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Showing posts with label Frank Baum. Show all posts
Showing posts with label Frank Baum. Show all posts

Friday, April 21, 2023

Baum - The Capture of Father Time - Keeping the Public in Public Domain

Many non-Public Domain stories have been written appropriate for Earth Day and telling about ecology.  I thought I had found the perfect story in James Mooney's "Origin of Disease and Medicine" only to discover I had already posted it back in 2014.  


The essence of efforts to improve and save our world, however, can be found in a light-hearted classic by Frank Baum...yes, the man best known for his The Wizard of Oz books.  He wrote so much more and I'm very fond of his The Life and Adventures of Santa Claus and Mother Goose in Prose.  His American Fairy Tales has a less narrow focus: Why should the old world of Europe be the only home to fairies and enchantments? In his collection of fairy tales, American Fairy Tales -- mostly set in America - L. Frank Baum created fifteen amusing captivating, and enchanting tales.

Here is the story of a young cowboy who lassoes Father Time and brings all of creation to a halt.  After the story, Baum tells us what the story "teaches us", but really the reader or listener may form a different idea.

Found without attribution https://alchetron.com/Father-Time

THE CAPTURE OF FATHER TIME
Jim was the son of a cowboy, and lived on the broad plains of Arizona. His father had trained him to lasso a bronco or a young bull with perfect accuracy, and had Jim possessed the strength to back up his skill he would have been as good a cowboy as any in all Arizona.
When he was twelve years old he made his first visit to the east, where Uncle Charles, his father’s brother, lived. Of course Jim took his lasso with him, for he was proud of his skill in casting it, and wanted to show his cousins what a cowboy could do.
At first the city boys and girls were much interested in watching Jim lasso posts and fence pickets, but they soon tired of it, and even Jim decided it was not the right sort of sport for cities.
But one day the butcher asked Jim to ride one of his horses into the country, to a pasture that had been engaged, and Jim eagerly consented. He had been longing for a horseback ride, and to make it seem like old times he took his lasso with him.
He rode through the streets demurely enough, but on reaching the open country roads his spirits broke forth into wild jubilation, and, urging the butcher’s horse to full gallop, he dashed away in true cowboy fashion.
Then he wanted still more liberty, and letting down the bars that led into a big field he began riding over the meadow and throwing his lasso at imaginary cattle, while he yelled and whooped to his heart’s content.
Suddenly, on making a long cast with his lasso, the loop caught upon something and rested about three feet from the ground, while the rope drew taut and nearly pulled Jim from his horse.
This was unexpected. More than that, it was wonderful; for the field seemed bare of even a stump. Jim’s eyes grew big with amazement, but he knew he had caught something when a voice cried out:
“Here, let go! Let go, I say! Can’t you see what you’ve done?”
No, Jim couldn’t see, nor did he intend to let go until he found out what was holding the loop of the lasso. So he resorted to an old trick his father had taught him and, putting the butcher’s horse to a run, began riding in a circle around the spot where his lasso had caught.
As he thus drew nearer and nearer his quarry he saw the rope coil up, yet it looked to be coiling over nothing but air. One end of the lasso was made fast to a ring in the saddle, and when the rope was almost wound up and the horse began to pull away and snort with fear, Jim dismounted. Holding the reins of the bridle in one hand, he followed the rope, and an instant later saw an old man caught fast in the coils of the lasso.
His head was bald and uncovered, but long white whiskers grew down to his waist. About his body was thrown a loose robe of fine white linen. In one hand he bore a great scythe, and beneath the other arm he carried an hourglass.
While Jim gazed wonderingly upon him, this venerable old man spoke in an angry voice:
“Now, then—get that rope off as fast as you can! You’ve brought everything on earth to a standstill by your foolishness! Well—what are you staring at? Don’t you know who I am?”
“No,” said Jim, stupidly.
“Well, I’m Time—Father Time! Now, make haste and set me free—if you want the world to run properly.”
“How did I happen to catch you?” asked Jim, without making a move to release his captive.
“I don’t know. I’ve never been caught before,” growled Father Time. “But I suppose it was because you were foolishly throwing your lasso at nothing.”
“I didn’t see you,” said Jim.
“Of course you didn’t. I’m invisible to the eyes of human beings unless they get within three feet of me, and I take care to keep more than that distance away from them. That’s why I was crossing this field, where I supposed no one would be. And I should have been perfectly safe had it not been for your beastly lasso. Now, then,” he added, crossly, “are you going to get that rope off?”
“Why should I?” asked Jim.
