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Showing posts with label French folktales. Show all posts
Showing posts with label French folktales. Show all posts

Friday, June 12, 2026

Lang - Father Grumbler - Keeping the Public in Public Domain

Looking ahead to Father's Day, I think it should include a time to laugh at how awful fathers could be, but hopefully aren't. Andrew Lang in his Brown Fairy Book presented a French version that story aficionados will recognize as being in the tradition of the Norwegian story of "The Boy Who Went to the North Wind." In this case Father Grumbler deserves his less happy end.

FATHER GRUMBLER

Once upon a time there lived a man who had nearly as many children as there were sparrows in the garden. He had to work very hard all day to get them enough to eat, and was often tired and cross, and abused everything and everybody, so that people called him ‘Father Grumbler.’

By-and-by he grew weary of always working, and on Sundays he lay a long while in bed, instead of going to church. Then after a time he found it dull to sit so many hours by himself, thinking of nothing but how to pay the rent that was owing, and as the tavern across the road looked bright and cheerful, he walked in one day and sat down with his friends. ‘It was just to chase away Care,’ he said; but when he came out, hours and hours after, Care came out with him.

Father Grumbler entered his house feeling more dismal than when he left it, for he knew that he had wasted both his time and money.

‘I will go and see the Holy Man in the cave near the well,’ he said to himself, ‘and perhaps he can tell me why all the luck is for other people, and only misfortunes happen to me.’ And he set out at once for the cave.

It was a long way off, and the road led over mountains and through valleys; but at last he reached the cave where the Holy Man dwelt, and knocked at the door.

‘Who is there?’ asked a voice from within.

‘It is I, Holy Man, Father Grumbler, you know, who has as many children as sparrows in the garden.’

‘Well, and what is it that you want?’

‘I want to know why other people have all the luck, and only misfortunes happen to me!’

The Holy Man did not answer, but went into an inner cave, from which he came out bearing something in his hand. ‘Do you see this basket?’ said he. ‘It is a magical basket, and if you are hungry you have only got to say: “Little basket, little basket, do your duty,” and you will eat the best dinner you ever had in your life. But when you have had enough, be sure you don’t forget to cry out: “That will do for to-day.” Oh!—and one thing more—you need not show it to everybody and declare that I have given it to you. Do you understand?’

Father Grumbler was always accustomed to think of himself as so unlucky that he did not know whether the Holy Man was not playing a trick upon him; but he took the basket without being polite enough to say either ‘Thank you,’ or ‘Good-morning,’ and went away. However, he only waited till he was out of sight of the cave before he stooped down and whispered: ‘Little basket, little basket, do your duty.’

Now the basket had a lid, so that he could not see what was inside, but he heard quite clearly strange noises, as if a sort of scuffling was going on. Then the lid burst open, and a quantity of delicious little white rolls came tumbling out one after the other, followed by a stream of small fishes all ready cooked. What a quantity there were to be sure! The whole road was covered with them, and the banks on each side were beginning to disappear. Father Grumbler felt quite frightened at the torrent, but at last he remembered what the Holy Man had told him, and cried at the top of his voice: ‘Enough! enough! That will do for to-day!’ And the lid of the basket closed with a snap.

Father Grumbler sighed with relief and happiness as he looked around him, and sitting down on a heap of stones, he ate till he could eat no more. Trout, salmon, turbot, soles, and a hundred other fishes whose names he did not know, lay boiled, fried, and grilled within reach of his hands. As the Holy Man had said, he had never eaten such a dinner; still, when he had done, he shook his head, and grumbled; ‘Yes, there is plenty to eat, of course, but it only makes me thirsty, and there is not a drop to drink anywhere.’

Fish spill out of the magic basket

Yet, somehow, he could never tell why, he looked up and saw the tavern in front of him, which he thought was miles, and miles, and miles away.

‘Bring the best wine you have got, and two glasses, good mother,’ he said as he entered, ‘and if you are fond of fish there is enough here to feed the house. Only there is no need to chatter about it all over the place. You understand? Eh?’ And without waiting for an answer he whispered to the basket: ‘Little basket, little basket, do your duty.’ The innkeeper and his wife thought that their customer had gone suddenly mad, and watched him closely, ready to spring on him if he became violent; but both instinctively jumped backwards, nearly into the fire, as rolls and fishes of every kind came tumbling out of the basket, covering the tables and chairs and the floor, and even overflowing into the street.

‘Be quick, be quick, and pick them up,’ cried the man. ‘And if these are not enough, there are plenty more to be had for the asking.’

The innkeeper and his wife did not need telling twice. Down they went on their knees and gathered up everything they could lay hands on. But busy though they seemed, they found time to whisper to each other:

‘If we can only get hold of that basket it will make our fortune!’

So they began by inviting Father Grumbler to sit down to the table, and brought out the best wine in the cellar, hoping it might loosen his tongue. But Father Grumbler was wiser than they gave him credit for, and though they tried in all manner of ways to find out who had given him the basket, he put them off, and kept his secret to himself. Unluckily, though he did not speak, he did drink, and it was not long before he fell fast asleep. Then the woman fetched from her kitchen a basket, so like the magic one that no one, without looking very closely, could tell the difference, and placed it in Father Grumbler’s hand, while she hid the other carefully away.

