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Showing posts with label Carl Sandburg. Show all posts
Showing posts with label Carl Sandburg. Show all posts

Friday, March 27, 2026

Sandburg - Pig Wisps - Keeping the Public in Public Domain

Before we leave "March is Reading Month" I want to have a bit of fun with the alphabet which our reading needs. Carl Sandburg wrote not one, not two, but three stories about "the Letter X and How It Got into the Alphabet." My favorite of the three is "Pig Wisps."

ILLUSTRATION BY MAUD AND MISKA PETERSHAM

Just as the concept of leaving out the letter X is fanciful, Project Gutenberg describes Rootabaga Pigeons, the book where it appears, as "a whimsical collection of children's stories." It concludes by saying "The stories are rich with imaginative details, capturing the essence of childhood curiosity and the power of storytelling."

Normally I suggest retelling literary stories to make them more tellable, but with a fanciful poet like Sandburg the language is an important part of the fun! (Project Gutenberg has both Rootabaga Pigeons and the earlier Rootabaga Stories.) Both were "Originally created for Sandburg's own daughters", so don't let the whimsy keep you from enjoying it with or without an audience!

Pig Wisps

There was an oyster king far in the south who knew how to open oysters and pick out the pearls.

He grew rich and all kinds of money came rolling in on him because he was a great oyster opener and knew how to pick out the pearls.

The son of this oyster king was named Shovel Ears. And it was hard for him to remember.

“He knows how to open oysters but he forgets to pick out the pearls,” said the father of Shovel Ears.

“He is learning to remember worse and worse and to forget better and better,” said the father of Shovel Ears.

Now in that same place far in the south was a little girl with two braids of hair twisted down her back and a face saying, “Here we come—where from?”

And her mother called her Pig Wisps.

Twice a week Pig Wisps ran to the butcher shop for a soup bone. Before starting she crossed her fingers and then the whole way to the butcher shop kept her fingers crossed.

If she met any playmates and they asked her to stop and play cross-tag or jackstones or all-around-the-mulberry-bush or the-green-grass-grew-all-around or drop-the-handkerchief, she told them, “My fingers are crossed and I am running to the butcher shop for a soup bone.”

One morning running to the butcher shop she bumped into a big queer boy and bumped him flat on the sidewalk.

“Did you look where you were running?” she asked him.

“I forgot again,” said Shovel Ears. “I remember worse and worse. I forget better and better.”

“Cross your fingers like this,” said Pig Wisps, showing him how.

He ran to the butcher shop with her, watching her keep her fingers crossed till the butcher gave her the soup bone.

“After I get it then the soup bone reminds me to go home with it,” she told him. “But until I get the soup bone I keep my fingers crossed.”

Shovel Ears went to his father and began helping his father open oysters. And Shovel Ears kept his fingers crossed to remind him to pick out the pearls.

He picked a hundred buckets of pearls the first day and brought his father the longest slippery, shining rope of pearls ever seen in that oyster country.

“How do you do it?” his father asked.

“It is the crossed fingers—like this,” said Shovel Ears, crossing his fingers like the letter X. “This is the way to remember better and forget worse.”

It was then the oyster king went and told the men who change the alphabets just what happened.

When the men who change the alphabets heard just what happened, they decided to put in a new letter, the letter X, near the end of the alphabet, the sign of the crossed fingers.

On the wedding day of Pig Wisps and Shovel Ears, the men who change the alphabets all came to the wedding, with their fingers crossed.

Pig Wisps and Shovel Ears stood up to be married. They crossed their fingers. They told each other other they would remember their promises.

And Pig Wisps had two ropes of pearls twisted down her back and a sweet young face saying, “Here we come—where from?”

***

So did you cross your fingers?

Now just for fun grab a book and try reading it without the letter X!

**************

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."


 

Saturday, January 19, 2019

Sandburg - ...Jason Squiff & Why He Had a Popcorn... - Keeping the Public in Public Domain

I'm an addict. . .
a POPCORN addict.
January 19 is National Popcorn Day and I need to tell both my own story and some related much loved nonsense from Carl Sandburg.

I grew up in St. Louis and my parents lived in the Tivoli Theatre Apartments over the theater and my dad's store was in the building, too.  The apartments were supposed to be for adults only, but, since they already lived there, I was able to be there, too.  Shortly before starting kindergarten they bought a house and we moved out, but my dad's store meant I still was there a lot.  I was the unofficial theater mascot able to see all the areas of the theater, back behind the screen, the projection area, but also, any time I wanted, I was welcome to have all the day-old popcorn I wanted.  I definitely wanted it.  To this day I'm an addict unable to resist the smell.  Remember when Sears stores used to have popcorn machines at the entrance?  I do.  I also remember having the last bit of the flu and smelling it there, wanting it so badly.  That's probably one of the few times I resisted my addiction.  Love it! ! !

