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Showing posts with label fathers. Show all posts
Showing posts with label fathers. Show all posts

Friday, June 12, 2026

Lang - Father Grumbler - Keeping the Public in Public Domain

Looking ahead to Father's Day, I think it should include a time to laugh at how awful fathers could be, but hopefully aren't. Andrew Lang in his Brown Fairy Book presented a French version that story aficionados will recognize as being in the tradition of the Norwegian story of "The Boy Who Went to the North Wind." In this case Father Grumbler deserves his less happy end.

FATHER GRUMBLER

Once upon a time there lived a man who had nearly as many children as there were sparrows in the garden. He had to work very hard all day to get them enough to eat, and was often tired and cross, and abused everything and everybody, so that people called him ‘Father Grumbler.’

By-and-by he grew weary of always working, and on Sundays he lay a long while in bed, instead of going to church. Then after a time he found it dull to sit so many hours by himself, thinking of nothing but how to pay the rent that was owing, and as the tavern across the road looked bright and cheerful, he walked in one day and sat down with his friends. ‘It was just to chase away Care,’ he said; but when he came out, hours and hours after, Care came out with him.

Father Grumbler entered his house feeling more dismal than when he left it, for he knew that he had wasted both his time and money.

‘I will go and see the Holy Man in the cave near the well,’ he said to himself, ‘and perhaps he can tell me why all the luck is for other people, and only misfortunes happen to me.’ And he set out at once for the cave.

It was a long way off, and the road led over mountains and through valleys; but at last he reached the cave where the Holy Man dwelt, and knocked at the door.

‘Who is there?’ asked a voice from within.

‘It is I, Holy Man, Father Grumbler, you know, who has as many children as sparrows in the garden.’

‘Well, and what is it that you want?’

‘I want to know why other people have all the luck, and only misfortunes happen to me!’

The Holy Man did not answer, but went into an inner cave, from which he came out bearing something in his hand. ‘Do you see this basket?’ said he. ‘It is a magical basket, and if you are hungry you have only got to say: “Little basket, little basket, do your duty,” and you will eat the best dinner you ever had in your life. But when you have had enough, be sure you don’t forget to cry out: “That will do for to-day.” Oh!—and one thing more—you need not show it to everybody and declare that I have given it to you. Do you understand?’

Father Grumbler was always accustomed to think of himself as so unlucky that he did not know whether the Holy Man was not playing a trick upon him; but he took the basket without being polite enough to say either ‘Thank you,’ or ‘Good-morning,’ and went away. However, he only waited till he was out of sight of the cave before he stooped down and whispered: ‘Little basket, little basket, do your duty.’

Now the basket had a lid, so that he could not see what was inside, but he heard quite clearly strange noises, as if a sort of scuffling was going on. Then the lid burst open, and a quantity of delicious little white rolls came tumbling out one after the other, followed by a stream of small fishes all ready cooked. What a quantity there were to be sure! The whole road was covered with them, and the banks on each side were beginning to disappear. Father Grumbler felt quite frightened at the torrent, but at last he remembered what the Holy Man had told him, and cried at the top of his voice: ‘Enough! enough! That will do for to-day!’ And the lid of the basket closed with a snap.

Father Grumbler sighed with relief and happiness as he looked around him, and sitting down on a heap of stones, he ate till he could eat no more. Trout, salmon, turbot, soles, and a hundred other fishes whose names he did not know, lay boiled, fried, and grilled within reach of his hands. As the Holy Man had said, he had never eaten such a dinner; still, when he had done, he shook his head, and grumbled; ‘Yes, there is plenty to eat, of course, but it only makes me thirsty, and there is not a drop to drink anywhere.’

Fish spill out of the magic basket

Yet, somehow, he could never tell why, he looked up and saw the tavern in front of him, which he thought was miles, and miles, and miles away.

‘Bring the best wine you have got, and two glasses, good mother,’ he said as he entered, ‘and if you are fond of fish there is enough here to feed the house. Only there is no need to chatter about it all over the place. You understand? Eh?’ And without waiting for an answer he whispered to the basket: ‘Little basket, little basket, do your duty.’ The innkeeper and his wife thought that their customer had gone suddenly mad, and watched him closely, ready to spring on him if he became violent; but both instinctively jumped backwards, nearly into the fire, as rolls and fishes of every kind came tumbling out of the basket, covering the tables and chairs and the floor, and even overflowing into the street.

