Tell me if you have a topic you'd like to see. (Contact: LoiS-sez@LoiS-sez.com .)
Please also let others know about this site.
Showing posts with label women's history. Show all posts
Showing posts with label women's history. Show all posts

Friday, February 28, 2025

Lang - The Maiden with the Wooden Helmet - Keeping the Public in Public Domain

Illustration by Urokogataya

If you're looking for an unusual, but beautiful story for Women's History Month, there's a lovely tale from Japanese folklore. As might be expected when something is translated, it's sometimes called by various names. Wikipedia gives a reasonable summary of "Hachikazuki." The story dates back in print to the 14th to 16th century and is probably even older. In approximately 1735 to 1745 it was published as a children's booklet of mainly drawings by Urokogataya. 

The story is translated as "The Black Bowl" by Grace James in her Green willow and other Japanese fairy tales
and Lafcadio Hearn used her version in his anthology, Japanese fairy tales. 

Frankly that title never would have caught my attention. It was while prowling The Violet Fairy Book this title caught my eye. The Project Gutenberg eBook for some reason omits the illustration by Henry Justice Ford! Ford's illustrations were a vital part of the Langs' Fairy Book series. Ford's illustration, of any I found for the story, fit my vision of the Maiden's Helmet where others with a Bowl did not. 
Since this is the start of Women's History Month it's worth repeating this from the Wikipedia article on "The Langs' Fairy Books:
The authorship and translation of the Coloured Fairy Books is often and incorrectly attributed to Andrew Lang alone. Nora is not named on the front cover or spines of any of the Coloured Fairy Books, which all tout Andrew as their editor. However, as Andrew acknowledges in a preface to The Lilac Fairy Book (1910), "The fairy books have been almost wholly the work of Mrs. Lang, who has translated and adapted them from the French, German, Portuguese, Italian, Spanish, Catalan, and other languages." 

Every Women's History year has a theme and this year it is “Moving Forward Together,” which celebrates "Women Educating and Inspiring Generations." For centuries this story has educated young girls to be more than mere beauty, but be strong in carrying out their resolutions.

Here's Leonora Lang's translation from the German of "The Maiden with the Wooden Helmet."

by Henry Justice Ford for The Violet Fairy Book (1906)  

In a little village in the country of Japan there lived long, long ago a man and his wife. For many years they were happy and prosperous, but bad times came, and at last nothing was left them but their daughter, who was as beautiful as the morning. The neighbours were very kind, and would have done anything they could to help their poor friends, but the old couple felt that since everything had changed they would rather go elsewhere, so one day they set off to bury themselves in the country, taking their daughter with them.

Now the mother and daughter had plenty to do in keeping the house clean and looking after the garden, but the man would sit for hours together gazing straight in front of him, and thinking of the riches that once were his. Each day he grew more and more wretched, till at length he took to his bed and never got up again.

His wife and daughter wept bitterly for his loss, and it was many months before they could take pleasure in anything. Then one morning the mother suddenly looked at the girl, and found that she had grown still more lovely than before. Once her heart would have been glad at the sight, but now that they two were alone in the world she feared some harm might come of it. So, like a good mother, she tried to teach her daughter all she knew, and to bring her up to be always busy, so that she would never have time to think about herself. And the girl was a good girl, and listened to all her mother’s lessons, and so the years passed away.

At last one wet spring the mother caught cold, and though in the beginning she did not pay much attention to it, she gradually grew more and more ill, and knew that she had not long to live. Then she called her daughter and told her that very soon she would be alone in the world; that she must take care of herself, as there would be no one to take care of her. And because it was more difficult for beautiful women to pass unheeded than for others, she bade her fetch a wooden helmet out of the next room, and put it on her head, and pull it low down over her brows, so that nearly the whole of her face should lie in its shadow. The girl did as she was bid, and her beauty was so hidden beneath the wooden cap, which covered up all her hair, that she might have gone through any crowd, and no one would have looked twice at her. And when she saw this the heart of the mother was at rest, and she lay back in her bed and died.

The girl wept for many days, but by-and-by she felt that, being alone in the world, she must go and get work, for she had only herself to depend upon. There was none to be got by staying where she was, so she made her clothes into a bundle, and walked over the hills till she reached the house of the man who owned the fields in that part of the country. And she took service with him and laboured for him early and late, and every night when she went to bed she was at peace, for she had not forgotten one thing that she had promised her mother; and, however hot the sun might be, she always kept the wooden helmet on her head, and the people gave her the nickname of Hatschihime.

In spite, however, of all her care the fame of her beauty spread abroad: many of the impudent young men that are always to be found in the world stole softly up behind her while she was at work, and tried to lift off the wooden helmet. But the girl would have nothing to say to them, and only bade them be off; then they began to talk to her, but she never answered them, and went on with what she was doing, though her wages were low and food not very plentiful. Still she could manage to live, and that was enough.

One day her master happened to pass through the field where she was working, and was struck by her industry and stopped to watch her. After a while he put one or two questions to her, and then led her into his house, and told her that henceforward her only duty should be to tend his sick wife. From this time the girl felt as if all her troubles were ended, but the worst of them was yet to come.

Not very long after Hatschihime had become maid to the sick woman, the eldest son of the house returned home from Kioto, where he had been studying all sorts of things. He was tired of the splendours of the town and its pleasures, and was glad enough to be back in the green country, among the peach-blossoms and sweet flowers. Strolling about in the early morning, he caught sight of the girl with the odd wooden helmet on her head, and immediately he went to his mother to ask who she was, and where she came from, and why she wore that strange thing over her face.

His mother answered that it was a whim, and nobody could persuade her to lay it aside; whereat the young man laughed, but kept his thoughts to himself.

