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Showing posts with label dance. Show all posts
Showing posts with label dance. Show all posts

Friday, July 5, 2024

Mooney - The Origin of the Groundhog Dance - Keeping the Public in Public Domain

This whole long holiday began on Thursday with the Fourth of July (although fireworks started up even earlier).  With Thursday being so close to the weekend, many have st-r-e-t-ched the holiday all the way to Sunday.  

I'll work Saturday since one of the things I do besides storytelling is substitute at two local libraries.  (I also am in the troupe performing The Dinner Detective -- so if you see me, don't tell as it might put you ahead solving the mystery!) 

At one of the libraries where I'm a sub I saw a sign celebrating Independance Day.  I like that idea since I love to dance.  It made me think back to the Degas exhibit at the Detroit Institute of Arts back in 2002 when I told "Stories That Dance."  Of course that made me want to put a story that danced here.  December the 31st of 2023 numerically was 123123, making it Waltz Day!  At that time I posted the Rabbit version of today's story, but the Cherokee version, collected by James Mooney in Myths of the Cherokee tells it as "the Groundhog Dance."  It's also a good choice for audience participation (more about the song Groundhog sings after the very brief story).

ORIGIN OF THE GROUNDHOG DANCE

Seven wolves once caught a Groundhog and said, “Now we’ll kill you and have something good to eat.” But the Groundhog said, “When we find good food we must rejoice over it, as people do in the Green-corn dance. I know you mean to kill me and I can’t help myself, but if you want to dance I’ll sing for you. This is a new dance entirely. I’ll lean up against seven trees in turn and you will dance out and then turn and come back, as I give the signal, and at the last turn you may kill me.”

The wolves were very hungry, but they wanted to learn the new dance, so they told him to go ahead. The Groundhog leaned up against a tree and began the song, Ha′wiye′ĕhĭ′, and all the wolves danced out in front, until he gave the signal, Yu! and began with Hi′yagu′wĕ, when they turned and danced back in line. “That’s fine,” said the Groundhog, and went over to the next tree and started the second song. The wolves danced out and then turned at the signal and danced back again. “That’s very fine,” said the Groundhog, and went over to another tree and started the third song. The wolves danced their best and the Groundhog encouraged them, but at each song he took another tree, and each tree was a little nearer to his hole under a stump. At the seventh song he said, “Now, this is the last dance, and when I say Yu! you will all turn and come after me, and the one who gets me may have me.” So he began the seventh song and kept it up until the wolves were away out in front. Then he gave the signal, Yu! and made a jump for his hole. The wolves turned and were after him, but he reached the hole first and dived in. Just as he got inside, the foremost wolf caught him by the tail and gave it such a pull that it broke off, and the Groundhog’s tail has been short ever since.

***

Mooney in his notes at the end of the book says: 

the song, which is without meaning, is Ha′wiye′ĕhi′ Yaha′wiye′ĕhi [twice]

Yu-u

Hi′yagu′wĕ Hahi′yagu′wĕ [twice]

Yu-yu.

If, like me, your Cherokee language is less than fluent, you may wonder how to chant that.  Mooney gives a glossary at the book's end, saying the "g medial (semisonant), approximating k" and this is how to pronounce these vowels:

a as in far

          i as in pique

          u as in rule

          the letter "e" has two different sounds:

         eas in they.
         ĕas in net. 
                           

Since Mooney also says the song has no meaning, it would be fair to tell your audience you are teaching a slightly simplified version. I like the similarity in Ha′wiye′ĕhi′ and Hahi′yagu′wĕ so this is how I would shorten it, breaking it down into syllables.

Ha′ wi ye′ ĕ hi′ Ha′ wi ye′ ĕ hi′ Yu u for the first song and then for the second song Ha hi′ ya gu′ wĕ Ha hi′ ya gu′ wĕ Yu yu.

If even that seems too tough, you could use just one song (I'd use the first to avoid the troublesome "g ...  approximating k"  and let it be the same song for all seven of the trees.  If you do that be sure to say you are simplifying the songs as Groundhog sang a slightly different song at each tree, but those songs are made of meaningless sounds, just like in many lullabies.

Perhaps the Thompson Motif K606 "Escape by singing song" and K606.2 "Escape by persuading captors to dance" is a bit of folklore indexing that interests you further.  Thompson also lists variants in Africa, India, Indonesia, plus similar ones in Iceland and Ireland where the watchmen are sung to sleep.  

Enjoy your own Independance and don't let any wolves catch you!

 

 

 

Friday, December 29, 2023

New Year's Eve is Waltz Day!

I love to tell stories that dance.  
 
When the Detroit Institute of Arts had a special Degas exhibit I gathered quite a few and told them there.
 
The Cherokee have two very similar stories where dance is used to escape hungry wolves.  Stories have a way of traveling and changing slightly.  I like the Rabbit version, but you may prefer the Groundhog version.  You can find it, along with this story on Project Gutenberg's sharing of James Mooney's Myths of the Cherokee.  After the story I want to share a bit more that fits both this and the Groundhog version.

THE RABBIT ESCAPES FROM THE WOLVES

Some Wolves once caught the Rabbit and were going to eat him when he asked leave to show them a new dance he was practicing. They knew that the Rabbit was a great song leader, and they wanted to learn the latest dance, so they agreed and made a ring about him while he got ready. He patted his feet and began to dance around in a circle, singing:

Tlâge′sitûñ′ găli′sgi′sidâ′hă—

Ha′nia lĭl! lĭl! Ha′nia lĭl! lĭl!

On the edge of the field I dance about—

Ha′nia lĭl! lĭl! Ha′nia lĭl! lĭl!

“Now,” said the Rabbit, “when I sing ‘on the edge of the field,’ I dance that way”—and he danced over in that direction—“and when I sing ‘lĭl! lĭl!’ you must all stamp your feet hard.” The Wolves thought it fine. He began another round singing the same song, and danced a little nearer to the field, while the Wolves all stamped their feet. He sang louder and louder and danced nearer and nearer to the field until at the fourth song, when the Wolves were stamping as hard as they could and thinking only of the song, he made one jump and was off through the long grass. They were after him at once, but he ran for a hollow stump and climbed up on the inside. When the the Wolves got there one of them put his head inside to look up, but the Rabbit spit into his eye, so that he had to pull his head out again. The others were afraid to try, and they went away, with the Rabbit still in the stump.

***

I mentioned the Groundhog version, which comes a few pages later in Mooney's book.  Margaret Read MacDonald in her excellent Twenty Tellable Tales uses the "Groundhog Dance.  I recommend looking up what she says afterwards.  Her "Notes on Telling" are definitely worth reading.  Beyond that her folklore-related "Comparative Notes" talks about this fitting the Thompson Motif K606 and says variants can be found in Africa, India, Indonesia, plus similar ones in Iceland and Ireland where the watchmen are sung to sleep.  

Stay up late to dance the New Year in, but maybe look up those other versions if all that dancing leaves you too wound up to sleep.  Any way you work it, may stories be with you now and in the New Year.

*****************

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

Other Public Domain story resources I recommend-

  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm

  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.
    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"

The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:        

         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html

         - Richard Martin - http://www.tellatale.eu/tales_page.html

         - Spirit of Trees - http://spiritoftrees.org/featured-folktales

         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for December 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.

       - World of Tales - http://www.worldoftales.com/ 

 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.

     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!

    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.

You can see why I recommend these to you. 

Have fun discovering even more stories