‘Be quick, be quick, and pick them up,’ cried the man. ‘And if these are not enough, there are plenty more to be had for the asking.’

The innkeeper and his wife did not need telling twice. Down they went on their knees and gathered up everything they could lay hands on. But busy though they seemed, they found time to whisper to each other:

‘If we can only get hold of that basket it will make our fortune!’

So they began by inviting Father Grumbler to sit down to the table, and brought out the best wine in the cellar, hoping it might loosen his tongue. But Father Grumbler was wiser than they gave him credit for, and though they tried in all manner of ways to find out who had given him the basket, he put them off, and kept his secret to himself. Unluckily, though he did not speak, he did drink, and it was not long before he fell fast asleep. Then the woman fetched from her kitchen a basket, so like the magic one that no one, without looking very closely, could tell the difference, and placed it in Father Grumbler’s hand, while she hid the other carefully away.

It was dinner time when the man awoke, and, jumping up hastily, he set out for home, where he found all the children gathered round a basin of thin soup, and pushing their wooden bowls forward, hoping to have the first spoonful. Their father burst into the midst of them, bearing his basket, and crying:

‘Don’t spoil your appetites, children, with that stuff. Do you see this basket? Well, I have only got to say, “Little basket, little basket, do your duty,” and you will see what will happen. Now you shall say it instead of me, for a treat.’

The children, wondering and delighted, repeated the words, but nothing happened. Again and again they tried, but the basket was only a basket, with a few scales of fish sticking to the bottom, for the innkeeper’s wife had taken it to market the day before.

‘What is the matter with the thing?’ cried the father at last, snatching the basket from them, and turning it all over, grumbling and swearing while he did so, under the eyes of his astonished wife and children, who did not know whether to cry or to laugh.

‘It certainly smells of fish,’ he said, and then he stopped, for a sudden thought had come to him.

‘Suppose it is not mine at all; supposing—— Ah, the scoundrels!’

And without listening to his wife and children, who were frightened at his strange conduct and begged him to stay at home, he ran across to the tavern and burst open the door.

‘Can I do anything for you, Father Grumbler?’ asked the innkeeper’s wife in her softest voice.

‘I have taken the wrong basket—by mistake, of course,’ said he. ‘Here is yours, will you give me back my own?’

‘Why, what are you talking about?’ answered she. ‘You can see for yourself that there is no basket here.’

And though Father Grumbler did look, it was quite true that none was to be seen.

‘Come, take a glass to warm you this cold day,’ said the woman, who was anxious to keep him in a good  temper, and as this was an invitation Father Grumbler never refused, he tossed it off and left the house.

He took the road that led to the Holy Man’s cave, and made such haste that it was not long before he reached it.

‘Who is there?’ said a voice in answer to his knock.

‘It is me, it is me, Holy Man. You know quite well. Father Grumbler, who has as many children as sparrows in the garden.’

‘But, my good man, it was only yesterday that I gave you a handsome present.’

‘Yes, Holy Man, and here it is. But something has happened, I don’t know what, and it won’t work any more.’

‘Well, put it down. I will go and see if I can find anything for you.’

In a few minutes the Holy Man returned with a cock under his arm.

‘Listen to me,’ he said, ‘whenever you want money, you have only to say: “Show me what you can do, cock,” and you will see some wonderful things. But, remember, it is not necessary to let all the world into the secret.’

‘Oh no, Holy Man, I am not so foolish as that.’

‘Nor to tell everybody that I gave it to you,’ went on the Holy Man. ‘I have not got these treasures by the dozen.’

And without waiting for an answer he shut the door.

As before, the distance seemed to have wonderfully shortened, and in a moment the tavern rose up in front of Father Grumbler. Without stopping to think, he went straight in, and found the innkeeper’s wife in the kitchen making a cake.

‘Where have you come from, with that fine red cock in your basket,’ asked she, for the bird was so big that the lid would not shut down properly.

‘Oh, I come from a place where they don’t keep these things by the dozen,’ he replied, sitting down in front of the table.

