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Showing posts with label Nathaniel Hawthorne. Show all posts
Showing posts with label Nathaniel Hawthorne. Show all posts

Friday, January 30, 2026

Hawthorne - The Snow Image - Keeping the Public in Public Domain

Snow has been keeping us and a large portion of the United States busy shoveling and plowing. This is my attitude about it: Bah Humbug!

At the same time I know that "Snow Days" as well as concern for bitter wind chills have made many children happy even if their time out doors has required bundling up and being careful not to get frostbitten.

As a result I just had to find an appropriate story. Nathaniel Hawthorne wrote the perfect one about how adults just don't see things from the same way.

Literary tales can be hard to tell, but the Skinner sisters, Ada and Eleanor, in their winter anthology, The Pearl Story Book, did a good start with their abridgement of the story. At the same time Project Gutenberg has a well-illustrated version of it in The Snow Image: A Childish Miracle. I'm going to insert the illustrations by Marcus Waterman in their appropriate places in the Skinner version of the story.

I leave it up to you as to how you might further adapt the story while keeping the "childish miracle" of the story alive.  

THE SNOW-IMAGE

Nathaniel Hawthorne

 

One afternoon of a cold winter’s day, when the sun shone forth with chilly brightness, after a long storm, two children asked leave of their mother to run out and play in the new-fallen snow.

The elder child was a little girl, whom, because she was of a tender and modest disposition, and was thought to be very beautiful, her parents, and other people who were familiar with her, used to call Violet.

But her brother was known by the title of Peony, on account of the ruddiness of his broad and round little phiz, which made everybody think of sunshine and great scarlet flowers.

“Yes, Violet—yes, my little Peony,” said their kind mother; “you may go out and play in the new snow.”

Forth sallied the two children, with a hop-skip-and-jump, that carried them at once into the very heart of a huge snow-drift, whence Violet emerged like a snow bunting, while little Peony floundered out with his round face in full bloom.

Then what a merry time they had! To look at them, frolicking in the wintry garden, you would have thought that the dark and pitiless storm had been sent for no other purpose but to provide a new plaything for Violet and Peony; and that they themselves had been created, as the snowbirds were, to take delight only in the tempest and in the white mantle which it spread over the earth.

At last, when they had frosted one another all over with handfuls of snow, Violet, after laughing heartily at little Peony’s figure, was struck with a new idea.

“You look exactly like a snow-image, Peony,” said she, “if your cheeks were not so red. And that puts me in mind! Let us make an image out of snow—an image of a little girl—and it shall be our sister, and shall run about and play with us all winter long. Won’t it be nice?”

“Oh, yes!” cried Peony, as plainly as he could speak, for he was but a little boy. “That will be nice! And mamma shall see it.”

“Yes,” answered Violet; “mamma shall see the new little girl. But she must not make her come into the warm parlour, for, you know, our little snow-sister will not love the warmth.”

And forthwith the children began this great business of making a snow-image that should run about; while their mother, who was knitting at the window and overheard some of their talk, could not help smiling at the gravity with which they set about it. They really seemed to imagine that there would be no difficulty whatever in creating a live little girl out of the snow.

Indeed, it was an exceedingly pleasant sight—those bright little souls at their task! Moreover, it was really wonderful to observe how knowingly and skillfully they managed the matter. Violet assumed the chief direction, and told Peony what to do, while, with her own delicate fingers, she shaped out all the nicer parts of the snow-figure.

It seemed, in fact, not so much to be made by the children, as to grow up under their hands, while they were playing and prattling about it. Their mother was quite surprised at this, and the longer she looked, the more and more surprised she grew.

Now, for a few moments, there was a busy and earnest but indistinct hum of the two children’s voices, as Violet and Peony wrought together with one happy consent. Violet still seemed to be the guiding spirit, while Peony acted rather as a labourer and brought her the snow from far and near. And yet the little urchin evidently had a proper understanding of the matter, too.

“Peony, Peony!” cried Violet; for her brother was at the other side of the garden. “Bring me those light wreaths of snow that have rested on the lower branches of the pear-tree. You can clamber on the snow-drift, Peony, and reach them easily. I must have them to make some ringlets for our snow-sister’s head!”

“Here they are, Violet!” answered the little boy. “Take care you do not break them. Well done! Well done! How pretty!”