One hot day, however, he happened to be going towards home when he caught sight of his mother’s waiting maid kneeling by a little stream that flowed through the garden, splashing some water over her face. The helmet was pushed on one side, and as the youth stood watching from behind a tree he had a glimpse of the girl’s great beauty; and he determined that no one else should be his wife. But when he told his family of his resolve to marry her they were very angry, and made up all sorts of wicked stories about her. However, they might have spared themselves the trouble, as he knew it was only idle talk. ‘I have merely to remain firm,’ thought he, ‘and they will have to give in.’ It was such a good match for the girl that it never occurred to anyone that she would refuse the young man, but so it was. It would not be right, she felt, to make a quarrel in the house, and though in secret she wept bitterly, for a long while, nothing would make her change her mind. At length one night her mother appeared to her in a dream, and bade her marry the young man. So the next time he asked her—as he did nearly every day—to his surprise and joy she consented. The parents then saw they had better make the best of a bad business, and set about making the grand preparations suitable to the occasion. Of course the neighbours said a great many ill-natured things about the wooden helmet, but the bridegroom was too happy to care, and only laughed at them.

When everything was ready for the feast, and the bride was dressed in the most beautiful embroidered dress to be found in Japan, the maids took hold of the helmet to lift it off her head, so that they might do her hair in the latest fashion. But the helmet would not come, and the harder they pulled, the faster it seemed to be, till the poor girl yelled with pain. Hearing her cries the bridegroom ran in and soothed her, and declared that she should be married in the helmet, as she could not be married without. Then the ceremonies began, and the bridal pair sat together, and the cup of wine was brought them, out of which they had to drink. And when they had drunk it all, and the cup was empty, a wonderful thing happened. The helmet suddenly burst with a loud noise, and fell in pieces on the ground; and as they all turned to look they found the floor covered with precious stones which had fallen out of it. But the guests were less astonished at the brilliancy of the diamonds than at the beauty of the bride, which was beyond anything they had ever seen or heard of. The night was passed in singing and dancing, and then the bride and bridegroom went to their own house, where they lived till they died, and had many children, who were famous throughout Japan for their goodness and beauty.

(Japanische Marchen.)


*********

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."

Friday, March 10, 2023

"The Banshee" - Lady Wilde - Keeping the Public in Public Domain

This past week was the full moon, and that moon is once again stirring up wild weather.  Next week is all the celebrating -- some beginning this weekend -- for Friday's St. Patrick's Day.  On March 7, the day of that full moon, various folklore contributors to Twitter celebrated the "Ghoul Moon."  Finding information beyond Twitter on contributors can feel like traveling down a rabbit hole.  Signe Maene is one of two co-founders of Salt&Mirrors&Cats along with "Superstition Sam."  Looking at the Ghoul Moon, they posted a quote from Lady Wilde's book, Ancient Legends of Ireland.   The quote was from the introduction to three short stories about "the Banshee."  They introduced it with this illustration by Saeed Ramez.  

THE BANSHEE.

The Banshee means, especially, the woman of the fairy race, from van, “the Woman—the Beautiful;” the same word from which comes Venus. Shiloh-Van was one of the names of Buddha—“the son of the woman;” and some writers aver that in the Irish—Sullivan (Sulli-van), may be found this ancient name of Buddha.

As the Leanan-Sidhe was the acknowledged spirit of life, giving inspiration to the poet and the musician, so the Ban-Sidhe was the spirit of death, the most weird and awful of all the fairy powers.

But only certain families of historic lineage, or persons gifted with music and song, are attended by this spirit; for music and poetry are fairy gifts, and the possessors of them show kinship to the spirit race—therefore they are watched over by the spirit of life, which is prophecy and inspiration; and by the spirit of doom, which is the revealer of the secrets of death.

Sometimes the Banshee assumes the form of some sweet singing virgin of the family who died young, and has been given the mission by the invisible powers to become the harbinger of coming doom to her mortal kindred. Or she may be seen at night as a shrouded woman, crouched beneath the trees, lamenting with veiled face; or flying past in the moonlight, crying bitterly: and the cry of this spirit is mournful beyond all other sounds on earth, and betokens certain death to some member of the family whenever it is heard in the silence of the night.


The Banshee even follows the old race across the ocean and to distant lands; for space and time offer no hindrance to the mystic power which is selected and appointed to bear the prophecy of death to a family. Of this a well-authenticated instance happened a few years ago, and many now living can attest the truth of the narrative.

A branch of the ancient race of the O’Gradys had settled in Canada, far removed, apparently, from all the associations, traditions, and mysterious influences of the old land of their forefathers.

But one night a strange and mournful lamentation was heard outside the house. No word was uttered, only a bitter cry, as of one in deepest agony and sorrow, floated through the air.

Inquiry was made, but no one had been seen near the house at the time, though several persons distinctly heard the weird, unearthly cry, and a terror fell upon the household, as if some supernatural influence had overshadowed them.

Next day it so happened that the gentleman and his eldest son went out boating. As they did not return, however, at the usual time for dinner, some alarm was excited, and messengers were sent down to the shore to look for them. But no tidings came until, precisely at the exact hour of the night when the spirit-cry had been heard the previous evening, a crowd of men were seen approaching the house, bearing with them the dead bodies of the father and the son, who had both been drowned by the accidental upsetting of the boat, within sight of land, but not near enough for any help to reach them in time.

Thus the Ban-Sidhe had fulfilled her mission of doom, after which she disappeared, and the cry of the spirit of death was heard no more.


At times the spirit-voice is heard in low and soft lamenting, as if close to the window.

Not long ago an ancient lady of noble lineage was lying near the death-hour in her stately castle. One evening, after twilight, she suddenly unclosed her eyes and pointed to the window, with a happy smile on her face. All present looked in the direction, but nothing was visible. They heard, however, the sweetest music, low, soft, and spiritual, floating round the house, and at times apparently close to the window of the sick room.

Many of the attendants thought it was a trick, and went out to search the grounds; but nothing human was seen. Still the wild plaintive singing went on, wandering through the trees like the night wind—a low, beautiful music that never ceased all through the night.

