Tell me if you have a topic you'd like to see. (Contact: LoiS-sez@LoiS-sez.com .)
Please also let others know about this site.
Showing posts with label Thomas Crofton Croker. Show all posts
Showing posts with label Thomas Crofton Croker. Show all posts

Friday, March 14, 2025

Croker - Rent Day - Keeping the Public in Public Domain

Top o' the Morning to you! . . . or whenever you may read this story celebrating St. Patrick's Day.

The 1844 edition of Thomas Crofton Croker's The Fairy Legends and Traditions of the South of Ireland holds many delightful tales of the various unusual "people" found in the Emerald Isle. Many people visiting there go to  Killarney National Park near Killarney, County Kerry. Who knows? You may be visited by the spirit of O’Donoghue. Hopefully you won't be as desperate as Bill Doody when he met the  O’Donoghue.

Killarney National Park 

RENT-DAY.

“Oh ullagone, ullagone! this is a wide world, but what will we do in it, or where will we go?” muttered Bill Doody, as he sat on a rock by the Lake of Killarney. “What will we do? to-morrow’s rent-day, and Tim the Driver swears if we don’t pay up our rent, he’ll cant every ha’perth we have; and then, sure enough, there’s Judy and myself, and the poor little grawls,[33] will be turned out to starve on the high road, for the never a halfpenny of rent have I!—Oh hone, that ever I should live to see this day!”

Thus did Bill Doody bemoan his hard fate, pouring his sorrows to the reckless waves of the most beautiful of lakes, which seemed to mock his misery as they rejoiced beneath the cloudless sky of a May morning. That lake, glittering in sunshine, sprinkled with fairy isles of rock and verdure, and bounded by giant hills of ever-varying hues, might, with its magic beauty, charm all sadness but despair; for alas,

“How ill the scene that offers rest,
And heart that cannot rest, agree!”

Yet Bill Doody was not so desolate as he supposed; there was one listening to him he little thought of, and help was at hand from a quarter he could not have expected.

“What’s the matter with you, my poor man?” said a tall portly-looking gentleman, at the same time stepping out of a furze-brake. Now Bill was seated on a rock that commanded the view of a large field. Nothing in the field could be concealed from him, except this furze-brake, which grew in a hollow near the margin of the lake. He was, therefore, not a little surprised at the gentleman’s sudden appearance, and began to question whether the personage before him belonged to this world or not. He, however, soon mustered courage sufficient to tell him how his crops had failed, how some bad member had charmed away his butter, and how Tim the Driver threatened to turn him out of the farm if he didn’t pay up every penny of the rent by twelve o’clock next day.

“A sad story indeed,” said the stranger; “but surely, if you represented the case to your landlord’s agent, he won’t have the heart to turn you out.”

“Heart, your honour! where would an agent get a heart!” exclaimed Bill. “I see your honour does not know him: besides, he has an eye on the farm this long time for a fosterer of his own; so I expect no mercy at all at all, only to be turned out.”

“Take this, my poor fellow, take this,” said the stranger, pouring a purse-full of gold into Bill’s old hat, which in his grief he had flung on the ground. “Pay the fellow your rent, but I’ll take care it shall do him no good. I remember the time when things went otherwise in this country, when I would have hung up such a fellow in the twinkling of an eye!”

These words were lost upon Bill, who was insensible to every thing but the sight of the gold, and before he could unfix his gaze, and lift up his head to pour out his hundred thousand blessings, the stranger was gone. The bewildered peasant looked around in search of his benefactor, and at last he thought he saw him riding on a white horse a long way off on the lake.

“O’Donoghue, O’Donoghue!” shouted Bill; “the good, the blessed O’Donoghue!” and he ran capering like a madman to show Judy the gold, and to rejoice her heart with the prospect of wealth and happiness.

The next day Bill proceeded to the agent’s; not sneakingly, with his hat in his hand, his eyes fixed on the ground, and his knees bending under him; but bold and upright, like a man conscious of his independence.

“Why don’t you take off your hat, fellow; don’t you know you are speaking to a magistrate?” said the agent.

“I know I’m not speaking to the king, sir,” said Bill; “and I never takes off my hat but to them I can respect and love. The Eye that sees all knows I’ve no right either to respect or love an agent!”

“You scoundrel!” retorted the man in office, biting his lips with rage at such an unusual and unexpected opposition, “I’ll teach you how to be insolent again—I have the power, remember.”

“To the cost of the country, I know you have,” said Bill, who still remained with his head as firmly covered as if he was the lord Kingsale himself.

“But come,” said the magistrate; “have you got the money for me?—this is rent-day. If there’s one penny of it wanting, or the running gale that’s due, prepare to turn out before night, for you shall not remain another hour in possession.”