It was dinner time when the man awoke, and, jumping up hastily, he set out for home, where he found all the children gathered round a basin of thin soup, and pushing their wooden bowls forward, hoping to have the first spoonful. Their father burst into the midst of them, bearing his basket, and crying:

‘Don’t spoil your appetites, children, with that stuff. Do you see this basket? Well, I have only got to say, “Little basket, little basket, do your duty,” and you will see what will happen. Now you shall say it instead of me, for a treat.’

The children, wondering and delighted, repeated the words, but nothing happened. Again and again they tried, but the basket was only a basket, with a few scales of fish sticking to the bottom, for the innkeeper’s wife had taken it to market the day before.

‘What is the matter with the thing?’ cried the father at last, snatching the basket from them, and turning it all over, grumbling and swearing while he did so, under the eyes of his astonished wife and children, who did not know whether to cry or to laugh.

‘It certainly smells of fish,’ he said, and then he stopped, for a sudden thought had come to him.

‘Suppose it is not mine at all; supposing—— Ah, the scoundrels!’

And without listening to his wife and children, who were frightened at his strange conduct and begged him to stay at home, he ran across to the tavern and burst open the door.

‘Can I do anything for you, Father Grumbler?’ asked the innkeeper’s wife in her softest voice.

‘I have taken the wrong basket—by mistake, of course,’ said he. ‘Here is yours, will you give me back my own?’

‘Why, what are you talking about?’ answered she. ‘You can see for yourself that there is no basket here.’

And though Father Grumbler did look, it was quite true that none was to be seen.

‘Come, take a glass to warm you this cold day,’ said the woman, who was anxious to keep him in a good  temper, and as this was an invitation Father Grumbler never refused, he tossed it off and left the house.

He took the road that led to the Holy Man’s cave, and made such haste that it was not long before he reached it.

‘Who is there?’ said a voice in answer to his knock.

‘It is me, it is me, Holy Man. You know quite well. Father Grumbler, who has as many children as sparrows in the garden.’

‘But, my good man, it was only yesterday that I gave you a handsome present.’

‘Yes, Holy Man, and here it is. But something has happened, I don’t know what, and it won’t work any more.’

‘Well, put it down. I will go and see if I can find anything for you.’

In a few minutes the Holy Man returned with a cock under his arm.

‘Listen to me,’ he said, ‘whenever you want money, you have only to say: “Show me what you can do, cock,” and you will see some wonderful things. But, remember, it is not necessary to let all the world into the secret.’

‘Oh no, Holy Man, I am not so foolish as that.’

‘Nor to tell everybody that I gave it to you,’ went on the Holy Man. ‘I have not got these treasures by the dozen.’

And without waiting for an answer he shut the door.

As before, the distance seemed to have wonderfully shortened, and in a moment the tavern rose up in front of Father Grumbler. Without stopping to think, he went straight in, and found the innkeeper’s wife in the kitchen making a cake.

‘Where have you come from, with that fine red cock in your basket,’ asked she, for the bird was so big that the lid would not shut down properly.

‘Oh, I come from a place where they don’t keep these things by the dozen,’ he replied, sitting down in front of the table.

The woman said no more, but set before him a bottle of his favourite wine, and soon he began to wish to display his prize.

‘Show me what you can do, cock,’ cried he. And the cock stood up and flapped his wings three times, crowing ‘coquerico’ with a voice like a trumpet, and at each crow there fell from his beak golden drops, and diamonds as large as peas.

The cock starts to crow

This time Father Grumbler did not invite the innkeeper’s wife to pick up his treasures, but put his own hat under the cock’s beak, so as to catch everything he let fall; and he did not see the husband and wife exchanging glances with each other which said, ‘That would be a splendid cock to put with our basket.’

‘Have another glass of wine?’ suggested the innkeeper, when they had finished admiring the beauty of the cock, for they pretended not to have seen the gold or the diamonds. And Father Grumbler, nothing loth, drank one glass after another, till his head fell forward on the table, and once more he was sound asleep. Then the woman gently coaxed the cock from the basket and carried it off to her own poultry yard, from which she brought one exactly like it, and popped it in its place.

Night was falling when the man awoke, and throwing proudly some grains of gold on the table to pay for the wine he had drunk, he tucked the cock comfortably into his basket and set out for home.

His wife and all the children were waiting for him at the door, and as soon as she caught sight of him she broke out:

‘You are a nice man to go wasting your time and your money drinking in that tavern, and leaving us to starve! Aren’t you ashamed of yourself?’

‘You don’t know what you are talking of,’ he answered. ‘Money? Why, I have gold and diamonds now, as much as I want. Do you see that cock? Well, you have only to say to him, “Show what you can do, cock,” and something splendid will happen.’

Neither wife nor children were inclined to put much faith in him after their last experience; however, they thought it was worth trying, and did as he told them. The cock flew round the room like a mad thing, and crowed till their heads nearly split with the noise; but no gold or diamonds dropped on the brick floor—not the tiniest grain of either.