The woman said no more, but set before him a bottle of his favourite wine, and soon he began to wish to display his prize.

‘Show me what you can do, cock,’ cried he. And the cock stood up and flapped his wings three times, crowing ‘coquerico’ with a voice like a trumpet, and at each crow there fell from his beak golden drops, and diamonds as large as peas.

The cock starts to crow

This time Father Grumbler did not invite the innkeeper’s wife to pick up his treasures, but put his own hat under the cock’s beak, so as to catch everything he let fall; and he did not see the husband and wife exchanging glances with each other which said, ‘That would be a splendid cock to put with our basket.’

‘Have another glass of wine?’ suggested the innkeeper, when they had finished admiring the beauty of the cock, for they pretended not to have seen the gold or the diamonds. And Father Grumbler, nothing loth, drank one glass after another, till his head fell forward on the table, and once more he was sound asleep. Then the woman gently coaxed the cock from the basket and carried it off to her own poultry yard, from which she brought one exactly like it, and popped it in its place.

Night was falling when the man awoke, and throwing proudly some grains of gold on the table to pay for the wine he had drunk, he tucked the cock comfortably into his basket and set out for home.

His wife and all the children were waiting for him at the door, and as soon as she caught sight of him she broke out:

‘You are a nice man to go wasting your time and your money drinking in that tavern, and leaving us to starve! Aren’t you ashamed of yourself?’

‘You don’t know what you are talking of,’ he answered. ‘Money? Why, I have gold and diamonds now, as much as I want. Do you see that cock? Well, you have only to say to him, “Show what you can do, cock,” and something splendid will happen.’

Neither wife nor children were inclined to put much faith in him after their last experience; however, they thought it was worth trying, and did as he told them. The cock flew round the room like a mad thing, and crowed till their heads nearly split with the noise; but no gold or diamonds dropped on the brick floor—not the tiniest grain of either.

Father Grumbler stared in silence for an instant, and then he began to swear so loudly that even his family, accustomed as they were to his language, wondered at him.

At last he grew a little quieter, but remained as puzzled as ever.

‘Can I have forgotten the words? But I know that was what he said! And I saw the diamonds with my own eyes!’ Then suddenly he seized the cock, shut it into the basket, and rushed out of the house.

The holy man gives the bag to Father Grumbler

His heavy wooden shoes clattered as he ran along the road, and he made such haste that the stars were only just beginning to come out when he reached the cave of the Holy Man.

‘Who is that knocking?’ asked a voice from within.

‘It is me! It is me! Holy Man! you know! Father——’

‘But, my good fellow, you really should give some one else a chance. This is the third time you have been—and at such an hour, too!’

‘Oh, yes, Holy Man, I know it is very late, but you will forgive me! It is your cock—there is something the matter. It is like the basket. Look!’

‘That my cock? That my basket? Somebody has played you a trick, my good man!’

‘A trick?’ repeated Father Grumbler, who began to understand what had happened. ‘Then it must have been those two——’

‘I warned you not to show them to anybody,’ said the Holy Man. ‘You deserve——but I will give you one more chance.’ And, turning, he unhooked something from the wall.

‘When you wish to dust your own jacket or those of your friends,’ he said, ‘you have only got to say, “Flack, flick, switch, be quick,” and you will see what happens. That is all I have to tell you.’ And, smiling to himself, the Holy Man pushed Father Grumbler out of the cave.

‘Ah, I understand now,’ muttered the good man, as he took the road home; ‘but I think I have got you two rascals!’ and he hurried on to the tavern with his basket under his arm, and the cock and the switch both inside.

‘Good evening, friends!’ he said, as he entered the inn. ‘I am very hungry, and should be glad if you would roast this cock for me as soon as possible. This cock and no other—mind what I say,’ he went on. ‘Oh, and another thing! You can light the fire with this basket. When you have done that I will show you something I have in my bag,’ and, as he spoke, he tried to imitate the smile that the Holy Man had given him.

These directions made the innkeeper’s wife very uneasy. However, she said nothing, and began to roast the cock, while her husband did his best to make the man sleepy with wine, but all in vain.

After dinner, which he did not eat without grumbling, for the cock was very tough, the man struck his hand on the table, and said: ‘Now listen to me. Go and fetch my cock and my basket, at once. Do you hear?’