“Because everything in the world stopped moving the moment you caught me. I don’t suppose you want to make an end of all business and pleasure, and war and love, and misery and ambition and everything else, do you? Not a watch has ticked since you tied me up here like a mummy!”
Jim laughed. It really was funny to see the old man wound round and round with coils of rope from his knees up to his chin.
“It’ll do you good to rest,” said the boy. “From all I’ve heard you lead a rather busy life.”
“Indeed I do,” replied Father Time, with a sigh. “I’m due in Kamchatka this very minute. And to think one small boy is upsetting all my regular habits!”
“Too bad!” said Jim, with a grin. “But since the world has stopped anyhow, it won’t matter if it takes a little longer recess. As soon as I let you go Time will fly again. Where are your wings?”
“I haven’t any,” answered the old man. “That is a story cooked up by some one who never saw me. As a matter of fact, I move rather slowly.”
“I see, you take your time,” remarked the boy. “What do you use that scythe for?”
“To mow down the people,” said the ancient one. “Every time I swing my scythe some one dies.”
“Then I ought to win a life-saving medal by keeping you tied up,” said Jim. “Some folks will live this much longer.”
“But they won’t know it,” said Father Time, with a sad smile; “so it will do them no good. You may as well untie me at once.”
“No,” said Jim, with a determined air. “I may never capture you again; so I’ll hold you for awhile and see how the world wags without you.”
Then he swung the old man, bound as he was, upon the back of the butcher’s horse, and, getting into the saddle himself, started back toward town, one hand holding his prisoner and the other guiding the reins.
When he reached the road his eye fell on a strange tableau. A horse and buggy stood in the middle of the road, the horse in the act of trotting, with his head held high and two legs in the air, but perfectly motionless. In the buggy a man and a woman were seated; but had they been turned into stone they could not have been more still and stiff.
“There’s no Time for them!” sighed the old man. “Won’t you let me go now?”
“Not yet,” replied the boy.
He rode on until he reached the city, where all the people stood in exactly the same positions they were in when Jim lassoed Father Time. Stopping in front of a big dry goods store, the boy hitched his horse and went in. The clerks were measuring out goods and showing patterns to the rows of customers in front of them, but everyone seemed suddenly to have become a statue.
There was something very unpleasant in this scene, and a cold shiver began to run up and down Jim’s back; so he hurried out again.
On the edge of the sidewalk sat a poor, crippled beggar, holding out his hat, and beside him stood a prosperous-looking gentleman who was about to drop a penny into the beggar’s hat. Jim knew this gentleman to be very rich but rather stingy, so he ventured to run his hand into the man’s pocket and take out his purse, in which was a $20 gold piece. This glittering coin he put in the gentleman’s fingers instead of the penny and then restored the purse to the rich man’s pocket.
“That donation will surprise him when he comes to life,” thought the boy.
He mounted the horse again and rode up the street. As he passed the shop of his friend, the butcher, he noticed several pieces of meat hanging outside.
“I’m afraid that meat’ll spoil,” he remarked.
“It takes Time to spoil meat,” answered the old man.
This struck Jim as being queer, but true.
“It seems Time meddles with everything,” said he.
“Yes; you’ve made a prisoner of the most important personage in the world,” groaned the old man; “and you haven’t enough sense to let him go again.”
Jim did not reply, and soon they came to his uncle’s house, where he again dismounted. The street was filled with teams and people, but all were motionless. His two little cousins were just coming out the gate on their way to school, with their books and slates underneath their arms; so Jim had to jump over the fence to avoid knocking them down.
In the front room sat his aunt, reading her Bible. She was just turning a page when Time stopped. In the dining-room was his uncle, finishing his luncheon. His mouth was open and his fork poised just before it, while his eyes were fixed upon the newspaper folded beside him. Jim helped himself to his uncle’s pie, and while he ate it he walked out to his prisoner.
“There’s one thing I don’t understand,” said he.
“What’s that?” asked Father Time.
“Why is it that I’m able to move around while everyone else is—is—froze up?”
“That is because I’m your prisoner,” answered the other. “You can do anything you wish with Time now. But unless you are careful you’ll do something you will be sorry for.”
Jim threw the crust of his pie at a bird that was suspended in the air, where it had been flying when Time stopped.
“Anyway,” he laughed, “I’m living longer than anyone else. No one will ever be able to catch up with me again.”
“Each life has its allotted span,” said the old man. “When you have lived your proper time my scythe will mow you down.”
“I forgot your scythe,” said Jim, thoughtfully.