Last week I gave a story here that had just become Public Domain, from Carl Sandburg's Rootabaga Pigeons.  As I said then, I've loved that particular story for years and have wanted to tell it.  I became so excited I accidentally hit Publish too soon and so the story of "Deep Red Roses..." appeared right away, even though I "edited" it to have the right date.  Today I'm just as excited, but will try to hold my popcorn addiction in check.  Rootabaga Stories squeaked into Public Domain before the shutdown and I recommend following the Sandburg link beyond last week's story and go down to my April 9, 2016 article for more about the reason he was part of the copyright extension.

If you think last week's story had a long title, today's is even a bit longer: The Story of Jason Squiff and Why He Had a Popcorn Hat, Popcorn Mittens and Popcorn Shoes.  Truly a story for popcorn addicts.  It's the middle of a trilogy of stories in the Rootabaga Stories, so I should probably give it a bit of introduction. 
Sandburg makes full use of his "poetic license" in the Rootabaga books with nonsense written for his daughters that deserves to be read aloud for full appreciation.  That first story of Blixie Bimber introduces us to the "gold buckskin whincher" and its strange powers.  "What is a gold buckskin whincher?" your logical mind probably wonders and with good reason for it's found only in Sandburg's tales.  I looked, just in case.  The recent children's production of a musical called "Rootabaga! A MusiCarl" had the reviewer ask that same question and answer it as "a charm with magical powers."  The reviewer admits
The language of the show can also be a challenge, given its nonsensical nature, and at times I had difficulty understanding words and phrases. But, the nonsensical aspect of the play is ideal for younger kids who will find humor in the rhymes and rhythms and not be bothered by the non-linear storyline.
She specifically mentions Blixie and that gold buckskin whincher.  She omits the way the letter "X" is important to the story.  In Blixie's adventure she loses the gold buckskin whincher after it plays havoc with her dating life.  Jason Squiff, on the other hand, has a totally different adventure because of the letter "Q."

The only other thing I probably should explain, for an audience unfamiliar with the concept of a cistern, is it's a waterproof storage area for water, often rainwater.  Remember the musical The Music Man's song "Trouble" about the problem of "your parents are caught with the cistern empty on a Saturday night"?  Jason is a cistern cleaner and would agree.

 
I admit cistern-flavored popcorn could probably be resisted even by this popcorn addict.  Here's a further bit of personal story about my addiction to popcorn.  A great many years later I saw the refreshment stand in Heman Park still has the sign: Mustard on Popcorn 5 Cents Extra!  Yes, I'm the reason for that sign originating with my own childhood adventures there.

Of course that gold buckskin whincher is on to yet another adventure.
Whether your name has an X, Q, or a K in it or not, may you enjoy discovering the nonsensical side of Carl Sandburg now that we can Keep the Public in Public Domain for his stories.
*******************************
This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  



At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.
       - World of Tales - http://www.worldoftales.com/ 
     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!

Saturday, January 12, 2019

Sandburg - How Deep Red Roses Goes Back and Forth... - Keeping the Public in Public Domain

INDECISION!

We all have it at times.  For years I've loved and wanted to tell this story about indecision, but, unlike the earlier posting of a story from the companion book, Rootabaga Stories, today's anthology, Rootabaga Pigeons, has finally entered the Public Domain.  The author, Carl Sandburg, even played a role in how soon stories entered the Public Domain.  There were good reasons for that initial delay.   That doesn't sound like my usual rant on the delay of 20th century material.  Go to that link on Sandburg here to see that story and also why I understand the initial (but do not support the more recent) delay in releasing works into the Public Domain.

Beyond all of that, it is finally time to enjoy a story that sticks in my mind, especially when Indecision arises, and seems appropriate to the indecision changing Public Domain.


The story has a "frame" about the telling of the story.  That is omitted here, but I do open and close with the delightful illustrations by Maud and Miska Petersham.  They are the original illustrators of both Rootabaga Stories and Rootabaga Pigeons, but they also have illustrated not only work by others, but also books of their own and I recommend them highly.  The Wikipedia link I gave under their name says they "were American writers and illustrators who helped set the direction for illustrated children's books as known today."  Talking further about their work, the article says "many were recognized with important awards or critical acclaim. They are known for technical excellence, exuberant color, and the introduction of international folk and modernist themes."