‘Your cock, and your basket, Father Grumbler? But you have just——’

‘My cock and my basket!’ interrupted he. ‘And, if you are too deaf and too stupid to understand what that means, I have got something which may help to teach you.’ And opening the bag, he cried: ‘Flack! flick! switch, be quick.’

And flack! flick! like lightning a white switch sprang out of the bag, and gave such hearty blows to the innkeeper and his wife, and to Father Grumbler into the bargain, that they all jumped as high as feathers when a mattress is shaken.

‘Stop! stop! make it stop, and you shall have back your cock and basket,’ cried the man and his wife. And Father Grumbler, who had no wish to go on, called out between his hops: ‘Stop then, can’t you? That is enough for to-day!’

But the switch paid no attention, and dealt out its blows as before, and might have been dealing them to this day, if the Holy Man had not heard their cries and come to the rescue. ‘Into the bag, quick!’ said he, and the switch obeyed.

‘Now go and fetch me the cock and the basket,’ and the woman went without a word, and placed them on the table.

‘You have all got what you deserved,’ continued the Holy Man, ‘and I have no pity for any of you. I shall take my treasures home, and perhaps some day I may find a man who knows how to make the best of the chances that are given him. But that will never be you,’ he added, turning to Father Grumbler.

[From Contes Populaires.]

 ** "Father Grumbler" (originally known in French as Le Père Maréchal or similar regional variants) is a classic French conte populaire.This French version serves as a comedic moral fable about greed, foolishness, and poetic justice. It became widely known to English-speaking audiences after being collected and translated by Andrew Lang. Project Gutenberg offers two version of The Brown Fairy Book. One has no illustrations, but this used the "Numerous Illustrations by H. J. Ford." I think Ford's illustrations capture the fun lurking in this story.

**************

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."

 

Friday, June 6, 2025

Aesop - Father and Sons - Keeping the Public in Public Domain

A search of Project Gutenberg for Aesop produces 38 books. How to tell Aesop, with or without the moral is sometimes debated, but the fables are always easily retold -- or 38 volumes (and many more!) wouldn't exist. Father's Day calls for a bit of paternal wisdom and today's story is a brief and easy way to do so.

While it comes from V.S. Vernon Jones with illustrations by Arthur Rackham, Rackham didn't illustrate this story. After it another book with illustrations by the author, Thomas Bewick, does match the story.


 

FATHER AND SONS

A certain man had several Sons who were always quarrelling with one another, and, try as he might, he could not get them to live together in harmony. So he determined to convince them of their folly by the following means. Bidding them fetch a bundle of sticks, he invited each in turn to break it across his knee. All tried and all failed: and then he undid the bundle, and handed them the sticks one by one, when they had no difficulty at all in breaking them. "There, my boys," said he, "united you will be more than a match for your enemies: but if you quarrel and separate, your weakness will put you at the mercy of those who attack you."

Union is strength. 

Illustration by Thomas Bewick for his "The Old Man and His Sons" in The Fables of Aesop and Others

May families have reason to celebrate Father's Day with this little story or the other two longer classic tales of Fathers here given by Andersen and Asbjornsen. Hmmmmm both Danish, but Aesop shows Fathers have long desrved recognition.

*****************************************

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."

 

Saturday, June 15, 2019

Andersen - What (Father) Does Is Always Right - Keeping the Public in Public Domain

Andersen's statue in New York city's Central Park
For this Sunday's celebration of Father's Day I wanted a bit of whimsy and found the perfect story only to discover I posted it last year!  "The Seventh Father of the House" by the Norwegian collectors, Asbjornsen and Moe is a lot of fun and I still recommend it, but today's story is also Scandinavian, although some debate calling the works of Hans Christian Andersen folklore.  He is an excellent creative writer, but many of his stories draw upon folk roots and Andersen's introductory sentence to the story makes that clear.

Then there's the problem translating from the Danish Andersen's title or lead character.  Two excellent Danish authors, Erik Blegvad and Erik Christian Haugaard, each included the story in their anthologies of Andersen and translate it as Father.  Haugaard's book is Andersen's complete works, including Andersen's own notes to his published "booklets", as the stories came out in small collections and in 1861 the author called it a "Danish folk tale that I heard as a child and have retold in my own way." Those same notes give some interesting views by Andersen on the critical response to that collection:
It has been both said and written that this collection was the poorest I have yet produced, and yet among its pages are to be found two of my best fairy tales: WHAT FATHER DOES IS ALWAYS RIGHT and THE SNOWMAN.
(The Snowman was given here five years ago.)