Then a spirit of mischief came into the boy’s head, for he happened to think that the present opportunity to have fun would never occur again. He tied Father Time to his uncle’s hitching post, that he might not escape, and then crossed the road to the corner grocery.
The grocer had scolded Jim that very morning for stepping into a basket of turnips by accident. So the boy went to the back end of the grocery and turned on the faucet of the molasses barrel.
“That’ll make a nice mess when Time starts the molasses running all over the floor,” said Jim, with a laugh.
A little further down the street was a barber shop, and sitting in the barber’s chair Jim saw the man that all the boys declared was the “meanest man in town.” He certainly did not like the boys and the boys knew it. The barber was in the act of shampooing this person when Time was captured. Jim ran to the drug store, and, getting a bottle of mucilage, he returned and poured it over the ruffled hair of the unpopular citizen.
“That’ll probably surprise him when he wakes up,” thought Jim.
Near by was the schoolhouse. Jim entered it and found that only a few of the pupils were assembled. But the teacher sat at his desk, stern and frowning as usual.
Taking a piece of chalk, Jim marked upon the blackboard in big letters the following words:
“Every scholar is requested to yell the minute he enters the room. He will also please throw his books at the teacher’s head. Signed, Prof. Sharpe.”
“That ought to raise a nice rumpus,” murmured the mischiefmaker, as he walked away.
On the corner stood Policeman Mulligan, talking with old Miss Scrapple, the worst gossip in town, who always delighted in saying something disagreeable about her neighbors. Jim thought this opportunity was too good to lose. So he took off the policeman’s cap and brass-buttoned coat and put them on Miss Scrapple, while the lady’s feathered and ribboned hat he placed jauntily upon the policeman’s head.
The effect was so comical that the boy laughed aloud, and as a good many people were standing near the corner Jim decided that Miss Scrapple and Officer Mulligan would create a sensation when Time started upon his travels.
Then the young cowboy remembered his prisoner, and, walking back to the hitching post, he came within three feet of it and saw Father Time still standing patiently within the toils of the lasso. He looked angry and annoyed, however, and growled out:
“Well, when do you intend to release me?”
“I’ve been thinking about that ugly scythe of yours,” said Jim.
“What about it?” asked Father Time.
“Perhaps if I let you go you’ll swing it at me the first thing, to be revenged,” replied the boy.
Father Time gave him a severe look, but said:
“I’ve known boys for thousands of years, and of course I know they’re mischievous and reckless. But I like boys, because they grow up to be men and people my world. Now, if a man had caught me by accident, as you did, I could have scared him into letting me go instantly; but boys are harder to scare. I don’t know as I blame you. I was a boy myself, long ago, when the world was new. But surely you’ve had enough fun with me by this time, and now I hope you’ll show the respect that is due to old age. Let me go, and in return I will promise to forget all about my capture. The incident won’t do much harm, anyway, for no one will ever know that Time has halted the last three hours or so.”
“All right,” said Jim, cheerfully, “since you’ve promised not to mow me down, I’ll let you go.” But he had a notion some people in the town would suspect Time had stopped when they returned to life.
He carefully unwound the rope from the old man, who, when he was free, at once shouldered his scythe, rearranged his white robe and nodded farewell.
The next moment he had disappeared, and with a rustle and rumble and roar of activity the world came to life again and jogged along as it always had before.
Jim wound up his lasso, mounted the butcher’s horse and rode slowly down the street.
Loud screams came from the corner, where a great crowd of people quickly assembled. From his seat on the horse Jim saw Miss Scrapple, attired in the policeman’s uniform, angrily shaking her fists in Mulligan’s face, while the officer was furiously stamping upon the lady’s hat, which he had torn from his own head amidst the jeers of the crowd.
As he rode past the schoolhouse he heard a tremendous chorus of yells, and knew Prof. Sharpe was having a hard time to quell the riot caused by the sign on the blackboard.
Through the window of the barber shop he saw the “mean man” frantically belaboring the barber with a hair brush, while his hair stood up stiff as bayonets in all directions. And the grocer ran out of his door and yelled “Fire!” while his shoes left a track of molasses wherever he stepped.
Jim’s heart was filled with joy. He was fairly reveling in the excitement he had caused when some one caught his leg and pulled him from the horse.
“What’re ye doin’ hear, ye rascal?” cried the butcher, angrily; “didn’t ye promise to put that beast inter Plympton’s pasture? An’ now I find ye ridin’ the poor nag around like a gentleman o’ leisure!”
“That’s a fact,” said Jim, with surprise; “I clean forgot about the horse!”      __________________________________________________________