Father Grumbler stared in silence for an instant, and then he began to swear so loudly that even his family, accustomed as they were to his language, wondered at him.

At last he grew a little quieter, but remained as puzzled as ever.

‘Can I have forgotten the words? But I know that was what he said! And I saw the diamonds with my own eyes!’ Then suddenly he seized the cock, shut it into the basket, and rushed out of the house.

The holy man gives the bag to Father Grumbler

His heavy wooden shoes clattered as he ran along the road, and he made such haste that the stars were only just beginning to come out when he reached the cave of the Holy Man.

‘Who is that knocking?’ asked a voice from within.

‘It is me! It is me! Holy Man! you know! Father——’

‘But, my good fellow, you really should give some one else a chance. This is the third time you have been—and at such an hour, too!’

‘Oh, yes, Holy Man, I know it is very late, but you will forgive me! It is your cock—there is something the matter. It is like the basket. Look!’

‘That my cock? That my basket? Somebody has played you a trick, my good man!’

‘A trick?’ repeated Father Grumbler, who began to understand what had happened. ‘Then it must have been those two——’

‘I warned you not to show them to anybody,’ said the Holy Man. ‘You deserve——but I will give you one more chance.’ And, turning, he unhooked something from the wall.

‘When you wish to dust your own jacket or those of your friends,’ he said, ‘you have only got to say, “Flack, flick, switch, be quick,” and you will see what happens. That is all I have to tell you.’ And, smiling to himself, the Holy Man pushed Father Grumbler out of the cave.

‘Ah, I understand now,’ muttered the good man, as he took the road home; ‘but I think I have got you two rascals!’ and he hurried on to the tavern with his basket under his arm, and the cock and the switch both inside.

‘Good evening, friends!’ he said, as he entered the inn. ‘I am very hungry, and should be glad if you would roast this cock for me as soon as possible. This cock and no other—mind what I say,’ he went on. ‘Oh, and another thing! You can light the fire with this basket. When you have done that I will show you something I have in my bag,’ and, as he spoke, he tried to imitate the smile that the Holy Man had given him.

These directions made the innkeeper’s wife very uneasy. However, she said nothing, and began to roast the cock, while her husband did his best to make the man sleepy with wine, but all in vain.

After dinner, which he did not eat without grumbling, for the cock was very tough, the man struck his hand on the table, and said: ‘Now listen to me. Go and fetch my cock and my basket, at once. Do you hear?’

‘Your cock, and your basket, Father Grumbler? But you have just——’

‘My cock and my basket!’ interrupted he. ‘And, if you are too deaf and too stupid to understand what that means, I have got something which may help to teach you.’ And opening the bag, he cried: ‘Flack! flick! switch, be quick.’

And flack! flick! like lightning a white switch sprang out of the bag, and gave such hearty blows to the innkeeper and his wife, and to Father Grumbler into the bargain, that they all jumped as high as feathers when a mattress is shaken.

‘Stop! stop! make it stop, and you shall have back your cock and basket,’ cried the man and his wife. And Father Grumbler, who had no wish to go on, called out between his hops: ‘Stop then, can’t you? That is enough for to-day!’

But the switch paid no attention, and dealt out its blows as before, and might have been dealing them to this day, if the Holy Man had not heard their cries and come to the rescue. ‘Into the bag, quick!’ said he, and the switch obeyed.

‘Now go and fetch me the cock and the basket,’ and the woman went without a word, and placed them on the table.

‘You have all got what you deserved,’ continued the Holy Man, ‘and I have no pity for any of you. I shall take my treasures home, and perhaps some day I may find a man who knows how to make the best of the chances that are given him. But that will never be you,’ he added, turning to Father Grumbler.

[From Contes Populaires.]

 ** "Father Grumbler" (originally known in French as Le Père Maréchal or similar regional variants) is a classic French conte populaire.This French version serves as a comedic moral fable about greed, foolishness, and poetic justice. It became widely known to English-speaking audiences after being collected and translated by Andrew Lang. Project Gutenberg offers two version of The Brown Fairy Book. One has no illustrations, but this used the "Numerous Illustrations by H. J. Ford." I think Ford's illustrations capture the fun lurking in this story.

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This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."

 

Friday, July 11, 2025

Jacobs - Reynard and Bruin - Keeping the Public in Public Domain

July truly is a month for nations celebrating, starting with Canada Day on the first, then our own 4th of July, and it's almost time for France to celebrate Bastille Day on the 14th. I went looking for something appropriately French and think Reynard the trickster fox deserves a storytelling visit. While the crafty fox stories did travel around Europe, the French liked him so well their word for "fox" became "Renard."

Joseph Jacobs was clearly taken with him and did an entire book, The Most Delectable History of Reynard the Fox .  Unlike much of Jacobs' work, it's too flowery and I don't find it tells well, although the adventures can be simplified and retold.  The year Jacobs died (1916) his final book, Europa's Fairy Book  -- sometimes called European Folk and Fairy Tales came out with a few easily retold adventures where the fox outwits the bear. It does, however, let this unrepentant trickster be appropriately punished. Jacobs long-time collaboration continued with illustrations by John D. Batten. I'll say a bit more about the sources after Reynard has his tale (or perhaps I should say "tail").