Unlike Blegvad and Haugaard, other authors give the title and lead character as either The Old Man or as The Good Man so, when I ran across it as "Father", I was surprised as I'd known the story for a long time.   However you translate it, the tale is about a rather foolish man with a wife who clearly loves him unconditionally.  His swapping for progressively less valuable items puts it in the category of being a "Noodlehead" tale.  (For people wanting to attribute gender characteristics, be sure to look at the two earlier Noodlehead stories given here.)  My own husband sometimes complains about how film and television make fathers always appear stupid.  I wonder if this is to counteract the old television show, "Father Knows Best"?  The Noodleheads in this story are both male and female, but the story's gentle touch moves us bouncing along to the end.

Excellent as the Blegvad and Haugaard translations are, they're not public domain.  The 19th century translations by Mrs. H.B. Paull, were chosen by Lily Owens for her 1984 complete collection of Andersen because she "found it the most pleasurably readable."  Unfortunately only one illustration is given and the artist's signature is hard to decipher, but may be Hans Richter, even though the style is not typical of his better known more avant-garde work.  On a blog that is no longer active, http://hans-christian-andersens.blogspot.com/, but saved by a site called Encyclopedian Dictionary, many illustrations are given, including the large one possibly by Richter.  Unfortunately even the illegible artist signature is not given.  That blog dating back to 2012, however, does the story a great service, so I, too, want to insert them into the story.
Here are two versions of that ending





























or
All of those, and Mrs. Paull's translation, definitely have him as an Old Man, but I'd recommend borrowing Twelve Tales / Hans Christian Andersen by Erik Blegvad as he not only translated, but did a loving job of illustrating the story and both Father and Mother show good natured Noodleheads, but also show age is not a factor in being called a "noodlehead."

By the way, for all those lovers of Hans Christian Andersen, while prowling for this article I found a very interesting site, Hans Christian Andersen: Annotated Web-o-graphy with lots of links to visit.

The story is so good natured, the storyteller needs to bounce it along in a similar way.  This illustration gives you a visual reminder of all the swaps.
Swap your stories wisely by Keeping the Public in Public Domain, whether it be Father's Day or any day, since it's always a good day for a story.
*********************
This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  



At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.
       - World of Tales - http://www.worldoftales.com/ 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.
     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!

Saturday, June 16, 2018

Asbjornsen - The Seventh Father of the House - Keeping the Public in Public Domain

This illustration is from the 5th edition, 1874, of the original collection
For Father's Day I wanted to post a humorous story I recalled from Norwegian folklore collected by their own major collectors, Asbjornsen and Moe.  (That link is to earlier posts on my blog of their stories.)  I didn't want to post the well-known tale of "The Husband Who Was to Mind the House" as it shows the father as definitely foolish...maybe some other time.  This story, however, was not in their original series of tales, but in what was called the "New Collection" (Norske Folke-Eventyr. Ny Samling 1871) and I found it was not in my own collection of books, either Asbjornsen and Moe nor other anthologies until I checked the book published by Viking Press in 1960 -- so still under copyright.  It used the original illustrations, however, in this case dating back to 1879 by Erik Werenskiold and I will end with the one so often used with the story.

Of course this set me really hunting!  For one thing, it appears that Jorgen Moe wasn't involved with this story.  I'm going to take the version you can find on D.L. Ashliman's excellent folktale site.  (After it I'll pass along some other things I discovered, including some wild interpretations for the story.)

