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Showing posts with label fairy tales. Show all posts
Showing posts with label fairy tales. Show all posts

Friday, January 2, 2026

Freeman - The Blue Robin - Keeping the Public in Public Domain

As we enter 2026 things look as divided as ever! I found an interesting fairy tale, by Mary Wilkins Freeman that fits my wish for the New Year. Take a look at that link for Freeman. Her marriage was less than delightful and upon her husband's death "he left the majority of his wealth to his chauffeur and only  one dollar to his former wife.[5]"  Fortunately for us she was recognized for her writing and it supported her. 

I found today's story in Carolyn Sherwin Bailey's For the Storyteller; Storytelling and Stories to TellThe section on "Imagination and the Fairy Tale" would be a post unto itself, but here are some points it makes related to Freeman's story.

A good fairy story is the best stimulus to child imagination.

Not any fairy story, selected with slight discrimination and told to a child just because it is a story of fancy, however. “Blue Beard,” “Ali Baba,” “The Cruel Stepmother” do little but cause child nightmares and give children ideas of cruelty, vengeance and crime. These concepts will present themselves to the child soon enough in the daily newspapers.[215] Let us shut them out of the story hour. In selecting a fairy story to tell to children, we will first analyze it with exceeding care, asking ourselves these questions in regard to it:

What constitutes the imaginative element of this story?

Is its point of unreality an idea which we want to give permanence in the child’s mind?

Is the story told in a series of such familiar, known images that there is material in it for stimulating the child’s constructive imagination?

If a fanciful story survives these three tests, we may be sure that it is perfect.

          . . .

One of the most beautiful of all fairy stories, Mary Wilkins Freeman wrote. “The Blue Robin” is perfect in treatment and theme. 

Not too surprisingly I can't find a picture of a Blue Robin (nor is drawing my art). For some crazy reason Blogger isn't accepting ANY kind of a picture, but then that exercise of the imagination, too, is part of storytelling.

        The Blue Robin 

The country over which King Chrysanthemum reigned was very far inland, so there was very little talk about the sea-serpent, but everybody was agitated over the question whether there was, or was not, a Blue Robin.

The whole kingdom was divided about it. The members of parliament were “F. B. R.,” for Blue Robin or “A. B. R.,” against Blue Robin. The ladies formed clubs to discuss the question, and sometimes talked whole afternoons about it, and the children even laid down their dolls, and their tops to search for the Blue Robin. Indeed, many children had to be kept tied to their mother’s apron-strings all the time to prevent them from running away to a Blue Robin hunt. It was a very common thing to see ladies going to a Blue Robin club, with a child at each apron-string, pulling back and crying, “I want to go hunting the Blue Robin! I want to go hunting the Blue Robin!”

The country was agitated over this question for many years, then finally there were riots about it.

People had to lock themselves in their houses, and when the Blue Robin party was uppermost, paint blue robins on their front doors, and when it was not, wash them off. After the riots commenced, it was really almost all that people could do to paint blue robins on and wash them off, their front doors.

At last King Chrysanthemum had to take extreme measures. He decided to consult the Wise Man. A committee was chosen of eight F. B. R.’s, and eight A. B. R.’s, and a chairman, and they set out at once, marching four abreast, the chairman with his chair leading the way, to consult the Wise Man. He had to be found before he could be consulted, however, and that was a very difficult matter. The Wise Man considered it the height of folly to live like other people in a house immovably fixed upon one spot of ground, and therefore he always carried his house about with him, as a turtle carries his shell.

He had fashioned a little dwelling of cloth and steel ribs, something like an umbrella, which he strapped to himself, and lived in, traveling all over the country in pursuit of wisdom.

The committee marched a whole week, before they came upon the Wise Man one afternoon in a pasture where huckleberries grew. He was standing quite still when they approached and made their obeisances. The Chairman of the committee placed his chair, a rocking-chair with a red plush cushion, before the Wise Man, seated himself, and spoke. “All Hail, Wise Man!” said he in a loud voice.

The Wise Man’s house had a little door in front like a coach door, and two tiny windows. One of the windows had the curtains drawn, but out of the other looked the Wise Man’s calm blue right eye. There was so much wisdom in his two eyes that he knew people could not comprehend it, so he always curtained one window. The house was about one foot higher than his head, and reached to his ankles. They could see his feet in their leather sandals below it.