“Does she not look sweet?” said Violet, with a very satisfied tone; “and now we must have some little shining bits of ice to make the brightness of her eyes. She is not finished yet. Mamma will see how very beautiful she is; but papa will say, ‘Tush! nonsense! come in out of the cold!’”

“Let us call mamma to look out,” said Peony; and then he shouted, “Mamma! mamma!! mamma!!! Look out and see what a nice ’ittle girl we are making!”

“What a nice playmate she will be for us all winter long!” said Violet. “I hope papa will not be afraid of her giving us a cold! Sha’n’t you love her dearly, Peony?”

“Oh, yes!” cried Peony. “And I will hug her and she shall sit down close by me and drink some of my warm milk.”

“Oh, no, Peony!” answered Violet, with grave wisdom. “That will not do at all. Warm milk will not be wholesome for our little snow-sister. Little snow-people like her eat nothing but icicles. No, no, Peony; we must not give her anything warm to drink!”

There was a minute or two of silence; for Peony, whose short legs were never weary, had gone again to the other side of the garden. All of a sudden, Violet cried out, loudly and joyfully, “Look here, Peony! Come quickly! A light has been shining on her cheek out of that rose-coloured cloud! And the colour does not go away! Is not that beautiful?”

“Yes, it is beau-ti-ful,” answered Peony, pronouncing the three syllables with deliberate accuracy. “O Violet, only look at her hair! It is all like gold!”

“Oh, certainly,” said Violet, as if it were very much a matter of course. “That colour, you know, comes from the golden clouds that we see up there in the sky. She is almost finished now. But her lips must be made very red, redder than her cheeks. Perhaps, Peony, it will make them red if we both kiss them!”

Accordingly, the mother heard two smart little smacks, as if both her children were kissing the snow-image on its frozen mouth. But, as this did not seem to make the lips quite red enough, Violet next proposed that the snow-child should be invited to kiss Peony’s scarlet cheek. “Come, ’ittle snow-sister, kiss me!” cried Peony.

“There! she has kissed you,” added Violet, “and now her lips are very red. And she blushed a little, too!”

“Oh, what a cold kiss!” cried Peony.

Just then, there came a breeze of the pure west wind sweeping through the garden and rattling the parlour-windows. It sounded so wintry cold, that the mother was about to tap on the window-pane with her thimbled finger, to summon the two children in, when they both cried out to her with one voice:

“Mamma! mamma! We have finished our little snow-sister, and she is running about the garden with us!”

“What imaginative little beings my children are!” thought the mother, putting the last few stitches into Peony’s frock. “And it is strange, too, that they make me almost as much a child as they themselves are! I can hardly help believing now that the snow-image has really come to life!”

“Dear mamma!” cried Violet, “pray look out and see what a sweet playmate we have!”

The mother, being thus entreated, could no longer delay to look forth from the window. The sun was now gone out of the sky, leaving, however, a rich inheritance of his brightness among those purple and golden clouds which make the sunsets of winter so magnificent.

But there was not the slightest gleam or dazzle, either on the window or on the snow; so that the good lady could look all over the garden, and see everything and everybody in it. And what do you think she saw there? Violet and Peony, of course, her own two darling children.

Ah, but whom or what did she see besides? Why, if you will believe me, there was a small figure of a girl, dressed all in white, with rose-tinged cheeks and ringlets of golden hue, playing about the garden with the two children!

A stranger though she was, the child seemed to be on as familiar terms with Violet and Peony, and they with her, as if all the three had been playmates during the whole of their little lives. The mother thought to herself that it must certainly be the daughter of one of the neighbours, and that, seeing Violet and Peony in the garden, the child had run across the street to play with them.

So this kind lady went to the door, intending to invite the little runaway into her comfortable parlour; for, now that the sunshine was withdrawn, the atmosphere out of doors was already growing very cold.

 

But, after opening the house-door, she stood an instant on the threshold, hesitating whether she ought to ask the child to come in, or whether she should even speak to her. Indeed, she almost doubted whether it were a real child, after all, or only a light wreath of the new-fallen snow, blown hither and thither about the garden by the intensely cold west wind.

There was certainly something very singular in the aspect of the little stranger. Among all the children of the neighbourhood the lady could remember no such face, with its pure white and delicate rose-colour, and the golden ringlets tossing about the forehead and cheeks.

