The picture book version, illustrated by Harriet Pincus is not Public Domain, but, like the many other websites showing it, I believe the cover advertising her wonderful work is considered acceptable use. Harcourt, Brace, and World (now HBJ as World became Jovanovich) published it in 1967. I'll also say a bit later about Ms. Pincus, as her artwork definitely adds to the fun of Sandburg's story.
This version has the original illustrations by the Petershams. Since there are fewer of them it probably doesn't hurt to remind you this is a poet playing with nonsense sounds for his two daughters, Spink and Skabootch (Margaret and Janet). By the next book he dedicated it to Three Illinois Pigeons as Helga, a.k.a. Swipes, had joined them. The girls were each five years apart in age. Stories in both books are best enjoyed by reading them out loud!
I hope you were able to picture it all, but still
|from the frontispiece of the original||book|
Nowhere did I find online verification of a story I heard about copyright and Sandburg causing the extension to a total of 95 years if written from 1923-63 and renewed. I was told it was to care for his disabled daughter, who must have been Janet. She died in 2001 at age 84, which means the 95 year extension would have covered her until she turned 101. I've no objection to that coverage for an author and his immediate heirs. The biggest problem with that change in the copyright law was learning if those works were renewed.
Unfortunately for future lovers of Public Domain, with the most recent copyright law, before Public Domain status can be confirmed, the author's date of death must be determined. Good luck with less well known authors! From 1978 on, the U.S. current copyright law adds 70 years from the author's death. Carl Sandburg died in 1967 when even renewal was automatic, so all his work comes under the maximum of the 95 years from publication. If he had been alive and had written Rootabaga Pigeons from 1978 on the copyright law would have added 70 years after his death. That wouldn't include 1967, but if that version of the law had been in effect, it would have pushed his Public Domain to 2033. Let's take an author dying in 1978, his works won't enter until 2048. You can see why this is pushing Public Domain into nearly non-existence.
The current copyright law is going to see the first of those 1923-63 copyrights start to expire including Rootabaga Pigeons. Already opposition to pushing Public Domain even further away has begun. The most recent law is often called the Sonny Bono law or the Mickey Mouse law as Bono promoted it to keep in copyright Mickey Mouse (and many other movies and music from the first half of the twentieth century). All were about to enter the Public Domain. Currently many copyrights extend more than a century. With those 1923 titles about to enter Public Domain, once again Hollywood and the music industry are sure to work to maintain corporate copyrights. The Washington Post has a very detailed article by Timothy B. Lee, which points out there are more books available from the 1880s than the 1980s and "the 1976 and 1998 extensions have deprived a generation of readers of easy access to books from the 1920s, 1930s, 1940s and 1950s." (That article has numerous ads and pictures, stay with it and that quote is the end of the article.)
In the meantime many people find the issue of Public Domain confusing, so I recommend Public Domain Sherpa as your guide when you try to climb the mountainous terrain of copyright and I especially suggest their useful calculator. As a perfect example of its value, I put in Rootabaga Pigeons fully expecting it to become available in 2018...WRONG! It becomes available January 1, 2019 after serving its final year of being locked up.
So please keep your ears and eyes alert for this issue to return to Congress. Hollywood and the music publishers won't easily give up income from their classic productions.
This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain." The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering new stories.
At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience. Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week. This is a return to my regular posting of a research project here. (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.) Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
There are many online resources for Public Domain stories, none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection. I recommended it earlier and want to continue to do so. He has loaded Stith Thompson's Motif Index into his server as a database so one can search the whole 6 volumes for whatever word or expression he likes by pressing one key. http://folkmasa.org/motiv/motif.htm
He also loaded to his server the doctorate thesis of Prof. Dov Noy (Neunan) "Motif-index of Talmudic-Midrahic literature" Indiana University, 1954, as a PDF file.
in the hope that some of you would make use of it.
Have fun discovering even more stories!
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