The Wise Man said not one word in response to the Chairman’s salutation, only looked at him with his blue right eye. Then the Chairman laid the matter before the Wise Man and besought his aid in the terrible situation of the country. After the Chairman had ceased speaking there was a silence for half an hour. Not a sound was to be heard except the creaking of the Chairman’s rocking-chair. Then the Wise Man cleared his throat. The committee leaned forward expectantly, but they had to wait another half hour before he spoke, and then it was not very satisfactory. “Ideas are not as thick as huckleberries in this pasture,” was all he said.

The committee looked at one another, and nodded ruefully. It was quite true, but it did not help them in their dilemma. They waited another half hour; then the Wise Man began moving off across the pasture in his house.

“Oh, stop, stop!” cried the Chairman. “Stop, stop!” cried the committee. They all ran after him, and begged him not to go away until he had given them some useful advice.

“Offer a reward!” called out the Wise Man, as he scudded away.

“For what, for what!” cried the committee.

“For finding the Blue Robin,” called out the Wise Man, and then a puff of wind caught his umbrella-like house, and he was lifted quite off his feet, and bobbed away out of sight over the huckleberry-bushes.

The committee hastened back to the city, and reported. Another special parliament was called, and the reward for finding the Blue Robin was offered. That was really a difficult matter, because the Princess Honey was only five years old, and the customary reward—her hand in marriage—could hardly be offered. However, it was stated that if the finder of the Blue Robin was of suitable age when the Princess was grown, she should be his bride; and furthermore that he and all his relatives should be pensioned for life and that he should be appointed Poet Laureate, and given a regiment, a steam yacht, a special train, and a pound of candy every day from the national candy mills. The offer was painted in blue letters on yellow paper, and pasted up all over the country, and then the search began in good earnest. Business all over the kingdom was at a standstill. Nobody did anything but hunt the Blue Robin.

People ate nothing in those days but cornmeal pudding, hastily mixed and boiled. There was no bread baked, because all the bakers and all the housewives were out hunting the Blue Robin. The mothers untied the children from their apron-strings, and the schools were all closed, because it was agreed that finding the Blue Robin and establishing peace in the kingdom, was of more importance than books, and all the children who were old enough were out hunting—that is, all the children except Poppy.

It should be stated here that everybody in this country, with the exception of the Princess, had a flower-name. The Princess was so much sweeter, that only the inmost sweetness of all flowers was good enough for her name, and she was called Honey.

Poppy was about ten years old, and his father was an editor of a newspaper, and very poor. He could scarcely support his five children. His wife had died the year before, and he could not afford to hire a housekeeper.

So Poppy had to stay at home, and keep the house, and take care of his four young brothers and sisters, while his father was away editing, and he could not hunt the Blue Robin. It was a great cross to him, but he loved his little brothers and sisters, and he made the best of it.

After the search for the Blue Robin began, his father was much busier, and had often to be away all night, so Poppy had to rock and trot the twin babies, Pink and Phlox, and go without sleep, after working hard cooking and washing dishes and sewing all day. Poppy had to mend the children’s clothes, and he was even trying to make some little frocks for Petunia and Portulacca. They were twins also, five years old.

As Poppy sat in the window and sewed, with his right foot rocking Pink’s cradle, and his left foot rocking Phlox’s, with Petunia and Portulacca sitting beside him on their little stools, he told them all he had ever heard about the wonderful Blue Robin.

“Nobody is even quite certain he has seen it, himself,” said Poppy, “but he knows somebody else, who knows somebody else, who has; and if you ever could find the first somebody, why he could tell where the Blue Robin was.”

“Can’t they find the first somebody?” asked Portulacca.

“I guess he died before people were born,” said Poppy. Then he went on and told Petunia and Portulacca how there was a wonderful blue stone in the King’s crown, which was unlike all other precious stones, and said to be the Blue Robin’s egg; and how there was a little Blue Book in the King’s library which had a strange verse in it about the Blue Robin.

Then Poppy repeated the verse. He had learned it at school. It ran in this way:

“He who loveth me alone,
Can tell me not from stick or stone;
He who loveth more than me,
Shall me in fullest glory see.”

“What does that mean?” asked Petunia and Portulacca.

“I don’t know,” replied Poppy. Then he mended faster than ever. Many children ran past the window, hunting the Blue Robin, but he did not complain, even to himself.

That night his father did not come home, and Pink and Phlox cried as usual, and he had to rock them, and trot them. About midnight, however, they both fell asleep in their cradles, and Poppy began to think he might get a little rest himself. He could scarcely keep his eyes open. Petunia and Portulacca had been sound asleep in their cribs ever since seven o’clock.

