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Showing posts with label Korean folklore. Show all posts
Showing posts with label Korean folklore. Show all posts

Thursday, May 14, 2026

Griffis - The Unmannerly Tiger - Keeping the Public in Public Domain

May 15th is Endangered Species Day and this entire month is dedicated to Asian Americans. Many of those Asian Americans are adopted from Korea, including my own two daughters! Of course my folklore collection includes a lot of Korean tales. William Elliot Griffis was an early collector of it, as part of his series of the fairy tales of half a dozen countries. His Korean Fairy Tales opens with a tale of a tiger who has difficulty with the concept of Gratitude. As tigers are predators not known for their gratitude, the conclusion is easily seen coming. It also gives me an opportunity to highlight an organization doing important work with Endangered Species.


THE UNMANNERLY TIGER

“Mountain Uncle” was the name given by the villagers to a splendid striped tiger that lived among the highlands of Kang Wen, the long province which from its cliffs overlooks the Sea of Japan. Hunters rarely saw him, and among his fellow-tigers the Mountain Uncle boasted that, though often fired at, he had never been wounded; while as for traps—he knew all about them and laughed at the devices used by man to catch him and to strip him of his coveted skin. In summer he kept among the high hills and lived on fat deer. In winter, when heavy snow, biting winds, and terrible cold kept human beings within doors, old Mountain Uncle would sally forth to the villages. There he would prowl around the stables, the cattle enclosures, or the pig pens, in hopes of clawing and dragging out a young donkey, a fat calf, or a suckling pig. Too often he succeeded, so that he was the terror of the country for leagues around.

One day in autumn, Mountain Uncle was rambling among the lower hills. Though far from any village, he kept a sharp lookout for traps and hunters, but none seemed to be near. He was very hungry and hoped for game.

But on coming round a great rock, Mountain Uncle suddenly saw in his path some feet ahead, as he thought, a big tiger like himself.

He stopped, twitched his tail most ferociously as a challenge, showed fight by growling, and got ready to spring. What was his surprise to see the other tiger doing exactly the same things. Mountain Uncle was sure there would be a terrible struggle, but this was just what he wanted, for he expected to win.

But after a tremendous leap in the air he landed in a pit and all of a heap, bruised and disappointed. There was no tiger to be seen, but instead a heavy lid of logs had closed over his head with a crash and he lay in darkness. Old Mountain Uncle was caught at last. Yes, the hunter had concealed the pit with sticks and leaves, and on the upright timbers, covered with vines and brushwood, had hung a looking-glass. Mountain Uncle had often beheld his own face and body in the water, when he stooped to drink, but this time not seeing any water he was deceived into thinking a real tiger wanted to fight him.

By and by, a Buddhist priest came along, who believed in being kind to all living creatures. Hearing an animal moaning, he opened the trap and lifting the lid saw old Mountain Uncle at the bottom licking his bruised paw.

“Oh, please, Mr. Man, let me get out. I’m hurt badly,” said the tiger.

Thereupon the priest lifted up one of the logs and slid it down, until it rested on the bottom of the pit. Then the tiger climbed up and out. Old Mountain Uncle expressed his thanks volubly, saying to the shaven head:

“I am deeply grateful to you, sir, for helping me out of my trouble. Nevertheless, as I am very hungry, I must eat you up.”

The priest, very much surprised and indignant, protested against such vile ingratitude. To say the least, it was very bad manners and entirely against the law of the mountains, and he appealed to a big tree to decide between them.

The spirit in the tree spoke through the rustling leaves and declared that the man should go free and that the tiger was both ungrateful and unmannerly.

Old Mountain Uncle was not satisfied yet, especially as the priest was unusually fat and would make a very good dinner. However, he allowed the man to appeal once more and this time to a big rock.

“The man is certainly right venerable Mountain Uncle, and you are wholly wrong,” said the spirit in the rock. “Your master, the Mountain Spirit, who rides on the green bull and the piebald horse to punish his enemies, will certainly chastise you if you devour this priest. You will be no fit messenger of the Mountain Lord if you are so ungrateful as to eat the man who saved you from starvation or death in the trap. It is shockingly bad manners even to think of such a thing.”