Old, Older, and Oldest


folktales of Aarne-Thompson type 726
about old men, their fathers, and their grandfathers
selected and translated by

D. L. Ashliman

© 1999-2006

The Seventh Father of the House

Norway, Peter Christen Asbjørnsen

Once upon a time there was a man who was traveling about, and he came at length to a big and fine farm. There was such a fine manor house there that it might well have been a little castle. "It would be a nice thing to get a night's rest here," said the man to himself, upon entering the gate. Close by stood an old man with gray hair and beard, chopping wood.
"Good evening, father," said the traveler. "Can I get lodgings here tonight?"
"I am not the father of the house," said the old man. "Go into the kitchen and speak to my father!" The traveler went into the kitchen. There he met a man who was still older, and he was lying on his knees in front of the hearth, blowing into the fire.
"Good evening, father. Can I get lodgings here tonight?" asked the traveler.
"I am not the father of the house," said the old man. "But go in and speak to my father. He is sitting at the table in the parlor."
So the traveler went into the parlor and spoke to him who was sitting at the table. He was much older than the other two, and he sat there with chattering teeth, shaking, and reading in a big book, almost like a little child.
"Good evening, father. Can you give me lodgings here tonight?" said the man.
"I am not the father of the house. But speak to my father over there. He is sitting on the bench," said the man who was sitting at the table with chattering teeth, and shaking and shivering. So the traveler went to him who was sitting on the bench. He was getting a pipe of tobacco ready, but he was so bent with age, and his hands shook so much, that he was scarcely able to hold the pipe.
"Good evening, father," said the traveler again. "Can I get lodgings here tonight?"
"I am not the father of the house," said the old, bent-over man. "But speak to my father, who is in the bed over yonder."
The traveler went to the bed, and there lay an old, old man, and the only thing about him that seemed to be alive was a pair of big eyes.
"Good evening, father. Can I get lodgings here tonight?" said the traveler.
"I am not the father of the house. But speak to my father, who lies in the cradle yonder," said the man with the big eyes. Yes, the traveler went to the cradle. There was a very old man lying, so shriveled up, that he was not larger than a baby, and one could not have told that there was life in him if it had not been for a sound in his throat now and then.
"Good evening, father. Can I get lodgings here tonight?" said the man. It took some time before he got an answer, and still longer before he had finished it. He said, like the others, that he was not the father of the house. "But speak to my father. He is hanging up in the horn on the wall there."
The traveler stared around the walls, and at last he caught sight of the horn. But when he looked for him who hung in it, there was scarcely anything to be seen but a lump of white ashes, which had the appearance of a man's face. Then he was so frightened, that he cried aloud, "Good evening, father. Will you give me lodgings here tonight?"
Erik Werenskiold, 1879.

There was a sound like a little tomtit's chirping, and he was barely able to understand that it meant, "Yes, my child."
And now a table came in which was covered with the costliest dishes, with ale and brandy. And when he had eaten and drunk, in came a good bed with reindeer skins, and the traveler was very glad indeed that he at last had found the true father of the house.

  • Source: Peter Christen Asbjørnsen, Round the Yule Log: Norwegian Folk and Fairy Tales, translated by H. L. Brækstad (Philadelphia: J. B. Lippincott, ca. 1930).
  • Translation modified by D. L. Ashliman.
  • Link to the original Norwegian text Den syvende far i huset. 

Professor Ashliman's site is definitely worth visiting for stories!

I took that story as just an enjoyable bit of nonsense about back in the days when a traveler sometimes was dependent on the hospitality of whatever place they found.  Imagine my surprise to find it on the blog of Simon Hughes selling Erotic Folktales from Norway, but also as part of his Norwegian Folktales Project to publish his translations of Asbjornsen and Moe's complete works.  Then the blog, Legends of the North,  said it was first published in 1840 and "it still remains as highly relevant to this day as the tale may be read as a witty satire on the disclaim that exist in everyday bureaucracy."  It also was discussed on Religious Forums mainly as a parable, although the original poster of the story, Willamena did eventually say, "And if there was no subtext there, then you're simply reading A LOT more into the story than I did."  While the viewpoint on that forum tended to Christian allegory, there was a very different view of "The Esoteric Meaning of the Fairy Tale of The Seventh Father of the House" on The Modern Alchemist blog, complete with chakras, sexuality, and meditation.  Someone else used it to ask who is the oldest in their readers' families.  There's an animated YouTube version and another version by the director, Ivo Caprino, which may explain linking it to bureaucracy. 

I think you can tell I tend to take it as just a bit of fun and hope you had fun with it, too, for Father's Day.
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This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  



At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.
       - World of Tales - http://www.worldoftales.com/ 
     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!