the cheese business myself,” he said to himself. So he asked the dog if he would teach him. This the dog was quite willing to do, and a moment later Little Pig was working beside him. Soon he grew hot and tired and stopped to rest and fan himself.  

“No, no!” exclaimed the dog, “you will spoil the cheese. There can be no rest time until the work is done.” 

Little Pig opened his eyes in amazement. “Indeed!” he replied. “Then this is just as hard as growing vegetables or learning to play a violin. I mean to look for something easier.” And he started down the road. 

On the other side of the river, in a sweet green field, a man was taking honey out of beehives. Little Pig saw him as he crossed the bridge and thought that of all the trades he had seen, this suited him best. It must be lovely there in the meadow among the flowers. Honey was not heavy to lift, and once in a while he could have a mouthful of it. He ran as fast as he could go to ask the man if he would take him into his employ.  

This plan pleased the bee man as much as it pleased the pig. “I’ve been looking for a helper for a year and a day,” he said. “Begin work at once.” He gave Little Pig a veil and a pair of gloves, telling him to fasten them on well. Then he told him to lift a honeycomb out of a hive. 

Little Pig ran to do it, twisting his curly tail in the joy of having at last found a business that suited him. But buzz, buzz! The bees crept under his veil and inside his gloves. They stung him on his fingers, his mouth, his ears, and the end of his nose, and he squealed and dropped the honey and ran. 

“Come back, come back!” the man called. 

“No, no!” Little Pig answered with a big squeal. “No, no, the bees hurt me!” 

The man nodded his head. “Of course they do,” he said. “They hurt me too! That is part of the work. You cannot be a beekeeper without getting stung.” 

Little Pig blinked his beady eyes and began to think hard. “It seems that every kind of work has something unpleasant about it. To play the violin you must practice until your arm aches. When you make cheese you dare not stop a minute until the work is done, and in taking honey from a hive the bees sting you until your head is on fire. Work in my garden is not so bad after all, and I am going back to it.” 

So he said good-by to the bee man and was soon back in his carrot patch. He hoed and raked and weeded, singing as he worked, and there was no more contented pig in all that kingdom. Every autumn he took his vegetables to the fair and brought home the royal prize, and sometimes, on holidays, the cat and the dog and the bee man came to call. 

************* 

The English philosopher and economist, John Stuart Mill probably said it best, "It is better to be a human being dissatisfied, than a pig satisfied." I still can't wait for the weather to warm up and melt the snow. In the meantime it's a great time to read and tell stories. 

 *************************** 

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."

 

Saturday, February 2, 2019

Fielde - A Dreadful Boar - Keeping the Public in Public Domain

Back at the end of 2018 I celebrated the regular New Year with a story, "Misapplied Wit", by today's author, Adele M. Fielde taking place during the New Year celebration.  I foolishly said "Stories about the New Year aren't plentiful.  This Chinese story mentions the New Year and I probably should save it for Chinese New Year, but you can always celebrate that with whatever celestial animal is the topic."

Yeahrightsure.

There are indeed lots of stories about pigs, but I wanted a Chinese story since this coming week is the start of the Chinese Lunar Year with all its celebrating and this year dedicated to the pig, or to be more precise the Brown Earth Pig, which also happens to be female.  Hunh?  To learn more than you probably want to know go to Chinese Fortune Calendar and wallow in the information.  That site has quite a bit to say about the coming lunar year and its timing, but the characteristics of the Pig are what I found most interesting.
Pig is the last animal sign of 12 Earthly Branches. Pig is in the Water group according to Chinese Five Element theory. Water is related to wisdom. Pig is connected to river or running water. Pig has wisdom, initiative and energy. Pig is not lazy. Pig Month is November, the first month of the winter. So Pig is the cold water in the winter. In Chinese I-Ching, Water is connected to the danger. When river water is overflowing, it might cause flooding. The sign of Pig is offensive and encroachment. Pig contains mainly Yang Water with some Yang Wood. Yang Wood is related to tall tree, landmark, boss or leader. The characteristics of Pig are kind, generous, magnanimous, warm-hearted and considerate with Leadership skill.
I have to say stories about pigs or even wild boars (today's story) are very hard to find in English stories with one notable exception.  At the risk of being a Bore, I'm going to talk about that exception after today's story.  In the same book as "Misapplied Wit", Chinese Fairy Tales, also known in an earlier edition as Chinese Nights' Entertainment, Fielde has a wild boar (with an "a") cause all manner of grief to a little old Chinese grandmother.  The old lady's crying shows what can happen if you keep asking for help.  The chaos that follows has been told in many forms in other cultures, but this version does it most thoroughly.
Don't cry; check out "Misapplied Wit"

It's commonly said there's "no use crying over spilled milk", but that old lady's tears were certainly worth crying.  O.k. she didn't get a Boar's Head dinner, but neither was her granddaughter Boar's dinner.

Now at the risk of boring you if you've never heard of the 16th century Chinese folk novel, Monkey or by its other name of Journey to the West, there is a famous Chinese pig character I would have liked to bring here.  Pigsy is a fellow traveler with Monkey in Wu Cheng 'en's folk novel, which has many translations, most notably by Arthur Waley, who abridged it mainly by omitting the poetry, leaving 30 of the 100 original episodes.  The name, Pigsy, is one of Waley's several renamings of the main characters.  As the study guide for Monkey:A Folk Novel of China, Gradesaver, says "It has been adapted numerous times -- in film, plays, anime, etc."

Gradesaver describes Pigsy as: Originally a marshal of the Heavenly armies, Pigsy was sent by Buddha to wait for Tripitaka and his disciples, and disguised himself as the wife of Blue Orchid. Rather unintelligent, upon his reincarnation, Pigsy accidentally took the wrong road and entered the womb of a sow, giving him his distinctive appearance. His weapon of choice is a nine-toothed rake; in addition, Pigsy can ride clouds, perform 36 transformations, and has a voracious appetite. He is also relentlessly teased by Monkey and seeks to revenge himself on these small offenses – but all of his plans backfire in some way.
In the end, Pigsy is also promoted to the status of Cleaner of Altars, which will give him the opportunity to eat all the offerings left by worshippers but not eaten by deities -- the perfect job for him. He is seen as accepting and optimistic, but rather pig-like in his lust, gluttony, and laziness.
Gradesaver also calls both Pigsy and another character, Sandy, "extensive dramatic irony in Monkey in the misunderstandings that occur between the four travelers and those who are there to help them, but appear to be monsters at first. "   For a slightly more earthy description of how he became a pig, and his bad behavior, go to Wikepedia's article on Journey to the West.  There are copies available at Internet Archive, some even in English, showing some of the range of versions.

Why am I mentioning all of this?  No, it's not today's story as I haven't found an English language version yet in Public Domain, but know graphic novels and Beijing Folk Opera productions loaded with fantastic gymnastics have brought this famous Chinese pig who traveled with Monkey plenty of attention.  I hope you also travel to see a performance of it sometime -- whatever lunar year it is.
Now for my usual "fine print" about Public Domain and resources I recommend online:
**************************************
This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  



At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.
       - World of Tales - http://www.worldoftales.com/ 
     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!