The tiger felt ashamed, but his eyes still glared with hunger; so, to be sure of saving his own skin, the priest proposed to make the toad a judge. The tiger agreed.

But the toad, with his gold-rimmed eyes, looked very wise, and instead of answering quickly, as the tree and rock did, deliberated a long time. The priest’s heart sank while the tiger moved his jaws as if anticipating his feast. He felt sure that Old Speckled Back would decide in his favor.

“I must go and see the trap before I can make up my mind,” said the toad, who looked as solemn as a magistrate. So all three leaped, hopped, or walked to the trap. The tiger, moving fast, was there first, which was just what the toad, who was a friend of the priest, wanted. Besides, Old Speckled Back was diligently looking for a crack in the rocks near by.

So while the toad and the tiger were studying the matter, the priest ran off and saved himself within the monastery gates. When at last Old Speckled Back decided against Mountain Uncle and in favor of the man, he had no sooner finished his judgment than he hopped into the rock crevice, and, crawling far inside defied the tiger, calling him an unmannerly brute and an ungrateful beast, and daring him to do his worst.

Old Mountain Uncle was so mad with rage and hunger that his craftiness seemed turned into stupidity. He clawed at the rock to get at the toad, but Speckled Back, safe within, only laughed. Unable to do any harm, the tiger flew into a passion of rage. The hotter his temper grew, the more he lost his wit. Poking his nose inside the crack he rubbed it so hard on the rough rock that he soon bled to death.

When the hunter came along he marveled at what he saw, but he was glad to get rich by selling the tiger’s fur, bones, and claws; for in Korea nothing sells so well as a tiger. As for the toad, he told to several generations of his descendants the story of how he outwitted the old Mountain Uncle.

***

The wildlife rescue group, Turpentine Creek, explains "The enduring symbolism of tigers in Korean culture."  It's rather unusual and worth reading. Presently no wild tigers are known in Korea, even though the Korean Peninsula once was home to the Siberian tiger (or Amur tiger) before hunting and habitat loss is believed to have eliminated them in the early 20th century. Perhaps this story would say it is the result of not having gratitude. Looking at their endangered status, I'm grateful that organizations like Turpentine Creek exist.

Read the story of the tiger, Abigail, at Turpentine Creek Wildlife Refuge


 ******************

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."

 

Friday, April 16, 2021

Hulbert - How Mr. Rabbit Cured the Princess - Keeping the Public in Public Domain

Today's story is a perfect example of a technique for story creation.  Last week's story from Omjee the Wizard

was able to stand as a complete story, but it left the poor Sea King's daughter dying.  When a story ends with an issues unresolved -- yes, even the old "and they lived happily ever after" -- it's a perfect opportunity to create a whole new story. 

Last week I tossed around the idea of which came first the Korean tale or the better known Swahili or the Panchatantra versions commonly called something like "The Heart of a Monkey"?  The question remains, but last week's tale is certainly well-known.  Today it's told as a P'ansori, a Korean musical form with a drum accompanying the teller.  Britanica calls it folk opera and, since some can last 3 hours, I'd say Pansori is indeed operatic, but last week's story is one of five in its repertoire still told.  It's known as Sugungga and is lighter than all the others for its personification of animals, unlike the rest of the five.

Pansori performance at the Busan Cultural Center in Busan South Korea

 

Nowadays as "Sugungga" those variants are very similar to the other variants omitting the king's daughter, having the king seek a body part of a rabbit, who tricks him.  Recently Daniel San Souci created his own version, The Rabbit and the Dragon King, obviously influenced by the humor of the Pansori and attributing it to being "recorded as early as A.D. 642 during Korea's Shila Dynasty."  His version has the rabbit give the hypochondriacal king a persimmon.  The king is cured by what he believes is the rabbit's heart.  