Next morning the noble lady lay dead; then the music ceased, and the lamentation from that hour was heard no more.


There was a gentleman also in the same country who had a beautiful daughter, strong and healthy, and a splendid horsewoman. She always followed the hounds, and her appearance at137 the hunt attracted unbounded admiration, as no one rode so well or looked so beautiful.

One evening there was a ball after the hunt, and the young girl moved through the dance with the grace of a fairy queen.

But that same night a voice came close to the father’s window, as if the face were laid close to the glass, and he heard a mournful lamentation and a cry; and the words rang out on the air—

“In three weeks death; in three weeks the grave—dead—dead—dead!”

Three times the voice came, and three times he heard the words; but though it was bright moonlight, and he looked from the window over all the park, no form was to be seen.

Next day, his daughter showed symptoms of fever, and exactly in three weeks, as the Ban-Sidhe had prophesied, the beautiful girl lay dead.

The night before her death soft music was heard outside the house, though no word was spoken by the spirit-voice, and the family said the form of a woman crouched beneath a tree, with a mantle covering her head, was distinctly visible. But on approaching, the phantom disappeared, though the soft, low music of the lamentation continued till dawn.

Then the angel of death entered the house with soundless feet, and he breathed upon the beautiful face of the young girl, and she rested in the sleep of the dead, beneath the dark shadows of his wings.

Thus the prophecy of the Banshee came true, according to the time foretold by the spirit-voice.


***

Did you notice that even "across the Pond" here in North America we are not safe from the Banshee?  

I promised to say a bit more about "Lady Wilde" -- Jane Francesca Agnes Wilde, who wrote under the pen name of Speranza.  Beyond her very thorough book on Irish folklore, she was a  poet and supporter of the Irish nationalist movement, along with being an early advocate for women's rights, especially their better education.  As if all that wasn't enough, she was Oscar Wilde's mother.  It is said that when she died, since her dying request to visit Oscar in prison was refused, her spirit appeared to him in prison.  A fitting end to these stories about the Banshee.  (Do read the Wikipedia article as even her burial and memorial involves a bit more fighting.)

As for her book, it contains all manner of legends,  human, fairy, animal, saints (eight on St. Patrick), and way more than fits this brief glimpse.

**********************

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

Other Public Domain story resources I recommend-

  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm

  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.
    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"

The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:        

         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html

         - Richard Martin - http://www.tellatale.eu/tales_page.html

         - Spirit of Trees - http://spiritoftrees.org/featured-folktales

         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.

       - World of Tales - http://www.worldoftales.com/ 

 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.

     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!

    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.

You can see why I recommend these to you. 

Have fun discovering even more stories

Friday, November 4, 2022

For Veterans Day and Beyond, More about World War I

This coming November 11 is Veterans Day. Historically and in some parts of the world it is called Armistice Day or Remembrance Day.  When you say something is at "the eleventh hour" it refers to the ending of World War I on the eleventh month at the eleventh day at the eleventh hour the war's end was signed.  While the war clearly was not "the war to end all wars", this day honors all who have served in the military.

I do a program on a Michigan woman, Oleda Joure Christides, who was in the last team of the bilingual phone operators, commonly called "Hello Girls", for WWI.  Because some men were "buried at sea" due to what was commonly called the Spanish Influenza on her trip to work at Pershing's headquarters, I did a lot of research also on the Great Influenza Epidemic of 1918.  Even with all my research, Victoria Thompson in her book, City of Scoundrels, did indeed give a few "I didn't know that" moments. She graciously gave me permission to share her comments at the end of the book which are relevant to both World War I and the Influenza epidemic.  


 

I'm hoping to bring the program about Oleda Joure Christides, http://www.lois-sez.com/historical-programs.html, back during Women's History Month. In November Oleda will be honored on November 18 in Lansing by the Michigan Military and Veterans Hall of Fame.  It's by invitation only and I look forward to meeting additional members of Oleda's family.  It's great to have her service honored.


I also very much appreciate Victoria Thompson's permission to reprint her Author's Note in City of Scoundrels. Not only do I want to give full credit to her and would send you to her website at http://www.victoriathompson.com/, but definitely have enjoyed her
Counterfeit Lady series, about a woman raised to be a con woman.  This is a fairly new series of, so far, five books, including the first book, City of Lies, where "Counterfeit Lady",Elizabeth, takes shelter hiding with Suffragists in jail.  When Thompson mentions President Wilson "was notoriously thin-skinned and could not tolerate any criticism" I think about this photo after the War's end when women in the U.S. asked for the same rights granted Germans.

Even before the Counterfeit Lady series my husband and I are longtime fans of Thompson's Gaslight Mysteries set in New York city at the Turn of the 20th Century.  There are 24 so far and all are titled "Murder on (or in) ... " giving the name of a New York street or neighborhood.  I recommend them highly. They move you like a time machine into a well-researched bit of the past.  Added to those settings there are characters who always make you want to see what happens next.  I could say even more, but think it's time to let you discover them for yourself.  May Ms.Thompson keep on writing!

In the meantime, when you see veterans offering poppies for donations, think of all the poppies "In Flanders Fields."


 



Friday, March 26, 2021

de la Mare - The Lovely Myfanwy (part 4 of 4) - Keeping the Public in Public Domain

Photo by Edwin Velasquez on Unsplash


Today is the conclusion of Walter de la Mare's tale, "The Lovely Myfanwy."  This is where I dislike the blog format.  I can understand the importance of putting the latest thing I might do first, but for stories, like today's four-part tale, it means you must go back through the past three weeks to start or review it.  (No fair reading the end first!)  If you read part 3, you will know why today's story opens with the photo of a donkey.  Beyond that, brace yourself for robbers and the mysterious juggler able to work magic to gain Myfanwy.

