Staying Alive with Oral History - Part 2

This continues the ideas of my fellow storytellers on the topic of Staying Alive with Oral History

Two storytellers who had articles deserving of publishing on this topic are Judy Schmidt, of the Ann Arbor Storytellers' Guild and Canadian storyteller, Renee Englott, from Edmonton in Alberta.  Renee's the author of Part 3 of this series.  We close with a look at Lynn Rubright's book and other suggested books.

When the topic of Oral Histories was recently discussed, Judy commented:

Published by Libraries Unlimited, 2006

Another resource,  although not only with seniors, is described in The Storytelling Classroom; Applications Across the Curriculum by Sherry Norfolk, Jane Stenson and Diane Williams.  It's the section by Madison, Wisconsin, teacher and storyteller, Mark Wagler, entitled "Teaching the World We Live In: Collecting and Telling Ethnographic Stories."  Mark has done ethnographic projects with "students from primary grades through graduate school."  The one described in The Storytelling Classroom focuses on 4th and 5th graders studying neighborhood cultures along Park Street in Madison.  

Judy continues her suggestions, saying: In terms of equipment - lately I've used a little device by Belkin called a Tune-Talk that can be attached to an I-Pod and will turn it into a recorder. The recording can then be dumped into I-Tunes.

Judy also shared her basic Ten Tips for Taping:

• TEN TIPS FOR TAPING - Oral History/Family Storytelling
  1. Make sure your recording device is working - before the interview - so that the
  recording process itself wonʼt be a distraction.
  2. If possible, try to tape without a lot of other family members around. One-on-one
  usually works best. Find a quiet, comfortable place where both you and your
  subject can sit without straining voices or posture.
  3. Prepare for your interview by writing out questions in advance -- BUT
  4. Donʼt get too attached to your prepared questions. If your subjectʼs stories are
  flowing in a totally different direction, let them go in that direction.
  5. As you begin taping, record on the tape the following information: the names of the
  interviewer and the person being interviewed, the date, time and place. You
  may also want to record the nature of the relationship. (Example: This is George
  Jones and Iʼm interviewing my father, Ralph Jones, on May 15, 2007 at 10:00
  oʼ clock in the morning in our home at 3345 Morningside, in Ann Arbor, Michigan.)
  6. Listen attentively and appreciatively. This kind of concentrated listening is hard work,
  but well worth the effort. If you are actively listening, you will find that your
  curiosity is stimulated and you will have lots of questions.
  7. If the person youʼre interviewing is “on a roll” and does not need prompting, just let
  her or him go. Donʼt interrupt.
  8. Plan on taping for no more than one hour at a time because the process is tiring.
  However, in case your subject wants to continue, be sure to have enough tape to
  make that possible. If the person wants to pause or stop taping, abide by that
  request.
  9. Donʼt forget your manners. Be sure to thank your subject for taking time with you
  and
  sharing his or her stories. A written thank you note will will be especially
  appreciated.
  10. Label the tape carefully and punch out the tabs on the back edge so that no one
  can record over your interview by accident.
  Donʼt wait for the perfect time to tape your family stories. MAKE IT HAPPEN!
  -- Judith Schmidt , February, 2007

Excellent advice as we never know when that opportunity will go away.

Don't go away, plan on going next to Part 3, of Staying Alive with Oral History and guest author, Renee Englott. 

Staying Alive with Oral Histories - Part 1

We all hope our lives make a difference.  I've been privileged to do oral histories and at other times help young people do it, too.  Additionally my reenactment of Liberetta Lerich Green started with her oral history telling about growing up on a Michigan Underground Railroad Station and her family's Civil War experiences.  The title story in Harold Courlander's The Cow-Tail Switch and Other West African Stories shows the value of remembering people's lives. 

Never overlook the value of putting something in a format available to future readers or listeners.  Whether they are the descendants of the person interviewed or not, the interview becomes precious beyond any time or expense involved.  Two easily overlooked groups who can especially value doing this are people with no children and those diagnosed with Alzheimer's disease in the early stages. It's their way to stay alive!

I'm always indebted to my fellow storytellers for their ideas.  Great storytelling resources come from a very active international email list, Storytell, and the online network, Professional Storyteller ,  (where I'm an assistant administrator to nearly 1900 members from around the world). I hope these suggestions from my storytelling friends help you do an oral history project.  The ideas were so plentiful this topic will have three more parts.

• Lynn Rubright's excellent book, Beyond the Beanstalk: Interdisciplinary Learning Through Storytelling, (published byHeinemann, 1996) will be discussed in the final part of this four part series of blogs.

• Jo Radner, who teaches oral history workshops in the northeast, adds: My favorite intergenerational storytelling program is Judy Klevins' Swapping Stories.  She trains groups of students and elders separately in interviewing and public speaking, then puts them together in pairs -- one elder, one student.  They interview each other, swap stories, and then perform each other's stories to an audience.  So it's not just students collecting stories from elders.  As I often put it, old people are a foreign country to the young -- but the young are also a foreign country to the old.  They need to tell each other their stories to make the connections.  (Note by LoiS: Their approach sounds very similar to some of the ideas in Lynn Rubright's book mentioned above and in Part 4.)

• Renee Englot offers a three-part look at the interview: Framing Questions, Tips for Shaping and Conducting the Interview, and finally After the Interview.  Each is a complete document, so her contributions will be a separate post, Staying Alive with Oral Histories - Part 3. 

• Prolific blogger, storyteller Karen Chace, has collected a number of resources on this topic.  She plans to update her "Preserving our roots collecting family history" so look to see if she mentions having added to it recently.

• Here in the Ann Arbor area, storyteller and former media specialist, Judy Schmidt, added both a basic "Ten Tips for Taping" and other recommendations in Part 2 of Staying Alive with Oral Histories.  

• It's almost guaranteed my research will include Jackie Baldwin's Story-Lovers site.  She's done an award winning job of compiling information from the Storytell list.  For this topic go to the Oral Histories section of the "S.O.S." there.  (While you're there, be sure to check her home page and scroll down to her lovely stationery, cards, prints, and so much more.)
• Something I first heard about years ago on the Storytell list was this playful way to bring back memories, the game, Life Stories.  It's available and thoroughly reviewed on Amazon (in the Toys and Games section).

If you can't do an oral history project, I suggest you at least create an interview document for people to use in self-recording.  That's not as "magical" as what pops up in a live interview, but at least it's not dependent on grant funding. 

 LoiS(econd interview with someone wasn't nearly as lively as the time the tape recorder didn't work! -- shades of those Ten Tips for Taping)  

This is the end of Part 1 - Staying Alive with Oral Histories.  See Parts 2 and 3 with guest authors, Judy Schmidt and Renee Englot and then the bibliography in Part 4 of Staying Alive with Oral Histories featuring Lynn Rubright.