After today's story there's an interesting botanical follow-up to today's story.  I don't know if Homer Hulbert heard this story as a Pansori, but, lacking a drum, let us look at "the rest of the story."  Again we have several of the same characters as last week, but a totally different rabbit and also borrow an element of yet another common tale type best known in the Grimm story of "The Fisherman and His Wife."











Hulbert, in his Preface says his book's stories "have been taken directly from the folk-lore of Korea."  His work with that literature was fairly extensive for a non-Korean in the late 19th century after roughly 20 years living there.  It makes me think some teller in the distant past had a request for that "rest of the story."  He does admit to combining "the flavor of the Korean story" while toning it down for children "without emasculating the essential meaning."

That change may be debated as harming the authentic folklore.  Certainly Hulbert created a frame story beyond the actual tales, such as his storyteller, the blind wizard, Omjee.  Stories not only travel, as mentioned last week, but they also change.  Storytellers don't always repeat a story perfectly, due to faulty memories or the need for story creation.  

Music and poetry have helped memorization over the centuries.  Korean medicine actually used the Pansori of "Sugungga" with a character known as Yaksungga reciting a rhyming song of Korean medicinal herbs and their properties as a mnemonic device.  It's said this helped people learn medical knowledge of the time.

In a further case of life imitating art, Scientists combine house plant with rabbit DNA, forming what its creator calls a "green liver" to remove cancer-causing indoor air pollution toxins.  Somewhere the creator of today's story is probably smiling.

************

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  



At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.
       - World of Tales - http://www.worldoftales.com/ 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.
     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!

Friday, April 9, 2021

Hulbert - The Sea-King's Daughter - Keeping the Public in Public Domain

Today's story may sound familiar to folklore fans.  I'll give its better known versions at the end.  See if you recognize it.  Stories travel.  Did this originate in Korea or travel there?  


Homer B. Hulbert's book, Omjee the Wizard is not well known nor even included in the earliest English standard folklore index nor its supplements, Index to Fairy Tales, Myths, and Legends by Mary Huse Eastman started in 1915 (with later editions eventually continued by Norma Olin Ireland and Joseph W. Sprug).  I bought the book because, as its subtitle notes, it's "Korean Folk Stories."  Having Korean daughters, I had to have it!  


Being published in 1925, I renewed my interest in it because books from that year have just entered the Public Domain.  Because its binding was a bit loose I went looking to find an online copy, but there is none as of this writing.  Since the name of Hulbert isn't Korean, I also went looking to see more about the book and its author.  Its Preface states the author's background as being "the result of twenty years of residence in Korea and some considerable examination of that literature, but especially of personal contact with the people in their ordinary life and avocations where folk-lore persists at its best."  I checked further, starting with Wikipedia, which certainly showed his own comment was a major understatement.  A more thorough explanation is found in the Korea.net article, "Loving Korea More Than Koreans."  Hulbert is shown as important to both its literature in the late 19th century and worked hard in the 20th century for Korean independence at personal cost.  He was invited back to Korea by its first President.  Hulbert died there a week after his return saying, "I would rather be buried in Korea than at Westminster Abbey."  His achievements might have earned him a burial that unusual.  It is repeated on his tombstone in the Yanghwajin Foreigners' Cemetery.

There is more to be said about today's story and its book, but for now let the story speak for itself.














Mr. Rabbit got on his back and they went down into the water. 

Intentionally I omitted this picture which faces the title page.  It's not shown again during the story, but comes from page 33 in the midst of the tale.  For those familiar with many folktales, the picture gives away its more commonly known version, "The Heart of a Monkey", which Wikipedia places as either a Swahili tale(which would place it in either East or Southern Africa) or part of the Panchatantra (which would place it in India "roughly 200 BCE – 300 CE, based on older oral tradition.")  So did it start in Korea or travel there?  It's impossible to say, but the story certainly traveled a lot! -- more than Mr. Rabbit on Dr. Tortoise.

Hildegard Lupprian was the book's illustrator.  Her name is attached to many children's books.  She was not even remotely Korean, but was assigned the book by the publisher, Milton Bradley Company, better known for its games and puzzles.