“There is your rent,” said Bill, with an unmoved expression of tone and countenance; “you’d better count it, and give me a receipt in full for the running gale and all.”

The agent gave a look of amazement at the gold; for it was gold—real guineas! and not bits of dirty ragged small notes, that are only fit to light one’s pipe with. However willing the agent may have been to ruin, as he thought, the unfortunate tenant, he took up the gold, and handed the receipt to Bill, who strutted off with it as proud as a cat of her whiskers.

The agent going to his desk shortly after, was confounded at beholding a heap of gingerbread cakes instead of the money he had deposited there. He raved and swore, but all to no purpose; the gold had become gingerbread cakes, just marked like the guineas, with the king’s head, and Bill had the receipt in his pocket; so he saw there was no use in saying any thing about the affair, as he would only get laughed at for his pains.

From that hour Bill Doody grew rich; all his undertakings prospered; and he often blesses the day that he met with O’Donoghue, the great prince that lives down under the lake of Killarney.

Like the butterfly, the spirit of O’Donoghue closely hovers over the perfume of the hills and flowers it loves; while, as the reflection of a star in the waters of a pure lake, to those who look not above, that glorious spirit is believed to dwell beneath.

[33] Children. 

Found this sweet photo on an email from author Victoria L.K. Williams. As a readership test, let me know if you see it.

****************

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."

 

Saturday, March 28, 2020

Shelter in Place - week 1

It's been a strange week at Lake Wobegon.  Woops!  Wrong lake, Michigan's a pair of peninsulas surrounded by Lakes  Huron, Michigan, Erie, and, above our Upper Peninsula, Lake Superior, but it has been a most unsuala week.  On March 23 I posted this on my Facebook page (which is public and open to all to see)
Michigan's governor cancelled as of midnight tonight all activities not necessary to sustain or protect life. https://Michigan.gov/coronavirus .  This, combined with all the other uncertainty, has made 3 (so far) programs rescheduled. I never put a cancellation clause in my Letter of Agreement. My flexibility is something I offer. (One of those cancellations would have had me drive up to Lakeview for live streaming. They have a grant and we'll reschedule, but this made the trip impossible.) I also value the flexibility storytelling allows in how it can be presented. We'll work together yet to have some High Times once we get past these current crazy Dry Times, just trust this Prohibition doesn't last as long as Prohibition did.
LoiS(urely we can all drink to that...with mocktails or otherwise!)

In the meantime I've been doing as much as I can related to our local area trying out the same idea we've seen coming from Italy with people singing.  We have a local site called NextDoor that covers a lot of territory.  A topic popped up called "Play music each night at 6pm."  I said: I'd love to do this, but we're high up on a bunny slope of a hill in a neighborhood where none of us are near enough to hear.
 
https://wwjnewsradio.radio.com/articles/play-music-on-the-porch-to-combat-coronavirus-fears

A member, Angela, suggested: 
Since we all have acreage and the houses are not near each other, we gather at my moms house (5 houses away from mine). My mom stays on her porch, some stand in the yard, some in the driveway. (social distancing). We sing the song on the day, chat/catch up for 5 minutes, tell everyone we love and miss them and then we all go back home.❤️

O.k. I wish I had seen it in time to do "Amazing  Grace" since my favorite musical instrument is the mountain dulcimer, but I started the next day when the song was "Sweet Caroline."  My reply was:
Guess the end of our driveway works. Need to find lyrics & possible chords &/or dulcimer tab as I'd like that, but a capella would probably be easier than guitar or dulcimer standing there. UPDATE: Fairly complicated song. Only guitar tab available, but folks might find a search worthwhile including that there are 2 stories about how it came to be. As a storytelling friend of mine, Loretta Vitek, uses as a signature at the end of her emails: There's always a story; it'd be a shame not to tell it!

Here's what happened:
No other driveways had singers, but I started anyway. Along came a jogging couple. She smiled & waved & I did, too. They kept jogging (not necessarily a review on my playing & singing, but confess I came darned near tears & became slightly choked up -- hey, I'm a storyteller, not a musician!)

Side comment here, that's always my standard excuse since I sometimes say I play like an Oriental Rug where there's always a flaw in it.  (The idea, I'm told, is the same as with the Amish -- proving the maker isn't claiming deity.)  

The next day the song was Woody Guthrie's "This Land Is Your Land" which let me use my preferred instrument, the mountain dulcimer.  Two teenage boys came by, with one carrying a fishing pole from the nearby pond.  Can't say they were 6 feet apart, but maybe they were from the same family.  At any rate they did what teenagers do when they think grown-ups are crazy, irrelevant, or whatever. . . they ignored me.  Sang anyway and figured it was as much for me as for a possible eventual neighborhood event.