And as for her dress, which was entirely of white, and fluttering in the breeze, it was such as no reasonable woman would put upon a little girl when sending her out to play in the depth of winter. It made this kind and careful mother shiver only to look at those small feet, with nothing in the world on them except a very thin pair of white slippers.

Nevertheless, airily as she was clad, the child seemed to feel not the slightest inconvenience from the cold, but danced so lightly over the snow that the tips of her toes left hardly a print in its surface; while Violet could but just keep pace with her, and Peony’s short legs compelled him to lag behind.

All this while, the mother stood on the threshold, wondering how a little girl could look so much like a flying snow-drift, or how a snow-drift could look so very like a little girl.

She called Violet and whispered to her.

“Violet, my darling, what is this child’s name?” asked she. “Does she live near us?”

“Why, dearest mamma,” answered Violet, laughing to think that her mother did not comprehend so very plain an affair, “this is our little snow-sister whom we have just been making!”

“Yes, dear mamma,” cried Peony, running to his mother, and looking up simply into her face. “This is our snow-image! Is it not a nice ’ittle child?”

“Violet,” said her mother, greatly perplexed, “tell me the truth, without any jest. Who is this little girl?”

“My darling mamma,” answered Violet, looking seriously into her mother’s face, surprised that she should need any further explanation, “I have told you truly who she is. It is our little snow-image which Peony and I have been making. Peony will tell you so, as well as I.”

“Yes, mamma,” declared Peony, with much gravity in his crimson little phiz, “this is ’ittle snow-child. Is not she a nice one? But, mamma, her hand is, oh, so very cold!”

While mamma still hesitated what to think and what to do, the street-gate was thrown open, and the father of Violet and Peony appeared, wrapped in a pilot-cloth sack, with a fur cap drawn down over his ears, and the thickest of gloves upon his hands.

Mr. Lindsey was a middle-aged man, with a weary and yet a happy look in his wind-flushed and frost-pinched face, as if he had been busy all day long, and was glad to get back to his quiet home. His eyes brightened at the sight of his wife and children, although he could not help uttering a word or two of surprise at finding the whole family in the open air, on so bleak a day, and after sunset, too.

He soon perceived the little white stranger, sporting to and fro in the garden, like a dancing snow-wreath and the flock of snowbirds fluttering about her head.

“Pray, what little girl may this be?” inquired this very sensible man. “Surely her mother must be crazy, to let her go out in such bitter weather as it has been today, with only that flimsy white gown and those thin slippers!”

“My dear husband,” said his wife, “I know no more about the little thing than you do. Some neighbour’s child, I suppose. Our Violet and Peony,” she added, laughing at herself for repeating so absurd a story, “insist that she is nothing but a snow-image which they have been busy about in the garden, almost all the afternoon.”

As she said this, the mother glanced her eyes toward the spot where the children’s snow-image had been made. What was her surprise on perceiving that there was not the slightest trace of so much labour!—no image at all!—no piled-up heap of snow!—nothing whatever, save the prints of little footsteps around a vacant space!

“This is very strange!” said she.

“What is strange, dear mother?” asked Violet. “Dear father, do not you see how it is? This is our snow-image, which Peony and I have made, because we wanted another playmate. Did not we, Peony?”

“Yes, papa,” said crimson Peony. “This is our ’ittle snow-sister. Is she not beau-ti-ful? But she gave me such a cold kiss!”

“Pooh, nonsense, children!” cried their good honest father, who had a plain, sensible way of looking at matters. “Do not tell me of  making live figures out of snow. Come, wife; this little stranger must not stay out in the bleak air a moment longer. We will bring her into the parlour; and you shall give her a supper of warm bread and milk, and make her as comfortable as you can.”

So saying, this honest and very kind-hearted man was going toward the little damsel, with the best intentions in the world. But Violet and Peony, each seizing their father by the hand, earnestly besought him not to make her come in.

“Nonsense, children, nonsense, nonsense!” cried the father, half-vexed, half-laughing. “Run into the house, this moment! It is too late to play any longer now. I must take care of this little girl immediately, or she will catch her death of cold.”

And so, with a most benevolent smile, this very well-meaning gentleman took the snow-child by the hand and led her toward the house.

She followed him, droopingly and reluctant, for all the glow and sparkle were gone out of her figure; and, whereas just before she had resembled a bright, frosty, star-gemmed evening, with a crimson gleam on the cold horizon, she now looked as dull and languid as a thaw.