This should teach us the supreme importance of Time and the folly of trying to stop it. For should you succeed, as Jim did, in bringing Time to a standstill, the world would soon become a dreary place and life decidedly unpleasant. 

****

This story isn't directly related to Earth Day, yet I'm thinking you might see ways to do so.  I'm reminded of the 1939 classic movie "On Borrowed Time", which Wikipedia tells us came from even further roots on Broadway to Chaucer and even Greek fable.  Which Baum might agree with it saying it teaches us "the role death plays in life, and how humanity cannot live without it."  Sounds a bit fatalistic for this Earth Day, but really we need to explore our options to see what their outcomes might be.

If you really want something Earth Day related, I recently discovered a craft site for kids called Red Ted Art.  There are several crafts all related to Earth Day.  Bet you expect me to recommend the bookmarks.  They certainly fit storytelling and many settings where it might occur, but I liked this


earth bowl made from shredded paper (which often isn't accepted for recycling.  Check out https://www.redtedart.com/earth-day-crafts/ for ideas like this and others for Earth Day.  While you're there you can also prowl the site loaded with craft ideas that fit many topics and holidays.

******************

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

Other Public Domain story resources I recommend-

  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm

  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.
    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"

The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:        

         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html

         - Richard Martin - http://www.tellatale.eu/tales_page.html

         - Spirit of Trees - http://spiritoftrees.org/featured-folktales

         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for December 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.

       - World of Tales - http://www.worldoftales.com/ 

 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.

     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!

    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.

You can see why I recommend these to you. 

Have fun discovering even more stories


Friday, September 2, 2022

Bigham - The Wonderful Secret - Keeping the Public in Public Domain

 This past week we lost Joanne Ladd, who for many years was known to many as Mother Goose. 

Please notice I didn't say we lost Mother Goose.  Joanne mentored so many Mothers Goose.  One of them, Trudy Bulkley, wrote the following for the In Memoriam page of MichiganStorytelling.org, which lists Michigan's events, organizations, and more.