Thursday the song was Leonard Cohen's "Hallelujah."  As with "Sweet Caroline", the only online information was for guitar, so that's what I prepared with what time I had between Zoom conferences and other things that needed doing.  Again YouTube let me know the song a bit better.  I'm a classical music lover, know lots of show tunes, and my musical playing these days is mainly folk music.  Got all ready only to come to the door with guitar and music in hand and stop!  It was raining!!!  No way was I going to take my precious instrument and play outside in the rain.  At least with my mountain dulcimer I could play it inside my car with the windows down or at least cracked open.  Once again I figured the playing or at least the preparation was for me.  I can understand the words offer encouragement.  (Muttering to myself: just wish it would stick with folk music.)  At least people in locations with porches could still play, just not my neighborhood. 

By the way WWJ radio, which posted that idea of Play Music on the Porch to Combat Coronavirus Fears said:
Play a song. That's it. Tonight's song will be posted at 8 a.m. every morning on our social media.
Play it loud and proud to spread the message. This isn't the end. We're together in this and we'll get through it.
Have a guitar? Play it. Can you wail? Let's hear it. Break out your high school band clarinet.
Hell, just step on your porch and wave at the neighbors so you feel like part of a community again.
Not a musical bone in your body? Hold up your phone with the song playing on itunes or You Tube.
Somehow I think it has all been worth it, just wish I had a longer time to prepare and the songs were less pop music, but then what do I expect, Beethoven's Fifth?  That would be what I hear on my radio.

Right now I'm sure we all would like  reason to smile and here's my favorite Beethoven story.

While strolling through the Währing cemetery in Vienna a tourist noticed a large hole in the ground.  Looking closer he saw steps leading down into the earth.  He decided to see where they went.  Down, down he went until he saw a bit of candlelight ahead.  Going to it he was surprised to see Beethoven himself, surrounded by papers, and scratching away on them.  The tourist asked, "What are you doing?"  To which a grumpy Beethoven replied "Decomposing of course!"

Stop that groaning!  Let's take our humor however we can find it.

On Friday I felt as grumpy as old Ludwig himself.  The song was our national anthem, "The Star Spangled Banner."  All right there are lots of good stories about that song, but I knew I'd be singing it a capella.  Then when 6 rolled around the national briefing was just beginning.  I hate settling for a selection of what was said, rather than seeing the whole thing and making my own decisions about it.  Instead I sent a grumpy comment to the radio station.  No, I didn't state my preference for type of music, just how it went out in the "boonies" where I live and that the timing might be the reason there haven't been more people out at 6.  

I know one size never fits all and this week's "Shelter in place" is bound to be different in all types of locations.  For my family I phoned some special girls and told them two stories to match their requests.  My favorite mermaid tale was posted way back on March 12, 2014, the first of three stories presented here and collected by Thomas Crofton Croker of Irish stories.  The other story was requested to be spooky.  Again I chose my favorite and it, too, is Irish.  I'm still searching for a Public Domain version to give here, but so far I've only been able to find "Mary Culhane and the Dead Man" in the 1973 book by Molly Bang with the fairly innocuous sounding title of The Goblins Giggle and Other Stories.  The title is misleading.  Finally I guided them in making a story using bits they contributed.  An appointment was made for next Friday and I suggested they help their mother with their school work since "she's been out of school a long time!"  Then I gave them all a bit of an extra assignment in Government, saying we've been hearing their working on school from home might not help them move to the next grade and/or they might have to go to school in the summer to make it up!  Suggested they look up their Michigan State Senator and State Representative (not their U.S. Senators and Representative) and request something be done to avoid these problems, possibly by testing out of their grade.  Of course I also mentioned the many stories to be found here!





Beyond all of this, I'm grateful for that Executive Order allowing me to walk my Beast, a "Malamutt" who's got the best of the genetic background for a Malamute and a Siberian Husky.  The other day we were still able to hike that golf course I mentioned last week at the introduction to the story of "The Coming of Spring."  We were parallel to the nearby road with the leafless trees & bushes forming a separation.  Two women walking apart were picking up trash on the road.  Saw my boy and shouted across how gorgeous he is.  He always gets those comments from "his fans" when he's seen.

Even with "Shelter in place" it's amazing how many cars passed us on the dirt roads Friday.  (The traffic is precisely why that golf course is so appreciated.)

And now to close with these words of wisdom found on the internet:
"If you self-quarantine for your family's safety, please be smart. I can't afford to buy fifteen baby shower presents in December."