As kind Mr. Lindsey led her up the steps of the door, Violet and Peony looked into his face, their eyes full of tears which froze before they could run down their cheeks, and again entreated him not to bring their snow-image into the house.

“Not bring her in!” exclaimed the kind-hearted man. “Why, you are crazy, my little Violet!—quite crazy, my small Peony! She is so cold already that her hand has almost frozen mine, in spite of my thick gloves. Would you have her freeze to death?”

His wife, as he came up the steps, had been taking another long, earnest gaze at the little white stranger. She hardly knew whether it was a dream or no; but she could not help fancying that she saw the delicate print of Violet’s fingers on the child’s neck. It looked just as if, while Violet was shaping out the image, she had given it a gentle pat with her hand, and had neglected to smooth the impression quite away.

“After all, husband,” said the mother, “after all, she does look strangely like a snow-image! I do believe she is made of snow!”

A puff of the west wind blew against the snow-child, and again she sparkled like a star.

“Snow!” repeated good Mr. Lindsey, drawing the reluctant guest over his hospitable threshold. “No wonder she looks like snow. She is half frozen, poor little thing! But a good fire will put everything to rights.”

This common-sensible man placed the snow-child on the hearth-rug, right in front of the hissing and fuming stove.

“Now she will be comfortable!” cried Mr. Lindsey, rubbing his hands and looking about him, with the pleasantest smile you ever saw. “Make yourself at home, my child.”

Sad, sad and drooping, looked the little white maiden as she stood on the hearth-rug, with the hot blast of the stove striking through her like a pestilence. Once she threw a glance toward the window, and caught a glimpse, through its red curtains, of the snow-covered roofs and the stars glimmering frostily, and all the delicious intensity of the cold night. The bleak wind rattled the window-panes as if it were summoning her to come forth. But there stood the snow-child, drooping, before the hot stove!

But the common-sensible man saw nothing amiss.

“Come, wife,” said he, “let her have a pair of thick stockings and a woolen shawl or blanket directly; and tell Dora to give her some warm supper as soon as the milk boils. You, Violet and Peony, amuse your little friend. She is out of spirits, you see, at finding herself in a strange place. For my part, I will go around among the neighbours and find out where she belongs.”

The mother, meanwhile, had gone in search of the shawl and stockings. Without heeding the remonstrance of his two children, who still kept murmuring that their little snow-sister did not love the warmth, good Mr. Lindsey took his departure, shutting the parlour door carefully behind him.

Turning up the collar of his sack over his ears, he emerged from the house, and had barely reached the street-gate, when he was recalled by the screams of Violet and Peony and the rapping of a thimbled finger against the parlour window.

“Husband! husband!” cried his wife, showing her horror-stricken face through the window panes. “There is no need of going for the child’s parents!”

“We told you so, father!” screamed Violet and Peony, as he re-entered the parlour. “You would bring her in; and now our poor—dear—beau-ti-ful little snow-sister is thawed!”

And their own sweet little faces were already dissolved in tears; so that their father, seeing what strange things occasionally happen in this every-day world, felt not a little anxious lest his children might be going to thaw too. In the utmost perplexity, he demanded an explanation of his wife. She could only reply that, being summoned to the parlour by cries of Violet and Peony, she found no trace of the little white maiden, unless it were the remains of a heap of snow, which, while she was gazing at it, melted quite away upon the hearth-rug.

“And there you see all that is left of it!” added she, pointing to a pool of water, in front of the stove.

“Yes, father,” said Violet, looking reproachfully at him through her tears, “there is all that is left of our dear little snow-sister!”

“Naughty father!” cried Peony, stamping his foot, and—I shudder to say—shaking his little fist at the common-sensible man. “We told you how it would be! What for did you bring her in?”

And the stove, through the isinglass of its door, seemed to glare at good Mr. Lindsey, like a red-eyed demon, triumphing in the mischief which it had done! (Abridged.)

******

May both children and adults survive this snowy, cold time and eventually see spring. 


****************

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."