 Joanne Ladd always loved books for children and rhymes to share. For countless children and families she was the REAL Mother Goose telling stories and reciting age-old nursery rhymes with love and laughter, assisted by a gentle Goose puppet.  She lived in Flint, Michigan; her other name was Joanne Ladd. She was welcoming and generous with all her experience and enthusiasm for the rhymes and the traditions. She edited a newsletter that brought other aspiring Mothers Goose together. This quintessential Mother Goose went to share stories and nursery rhymes beyond this earth, mid-August 2022.

This is why I can't say we lost Mother Goose for Joanne always did so much to share Mother Goose.  

Here on Storytelling + Research = LoiS I've also included stories from two wonderful Public Domain books that continue Mother Goose characters in appropriate situations.  Frank Baum, known best for the Wizard of Oz books also wrote a very unusual look at The Life and Adventures of Santa Claus, and Mother Goose in Prose, both of which have had stories here.  I almost posted another of his Mother Goose stories here, but decided on Madge Bigham's Stories of Mother Goose Village, which has also been posted here.  At the end of today's story I'll say a bit more, but Joanne would know that her audience is getting restless and dive right in to Mother Goose!




Many libraries nowadays are lending seed packets.  Perennial plants and wildflowers return after winter passes.  (I'm trying to find more wildflower seeds for a roadside entrance to my driveway!)  Similarly Mother Goose, and the love of her spread and nurtured by Joanne, will continue.  Surely that is the essence of Keeping the Public in Public Domain.

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

Other Public Domain story resources I recommend-

  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm

  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.
    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"

The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:        

         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html

         - Richard Martin - http://www.tellatale.eu/tales_page.html

         - Spirit of Trees - http://spiritoftrees.org/featured-folktales

         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.

       - World of Tales - http://www.worldoftales.com/ 

 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.

     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!

    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.

You can see why I recommend these to you. 

Have fun discovering even more stories

Saturday, June 9, 2018

Bigham - Curly Lock's Peas - Keeping the Public in Public Domain

"School's out! School's out! Teacher let the mules out!"  That's an old end of the school year chant I remember shouting.  Along with that came, "No more pencils, no more books, no more teacher's dirty looks!"  Now I've been on the other side and this past week brought the end of six school residencies.

I didn't use Mother Goose with these classes, but Madge Bigham's Stories of Mother Goose Village and Frank Baum's Mother Goose in Prose do a great job of taking the original well-known verses  and expanding them.  Bigham's Schoolmaster takes an imaginative enough approach to suit home-schoolers, too.  I've seen teachers use seeds in their classrooms.  This takes the idea and also plays with a creative use for peas for arithmetic and beyond in an early version of STEAM (Science, Technology, Engineering, ARTS!, and Mathematics).  School districts too often are featuring STEM, leaving out the creativity of the Arts.
I'm sure you caught that last Mother Goose rhyme, but did you also recognize the one opening today's story?
********************
This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  



At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.
       - World of Tales - http://www.worldoftales.com/ 
     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!

Saturday, December 20, 2014

Baum - How the First Stockings... - Keeping the Public in Public Domain

I had the pleasure of spotting Cindy Who and the Grinch



















Just as Dr. Seuss's Grinch is now THE popular story for Christmas, over the years there's an old traditional tale of Santa Claus that goes beyond "A Visit from St. Nicholas" -- the 1823 poem (complete with author controversy) and the popular 1881 illustration by Thomas Nast.

Frank Baum's The Wonderful Wizard of Oz was the best selling children's book of his time (1900 and 1901) and its popularity led to 13 nearly annual Oz creations.  Before those sequels, however, in 1902 he published a very unusual look at The Life and Adventures of Santa Claus.  It relates Santa's life, from childhood as a foundling adopted by the wood nymph, Necile, through discovering his role in life that matches what we know, but is developed and done in ways unlike those you may know, and on into old age and how he gained immortality. I had heard about it for several years before I finally found my own copy.  I also love the illustrations done by Mary Cowles Clark (1870-1950).  She's not well-covered by online research, but since she was originally from Syracuse, New York, where Baum once lived, it's believed he met her on visits back to the town and chose her to illustrate the book.  She didn't illustrate many books and this was her best known work, but here's a link to a few of examples of her charming work at a digital exhibit by the Nantucket Art Colony.  