Reynard

REYNARD AND BRUIN

You must know that once upon a time Reynard the Fox and Bruin the Bear went into partnership and kept house together. Would you like to know the reason? Well, Reynard knew that Bruin had a beehive full of honeycomb, and that was what he wanted; but Bruin kept so close a guard upon his honey that Master Reynard didn't know how to get away from him and get hold of the honey. So one day he said to Bruin, "Pardner, I have to go and be gossip—that means god-father, you know—to one of my old friends." "Why, certainly," said Bruin. So off Reynard goes into the woods, and after a time he crept back and uncovered the beehive and had such a feast of honey. Then he went back to Bruin, who asked him what name had been given to the child. Reynard had forgotten all about the christening and could only say, "Just-begun." "What a funny name," said Master Bruin.

A little while after Reynard thought he would like another feast of honey. So he told Bruin that he had to go to another christening; and off he went. And when he came back and Bruin asked him what was the name given to the child Reynard said, "Half-eaten." The third time the same thing occurred, and this time the name given by Reynard to the child that didn't exist was "All-gone,"—you can guess why.

A short time afterwards Master Bruin thought he would like to eat up some of his honey and asked Reynard to come and join him in the feast. When they got to the beehive Bruin was so surprised to find that there was no honey left; and he turned round to Reynard and said, "Just-begun, Half-eaten, All-gone—so that is what you meant; you have eaten my honey." "Why no," said Reynard, "how could that be? I have never stirred from your side except when I went a-gossiping, and then I was far away from here. You must have eaten the honey yourself, perhaps when you were asleep; at any rate we can easily tell; let us lie down here in the sunshine, and if either of us has eaten the honey, the sun will soon sweat it out of us." No sooner said than done, and the two lay side by side in the sunshine. Soon Master Bruin commenced to doze, and Mr. Reynard took some honey from the hive and smeared it round Bruin's snout; then he woke him up and said, "See, the honey is oozing out of your snout; you must have eaten it when you were asleep."

Some time after this Reynard saw a man driving a cart full of fish, which made his mouth water. So he ran and he ran and he ran till he got far away in front of the cart and lay down in the road as still as if he were dead. When the man came up to him and saw him lying there dead, as he thought, he said to himself, "Why, that will make a beautiful red fox scarf and muff for my wife Ann." And he got down and seized hold of Reynard and threw him into the cart all along with the fish, and then he went driving on as before. Reynard began to throw the fish out till there were none left, and then he jumped out himself without the man noticing it, who drove up to his door and called out, "Ann, Ann, see what I have brought you." And when his wife came to the door she looked into the cart and said, "Why, there is nothing there."

Reynard in the meantime had brought all his fish together and began eating some when up comes Bruin and asked for a share. "No, no," said Reynard, "we only share food when we have shared work. I fished for these, you go and fish for others."

"Why, how could you fish for these? the water is all frozen over," said Bruin.

"I'll soon show you," said Reynard, and brought him down to the bank of the river, and pointed to a hole in the ice and said, "I put my tail in that, and the fish were so hungry I couldn't draw them up quick enough. Why do you not do the same?"

So Bruin put his tail down and waited and waited but no fish came. "Have patience, man," said Reynard; "as soon as one fish comes the rest will follow."

"Ah, I feel a bite," said Bruin, as the water commenced to freeze round his tail and caught it in the ice.

Bruin Gets a Beating

"Better wait till two or three have been caught and then you can catch three at a time. I'll go back and finish my lunch."

And with that Master Reynard trotted up to the man's wife and said to her, "Ma'am, there's a big black bear caught by the tail in the ice; you can do what you like with him." So the woman called her husband and they took big sticks and went down to the river and commenced whacking Bruin who, by this time, was fast in the ice. He pulled and he pulled and he pulled, till at last he got away leaving three quarters of his tail in the ice, and that is why bears have such short tails up to the present day.

Meanwhile Master Reynard was having a great time in the man's house, golloping everything he could find till the man and his wife came back and found him with his nose in the cream jug. As soon as he heard them come in he tried to get away, but not before the man had seized hold of the cream jug and thrown it at him, just catching him on the tail, and that is the reason why the tips of foxes' tails are cream white to this very day.

Bruin Carries Reynard

Well, Reynard crept home and found Bruin in such a state, who commenced to grumble and complain that it was all Reynard's fault that he had lost his tail. So Reynard pointed to his own tail and said, "Why, that's nothing; see my tail; they hit me so hard upon the head my brains fell out upon my tail. Oh, how bad I feel; won't you carry me to my little bed." So Bruin, who was a good-hearted soul, took him upon his back and rolled with him towards the house. And as he went on Reynard kept saying, "The sick carries the sound, the sick carries the sound."

"What's that you are saying?" asked Bruin.

"Oh, I have no brains left, I do not know what I am saying," said Reynard but kept on singing, "The sick carries the sound, ha, ha, the sick carries the sound."