Everything was very still, and he was just dozing, when he heard a sound which made him start up wide awake at once, although the children never stirred. He heard a single sweet bird-pipe, sweeter than anything he had ever heard in his life, and it seemed to be right in the room at his elbow. When the babies fell asleep Poppy had blown out the candle, the hearth-fire had gone out, and the room had been very dark, but now something was shining on the table like a lamp, which gave out a wonderful blue light. The sweet pipe came again. Poppy stared at the blue light on the table, which grew brighter and brighter, until he saw what it was. The Blue Robin shone on his table like a living sapphire, its blue wings seeming to fan the blue light into flames, its blue breast brighter than anything he had ever seen.

While all the world was out searching for the Blue Robin, it had come of its own accord to the poor little faithful boy in his poor little home.

The children all slept soundly, and did not stir. Poppy stood up trembling, and went over to the table, and immediately the Blue Robin flew to his hand, and clung there.

Then Poppy went out of the house, and down the road to the King’s palace with the Blue Robin on his hand. Although it was so late, scarcely anybody had gone to bed. They were all out with lanterns, hunting for the Blue Robin.

When Poppy with the Blue Robin on his hand came in sight, all the lanterns went out.

“What is that?” the people cried, “what is that wonderful blue light?”

They crowded around Poppy.

Then all of a sudden they shouted, “Poppy has found the Blue Robin! Poppy has found the Blue Robin!” and followed him to the King’s Palace.

The shouts were heard in the newspaper office where Poppy’s father was hard at work, and he ran to the window. When he saw his son with the Blue Robin, he was overwhelmed with joy. He stuck his pen behind his ear and came down on the fire-escape, and also went to the palace. The King had not gone to bed, though it was so late, neither had the Queen. They were talking about the Blue Robin and the perilous state of the country with the Prime Minister, on the front door-step.

When they saw Poppy and the Blue Robin, and all the people, and heard the shouts of joy, the King tossed his crown in the air, the Prime Minister swung his hat, and the Queen ran in and wrapped up the Princess Honey in a little yellow silk gown, and brought her to see the wonderful sight.

It was wonderful—the Blue Robin on Poppy’s hand seemed to light the whole city. Poppy, by the King’s order, stood on the top door-step, and everybody could see the bird on his hand. Then the Blue Robin began to sing, and sang an hour without ceasing, so loud that everybody could hear.

When the bird stopped singing, the King advanced. “You shall now receive your reward,” he said to Poppy, “and I will take the Blue Robin, and put him in a golden cage, and have him guarded by a regiment of picked soldiers.”

The King extended his hand and Poppy his, but just as the King touched the Blue Robin, he disappeared. There came a faint song from far above the city roofs, and people tipped back their heads, and strained their eyes, but they could not see the Blue Robin; they never saw him again, as long as they lived.

However, he had been seen by many witnesses, and the object of the search was attained. There were no longer two parties in parliament, and the country was in a state of perfect peace. Indeed, parliament only met afterward to agree, and eat cake and ice cream, and shake hands.

Poppy had his reward at once—that is, everything but the hand of the Princess Honey—and he and his father and his little brothers and sisters, were very rich and happy, until he grew to be a man. Then the Princess Honey had grown to be a beautiful maiden, and he married her with great pomp, and the King gave them the Blue Robin’s egg for a wedding-present.

***************************** 

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."

 

Saturday, March 14, 2020

Croker - Fairies or No Fairies? - Keeping the Public in Public Domain

I'm writing this on "Friday the 13th", it will be posted on "Pi Day" (3/14), then comes the "Ides of March" -- not Julius Caesar's favorite day, I'm sure there's some sort of a designation for the 16th, but it's not well known, and then on the 17th is St. Patrick's Day.  With the current cancellation of St. Patrick's Day parades and all the remaining chaos connected with the Coronavirus, COVID-19, we could use a bit of humor, maybe Irish humor.  I prowled the works of Ireland's pioneer folklorist, Thomas Crofton Croker, and can just imagine him gathering this over a pint at a 19th century pub in southern Ireland.  (It comes from his Fairy Legends and Traditions of the South of Ireland.  If you want the whole book, which I've earlier featured in two stories here, that link is to the book on Project Gutenberg.)
Photo by Jared Burris on Unsplash of a bar in Galway, Ireland and probably similar to 19th C. 