I was surprised to find the first edition contained 20 full color plates.  By the second printing it only had 12 color plates and many black and white illustrations.  My own paperback volume was less costly, with black and white illustrations to open the three "books" of Claus's life, along with charming openings and closings for each chapter, plus a dedication page to Baum's son.  Dover Publications created a version that is now out of print.  My own copy was a book club edition from the New American Library.  Unfortunately my book would fall apart if I scanned it.  Further unfortunately, the online digital publication from Project Gutenberg omits the illustrations.  (P.G. even has audio downloads of the story.)  To see any of those illustrations you will either have to purchase it or borrow it.  That's the bad news.  The good news is that Michael Hague, who does wonderful illustrations of Public Domain children's books, has done his own version while keeping the Baum text.
Another considerably abbreviated version, but with attractive illustrations, is by Janeen R. Adil.  Perhaps you will find that version helpful if you wish to tell the Baum adventures, but I would strongly advise seeing the original text first.  Storytelling literary tales often works best with careful editing, but first be sure you check to see if you are omitting too much.  Speaking of an abbreviated version, I'm told there's a claymation movie version of the story that was a 1985 television special, but haven't seen it.


Baum's text is done in folklore style.  His book creatively explores the connection between toys and gifts at Christmas and how the familiar elements like reindeer, stockings, and the tree became part of the holiday.  Some other year I'd like to post how it says he became called Santa Claus.  It is as close as the book comes to mentioning Saint Nicholas. 