Then Bruin knew that he had been done and threw Reynard down upon the ground, and would have eaten him up but that the fox slunk away and rushed into a briar bush. Bruin followed him closely into the briar bush and caught Reynard's hind leg in his mouth. Then Reynard called out, "That's right, you fool, bite the briar root, bite the briar root."

Bruin thinking that he was biting the briar root, let go Reynard's foot and snapped at the nearest briar root. "That's right, now you've got me,

don't hurt me too much,"

called out Reynard, and slunk away.

"Don't hurt me too much, don't hurt me too much."

When Bruin heard Reynard's voice dying away in the distance he knew that he had been done again, and that was the end of their partnership.

Some time after this a man was plowing in the field with his two oxen, who were very lazy that day. So the man called out at them, "Get a move on or I'll give you to the Bear"; and when they didn't quicken their pace he tried to frighten them by calling out, "Bear, Bear, come and take these lazy oxen." Sure enough, Bruin heard him and came out of the woods and said, "Here I am, give me the oxen, or else it'll be worse for you." The man was in despair but said, "Yes, yes, of course they are yours, but please let me finish my morning's plowing so I may finish this acre." Bruin could not say "No" to that, and sat down licking his chops and waiting for the oxen. The man went on plowing, thinking what he should do, when just at the corner of the field Reynard came up to him and said, "If you will give me two geese, I'll help you out of this fix and deliver the Bear into your hands." The man agreed and he told him what to do and went away into the woods. Soon after, the Bear and the man heard a noise like "Bow-wow, Bow-wow"; and the Bear came to the man and said, "What's that?" "Oh, that must be the lord's hounds out hunting for bears." "Hide me, hide me," said Bruin, "and I will let you off the oxen." Then Reynard called out from the wood, "What's that black thing you've got there?" And the Bear said, "Say it's the stump of a tree." So when the man had called this out to the Fox, Reynard called out, "Put it in the cart; fix it with the chain; cut off the boughs, and drive your axe into the stump." Then the Bear said to the man, "Pretend to do what he bids you; heave me into the cart; bind me with the chain; pretend to cut off the boughs, and drive the axe into the stump." So the man lifted Bruin into the cart, bound him with the chain, then cut off his limbs and buried the axe in his head.

Then Reynard came forward and asked for his reward, and the man went back to his house to get the pair of geese that he had promised.

"Wife, wife," he called out, as he neared the house, "get me a pair of geese, which I have promised the Fox for ridding me of the Bear."

"I can do better than that," said his wife Ann, and brought him out a bag with two struggling animals in it.

"Give these to Master Reynard," said she; "they will be geese enough for him." So the man took the bag and went down to the field and gave the bag to Reynard; but when he opened it out sprang two hounds, and he had great trouble in running away from them to his den.

When he got to his den the Fox asked each of his limbs, how they had helped him in his flight. His nose said, "I smelt the hounds"; his eyes said, "We looked for the shortest way"; his ears said, "We listened for the breathing of the hounds"; and his legs said, "We ran away with you." Then he asked his tail what it had done, and it said, "Why, I got caught in the bushes or made your leg stumble; that is all I could do." So, as a punishment, the Fox stuck his tail out of his den, and the hounds saw it and caught hold of it, and dragged the Fox out of his den by it and ate him all up. So that was the end of Master Reynard, and well he deserved it. Don't you think so?


Several familiar folktales were transformed into Reynard tales. The first is the Grimm collected tale of "The Cat and Mouse Who Shared a House." The story of why the bear is stumpy-tailed is a Norse tale that also traveled to Canada. Scholars have used it to show the Vikings did indeed land there because it is told by their First Nations. I don't know if Jacobs knew the story of "Br'er Rabbit in the Briar Patch", but it certainly fits Bear trying to get Reynard in the briar patch. As for the wife putting two dogs in a bag for Reynard, there probably are other stories using that, but it reminds me of the ending of "The Hobyahs."

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This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."

 

Friday, October 1, 2021

The Werewolf - Picard retelling Marie de France - Keeping the Public in Public Domain

I promised a werewolf tale to lead into October's spookiness and it's one I've long enjoyed telling to slightly older children through adults.  It's a story that was popular probably in both French and British courts.  Last week was an introduction to Marie de France, who has a thorough Wikipedia article, too.  Fortunately Barbara Leonie Picard has taken the Middle Ages verses and retold it in more standard story format.






NEXT WEEK'S ARTICLE WILL BE PUBLISHED EARLY FOR A SPECIAL REASON.

I plan to share other spooky stories throughout the month, so put on your sweater and brace yourself for the shivers!

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This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  



At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.
       - World of Tales - http://www.worldoftales.com/ 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.
     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!

Friday, September 24, 2021

The Woful Knight - Marie de France - Keeping the Public in Public Domain

HUZZAH!  It's the penultimate weekend (yeah, the next to the last) at the Michigan Renaissance Festival.

Photo by Pseudopanax at English Wikipedia

While it's not storytelling, I'm active with community theatre groups within half an hour from my home and two of them, Lakeland Players and Pontiac Theatre IV, annually take a weekend as a fundraiser and work the RenFest.  It's this weekend and I'll become a Wine Wench at the wine tasting booth this Sunday afternoon, so I'd love to see you there.