**************

Never before in all her years on earth had Myfanwy strayed beyond the Castle walls; never before had she stood lost in wonder beneath the dark emptiness of the starry skies. She breathed in the sweet fresh night air, her heart blossoming within her like an evening primrose, refusing to be afraid. For she knew well that the safety of them both—this poor quaking animal's and her own—depended now solely on her own courage and resource, and that to be afraid would almost certainly lead them only from one disaster into another.

Simply, however, because a mere ownerless ass wandering by itself in the moonlit gloom of the forest would be a spectacle less strange than that of a solitary damsel like herself, she once more drew down her father's ear to her lips and whispered into it, explaining to him that it was she who must now be veiled, and that if he would forgive her such boldness—for after all, he had frequently carried her pickaback when she was a child—she would mount upon his back and in this way they would together make better progress on their journey.

Her father dared not take offence at her words, whatever his secret feelings might be. 'So long as you hasten, my child,' he gruffed out in the hush, striving in vain to keep his tones no louder than a human whisper, 'I will forgive you all.' In a moment then there might be seen jogging along the bridle-path, now in moonlight, now in shadow, a sleek and handsome ass, a halter over its nose, making no stay to browse the dewy grass at the wayside, but apparently obeying its own whim as it wandered steadily onward.

Now it chanced that night there was a wild band of mountain robbers encamped within the forest. And when of a sudden this strange and pompous animal unwittingly turned out of a thicket into the light of their camp fire, and raised its eyes like glowing balls of emerald to gaze in horror at its flames, they lifted their voices together in an uproarious peal of laughter. And one of them at once started up from where he lay in the bracken, to seize the creature's halter and so make it his prize.

Their merriment, however, was quickly changed into dismay when the robbers saw the strange creature being guided, as was evident, by an invisible and mysterious hand. He turned this way, he turned that, with an intelligence that was clearly not his own and not natural even to his kind, and so eluded every effort made by his enemy to get a hold on his halter, his teeth and eyeballs gleaming in the firelight.

At this, awe and astonishment fell upon these outlaws. Assuredly sorcery alone could account for such ungainly and un-asslike antics and manoeuvres. Assuredly some divine being must have the beast in keeping, and to meddle with it further might only prove their own undoing.

Fortunate indeed was it that Myfanwy's right foot, which by mischance remained uncovered by the veil, happened to be on the side of the animal away from the beams of the camp fire. For certainly had these malefactors seen the precious stones blazing in its buckle, their superstitions would have melted away like morning mist, their fears have given place to cupidity, and they would speedily have made the ass their own and held its rider to an incalculable ransom.

Before, however, the moon had glided more than a soundless pace or two on her night journey, Myfanwy and her incomparable ass were safely out of sight: and the robbers had returned to their carousals. What impulse bade her turn first this way, then that, in the wandering and labyrinthine glades and tracks of the forest, she could not tell. But even though her father—not daring to raise his voice in the deep silence—ever and again stubbornly tugged upon his halter in the belief that the travellers had taken a wrong turning and were irrevocably lost, Myfanwy kept steadily on her way.

With a touch of her heel or a gentle persuasive pat of her hand on his hairy neck she did her best to reassure and to soothe him. 'Only trust in me, dear father: I am sure all will be well.'

Yet she was haunted with misgivings. So that when at last a twinkling light, sprinkling its beams between the boughs, showed in the forest, it refreshed her heart beyond words to tell. She was reaching her journey's end. It was as if that familiar voice in the secrecy of her heart had murmured, 'Hst! He draws near!'

There and then she dismounted from off her father's hairy back and once more communed with him through that long twitching ear. 'Remain here in patience a while, dear father,' she besought him, 'without straying by a hair's-breadth from where you are; for everything tells me our Stranger is not far distant now, and no human being on earth, no living creature, even, must see you in this sad and unseemly disguise. I will hasten on to assure myself that the light which I perceive beaming through the thicket yonder is his, and no other's. Meanwhile—and this veil shall go with me in case of misadventure—meanwhile do you remain quietly beneath this spreading beech-tree, nor even stir unless you are over-wearied after our long night journey and you should feel inclined to rest a while on the softer turf in the shadow there under that bush of fragrant roses, or to refresh yourself at the brook whose brawling I hear welling up from that dingle in the hollow. In that case, return here, I pray you; contain yourself in patience, and be your tongue as dumb as a stone. For though you may design to speak softly, dearest father, that long sleek throat and those great handsome teeth will not admit of it.'

And her father, as if not even the thick hairy hide he wore could endure his troubles longer, opened his mouth as if to groan aloud. But restraining himself, he only sighed, while an owl out of the quiet breathed its mellow night-call as if in response. For having passed the last hour in a profound and afflicted reverie, this poor ass had now regained in part his natural human sense and sagacity. But pitiful was the eye, however asinine the grin, which he now bestowed as if in promise on Myfanwy who, with veil held delicately in her fingers stood there, radiant as snow, beside him in the moonlight.

And whether it was because of her grief for his own condition or because of the expectancy in her face at the thought of her meeting with the Stranger, or because maybe the ass feared in his despair and dejection that he might never see her again, he could not tell; but true it was that she had never appeared in a guise so brave and gay and passionate and tender. It might indeed be a youthful divinity gently treading the green sward beside this uncouth beast in the chequered light and shadow of that unearthly moonshine.

Having thus assured herself that all would be well until her return, Myfanwy kissed her father on his flat hairy brow, and veil in hand withdrew softly in the direction of the twinkling light.

Alas, though the Baron thirsted indeed for the chill dark waters whose song rose in the air from the hollow beneath, he could not contain himself in her absence, but unmindful of his mute promise followed after his daughter at a distance as she made her way to the light, his hoofs scarce sounding in the turf. Having come near, by peering through the dense bushes that encircled the juggler's nocturnal retreat in the forest, he could see and hear all that passed.