Next week I want to bring another story from the same book which does something very creative and not found in those other versions of the story.  It resolves the tale of "The Sea-King's Daughter" and what happens to her!  Admit it, don't you wonder?

******************  

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  



At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.
       - World of Tales - http://www.worldoftales.com/ 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.
     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!

Saturday, May 27, 2017

Butterflies + Im - The Soldier of Kang-Wha - Keeping the Public in Public Domain

by permission of Jim O'Donnell at www.aroundtheworldineightyyears.com
Today brings stories and you may think them a curious mixture.  How on earth can I combine Korean folklore (and a bit of Korean history and present-day news) with the stories of Michigan's native people, the Anishinaabe?  As easily as a butterfly on a lilac bush . . .


Just as my lilac bushes are starting to fade, the "dwarf" Korean lilacs outside my kitchen window are starting to bloom.  The air is fragrant as spring continues to bring me purple flowers, wild or otherwise.  Because of that Korean connection I remembered a story I wanted to tell.  Of course the search didn't end there.
That story came from the book originally published in 1913 which I've included in the past (both tales by Im Bang and one by Yi  Ryuk).  I recommend the James Gale translation heartily as a book jam-packed with haunting stories.

Becoming a bit curious -- of course! -- about Kang Wha, I went looking further.  This story talks about its fall in 1637 to the Chinese, but if you go beyond that old transliteration of its name, Ganghwa Island is a place with the misfortune of being "strategically located."  Even I recognized Korean War location names like Kaesong, Incheon, and, of course, Seoul.  South Korea's fourth largest island straddles the Han River to both North Korea and South Korea.  It hardly looks as if it could offer something as peaceful and traditional looking as this lovely photo which looks right at home with today's story.

Those butterflies and knowledge that could only be called supernatural, plus the story's introduction seemed to fit the sort of thing you might find in a Jim Butcher novel in the Dresden Files series.  I've been enjoying the books and recommend them to adults who enjoyed Harry Potter, but would like something set in modern times (Chicago) clashing with fantasy creatures like vampires, zombies, and many others always explained away by the news media and government.  The stories were adapted and presented at one time as a television series, but the books deserve to be read first as it's all about imagination when following the narrator who is a wizard/investigator.  Reading the Wikipedia article I learned Butcher originally was going to title the first book, Semiautomagic, and I agree it combines the fantasy with hard-boiled detective fiction in the series, but I'd also point to its sly humor.  <SIGH!>  That's what you get if you check out this storyteller's light reading and stream-of-consciousness thinking.
Moving back to what I would like to combine with today's creations by "The Soldier of Kang-Wha" is a tale from the People of the Three Fires, the Anishinaabe.  I don't have a written text I can give here, but will briefly give my own version.

Back when the Creator, sometimes called Gitchee Manitou or the Great Spirit had made much of the world, He was happy with it's waters, plants, birds, animals, and people, but regretted that the mountains might not be loved, for they seemed cold, hard and remote.  To get people to explore the mountains He put the colors of the rainbow inside them, reds, greens, blues and more, forming stones we call rubies, emeralds, sapphires, diamonds, to name a few.  People who discovered their beauty would spread the word and it would add to the value of mountains.  Of course not everyone would dig for those stones or even be able to afford them.  Surely there ought to be a way to share them with children.  The South Wind came just as Gitchee Manitou was looking at them and thinking this.  The South Wind carries the warmth of summer, so the Creator tossed some of the stones into the air and let them fly away.  They became what we call butterflies, letting us appreciate their color (and help in pollination).  Now that it's springtime they are returning.  Even as I was thinking about this a little orange butterfly -- no, not a Monarch or even a Viceroy (like the birds, I can't tell them apart, but this was neither even though its wings included some darker etching) -- fluttered down on my not so dwarf Korean Lilacs that come up to my kitchen window.  It was just enough to remind me of a story or two.
********************
Here's my closing for days when I have a story in Keeping the Public in Public Domain. 
***************** 

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it. 