For a taste of  Clark's style, I open "Chapter Eleventh -- How the First Stockings Were Hung by the Chimney" with partial scans of the opening illustration and at the end of the closing picture for the chapter.  (Wish I could flatten the book without hurting it.)  I'm giving the entire chapter as it gives a glimpse of some of those other Christmas elements, but the story actually matching the chapter title begins near the end of the chapter.  I'll mark that spot for you.
How the First Stockings Were Hung by the Chimneys
When you remember that no child, until Santa Claus began his travels, had ever known the pleasure of possessing a toy, you will understand how joy crept into the homes of those who had been favored with a visit from the good man, and how they talked of him day by day in loving tones and were honestly grateful for his kindly deeds. It is true that great warriors and mighty kings and clever scholars of that day were often spoken of by the people; but no one of them was so greatly beloved as Santa Claus, because none other was so unselfish as to devote himself to making others happy. For a generous deed lives longer than a great battle or a king's decree of a scholar's essay, because it spreads and leaves its mark on all nature and endures through many generations.
The bargain made with the Knook Prince changed the plans of Claus for all future time; for, being able to use the reindeer on but one night of each year, he decided to devote all the other days to the manufacture of playthings, and on Christmas Eve to carry them to the children of the world.
But a year's work would, he knew, result in a vast accumulation of toys, so he resolved to build a new sledge that would be larger and stronger and better-fitted for swift travel than the old and clumsy one.
His first act was to visit the Gnome King, with whom he made a bargain to exchange three drums, a trumpet and two dolls for a pair of fine steel runners, curled beautifully at the ends. For the Gnome King had children of his own, who, living in the hollows under the earth, in mines and caverns, needed something to amuse them.
In three days the steel runners were ready, and when Claus brought the playthings to the Gnome King, his Majesty was so greatly pleased with them that he presented Claus with a string of sweet-toned sleigh-bells, in addition to the runners.
"These will please Glossie and Flossie," said Claus, as he jingled the bells and listened to their merry sound. "But I should have two strings of bells, one for each deer."
"Bring me another trumpet and a toy cat," replied the King, "and you shall have a second string of bells like the first."
"It is a bargain!" cried Claus, and he went home again for the toys.
The new sledge was carefully built, the Knooks bringing plenty of strong but thin boards to use in its construction. Claus made a high, rounding dash-board to keep off the snow cast behind by the fleet hoofs of the deer; and he made high sides to the platform so that many toys could be carried, and finally he mounted the sledge upon the slender steel runners made by the Gnome King.
It was certainly a handsome sledge, and big and roomy. Claus painted it in bright colors, although no one was likely to see it during his midnight journeys, and when all was finished he sent for Glossie and Flossie to come and look at it.
The deer admired the sledge, but gravely declared it was too big and heavy for them to draw.
"We might pull it over the snow, to be sure," said Glossie; "but we would not pull it fast enough to enable us to visit the far-away cities and villages and return to the Forest by daybreak."
"Then I must add two more deer to my team," declared Claus, after a moment's thought.
"The Knook Prince allowed you as many as ten. Why not use them all?" asked Flossie. "Then we could speed like the lightning and leap to the highest roofs with ease."
"A team of ten reindeer!" cried Claus, delightedly. "That will be splendid. Please return to the Forest at once and select eight other deer as like yourselves as possible. And you must all eat of the casa plant, to become strong, and of the grawle plant, to become fleet of foot, and of the marbon plant, that you may live long to accompany me on my journeys. Likewise it will be well for you to bathe in the Pool of Nares, which the lovely Queen Zurline declares will render you rarely beautiful. Should you perform these duties faithfully there is no doubt that on next Christmas Eve my ten reindeer will be the most powerful and beautiful steeds the world has ever seen!"
So Glossie and Flossie went to the Forest to choose their mates, and Claus began to consider the question of a harness for them all.
In the end he called upon Peter Knook for assistance, for Peter's heart is as kind as his body is crooked, and he is remarkably shrewd, as well. And Peter agreed to furnish strips of tough leather for the harness.
This leather was cut from the skins of lions that had reached such an advanced age that they died naturally, and on one side was tawny hair while the other side was cured to the softness of velvet by the deft Knooks. When Claus received these strips of leather he sewed them neatly into a harness for the ten reindeer, and it proved strong and serviceable and lasted him for many years.
The harness and sledge were prepared at odd times, for Claus devoted most of his days to the making of toys. These were now much better than the first ones had been, for the immortals often came to his house to watch him work and to offer suggestions. It was Necile's idea to make some of the dolls say "papa" and "mama." It was a thought of the Knooks to put a squeak inside the lambs, so that when a child squeezed them they would say "baa-a-a-a!" And the Fairy Queen advised Claus to put whistles in the birds, so they could be made to sing, and wheels on the horses, so children could draw them around. Many animals perished in the Forest, from one cause or another, and their fur was brought to Claus that he might cover with it the small images of beasts he made for playthings. A merry Ryl suggested that Claus make a donkey with a nodding head, which he did, and afterward found that it amused the little ones immensely. And so the toys grew in beauty and attractiveness every day, until they were the wonder of even the immortals.
When another Christmas Eve drew near there was a monster load of beautiful gifts for the children ready to be loaded upon the big sledge. Claus filled three sacks to the brim, and tucked every corner of the sledge-box full of toys besides.
Then, at twilight, the ten reindeer appeared and Flossie introduced them all to Claus. They were Racer and Pacer, Reckless and Speckless, Fearless and Peerless, and Ready and Steady, who, with Glossie and Flossie, made up the ten who have traversed the world these hundreds of years with their generous master. They were all exceedingly beautiful, with slender limbs, spreading antlers, velvety dark eyes and smooth coats of fawn color spotted with white.
Claus loved them at once, and has loved them ever since, for they are loyal friends and have rendered him priceless service.
The new harness fitted them nicely and soon they were all fastened to the sledge by twos, with Glossie and Flossie in the lead. These wore the strings of sleigh-bells, and were so delighted with the music they made that they kept prancing up and down to make the bells ring.
Claus now seated himself in the sledge, drew a warm robe over his knees and his fur cap over his ears, and cracked his long whip as a signal to start.
Instantly the ten leaped forward and were away like the wind, while jolly Claus laughed gleefully to see them run and shouted a song in his big, hearty voice:
       "With a ho, ho, ho!
       And a ha, ha, ha!
And a ho, ho, ha, ha, hee!
       Now away we go
       O'er the frozen snow,
As merry as we can be!
       There are many joys
       In our load of toys,
As many a child will know;
       We'll scatter them wide
       On our wild night ride
O'er the crisp and sparkling snow!"
(The part of the story about The First Stockings)
Now it was on this same Christmas Eve that little Margot and her brother Dick and her cousins Ned and Sara, who were visiting at Margot's house, came in from making a snow man, with their clothes damp, their mittens dripping and their shoes and stockings wet through and through. They were not scolded, for Margot's mother knew the snow was melting, but they were sent early to bed that their clothes might be hung over chairs to dry. The shoes were placed on the red tiles of the hearth, where the heat from the hot embers would strike them, and the stockings were carefully hung in a row by the chimney, directly over the fireplace. That was the reason Santa Claus noticed them when he came down the chimney that night and all the household were fast asleep. He was in a tremendous hurry and seeing the stockings all belonged to children he quickly stuffed his toys into them and dashed up the chimney again, appearing on the roof so suddenly that the reindeer were astonished at his agility.
"I wish they would all hang up their stockings," he thought, as he drove to the next chimney. "It would save me a lot of time and I could then visit more children before daybreak."
When Margot and Dick and Ned and Sara jumped out of bed next morning and ran downstairs to get their stockings from the fireplace they were filled with delight to find the toys from Santa Claus inside them. In face, I think they found more presents in their stockings than any other children of that city had received, for Santa Claus was in a hurry and did not stop to count the toys.
Of course they told all their little friends about it, and of course every one of them decided to hang his own stockings by the fireplace the next Christmas Eve. Even Bessie Blithesome, who made a visit to that city with her father, the great Lord of Lerd, heard the story from the children and hung her own pretty stockings by the chimney when she returned home at Christmas time.
On his next trip Santa Claus found so many stockings hung up in anticipation of his visit that he could fill them in a jiffy and be away again in half the time required to hunt the children up and place the toys by their bedsides.
The custom grew year after year, and has always been a great help to Santa Claus. And, with so many children to visit, he surely needs all the help we are able to give him.