As soon as Myfanwy had made sure that this stranger sitting by his glowing watch-fire was indeed the juggler and no man else—and one strange leap of her heart assured her of this even before her eyes could carry their message—she veiled herself once more, and so, all her loveliness made thus invisible, she drew stealthily near and a little behind him, as he crouched over the embers. Then pausing, she called gently and in a still low voice, 'I beseech you, Stranger, to take pity on one in great distress.'

The juggler lifted his dreaming face, ruddied and shadowed in the light of his fire, and peered cautiously but in happy astonishment all around him.

'I beseech you, Stranger,' cried again the voice from the unseen, 'to take pity on one in great distress.'

And at this it seemed to the juggler that now ice was running through his veins and now fire. For he knew well that this was the voice of one compared with whom all else in the world to him was nought. He knew also that she must be standing near, though made utterly invisible to him by the veil of his own enchantments.

'Draw near, traveller. Have no fear,' he cried out softly into the darkness. 'All will be well. Tell me only how I may help you.'

But Myfanwy drew not a hair's-breadth nearer. Far from it. Instead, she flitted a little across the air of the glade, and now her voice came to him from up the wind towards the south, and fainter in the distance.

'There is one with me,' she replied, 'who by an evil stratagem has been transformed into the shape of a beast, and that beast a poor patient ass. Tell me this, sorcerer—how I may restore him to his natural shape, and mine shall be an everlasting gratitude. For it is my own father of whom I speak.'

Her voice paused and faltered on the word. She longed almost beyond bearing to reveal herself to this unknown one, trusting without the least doubt or misgiving that he would serve her faithfully in all she asked of him.

'But that, gentle lady,' replied the juggler, 'is not within my power, unless he of whom you speak draws near to show himself. Nor—though the voice with which you speak to me is sweeter than the music of harp-strings twangling on the air—nor is it within my power to make promises to a bodiless sound only. For how am I to be assured that the shape who utters the words I hear is not some dangerous demon of the darkness who is bent on mocking and deluding me, and who will bring sorcery on myself?'

There was silence for a while in the glade, and then 'No, no!' cried the juggler. 'Loveliest and bravest of all that is, I need not see thy shape to know thee. Thou art most assuredly the lovely Myfanwy, and all that I am, have ever been, and ever shall be is at thy service. Tell me, then, where is this poor ass that was once thy noble father?'

And at this, and at one and the same moment, Myfanwy, withdrawing the veil from her head and shoulders, disclosed her fair self standing there in the faint rosy glow of the slumbering fire, and there broke also from the neighbouring thicket so dreadful and hideous a noise of rage and anguish—through the hoarse and unpractised throat of the eavesdropper near by—that it might be supposed the clamour was not of one but of a chorus of demons—though it was merely our poor ass complaining of his fate.

'Oh, sir,' sighed Myfanwy, 'my dear father, I fear, in his grief and anxiety has been listening to what has passed between us. See, here he comes.'

Galloping hoofs were indeed now audible as the Lord of Eggleyseg in ass's skin and shape drew near to wreak his vengeance on the young magician. But being at this moment in his stubborn rage and folly more ass than human, the glaring of the watch-fire dismayed his heavy wits, and he could do no else but paw with his forelegs, lifting his smooth nose with its gleaming teeth into the night air, snuffing his rage and defiance some twenty paces distant from the fire.

The young magician, being of a nature as courteous as he was bold, did not so much as turn his head to scan the angry shivering creature, but once more addressed Myfanwy. She stood bowed down a little, tears in her eyes; in part for grief at her father's broken promise and the humiliation he had brought upon himself, in part for joy that their troubles would soon be over and that she was now in the very company of the stranger who unwittingly had been the cause of them all.

'Have no fear,' he said, 'the magic that has changed the noble Baron your father into a creature more blest in its docility, patience, and humbleness than any other in the wide world, can as swiftly restore him to his natural shape.'

'Ah then, sir,' replied the maid, 'it is very certain that my father will wish to bear witness to your kindness with any small gift that is in our power. For, as he well knows, it was not by any design but his own that he ate of the little green apple of enchantment. I pray you, sir, moreover, to forgive me for first stealing that apple, and also the marvellous golden ball, and the silken cord from out of the air.'

The juggler turned and gazed strangely at Myfanwy. 'There is only one thing I desire in all this starry universe,' he answered. 'But I ask it not of him—for it is not of his giving. It is for your own forgiveness, lady.'

'I forgive you!' she cried. 'Alas, my poor father!'

But even as she spoke a faint smile was on her face, and her eyes wandered to the animal standing a few paces beyond the margin of the glow cast by the watch-fire, sniffing the night air the while, and twitching dismally the coarse grey mane behind his ears. For now that her father was so near his deliverance her young heart grew entirely happy again, and the future seemed as sweet with promise as wild flowers in May.

Without further word the juggler drew from out of his pouch, as if he always carried about with him a little privy store of vegetables, a fine, tapering, ripe, red carrot.

'This, lady,' said he, 'is my only wizardry. I make no bargain. My love for you will never languish, even if I never more again refresh my sleepless eyes with the vision of your presence in this solitary glade. Let your noble father the Lord of Eggleyseg draw near without distrust. There is but little difference, it might be imagined, between a wild apple and a carrot. But then, when all is said, there is little difference in the long sum between any living thing and another in this strange world. There are creatures in the world whose destiny it is in spite of their gentleness and humility and lowly duty and obedience to go upon four legs and to be in service of masters who deserve far less than they deserve, while there are men in high places of whom the reverse might truly be said. It is a mystery beyond my unravelling. But now all I ask is that you bid the ass who you tell me is hearkening at this moment to all that passes between us to nibble of this humble but useful and wholesome root. It will instantly restore him to his proper shape. Meanwhile, if you bid, I will myself be gone.'