Friday, February 26, 2021

Hope (from The Paradise of Children) - Nathaniel Hawthorne - Keeping the Public in Public Domain

 This Friday and Saturday, February 26 and 27, is the February full moon.  Actually I saw it in the late afternoon on Thursday.  It made me think of these song lyrics, "Mr. Moon, Mr. Moon, you're out too soon the sun is still in the sky.  Go back to your bed and cover up your head and wait 'til the day goes by."  Whenever it goes by, it carries many names including "Snow Moon" (given by Farmer's Almanac and recognized by NASA), while here in Michigan the Anishinaabe call it the "Bear Moon."  Scary sounding to this winter hater, but we've seen 40 degrees this past week.  I tell myself to calm down, reminding myself the so-called "January Thaw" regularly happens in February.  As a result of the rough winter we've had, coupled with the woes of Covid, I found myself seeking a tale of HOPE!

1881 watercolor by Alma Tadema


I was shocked to see it wasn't a topic covered in folktale indexing.  That was just the start of surprises in my quest for HOPE.  In fact, the only story I kept coming up with was the Greek mythological tale commonly thought of as "Pandora's Box."  Wikipedia on Pandora tells us a translation mistake by Erasmus in the 16th century turned a pithos, a large storage jar, into a box and that's far from the only thing common beliefs on the story miss.  Poor Pandora has taken all the blame, but her name doesn't even appear in the earliest written record of the tale by Hesiod.  Added to that, does the name of Epimetheus sound familiar?  Pre-Hesiod oral  versions (and today's tale) include this twin brother of Prometheus.  Eventually Epimetheus became her husband, but did you know he also was involved in the tale about releasing evil into the world?  Before you wonder, yes, Pandora gets compared to Eve tempting Adam.  Mythological tales can get convoluted and I'm not a big fan of telling them, but the end of the story is where Hope appears.  The prospect of Hope was enough to interest me.

Obviously there are many versions of the story.  Classical mythology revels in variations or, as I called it, convolutions.  If you're curious about them, feel free to fall down the Wikipedia "rabbit hole."  The Nathaniel Hawthorne version of the tale, "The Paradise of Children", appeared again and again, capturing my interest.  Couldn't imagine why it was called The Paradise of Children.  It's a story in Hawthorne's anthology, A Wonder-Book for Girls and Boys.  The book is his retelling of the Greek myths (Greek myths stay a bit more consistent than Roman or Egyptian mythology, which changed to match political changes).  While it is called a short story, it's one of six stories and long enough I'd call it a novella.  The book uses a "frame" of sharing the stories with a group of children at a place called Tanglewood.  I found a triptych of Walter Crane's illustrations (minus the tale's decorations at each end) for the entire story.  After that I'm going to jump to the release of the contents as the entire story is much longer.  (I'm posting only 7 of 20 pages.)

 


*******

But Epimetheus himself, although he said very little about it, had his own share of curiosity to know what was inside. Perceiving that Pandora was resolved to find out the secret, he determined that his playfellow should not be the only wise person in the cottage. And if there were anything pretty or valuable in the box, he meant to take half of it to himself. Thus, after all his sage speeches to Pandora about restraining her curiosity, Epimetheus turned out to be quite as foolish, and nearly as much in fault, as she. So, whenever we blame Pandora for what happened, we must not forget to shake our heads at Epimetheus likewise.

As Pandora raised the lid, the cottage grew very dark and dismal; for the black cloud had now swept quite over the sun, and seemed to have buried it alive. There had, for a little while past, been a low growling and muttering, which all at once broke into a heavy peal of thunder. But Pandora, heeding nothing of all this, lifted the lid nearly upright, and looked inside. It seemed as if a sudden swarm of winged creatures brushed past her, taking flight out of the box, while, at the same instant, she heard the voice of Epimetheus, with a lamentable tone, as if he were in pain.

PANDORA OPENS THE BOX

"Oh, I am stung!" cried he. "I am stung! Naughty Pandora! why have you opened this wicked box?"

Pandora let fall the lid, and, starting up, looked about her, to see what had befallen Epimetheus. The thunder-cloud had so darkened the room that she could not very clearly discern what was in it. But she heard a disagreeable buzzing, as if a great many huge flies, or gigantic mosquitoes, or those insects which we call dor-bugs, and pinching-dogs, were darting about. And, as her eyes grew more accustomed to the imperfect light, she saw a crowd of ugly little shapes, with bats' wings, looking abominably spiteful, and armed with terribly long stings in their tails. It was one of these that had stung Epimetheus. Nor was it a great while before Pandora herself began to scream, in no less pain and affright than her playfellow, and making a vast deal more hubbub about it. An odious little monster had settled on her forehead, and would have stung her I know not how deeply, if Epimetheus had not run and brushed it away.