My copy of Croker's work didn't include this concluding drawing, but the Project Gutenberg edition is from the 1844

A New Edition.
WITH NUMEROUS ILLUSTRATIONS, AFTER DESIGNS OF THE AUTHOR AND OTHERS.


So have a drink of your favorite beverage, watch out for mushrooms, and don't lose your sense of humor whether you are Irish or Irish for the day!
*****************

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  



At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.
       - World of Tales - http://www.worldoftales.com/ 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.
     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!

Saturday, March 3, 2018

Beston - The Marvelous Dog and the Wonderful Cat (part 3 of 3) - Keeping the Public in Public Domain

I've been promising a wizard's duel worthy of Harry Potter.  Last week the story stopped just as the Marvelous Dog and Wonderful Cat were unwittingly walking into the "terrible revenge" of Zidoc.  This is where I hate the way blogs place the most recent posts first.  If you haven't read both parts 1 and 2, go back and catch the story from the previous two weeks.  I'll not give it away even with any graphic, giving only the cover from Henry Beston's book containing this story.  I promise the addition of this dog and cat makes it very different.

By the way, this is not the first story from The Firelight Fairy Book that I have posted in my "Keeping the Public in Public Domain" segments.  If you follow the author's link you will discover an earlier story, "The Bird-Boy", as well as more about Beston and even Theodore Roosevelt III, generally known as Teddy Roosevelt Junior, who I mentioned at the start of these three parts to today's story.

*********************************
This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  



At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.
       - World of Tales - http://www.worldoftales.com/ 
     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!

Saturday, February 24, 2018

Beston - The Marvelous Dog and the Wonderful Cat (part 2 of 3) - Keeping the Public in Public Domain

The first part of our story ended last week with the old wizard bidding goodbye to his wonderful pets who want to see the world.  You may remember he taught at an academy much like Hogwarts until quarreling with the school's Lord High Chancellor, the wizard Zadoc.  The old enchanter gave his pets a year's rent to give to the Fairy Jocapa and said it would take them over all the kingdoms of the whole wide world.

There are no further illustrations than the story's title illustration, but the book's illustrator, Maurice E. Day, gave the book endpapers showing an adventure representing the stories in Henry B. Beston's The Twilight Fairy Book. 

I'll insert one photo to illustrate something in the story, but now let's journey on with the dog and cat.

Our dog and cat are walking into a trap and it's with the very wizard who ruined their master.  Our final episode in this story includes a Wizard's Duel, so be sure to catch next week's conclusion.  In the meantime, this coming Monday, February 26, is Tell a Fairy Tale Day, so go to 6 Ways to Celebrate Tell a Fairy Tale Day  for some festive ideas as it's good to enjoy fairy tales then or any day. 
***************
This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  




At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.
       - World of Tales - http://www.worldoftales.com/ 
     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!

Saturday, February 17, 2018

Beston - The Marvelous Dog and the Wonderful Cat - Keeping the Public in Public Domain

This past week began the Year of the Dog for Chinese New Year.  A whole year deserves a story, but what cat will permit a dog getting more attention?  They are both here.  This is a fairly long story, so I will split it into three weeks. (Phew!  That gets me past the insanity of Sister Act the Musical, but I still would love for you to catch the show.)

While the use of fairies in 1919, when the book was published, may be less popular today, the sorcerers in this story are very important, in addition to the animals.  I think lovers of Harry Potter books, by the final segment, will find it includes magic enough to satisfy the faculty of Hogwarts.  (Yes, that's a hint to pay attention to the wizards.)  Also this comes in time for Tell a Fairy Tale Day 2018 on Monday, February 26. 

Back in 2013, when I started the Keeping the Public in Public Domain segments, I included that first year a story from Henry Beston's The Firelight Fairy Book.  Because the blog format puts the most recent post first, I want to post again this link to Theodore Roosevelt Junior.  The son of President Roosevelt (who was famous in his own life) wrote a Foreword worth reading and reminding us of the child inside every "grown-up"and how this book has been favorably received and "universally acclaimed" by his own and other people's children.  (Also nowadays I don't try to do two pages at a time, which I hope makes it easier to read.  Because the book is old, any slight movements of the pages is not pushed down to avoid damage to the original book.)




The adventure has begun!  The Year of the Dog has begun, too.  Come back to see more next week in preparation for Tell a Fairy Tale Day.
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This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  



At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.
       - World of Tales - http://www.worldoftales.com/ 
     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!