************************** (The fine print for finding even more Public Domain stories)
This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  



At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.
       - World of Tales - http://www.worldoftales.com/ 
     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!

Thursday, April 14, 2016

Digging up Carl Sandburg's Rootabagas

Wanted to give an update, but last week's article was already long and this might be missed there.

Story title illustration by Maud and Miska Petersham in Rootabaga Stories
I love the old Maud and Miska Petersham drawings in the original Rootabaga Stories and Rootabaga Pigeons, but know today's children also love their picture books to lure them into the verbal play of Carl Sandburg.  This is why I recommend the book illustrated by Harriet Pincus with so many delightful pictures. 
The few illustrations in the original Rootabaga Stories and Rootabaga Pigeons are great for later when readers can let their attention be held just by the words.  For the in-between stage, just a bit past one story with lots of pictures, but still needing more than in the Petersham version, I recommend Michael Hague's two volumes of Rootabaga Stories.  I generally find myself enjoying his work because he, too, has a tendency to love children's Public Domain fantasies.  He has a wonderful style when giving them added illustrations.  At an article at Embracing the Child  he calls himself "one of the most fortunate of beings. For as an artist I have not only the pleasure but the duty to daydream. It is part of my work." 
and
--  the fine print on those two book covers say they are Part One and Part Two.

Ages ago I saw
and confess to not paying nearly enough attention to it.  Somehow I missed an important fact: it wasn't yet another volume of those earlier stories.  According to its introduction by Sandburg scholar George Hendrick, Sandburg wrote dozens more Rootabaga stories that remained unpublished.  In More Rootabagas Hendrick selected ten that "most reflect Sandburg's incomparable storytelling magic" while using the two earlier books favorite characters and places.  In addition reviewers raved about Zelinsky's own playful style of artwork.

Those stories, and not just Zelinsky's artwork, are now under a horribly long copyright since they were published in 1993.  Because the work was created before 1978, but never published or registered as of that date, its copyright will not expire before December 31, 2047.

For the other "dozens more that remained unpublished", as well as for the Hendrick/Zelinsky book, I went to the calculator I recommended at Public Domain Sherpa and learned, if neither Hendrick nor Zelinsky or anybody else publishes them, some storyteller scholar can enjoy telling them publicly in 2038.  Normally I wouldn't hope researchers ignored something this wonderful, but getting them ten years sooner might actually let me tell them before I die.

All of this is why I get out my soapbox and start to rant about the insanity copyright has become.  This article is intended as an Update, but I want to repeat a recommendation to read the Washington Post's very detailed article by Timothy B. Lee, which points out there are more books available from the 1880s than the 1980s and "the 1976 and 1998 extensions have deprived a generation of readers of easy access to books from the 1920s, 1930s, 1940s and 1950s."  I recommend it because I'm sure he's correct to warn us those same corporate interests behind the 1998 extension can be expected to mount a campaign to extend it even further in the next few years.

Saturday, April 9, 2016

Sandburg - Wedding Procession of the Rag Doll... - Keeping the Public in Public Domain

Because spring weather is by its nature indecisive, I wanted to bring my favorite story about the epitome of indecision, Carl Sandburg's "How Deep Red Roses Goes Back and Forth Between the Clock and the Looking Glass" from Rootabaga Pigeons.  Instead I'm offering a story from Rootabaga Stories, copyrighted only one year earlier as 1922 and earlier wasn't affected by an extension of copyright law forcing us to wait until January 1, 2019 for it to enter Public Domain.  It was a favorite when my daughters were picture book age and I'm sure helped one of them love words enough to become a writer.  I'll say more later about why Carl Sandburg's Rootabaga Stories is Public Domain and how the book changed copyright law after today's story, "The Wedding Procession of the Rag Doll and the Broom Handle and Who Was in It."  Then I'll tell how books entering Public Domain could become even worse.

The picture book version, illustrated by Harriet Pincus is not Public Domain, but, like the many other websites showing it, I believe the cover advertising her wonderful work is considered acceptable use.  Harcourt, Brace, and World (now HBJ as World became Jovanovich) published it in 1967.  I'll also say a bit later about Ms. Pincus, as her artwork definitely adds to the fun of Sandburg's story.

This version has the original illustrations by the Petershams.  Since there are fewer of them it probably doesn't hurt to remind you this is a poet playing with nonsense sounds for his two daughters, Spink and Skabootch (Margaret and Janet).  By the next book he dedicated it to Three Illinois Pigeons as Helga, a.k.a. Swipes, had joined them.  The girls were each five years apart in age.  Stories in both books are best enjoyed by reading them out loud!