That made me think of a medieval author, Marie de France.  She wrote in French, which means I need to use translations.  Unfortunately I don't know of any recent translator who allowed their translation of her many tales to lapse into Public Domain by not renewing the copyright.  She wrote a most appropriate story about jousting.  The only version I could find was in a 1910 edition by Isabel Butler.  Butler titled it Tales from the Old French and I'll confess I stressed the word "Old" in the title as I really think Butler went out of her way to make her translation have an "antique" style.  I imagine she was also challenged by the originals being written in verse.  The intricate title page and initial letters opening each story are not credited to any illustrator which seems a shame.  Butler has a bit more to say about Marie de France, but the story deserves to be told first.  (Butler mentions a werewolf tale by Marie I plan to post next month in a modern retold Public Domain version.)

This story is a "lay" from a section of "lais" Butler groups together.  If you're wondering about that, it's an older use of the word meaning a ballad, melody or song.  Similarly "Woful" should be translated as it sounds: woeful.  The only other explanations you might want are place names and their residents. "Bretaigne" is the French word for the northwestern region of Brittany.  The Hainaulters (sometimes spelled without the "l") are from the north eastern part of France now on the French-Belgian border.

G

Gladly would I call to remembrance a lay whereof I have heard men speak; I will tell you its name and its story, and show you the city whence it sprang. Some call it The Woful Knight, but many there are who name it The Four Sorrows.

At Nantes in Bretaigne dwelt a lady who was rich in beauty and wisdom and all seemliness. And in that land was no knight of prowess who, and if he did but see her, straightway loved her not and besought her. She could in no wise love them all, yet none did she wish to renounce. And better it is to love and woo all the ladies of the land than to rob one fool of his motley, for he will speedily fall to fighting over it, whereas a lady doth pleasure to all in fair friendliness. And though it be not her will to hearken to them, yet ought she not to give them ill words, but rather hold them dear and honour them, and render them service and thanks. Now the lady of whom I would tell you was so besought in love by reason of her beauty and worth that many a one had a hand therein.

In Bretaigne, in those days, lived four barons; their names I cannot tell you, but though they were young of age, yet were they comely, brave, and valiant knights, generous, courteous, and free-handed; of gentle birth were they in that land, and held in high honour. These four loved the lady, and strove in well doing for her sake; and each did his uttermost to win her and her love. Each sought her by himself, and set thereto all his intent; and there was not one but thought to succeed above all the rest.

Now the lady was of right great discretion, and much bethought her to inquire and discover which it were best to love; for all alike were of such great worship that she knew not how to choose the best among them. And in that she was not minded to lose three for one, she made fair semblance to each, and gave them tokens, and sent them messengers; of the four not one knew how it stood with other, and none could she bring herself to reject. So each one hoped by entreaty and loyal service to speed better than the rest. And wheresoever knights come together, each wished to be the first in well doing, if that he might, to thereby please his lady. All alike called her their love, each one wore her favour, whether ring or sleeve or pennon, and each cried her name in the tourney.

And she on her part loved them all, and bore them all in hand, until it fell that after an Easter time, a tournament was cried before the city of Nantes. To learn the worth of the four lovers, many a man came from other lands,—Frenchmen and Normans, Flemings and Angevins, and men of Brabant, and of Boulogne, and likewise those from near at hand; all alike came thither with good will, and long time sojourned there. And on the evening of the tourney they joined battle full sharply.

The four lovers had armed themselves and issued out of the city: and though their knights followed after, on them fell the burden. Those from abroad knew [20] them by their pennons and shields, and against them they sent four knights, two Flemings and two Hainaulters, ready dight for the onset; not one but was keen to join battle. And the four lovers on their part, when they saw the knights come against them, were of no mind to give back. At full speed, with lowered lance, each man chooseth his fellow, and they come together so stoutly that the four out-landers are brought to ground. No care had the four comrades for the horses, rather they let them run free, and they took their stand above the fallen knights, who anon are rescued by their fellows. Great was the press in that rescue, and many a blow was struck with sword.

The lady, meantime, was on a tower, whence she might well behold her men and their followers; she seeth her lovers bear themselves right bravely, and which among them deserveth best she knoweth not.

So the tourney was begun, and the ranks increased and thickened; and many a time that day before the gate was the battle renewed. The four lovers did right valiantly, that they won praise above all the rest, till evening fell and it was time to dispart. Then far from their men, too recklessly they set their lives in jeopardy; dearly they paid for it, for there three were slain, and the fourth hurt and so wounded in thigh and body that the lance came out at his back. Right through were they smitten, and all four fell to ground. They who had slain them threw down their shields upon the field; unwittingly had they done it, and right heavy were they therefor. So the noise arose and the cry; never was sorrow heard like unto that. They of the city hasted thither, for no whit did they fear those outlanders. Two thousand were there that for sorrow for the four knights unlaced their ventails, and tore their hair and their beards. All alike shared that grief.