Saturday, March 14, 2020

Croker - Fairies or No Fairies? - Keeping the Public in Public Domain

I'm writing this on "Friday the 13th", it will be posted on "Pi Day" (3/14), then comes the "Ides of March" -- not Julius Caesar's favorite day, I'm sure there's some sort of a designation for the 16th, but it's not well known, and then on the 17th is St. Patrick's Day.  With the current cancellation of St. Patrick's Day parades and all the remaining chaos connected with the Coronavirus, COVID-19, we could use a bit of humor, maybe Irish humor.  I prowled the works of Ireland's pioneer folklorist, Thomas Crofton Croker, and can just imagine him gathering this over a pint at a 19th century pub in southern Ireland.  (It comes from his Fairy Legends and Traditions of the South of Ireland.  If you want the whole book, which I've earlier featured in two stories here, that link is to the book on Project Gutenberg.)
Photo by Jared Burris on Unsplash of a bar in Galway, Ireland and probably similar to 19th C. 









My copy of Croker's work didn't include this concluding drawing, but the Project Gutenberg edition is from the 1844

A New Edition.
WITH NUMEROUS ILLUSTRATIONS, AFTER DESIGNS OF THE AUTHOR AND OTHERS.


So have a drink of your favorite beverage, watch out for mushrooms, and don't lose your sense of humor whether you are Irish or Irish for the day!
*****************

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  



At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.
       - World of Tales - http://www.worldoftales.com/ 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.
     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!

Friday, February 26, 2016

Croker - Flory Cantillon's Funeral - Keeping the Public in Public Domain

February 26 is the international "Tell a Fairy Tale Day", also it's time to get ready for any Irish storytelling during the month of St. Patrick, so this is a wee bit earlier than my usual Saturday posting.  Added to that, this story is probably one of the spookiest tales of the merfolk, both mermaids and mermen.  I needed also sea songs as part of what I was working on and this fit the bill, but that song they sing in this story is most likely the Requiem song of "Dies Irae" -- which translates as "Day of Wrath."

Enjoy!


Back in March of 2014 I posted another story that would pair well with this story, a long-time favorite of mine, "The Wonderful Tune" also collected by Thomas Crofton Croker.

Have fun with both!
******************
This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.  
 


There are many online resources for Public Domain stories, none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I recommended it earlier and want to continue to do so.  He has just loaded Stith Thompson's Motif Index into his server as a database so one can search the whole 6 volumes for whatever word or expression he likes by pressing one key. http://folkmasa.org/motiv/motif.htm

He also loaded to his server the doctorate thesis of Prof. Dov Noy (Neunan) "Motif-index of Talmudic-Midrahic literature" Indiana University, 1954, as a PDF file.
in the hope that some of you would make use of it.

You can see why that is a site I recommend to you.

Have fun discovering even more stories!

Wednesday, March 12, 2014

Croker - The Wonderful Tune - Keeping the Public in Public Domain

Stuck on my Bunny Slope of a hill, a gig postponed by the return of winter's grip.  Let's have an earlier publishing of the promised travel to southern Erin for a story I love to tell.  I do shorten it, but it's here in its original form.  When I first found it, a note only said it was Irish.  To find the original story I had to ask fellow storyteller, Richard Marsh.

Richard left the Upper Peninsula of Michigan years ago for Ireland.  He swears he can't tell a story unless his hands are in the position of sitting at the steering wheel of his bus.  Not true!  I've seen him tell on two different trips back to the Auld Sod of Michigan.  You can tell he regularly tells stories in all kinds of places besides his Legendary Tours bus.  I've mentioned him here before as he's a great resource for lovers of Irish folklore, including the ancient legends.  (He's also a tour guide able to have even American teens enjoy his "blarney" showing Irish historical sites and their lively stories.)  He didn't know this story himself, but knew Irish folklore resources well enough to wonder if Croker collected it.

Thomas Crofton Croker did indeed.  The National Gallery of Ireland states back in 1825 he was the first to record Irish or British oral folk tales in writing.  He's also a perfect model for National Reading Month as he's said to have had little formal schooling, but read widely.  His works were translated by the Brothers Grimm and he could easily be said to have launched European folklore.
Twenty-eight of his works are found online at the Open Library.  This story came from his second book, Fairy legends and traditions of the south of Ireland.  Enjoy, but be careful if you tell it, for it really requires dancing...something I love to include in my storytelling whenever possible!

(The binding was tricky on this book making some line edges less clear than I like.  Without resorting to either my computer's or my browser's ability to enlarge the screen, I was able read or decide what was written, so I apologize, but think this story is worth the bit of bother.  You may prefer to use Magnifier through your computer's Control Panel, or other features to have a larger View.)



************

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories. 

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my normal monthly posting of a research project here.  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my monthly postings as often as I can manage it.    


I also want to recommend  an online database of International Folktales,
Yashpheh (Jasper), is a labor of love by fellow storyteller, Dr. Yoel Perez, in Haifa, Israel.  He, too, wants to Keep the Public in Public Domain and storytelling.