Without further speech between them, Myfanwy accepted the magic carrot, and returned once more to the ass.

'Dear father,' she cried softly, 'here is a root that seems to be only a carrot; yet nibble of it and you will be at once restored, and will forget you were ever an—as you are. For many days to come, I fear, you will not wish to look upon the daughter that has been the unwilling cause of this night's woeful experience. There lives, as I have been told, in a little green arbour of the forest yonder, a hermit. This young magician will, I am truly certain, place me in his care a while until all griefs are forgotten between us. You will of your kindness consent, dear father, will you not?' she pleaded.

A long prodigious bray resounded dolefully in the hollows of the far-spread forest's dells and thickets. The Lord of Eggleyseg had spoken.

'Indeed, father,' smiled Myfanwy, 'I have never before heard you say "Yes" so heartily. What further speech is needed?'

Whereupon the ass, with more dispatch than gratitude, munched up the carrot, and in a few hours Owen ap Gwythock, once more restored to his former, though hardly his more appropriate shape, returned in safety to his Castle. There for many a day he mourned his woeful solitude, but learned, too, not only how true and faithful a daughter he had used so ill, but the folly of a love that is fenced about with mistrust and suspicion and is poisoned with jealousy.

And when May was come again, a prince, no longer in the disguise of a wandering juggler, drew near with his adored Myfanwy to the Lord of Eggleyseg's ancient castle. And Owen ap Gwythock, a little older but a far wiser man, greeted them with such rejoicings and entertainment, with such feastings and dancing and minstrelsy and jubilations as had never been heard of before. Indeed he would have been ass unadulterated if he had done else.

*****************

I applaud de la Mare's noting this father had learned "the folly of a love that is fenced about with mistrust and suspicion and is poisoned with jealousy."  This is indeed a fairy tale able to end with the truism of "They lived happily ever after."  This is clearly where the reader or listener wants the story to end.

While you may not be able to "live happily ever after", may you have happiness considerably more than not, and many wonderful stories to discover!

****************

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  



At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.
       - World of Tales - http://www.worldoftales.com/ 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.
     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!

Friday, March 19, 2021

de la Mare - The Lovely Myfanwy (part 3 of 4) - Keeping the Public in Public Domain

Flag of Wales 1959-present

I promised pronunciation help for the Welsh names in the story and my storytelling colleague, Beth Phillips, said:

Hi Lois, The castle's name is not Welsh. It looks like a made-up English word that wants to be Welsh. 🙂

Here's the lord's name in phonetic transcription: Oh-wen ap Gwy-thock, emphasis on last syllable of last name.

Myfyanwy: Muh-von-wee. There is a famous Welsh song with this name. If you look on YouTube with just the word Myfanwy, you will see lots of options to listen to the song.

Now that wasn't so hard was it?

Beth is a fluent Welsh speaker and I appreciate her help.  Her YouTube suggestion takes you to many performances of the love song, "Myfanwy", which probably inspired the British author, Walter de la Mare. 

By the way, for a coloring (colouring) sheet of the Welsh dragon and a few facts about Saint David's Day, which was March 1, and is as important to the Welsh as Saint Patrick is to the Irish, go to the blog, Hodge Podge Days.

Now here's the third section of our story with even more dramatic changes about to occur, especially to this over-protective father and his daughter, Myfanwy. 

************

To think that his Lovely One, his pearl of price, his gentle innocent, his Myfanwy—the one thing on earth he treasured most, and renowned for her gentleness and beauty in all countries of the world—had even for an instant forgotten their loves, forgotten her service and duty, was in danger of leaving and forsaking him for ever! In his jealousy and despair tears rolled down his furrowed cheeks as he ground his teeth together, thinking of the crafty enemy that was decoying her away.

Worse still; he knew in his mind's mind that in certain things in this world even the most powerful are powerless. He knew that against true love all resistance, all craft, all cunning at last prove of no avail. But in this grief and despair the bitterest of all the thoughts that were now busy in his brain was the thought that Myfanwy should be cheating and deceiving him, wantonly beguiling him; keeping things secret that should at once be told.

A dark and dismal mind was his indeed. To distrust one so lovely!—that might be forgiven him. But to creep about in pursuit of her like a weasel; to spy on her like a spy; to believe her guilty before she could prove her innocence! Could that be forgiven? And even at this very moment the avenger was at his heels.

For here was Myfanwy herself. Lovely as a convolvulus wreathing a withered stake, she was looking in at him from the doorpost, searching his face. For an instant she shut her eyes as if to breathe a prayer, then she advanced into the room, and, with her own hand, laid before him on the oak table beside his silver platter, first the nibbled apple, next the golden ball, and last the silken cord. And looking at him with all her usual love in her eyes and in her voice, she told him how these things had chanced into her hands, and whence they had come.

Her father listened; but durst not raise his eyes from his plate. The scowl on his low forehead grew blacker and blacker; even his beard seemed to bristle. But he heard her in silence to the end.

'So you see, dear father,' she was saying, 'how can I but be grateful and with all my heart to one who takes so much thought for me? And if you had seen the kindness and courtesy of his looks, even you yourself could not be angry. There never was, as you well know, anybody else in the whole wide world whom I wished to speak to but to you. And now there is none other than you except this stranger. I know nothing but that. Can you suppose indeed he meant these marvellous gifts for me? And why for me and no other, father dear? And what would you counsel me to do with them?'

Owen ap Gwythock stooped his head lower. Even the sight of his eyes had dimmed. The torches faintly crackled in their sconces, the candles on the table burned unfalteringly on.