Then each of those four was laid upon a shield, and carried into the city to the lady who had loved them, and so soon as she heard the adventure, she fell down on the hard ground in a swoon. When she recovered her wit, she made sore lament for each by name. "Alas," saith she, "what shall I do? Never more shall I know gladness. These four knights I loved, and each by himself I desired, for of great worship were they, and they loved me more than aught else that liveth. By reason of their beauty and prowess, their valour and generosity, I led them to set their thoughts on love of me, and I would not lose all three by taking one. Now I know not which I should pity most; yet can I not feign or disemble herein. One I see wounded and three slain; nothing have I in the world to comfort me. Now will I let bury the dead; and if the wounded knight may be healed, gladly will I do what I may herein, and fetch him good doctors of physic." So she made him be carried into her own chambers. Then she directed that the others be made ready; richly and nobly she appareled them with great love. And to a rich abbey, wherein they were buried, she made great gifts and offerings. Now may God grant them sweet mercy.

Meantime she had summoned wise leeches, and had set them in charge of the knight, who lay wounded in her own chamber until he began to mend. Often she went to see him, and sweetly she comforted him; but much she regretted the other three, and made great lament for them.

And one summer day after meat, when she was talking with the knight, she remembered her of her great sorrow, and bent low her head. So she fell deep in thought, and he, beginning to watch her, perceived her thoughtfulness. Courteously he addressed her: "Lady, you are in distress. What is in your thoughts? Tell me, and let be your sorrow. Surely you should take comfort." "Friend," saith she, "I fell a-thinking, and remembered me of your comrades. Never will any lady of my lineage, however fair and worthy and wise she may be, love another such four, or in one day lose them all, as I lost all,—save you alone, who were wounded and in sore jeopardy of death. And in that I have so loved ye four, I would that my griefs were held in remembrance, wherefore of you I will make a lay, and call it The Four Sorrows." When he had heard her, quickly the knight made answer: "Dame, make the new lay, but call it The Woful Knight. And I will show you why it should be so named: the other three long since died, and spent all their worldly life in the great torment they endured by reason of the love they bore you. But I, who have escaped with life, all uncounselled and all woful, often see her whom I love most in the world come and go, and speak to me morning and evening, yet may I have neither kiss nor embrace, nor any joy of her, save that of speech only. A hundred such sorrows you make me endure; rather had I suffer death. For this reason shall the lay be named for me; The Woful Knight shall it be called, and whosoever termeth it The Four Sorrows will change its true name." "By my faith," saith she, "this pleaseth me well; now let us call it The Woful Knight."

Thus was the lay begun, and thereafter ended and spread abroad; but of those that carried it through the land some called it The Four Sorrows. Each of the names suiteth the lay well, for the matter demandeth both; but commonly it is called The Woful Knight. Here it endeth and goeth no farther; more there is not so far as I have heard or known, and no more will I tell you.

***

In her Epilogue, Butler gives some background on Marie de France I think is worth knowing: 

The lais, like the romances to which they are close akin, belong to the courtly literature of the time and found their audience in hall and castle. Denis Pyramus, a contemporary, in writing of Marie de France, tells us her lays were "beloved and held right dear by counts and barons and knights," and that "ladies likewise took great joy and delight in them." Like the romances which they helped to foster and which superseded them, the lays tell of love and adventure, of enchantment and strange happenings. In them side by side with the knights and squires and ladies move fays and giants and werewolves. Their material is that of folklore and fairy-tale. A knight hunting in the lande adventureuse meets a maiden in the forest who leads him to a castle with green walls and shining towers. There he spends three days, and when he would return home again, learns that three hundred years have gone by, that the king, his uncle is dead and his cities have fallen, and there lingers but a legend of the king's nephew who went out to hunt the white boar and was lost in the forest. Often in such lays the old fairy-tale simplicity, its matter-of-fact narration of the marvellous survives; and yet in their somewhat spare brevity they have a grace and charm that lets one feel the beauty, the wonder, or the tragedy of the story.

But the interest in the lays is not always that of the land of faery; sometimes it is human enough, as in The Two Lovers where, despite the old-time test and the magic potion, our delight is all in the maid and the damoiseau "who hath in him no measure." Sometimes, as in Eliduc, we find old, rude material—here a primitive Celtic tale of a man with two wives ill cloaked by its additions of mediæval Christianity—retold with a strange gentleness and sweetness, and turned at moments into a story of emotion and scruple.

Both types occur in the lays of Marie de France,—the best that have come down to us. Besides her lays she versified a collection of fables, Isopet, and translated from the Latin The Purgatory of Saint Patrick,—one of those other-world journeys that preceded the Divine Comedy. Yet apart from her works we have no record of her life. She herself in the prologue of her fables, tells her name: "I am called Marie, and I am of France"; but that is all, and it is only the internal evidence of her writings, their Anglo-Norman dialect, and a few chance hints and phrases that have made scholars decide that she was a Norman, or from that part of the Isle de France which borders upon Normandy, that she lived and wrote in England in the second half of the twelfth century, and that the unnamed king to whom she dedicated the lays was Henry II.

Marie makes no claim to originality of theme; in her prologues she tells us she is but rhyming anew the stories "whereof the Bretons have made lays."

It's almost October, such a spooky month for storytelling and I plan to open with Marie de France's werewolf tale made her own by another author, Barbara Leonie Picard.