Now, if you wish to know what these ugly things might be, which had made their escape out of the box, I must tell you that they were the whole family of earthly Troubles. There were evil Passions; there were a great many species of Cares; there were more than a hundred and fifty Sorrows; there were Diseases, in a vast number of miserable and painful shapes; there were more kinds of Naughtiness than it would be of any use to talk about. In short, everything that has since afflicted the souls and bodies of mankind had been shut up in the mysterious box, and given to Epimetheus and Pandora to be kept safely, in order that the happy children of the world might never be molested by them. Had they been faithful to their trust, all would have gone well. No grown person would ever have been sad, nor any child have had cause to shed a single tear, from that hour until this moment.

But—and you may see by this how a wrong act of any one mortal is a calamity to the whole world—by Pandora's lifting the lid of that miserable box, and by the fault of Epimetheus, too, in not preventing her, these Troubles have obtained a foothold among us, and do not seem very likely to be driven away in a hurry. For it was impossible, as you will easily guess, that the two children should keep the ugly swarm in their own little cottage. On the contrary, the first thing that they did was to fling open the doors and windows, in hopes of getting rid of them; and, sure enough, away flew the winged Troubles all abroad, and so pestered and tormented the small people, everywhere about, that none of them so much as smiled for many days afterwards. And, what was very singular, all the flowers and dewy blossoms on earth, not one of which had hitherto faded, now began to droop and shed their leaves, after a day or two. The children, moreover, who before seemed immortal in their childhood, now grew older, day by day, and came soon to be youths and maidens, and men and women by and by, and aged people, before they dreamed of such a thing.

Meanwhile, the naughty Pandora, and hardly less naughty Epimetheus, remained in their cottage. Both of them had been grievously stung, and were in a good deal of pain, which seemed the more intolerable to them, because it was the very first pain that had ever been felt since the world began. Of course, they were entirely unaccustomed to it, and could have no idea what it meant. Besides all this, they were in exceedingly bad humor, both with themselves and with one another. In order to indulge it to the utmost, Epimetheus sat down sullenly in a corner with his back towards Pandora; while Pandora flung herself upon the floor and rested her head on the fatal and abominable box. She was crying bitterly, and sobbing as if her heart would break.

Suddenly there was a gentle little tap on the inside of the lid.

"What can that be?" cried Pandora, lifting her head.

But either Epimetheus had not heard the tap, or was too much out of humor to notice it. At any rate, he made no answer.

"You are very unkind," said Pandora, sobbing anew, "not to speak to me!"

Again the tap! It sounded like the tiny knuckles of a fairy's hand, knocking lightly and playfully on the inside of the box.

"Who are you?" asked Pandora, with a little of her former curiosity. "Who are you, inside of this naughty box?"

A sweet little voice spoke from within,—

"Only lift the lid, and you shall see."

"No, no," answered Pandora, again beginning to sob, "I have had enough of lifting the lid! You are inside of the box, naughty creature, and there you shall stay! There are plenty of your ugly brothers and sisters already flying about the world. You need never think that I shall be so foolish as to let you out!"

She looked towards Epimetheus, as she spoke, perhaps expecting that he would commend her for her wisdom. But the sullen boy only muttered that she was wise a little too late.

"Ah," said the sweet little voice again, "you had much better let me out. I am not like those naughty creatures that have stings in their tails. They are no brothers and sisters of mine, as you would see at once, if you were only to get a glimpse of me. Come, come, my pretty Pandora! I am sure you will let me out!"

And, indeed, there was a kind of cheerful witchery in the tone, that made it almost impossible to refuse anything which this little voice asked. Pandora's heart had insensibly grown lighter at every word that came from within the box. Epimetheus, too, though still in the corner, had turned half round, and seemed to be in rather better spirits than before.

"My dear Epimetheus," cried Pandora, "have you heard this little voice?"

"Yes, to be sure I have," answered he, but in no very good humor as yet. "And what of it?"

"Shall I lift the lid again?" asked Pandora.

"Just as you please," said Epimetheus. "You have done so much mischief already, that perhaps you may as well do a little more. One other Trouble, in such a swarm as you have set adrift about the world, can make no very great difference."

"You might speak a little more kindly!" murmured Pandora, wiping her eyes.