He turned his cheek aside at last like a snarling dog. 'My dear,' he said, 'I have lived long enough in this world to know the perils that beset the young and fair. I grant you that this low mountebank must be a creature of infinite cunning. I grant you that his tricks, if harmless, would be worth a charitable groat. If, that is, he were only what he seems to be. But that is not so. For this most deadly stranger is a Deceiver and a Cheat. His lair, as I guess well, is in the cruel and mysterious East, and his one desire and stratagem is to snare you into his company. Once within reach of his claws, his infamous slaves will seize on you and bear you away to some evil felucca moored in the river. It seems, beloved, that your gentle charms are being whispered of in this wicked world. Even the beauty of the gentlest of flowers may be sullied by idle tongues. But once securely in the hands of this nefarious mountebank, he will put off to Barbary, perchance, or to the horrid regions of the Turk, perchance, there to set you up in the scorching marketplace and to sell you for a slave. My child, the danger, the peril is gross and imminent. Dismiss at once this evil wretch from your mind and let his vile and dangerous devices be flung into the fire. The apple is pure delusion; the veil which you describe is a mere toy; and the cord is a device of the devil.'

Myfanwy looked at her father, stooping there, with sorrow in her eyes, in spite of the gladness sparkling and dancing in her heart. Why, if all that he was saying he thought true—why could he not lift his eyes and meet her face to face?

'Well then, that being so, dear father,' she said softly at last, 'and you knowing ten thousand times more of God's world than I have ever had opportunity of knowing, whatever my desire, I must ask you but this one small thing. Will you promise me not to have these pretty baubles destroyed at once, before, I mean, you have thought once more of me? If I had deceived you, then indeed I should be grieved beyond endurance. But try as I may to darken my thoughts of him, the light slips in, and I see in my very heart that this stranger cannot by any possibility of nature or heaven be all that you tell me of him. I have a voice at times that whispers me yes or no: and I obey. And of him it has said only yes. But I am young, and the walls of this great house are narrow, and you, dear father, as you have told me so often, are wise. Do but then invite this young man into your presence! Question him, test him, gaze on him, hearken to him. And that being done, you will believe in him as I do. As I know I am happy, I know he is honest. It would afflict me beyond all telling to swerve by a hair's-breadth from my dear obedience to you. But, alas, if I never see him again, I shall wither up and die. And that—would it not——'she added smilingly—'that would be a worse disobedience yet? If you love me, then, as from my first hour in the world I know you have loved me, and I have loved you, I pray you think of me with grace and kindness—and in compassion too.'

And with that, not attempting to brush away the tears that had sprung into her eyes, and leaving the juggler's three gifts amid the flowers and fruit of the long table before him, Myfanwy hastened out of the room and returned to her chamber, leaving her father alone.

For a while her words lay like a cold refreshing dew on the dark weeds in his mind. For a while he pondered them, even; while his own gross fables appeared in all their ugly falseness.

But alas for himself and his pride and stubbornness, these gentler ruminations soon passed away. At thought once more of the juggler—of whom his spies had long since brought him far other tidings than he had expressed—rage, hatred and envy again boiled up in him and drowned everything else. He forgot his courtesy, his love for Myfanwy, his desire even to keep her love for him. Instead, on and on he sipped and sipped, and sat fuming and plotting and scheming with but one notion in his head—by hook or by crook to defeat this juggler and so murder the love of his innocent Myfanwy.

'Lo, now,' broke out at last a small shrill voice inside him. 'Lo, now, if thou taste of the magic apple, may it not be that it will give thee courage and skill to contend against him, and so bring all his hopes to ruin? Remember what a marvel but one merest nibble of the outer rind of it wrought in thy Myfanwy!'

And the foolish creature listened needfully to this crafty voice, not realizing that the sole virtue of the apple was that of making any human who tasted it more like himself than ever. He sat there—his fist over his mouth—staring intently at the harmless-looking fruit. Then he tiptoed like a humpback across the room and listened at the entry. Then having poured out, and drained at a draught, yet another cup of wine, he cautiously picked up the apple by its stalk between finger and ringed thumb and once more squinted close and steadily at its red and green, and at the very spot where Myfanwy's small teeth had rasped away the skin.

It is in a moment that cities fall in earthquake, stars collide in the wastes of space, and men choose between good and evil. For suddenly—his mind made up, his face all turned a reddish purple—this foolish lord lifted the apple to his mouth and, stalk to dried blossom, bit it clean in half. And he munched and he munched and he munched.

He had chawed for but a few moments, however, when a dreadful and continuous change and transformation began to appear upon him. It seemed to him that his whole body and frame was being kneaded and twisted and wrung in much the same fashion as dough being made into bread, or clay in a modeller's fingers. Not knowing what these aches and stabbings and wrenchings meant, he had dropped as if by instinct upon his hands and knees, and thus stood munching, while gazing blankly and blindly, lost in some inward horror, into the great fire on the hearth.

And meanwhile, though he knew it not in full, there had been sprouting upon him grey coarse hairs—a full thick coat and hide of them—in abundance. There had come a tail to him with a sleek, dangling tassel; long hairy ears had jutted out upon his temples; the purple face turned grey, lengthening as it did so until it was at least full eighteen inches long, with a great jawful of large teeth. Hoofs for his hands, hoofs where his feet used to be, and behold!—standing there in his own banqueting hall—this poor deluded Owen ap Gwythock, Lord of Eggleyseg, transmogrified into an ass!

For minutes together the dazed creature stood in utter dismay—the self within unable to realize the change that had come over its outer shape. But, happening to stretch his shaggy and unfamiliar neck a little outward, he perceived his own image in a scoured and polished suit of armour that stood on one side of the great chimney. He shook his head, the ass's head replied. He shook himself, the long ears flapped together like a wood-pigeon's wings. He lifted his hand—a hoof clawed at nowhere!

At this the poor creature's very flesh seemed to creep upon his bones as he turned in horror and dismay in search of an escape from the fate that had overtaken him. That ass he? he himself? His poor wits in vain endeavoured to remain calm and cool. A panic of fear all but swept him away. And at this moment his full, lustrous, long-lashed, asinine eyes fell by chance upon the golden ball lying ajar on the table beside his wine-cup—the Veil of Invisibility glinting like money-spider's web from within.