Saturday, January 6, 2018

Trugg says 2018 is here!

We're solidly into the New Year, but Saturday, January 6 is the 12th Day of Christmas or Epiphany.  My puppeteer colleague, David Quesal, and his "monster", Trugg, send this message.
This is Trugg

For some enjoyable videos of David and his Puppet Troupe, check out his YouTube videos.  I especially loved his fairy tale mash-up, A Fairy Tale of Errors, and gladly would recommend it to groups looking at ways to creatively use several folk tales to create a new story.  Just as with "Fractured Fairy Tales" it's important to know the original.  In this case it could be considered a look at what might happen after the tale ends or "and they all lived happily ever after...NOT!"  Whether intended or not, David follows the same sort of "down the garden path" in the musical "Into the Woods." 

I'm looking at a rapidly filling "dance card" of commitments, including a local residency with an adult special education class creating a puppet show and video version of Snow White.  Since the aim of the production is performance for preschool classes, it will be interesting to see how the group chooses to balance the original story's repeated efforts by the queen to kill Snow White and also its ending with a rather gruesome execution of her with Bruno Bettelheim's view of the necessity to recognize such evil exists and the need to show justice when it is punished.  Just as with this past year's Young Writers program, it will be in the hands of the students and they create their version of the story.  The fact that those young writers only created as much as they could handle was part of the solution with another grisly Grimm tale.  That Bettelheim label takes you to, among other posts, my earlier consideration of how to approach it. 


Interestingly enough two Caldecott award Honor books each chose to include the traditional ending. You may choose to look for yourself at the 1938 book by author/illustrator, Wanda Ga'g, known for her accurate translations of Grimm.  Wikipedia offers a very brief article saying she was approached to do a version more faithful to the original after the success of the 1937 Disney film.  The book's critical reception focused on the visual  way Ga'g handled it, but that is precisely the focus for Caldecott awards as long as the book is considered worthy.  Also worth noting, prior to 1971 an Honor book was called a "runner-up", with all previous books in that category changed to the new term. 

If you dismiss that book as coming from an earlier time, look at the 1972 version translated by poet and author, Randall Jarrell , who also translated a few other Grimm tales.  It, too, retains those same elements possibly considered too mature or troublesome.  This version won the Caldecott Honor award for illustrator, Nancy Ekholm Burkert.  While Caldecott awards require a text of merit, the award goes to the illustrator (although it never hurts the book's sales for its status).  This is her most celebrated work, but she has won more recently the Boston Globe-Horn Book award for Valentine and Orson and was recognized by the Wisconsin Library Association as a Wisconsin Notable Author.  She will be 95 in mid-February, so this will probably remain her best known work although not all she illustrated.  It's worth prowling reviews, even the positive ones, to notice how some view the ages able to handle the queen and also her ending.


Over all of this lurks the 1937 Disney version.  No less than the Library of Congress cites its value as "culturally, historically, or aesthetically significant" when placing it into the National Film Registry and it's among the American Film Institute's 100 greatest American films, going even further by naming it the greatest American animated film of all time (2008).  Whether we like Disneyfication of literature or not, it is a fact that this first feature length film by the Disney Studios has influenced how the story is viewed.  The dwarfs are not named nor all given personalities in the original tale.  Their comic value is important to the film's tone although a lot of the suggested gags, while developing the movie, were dropped.  Disney even paid $5 per suggested gag in that early stage.  Reading the previously mentioned Wikipedia article shows the same type of planning the students will need to consider.  They will be seeing the film.  Much as I personally love the movie's songs, we'll not be tempted to use them because of copyright royalties.  The movie was a critical and long-time economic success.  Beyond that, I think the Library of Congress is correct in considering it of significant value to our culture.  Growing up with Little Golden books, here's their children's book using the film version.
I think it's safe to say that almost every American grew up with this version of the story and a great many haven't a clue that the original story is so dark.  Now the trick is to gauge how much of the original is appropriate to a preschooler or, possibly more importantly, a preschooler's parent...remember those review comments mentioned in the Jarrell/Burkert edition.

We should have our script ready by National Tell a Fairy Tale Day and working on puppet, scenery, and prop creation.  This year's NTaFT day falls on a Monday, since February 26 is the celebration date.  Mondays are when this group will work on their production.  I hope they also choose to celebrate Fairy Tales and grow from this project.