"Ah, naughty boy!" cried the little voice within the box, in an arch and laughing tone. "He knows he is longing to see me. Come, my dear Pandora, lift up the lid. I am in a great hurry to comfort you. Only let me have some fresh air, and you shall soon see that matters are not quite so dismal as you think them!"

"Epimetheus," exclaimed Pandora, "come what may, I am resolved to open the box!"

"And as the lid seems very heavy," cried Epimetheus, running across the room, "I will help you!"

So, with one consent, the two children again lifted the lid. Out flew a sunny and smiling little personage, and hovered about the room, throwing a light wherever she went. Have you never made the sunshine dance into dark corners, by reflecting it from a bit of looking-glass? Well, so looked the winged cheerfulness of this fairy-like stranger, amid the gloom of the cottage. She flew to Epimetheus, and laid the least touch of her finger on the inflamed spot where the Trouble had stung him, and immediately the anguish of it was gone. Then she kissed Pandora on the forehead, and her hurt was cured likewise.

After performing these good offices, the bright stranger fluttered sportively over the children's heads, and looked so sweetly at them, that they both began to think it not so very much amiss to have opened the box, since, otherwise, their cheery guest must have been kept a prisoner among those naughty imps with stings in their tails.

"Pray, who are you, beautiful creature?" inquired Pandora.

"I am to be called Hope!" answered the sunshiny figure. "And because I am such a cheery little body, I was packed into the box, to make amends to the human race for that swarm of ugly Troubles, which was destined to be let loose among them. Never fear! we shall do pretty well in spite of them all."

"Your wings are colored like the rainbow!" exclaimed Pandora. "How very beautiful!"

"Yes, they are like the rainbow," said Hope, "because, glad as my nature is, I am partly made of tears as well as smiles."

"And will you stay with us," asked Epimetheus, "forever and ever?"

"As long as you need me," said Hope, with her pleasant smile,—"and that will be as long as you live in the world,—I promise never to desert you. There may come times and seasons, now and then, when you will think that I have utterly vanished. But again, and again, and again, when perhaps you least dream of it, you shall see the glimmer of my wings on the ceiling of your cottage. Yes, my dear children, and I know something very good and beautiful that is to be given you hereafter!"

"Oh, tell us," they exclaimed,—"tell us what it is!"

"Do not ask me," replied Hope, putting her finger on her rosy mouth. "But do not despair, even if it should never happen while you live on this earth. Trust in my promise, for it is true."

"We do trust you!" cried Epimetheus and Pandora, both in one breath.

And so they did; and not only they, but so has everybody trusted Hope, that has since been alive. And to tell you the truth, I cannot help being glad—(though, to be sure, it was an uncommonly naughty thing for her to do)—but I cannot help being glad that our foolish Pandora peeped into the box. No doubt—no doubt—the Troubles are still flying about the world, and have increased in multitude, rather than lessened, and are a very ugly set of imps, and carry most venomous stings in their tails. I have felt them already, and expect to feel them more, as I grow older. But then that lovely and lightsome little figure of Hope! What in the world could we do without her? Hope spiritualizes the earth; Hope makes it always new; and, even in the earth's best and brightest aspect, Hope shows it to be only the shadow of an infinite bliss hereafter.

tailpiece


As often happens in older stories, some of the wording might benefit from updating, but I liked the disaster being caused by "children", although I suspect they were adolescents.  I definitely enjoyed discovering Epimetheus's involvement.  Poor Pandora traditionally gets the blame alone in talking about Pandora and the "Box."  

Most of all I appreciate the story giving Hope.  

I've seen robins on our snow.  They always seem to come back to Michigan a bit earlier than spring.  Still they're a bit of Hope.  I've often talked about the Great Lakes Anishinaabe story of Peboan and Seegwun, or you might think of Peboan as "Old Man Winter."  Many of us are Hoping that Old Man relaxes his grip on our land.  Even the word "lent", first recorded before 900 A.D., Dictionary.com tells us originated with the Middle English leynte and Old English læncte meaning “spring, springtime, Lent.”  It literally translates as “lengthening (of daylight hours).”  We certainly could use that seasonal bit of  Hope and even more will welcome Hope related to the pandemic.

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Ye Fine Print and Further Reading Suggestions

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  



At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.
       - World of Tales - http://www.worldoftales.com/ 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.
     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!