Other Public Domain story resources I recommend -
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.
Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
  • The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
               - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
               - Karen Chace - http://karenchace.blogspot.com/search?q=public+domain
               - Richard Martin - http://www.tellatale.eu/tales_page.html
               - Spirit of Trees - http://spiritoftrees.org/featured-folktales
           - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at http://web.archive.org and put in http://www.story-lovers.com/ in the search box.  I recommend using the latest "snapshot" on November 2016
               - Tim Sheppard - http://www.timsheppard.co.uk/story/storylinks.html
               -  World of Tales - http://www.worldoftales.com/

    You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  For an example of using the "Wayback Machine", list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is gone, but using the Wayback Machine you can still see it.  At the Wayback Machine I put in his site's address, then chose 2006 since it was a later year and clicked until I reached the Library at http://www.pjtss.net/library/.  

    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!



Saturday, October 31, 2015

Haunted Houses - Im - Keeping the Public in Public Domain

Today's Halloween celebration for many will be a visit to a "haunted house."  I remember a spooky old house near where I grew up in St. Louis that was supposedly haunted.  It was later torn down for added church parking lot space.  How sad!  Every area should have a place where the kids whisper "It's haunted!"  Commercial haunted houses are fun, but not really the same.

This month has included a few of the many stories I recommend in a wonderful book from 1913.  Here's a pdf from the University of Oregon where you, too, can prowl the many stories James Gale made available back then and are safely in Public Domain.  Both Im Bang, who was born in 1640 and was a government official in the early 18th century, and Yi Ryuk, who lived in the mid-15th century, preserved Korean folklore as it was told so long ago.  James Gale made it accessible and is definitely in the spirit of Keeping the Public in Public Domain.

At the same time I mentioned a modern book still in copyright, Which Was Witch.  I opened this month with Im Bang's tale of Wild-cat Woman that Eleanore M. Jewett did a beautiful job of turning into the title story of her book.  I want to close this month with yet another story which she transformed and expanded for story lovers.  Today's story is really several incidents, but she combines some of them into one story set Seoul's "Ink Town" district at the foot of what is sometimes called South Mountain, because it's in the south central area of Seoul. Wikipedia tells us it should really be Mount Namsan, which literally means Front Mountain.  Obviously today it's view of the downtown Seoul skyline is very different, but she does a beautiful job of not only combining incidents, but putting us back into Korea of old.  I strongly recommend seeing her version, too. 

Im Bang and Yi Ryuk's book is not the only source of tales for her book.

In the meantime, read today's selection and think about how you might tell it.

Maybe, like Jewett, you would like a bit more background on the story.  Here's information on Ink Town -- what a great name!  It is explained in this blog article about Seoul Subway Names which tells us they are a lens into Korean history and its legends and lore.

Line 7 - Mokgol

A mok is an ink stick, a type of solid ink traditionally used in East Asia for ink and wash painting. Historically, it is considered one of a scholar’s four precious possessions, along with paper, brushes or pens, and an inkstone. Mok was produced in great quantity in this area during the Joseon Dynasty, giving rise to the area’s moniker as ink town. Another theory suggests that the area was deliberately named after the ink stick to encourage the town’s prosperity and development.


Ink sticks, and the stone where it is ground and mixed with water, can be beautiful, too
The same blog, Korea Joongang Daily, also give a view of a zither which probably was the instrument Gale translated as a harp.  It reminds me of my Appalachian Dulcimer.  Like stories, instruments travel and make slight changes.

Gale's book includes 53 stories.  Thirteen of them are Yi Ryuk's 15th century tales, closing the book.  I've not posted them here, but if you look at that pdf of the book opening today's article, you might want to read number 41 (he uses Roman numerals, so XLI), The Old Man in the Dream; 43, The Propitious Magpie; 49, Who Decides, God or the King?; 51, Strangely Stricken Dead; and 52, The Mysterious Hoi Tree.  Those are the ones I like, but maybe you'll choose others.

Happy reading and storytelling!
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This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.  
 


There are many online resources for Public Domain stories, none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I recommended it earlier and want to continue to do so.  Have fun discovering even more stories!