So who was your favorite?  I love the way the Dirty Bibs " "looked around and laughed and looked around and laughed again."  Still I probably would have been with the Chocolate Chins with the "chocolate...slippery and slickered all over their chins."

I hope you were able to picture it all, but still I want to suggest looking up the picture book version of today's story.  When I learned the artist, Harriet Pincus, was born in 1938 I knew the picture book illustrations were still in copyright, but then I learned more about her and want to mention it.  Like many artists she started young, wanting to be an artist in fourth grade, when she officially became the class artist. However when she was sixteen polio completely paralyzed her, confining her to an iron lung for two years.  Fortunately, when she was released from the hospital, her physical therapy helped her continue drawing and painting, even though she was in a wheelchair for the rest of her life.  The Wedding Procession of the Rag Doll and Broom Handle and Who Was in It was her first illustrated book and she really captured the fun of the procession.  She continued to illustrate other books, including writing and illustrating her own book, Minna and Pippin (1972).  For more about her, if you can still find a library housing the many volumes of Something About the Author, check vol. 27, pp. 164-165, although it was written before her later death from complications from her polio in 2001.
from the frontispiece of the original 
book

By all means look up Rootabaga Stories available from Project Gutenberg or Google.  It even includes the original illustrations by Maud and Miska Petersham. There's a Wikipedia article about it telling you how the stories were written for the poet's daughters and why he created a MidWestern land for his American Fairytales instead of the usual world of European royalty.  That article also let me know about a little known volume of Rootabaga stories called Potato Face published in 1930.

Nowhere did I find online verification of a story I heard about copyright and Sandburg causing the extension to a total of 95 years if written from 1923-63 and renewed. I was told it was to care for his disabled daughter, who must have been Janet. She died in 2001 at age 84, which means the 95 year extension would have covered her until she turned 101.  I've no objection to that coverage for an author and his immediate heirs.  The biggest problem with that change in the copyright law was learning if those works were renewed.

Unfortunately for future lovers of Public Domain, with the most recent copyright law, before Public Domain status can be confirmed, the author's date of death must be determined.  Good luck with less well known authors!  From 1978 on, the U.S. current copyright law adds 70 years from the author's death.  Carl Sandburg died in 1967 when even renewal was automatic, so all his work comes under the maximum of the 95 years from publication.  If he had been alive and had written Rootabaga Pigeons from 1978 on the copyright law would have added 70 years after his death.  That wouldn't include 1967, but if that version of the law had been in effect, it would have pushed his Public Domain to 2033.  Let's take an author dying in 1978, his works won't enter until 2048.  You can see why this is pushing Public Domain into nearly non-existence.

The current copyright law is going to see the first of those 1923-63 copyrights start to expire including Rootabaga Pigeons.  Already opposition to pushing Public Domain even further away has begun.  The most recent law is often called the Sonny Bono law or the Mickey Mouse law as Bono promoted it to keep in copyright Mickey Mouse (and many other movies and music from the first half of the twentieth century).  All  were about to enter the Public Domain.  Currently many copyrights extend more than a century.  With those 1923 titles about to enter Public Domain, once again Hollywood and the music industry are sure to work to maintain corporate copyrights.  The Washington Post has a very detailed article by Timothy B. Lee, which points out there are more books available from the 1880s than the 1980s and "the 1976 and 1998 extensions have deprived a generation of readers of easy access to books from the 1920s, 1930s, 1940s and 1950s."  (That article has numerous ads and pictures, stay with it and that quote is the end of the article.)

In the meantime many people find the issue of Public Domain confusing, so I recommend Public Domain Sherpa as your guide when you try to climb the mountainous terrain of copyright and I especially suggest their useful calculator.  As a perfect example of its value, I put in Rootabaga Pigeons fully expecting it to become available in 2018...WRONG!  It becomes available January 1, 2019 after serving its final year of being locked up.

So please keep your ears and eyes alert for this issue to return to Congress.  Hollywood and the music publishers won't easily give up income from their classic productions.
***********
This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.  
 


There are many online resources for Public Domain stories, none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I recommended it earlier and want to continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so one can search the whole 6 volumes for whatever word or expression he likes by pressing one key. http://folkmasa.org/motiv/motif.htm

He also loaded to his server the doctorate thesis of Prof. Dov Noy (Neunan) "Motif-index of Talmudic-Midrahic literature" Indiana University, 1954, as a PDF file.
in the hope that some of you would make use of it.

You can see why that is a site I recommend to you.

Have fun discovering even more stories!