******************

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  



At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.
       - World of Tales - http://www.worldoftales.com/ 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.
     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!

Saturday, September 9, 2017

D'Aulnoy - The White Cat - Keeping the Public in Public Domain

What about wearing white after Labor Day?  Google "Why no wearing white after Labor Day?" and take your pick of sites for an answer taking you back to Turn of the Twentieth Century fashion snobs  and how the rule taught Baby Boomers and earlier has ended.  (Personally I like Huffington Post's article, tongue firmly in cheek, saying "19 Reasons You Really Shouldn't Wear White After Labor Day", then shows each "reason" being broken.)  I wear white these days because my husky/malamute mix (Malamutt) is shedding to get his old white undercoat out and the new winter layer in. 
The two breeds and their Samoyed cousins are so notorious for this you can find tons of products and online images. It's only one of the reasons I worried when I heard huskies and malamutes are becoming popular with Game of Thrones fans seeking their own "direwolves."  That link gives reasons why this is a mistake.  Shedding is the least of it.  They're pack animals, probably the closest to their wolf ancestors in personality, and notoriously difficult to train for anything but what they consider important.  I always tell people expressing an interest in having one: Don't make this your first dog!  

Those of us who love them, however, will do all we can to take care of them and enjoy them, such as

Lois: This is one brushing.  There's always MORE!
What does this have to do with today's story of The White Cat?  Some take their dog's fur and have it spun into woolen clothing as this undercoat is described as cashmere-like.  (By the way, NEVER shave a husky except in medical emergencies, to avoid permanent damage. ) So let's spin a white furry tail, er tale definitely rivaling the better known Beauty and the Beast.

There are many version of Madame La Comtesse D'Aulnoy's story.  It and "The Blue Bird" are probably her best known fairy tales, but Wikipedia warns "These stories were far from suitable for children and many English adaptations are very dissimilar to the original."  I'm only delving into those Public Domain English versions.

My Book of Favourite Fairy Tales edited by Edric Vredenburg and illustrated by Jennie Harbour has illustrations I will insert into the story, captioned Harbour.  They opened their version with a graphic explanation of the "wooden horse" the White Cat gives the prince.  I found it helpful to see.
The 1915 reference book, Index to Fairy Tales, Myths and Legends lists 27 books with the story.  It's not surprising since this story was first published in French in 1698 and in English in 1892 in  The Fairy Tales of Madame d'Aulnoy, Newly Done Into English edited by Anne Thackeray Ritchie (this tale was translated there by "Miss Lee" and "The moralising verses at the end of each story have been omitted.")  The book was illustrated by Clinton Peters and will be captioned Peters here.  Ritchie's opening comments on Madame d'Aulnoy are far more thorough than Wikipedia including way beyond the "few lines of preface" Ritchie says she was asked to write.

I'm not using Ritchie's version.  I own quite a few of the 27 books with the story and chose the adapted version by Carolyn Sherwin Bailey as the book, In the Animal World, reproduces well and frankly the story's length needs adaptation here.  I'll insert illustrations from both Harbour and Peters.  Bailey omits something I consider vital to the story at the very end.  I will give it there.

I would have liked to use the Rachel Field version, but it's still under copyright from 1928 (see my comments after today's story when I talk about Public Domain).  Not only does it tell well, but the illustrations by Elizabeth MacKinstry are perfect! 

It's possible you may be able to find it at your local library or buy a copy from a used book source.  Another possibility is this link:
The White Cat And Other Old French Fairy Tales arranged by Rachel Field and drawn by E. MacKinstry (MacMillan Company 1928) as it may be found at Hathi Trust Digital Library copied from the University of Michigan.

Now let's see why this classic tale deserves attention.

(Harbour)


(Peters)
(Peters)
(Harbour)





There are a few things omitted in that version and the following illustrations also show their importance.  Bailey's version doesn't tell how she became a White Cat.  Vredenburg also omits it and even the beheading/tail removal, having the Prince take a crystal rock with a White Cat inside which shatters before the old King and she appears.  Explaining only she is heir to six kingdoms, she gives one each to the King and other Princes, saving three for herself and her new husband, our Prince.  Andrew Lang's The Blue Fairy Book is closer to retelling Ritchie's version.  It's long and would be best summarized in re-telling, but I believe "the rest of the story" at least needs to be known.

(Peters)
(Peters)
O.k. it's long, but needed in my storyteller's opinion.  This is why some believe in taking at least three versions of a tale and making it your own.  Personally I think the White Cat, besides being less familiar than Beauty and the Beast, is a much better story.  So whether you enjoy the shake of a cat's tail
or a return to my canine analogy
May the magic of joy and love come to you in stories.
*************
This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  



At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
 
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ and put in http://www.story-lovers.com/ in the search box.  I recommend using the latest "snapshot" on November 2016
       - World of Tales - http://www.worldoftales.com/ 
   
    You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  For an example of using the "Wayback Machine", list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is gone, but using the Wayback Machine you can still see it.  At the Wayback Machine I put in his site's address, then chose 2006 since it was a later year and clicked until I reached the Library at http://www.pjtss.net/library/.  
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!