Now no ass is quite such a donkey as he looks. And this Owen ap Gwythock, though now completely shut up in this uncouth hairy body, was in his mind no more (though as much) of a donkey than he had ever been. His one thought, then, was to conceal his dreadful condition from any servant that might at any moment come that way, while he himself could seek out a quiet secluded corner in the dark wherein to consider how to rid himself of his ass's frame and to regain his own usual shape. And there lay the veil! What thing sweeter could there be than to defeat the juggler with his own devices.

Seizing the veil with his huge front teeth, he jerked it out of the ball and flung it as far as he could over his shaggy shoulders. But alas, his donkey's muzzle was far from being as deft as Myfanwy's delicate fingers. The veil but half concealed him. Tail, rump and back legs were now vanished from view; head, neck, shoulders and forelegs remained in sight. In vain he tugged; in vain he wriggled and wrenched; his hard hoofs thumping on the hollow flagstones beneath. One half of him stubbornly remained in sight; the rest had vanished. For the time being he was no more even than half an ass.

At last, breathless and wearied out with these exertions, trembling and shuddering, and with not a vestige of sense left in his poor donkey's noddle, he wheeled himself about once more and caught up with his teeth the silken cord. It was his last hope.

But this having been woven of wisdom—it being indeed itself the Serpent of Wisdom in disguise—at touch of his teeth it at once converted itself into a strong hempen halter, and, before he could so much as rear out of the way to escape its noose or even bray for help, it had tethered him to a large steel hook in his own chimneypiece.

Bray he did, none the less: 'Hee-haw! Hee-haw!! Hee-ee-ee-ee Haw-aw-aw!!!' His prolonged, see-saw, dismal lamentations shattered the silence so harshly and so hoarsely that the sound rose up through the echoing stone walls and even pierced into Myfanwy's own bedchamber, where she sat in the darkness at her window, looking out half in sorrow, half in unspeakable happiness, at the stars.

Filled with alarm at this dreadful summons, in an instant or two she had descended the winding stone steps; and a strange scene met her eyes.

There, before her, in the full red light of the flaming brands in the hearth and the torches on the walls, stood the forelegs, the neck, head, and ears of a fine, full-grown ass, and a yard or so behind them just nothing at all. Only vacancy!

Poor Myfanwy—she could but wring her hands in grief and despair; for there could be no doubt in her mind of who it was in truth now stood before her—her own dear father. And on his face such a look of rage, entreaty, shame and stupefaction as never man has seen on ass's countenance before. At sight of her the creature tugged even more furiously at his halter, and shook his shaggy shoulders; but still in vain. His mouth opened and a voice beyond words to describe, brayed out upon the silence these words: 'Oh, Myfanwy, see into what a pass your sorceries and deceits have reduced me!'

'Oh, my dear father,' she cried in horror, 'speak no more, I beseech you—not one syllable—or we shall be discovered. Or, if you utter a sound, let it be but in a whisper.'

She was at the creature's side in an instant, had flung her arms about his neck, and was whispering into his long hairy ear all the comfort and endearments and assurances that loving and tender heart could conceive. 'Listen, listen, dear father,' she was entreating him, 'I see indeed that you have been meddling with the apple, and the ball, and the cord. And I do assure you, with all my heart and soul, that I am thinking of nothing else but how to help you in this calamity that has overtaken us. Have patience. Struggle no more. All will be well. But oh, beloved, was it quite just to me to speak of my deceits?'

Her bright eyes melted with compassion as she looked upon one whom she had loved ever since she could remember, so dismally transmogrified.

'How can you hesitate, ungrateful creature?' the see-saw voice once more broke out. 'Relieve me of this awful shape, or I shall be strangled on my own hearthstone in this pestilent halter.'

But now, alas, footsteps were sounding outside the door. Without an instant's hesitation Myfanwy drew the delicate veil completely over the trembling creature's head, neck and fore-quarters and thus altogether concealed him from view. So—though it was not an instant too soon—when the Lord of Eggleyseg's Chief Steward appeared in the doorway, nothing whatever was changed within, except that his master no longer sat in his customary chair, Myfanwy stood solitary at the table, and a mysterious cord was stretched out between her hand and the hook in the chimneypiece.

'My father,' said Myfanwy, 'has withdrawn for a while. He is indisposed, and bids me tell you that not even a whisper must disturb his rest. Have a hot posset prepared at once, and see that the room beneath is left vacant.'

The moment the Steward had gone to do her bidding Myfanwy turned at once to her father, and lifting the veil, whispered into the long hairy ear again that he must be of good cheer. 'For you see, dear father, the only thing now to be done is that we set out together at once in search of the juggler who, meaning no unkindness, presented me with these strange gifts. He alone can and will, I am assured, restore you to your own dear natural shape. So I pray you to be utterly silent—not a word, not a murmur—while I lead you gently forth into the forest. Once there I have no doubt I shall be able to find our way to where he is. Indeed he may be already expectant of my coming.'

Stubborn and foolish though the Baron might be, he realized, even in his present shape, that this was his only wisdom. Whereupon, withdrawing the end of the bridle from the hook to which it was tethered, Myfanwy softly led the now invisible creature to the door, and so, gently onward down the winding stone staircase, on the stones of which his shambling hoofs sounded like the hollow beating of a drum.

The vast room beneath was already deserted by its usual occupants, and without more ado the two of them, father and daughter, were soon abroad in the faint moonlight that now by good fortune bathed the narrow bridle-path that led into the forest.

*****************
Next week is the final part of this story.  It's interesting that the magic apple only made "any human who tasted it more like himself than ever."  Yes, Myfanwy's father has "made an ass of himself."  Is there a way to end this fairy tale happily?

*****************
This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  



At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.
       - World of Tales - http://www.worldoftales.com/ 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.
     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!