May your Christmas be merry and the coming New Year be filled with Storytelling (and, yes, Research).
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This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories. 

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my normal monthly posting of a research project here.  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my monthly postings as often as I can manage it.    


  
There are many online resources for Public Domain stories, none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I recommended it earlier and want to continue to do so.  Have fun discovering even more stories!

Wednesday, June 19, 2013

Baum - Tom, the Piper's Son - Keeping the Public in Public Domain

Frank Baum didn't only write the Oz books.  His first work, in 1897, was Mother Goose in Prose, a collection of stories that imaginatively expand upon some of the well-known rhymes.  It also was the first commission for the artist, Maxfield Parrish.  Fortunately for us and for the careers of Baum and Parrish, the book was moderately successful.  In Baum's case it let him give up a door-to-door sales job.

The stories seem to vary a bit in the level of maturity needed.  I've used the story of Humpty Dumpty with preschoolers, but I wouldn't think "Tom, the Piper's Son" would work that young.  This tale of the theft of a pig seems meant for school-age children.

































By the way, Baum also wrote a rather unusual look at The Life and Adventures of Santa Claus.  This creative look at familiar stories and rhymes are great starters for encouraging children to try the same.  Later this month we will see yet another author's take on such expansions when I post Madge Bigham's Stories from Mother Goose Village.
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This is part of a series of bi-weekly posting of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  I hope you enjoy discovering new stories. 

Currently I'm involved in projects taking me out of my usual work of sharing stories with an audience.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  This fall I expect to return to my normal monthly posting of a research project here.  Depending on response, I will decide at that time if "Keeping the Public in Public Domain" should continue along with my monthly postings.