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Showing posts with label horses. Show all posts
Showing posts with label horses. Show all posts

Friday, February 13, 2026

Bailey - The Coach in the Forest - Keeping the Public in Public Domain

As https://www.history.com/ so aptly put it, "For being the year’s shortest month, February sure comes chock-full of holidays and major events. Between Valentine’s Day, Presidents’ Day, Groundhog Day, Black History Month, the Super Bowl, and sometimes Lunar New Year and Ramadan, there’s plenty to celebrate." That quote also gives a variety of their coverage to explore. As if that wasn't enough they also have The Surprising History of February.

I was all prepared, since this will be the Lunar Year of the Horse, to tell a horse story, but several of these holiday happen right now, including February 17 is also the day for a "Rare ‘Ring of Fire’ Solar Eclipse to Ignite Skies on Feb. 17 as Moon Falls Short of Covering the Sun. Astronomers refer to this phenomenon as an annular eclipse, a name derived from the Latin word annulus, meaning ring.   Because the path of annularity lies almost entirely over Antarctica and the Southern Ocean, opportunities to see the full ring in person will be extremely limited. Only Antarctic researchers and extreme travelers are likely to witness it firsthand while millions in South America and southern Africa will see a partial eclipse, and even livestream coverage may be difficult due to the region’s harsh conditions.

Since so few will be able to see that Solar Eclipse I decided to hunt for a story that combined two holidays since there's no way to cover everything this February. 

With the America 250 celebration begun, I decided to go to this story of George Washington traveling to the temporary capital in Philadelphia. The role of the horse in the story is relatively minor. 

Washington by John Trumbull - 1790

The story is from Carolyn Sherwin Bailey. I'm not surprised as she was a great storyteller with many books, some of which include holidays. I haven't ever included any from Friendly Tales before. Bailey talks about the stories in this book as being for a new developmental stage. "At first he is ego-centric, interested in himself alone, but there comes a stage in the development of every child when it is necessary to help him to find a community ideal, to sacrifice the infant personality and merge himself in a social whole. Children should be led as soon as possible to feel that they live, not alone, but in the lives of others. Each child needs to feel that he has a friend, a neighbor, a social group in school, a town, a country." This certainly manages that.

 


 I tried to find facts about the coach being given by the King of France, but was unsuccessful. I did find  "Did George Washington ever meet the King Louis XVI of France".

So whatever holiday you feel like celebrating, this is a story that can be used beyond February 16, 2026.

************* 

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."




Friday, November 1, 2024

Alcott - Old Major - Keeping the Public in Public Domain

Today (November 2) is both my birthday and time to get ready for next week's Children's Book Week (November 4-10). I'm surprised to find I've never posted about Children's Book Week before. Here are a few facts about its own birth.

From the Bettmann Archive

The idea that children were banned from public libraries positively is astounding! Today's author, Louisa May Alcott, was a popular author long before Children's Book Week and children finally were allowed in libraries. She was both an activist for abolition, feminism, temperance, and women's suffrage, writing for both adults and children. It's strange today to learn according to that Wikipedia article:

Alcott had little interest in writing for children, but saw it as a good financial opportunity.[158] She felt that writing children's literature was tedious.[220] Alcott biographer Ruth K. MacDonald suggests that Alcott's hesitance to write children's novels may have arisen from the societal perception that writing for children was a means by which poor women made money.[220]

She's best known today for her three book series that began with Little Women, but she was very much an aunt to her niece, Lulu, producing Aunt Jo's Scrap-Bag (1872–1882). (66 short stories in six volumes)and later Lulu's Library (1886–1889). 

Today's story came from my search for stories about birthdays. This unusual birthday present is from volume 4, My Girls, in the Aunt Jo's Scrap-Bag series. While it shows yet another cause Alcott supported, humane treatment of animals, it is presented in a way children would view it.  

When storytelling a literary tale, unless it is extremely short, memorization is not recommended for most storytellers. Instead I would tell its source so that listeners may go back to it. In this story, I would write out the "eppytap" or "eppytarf", as the children in the story call it, and let the audience read it while I read it aloud. It provides an excellent end to the boy's birthday present.

OLD MAJOR.

"O, mamma, don't let them kill him! He isn't doing any harm, and he's old and weak, and hasn't any one to be good to him but Posy and me!" cried little Ned, bursting into his mother's room, red and breathless with anxiety and haste.

"Kill whom, dear? Sit down and tell me all about it."

"I can't sit down, and I must be quick, for they may do it while I'm gone. I left Posy to watch him, and she is going to scream with all her might the minute she sees them coming back!" cried Ned, hovering restlessly about the doorway, as if expecting the call that was to summon him to the rescue.

"Mercy on us! what is it, child?"

"A dear old horse, mamma, who has been hobbling round the road for a week. I've seen him driven away from all the neighbors, so Posy and I give him clover and pat him; and to-day we found him at our bars, looking over at us playing in the field. I wanted him to come in, but Mr. White came along and drove him off, and said he was to be killed because he had no master, and was a nuisance. Don't let him do it!"

"But, Neddy, I cannot take him in, as I did the lame chicken, and the cat without a tail. He is too big, and eats too much, and we have no barn. Mr. White can find his master, perhaps, or use him for light work."

Mamma got no further, for Ned said again,—

"No, he can't. He says the poor old thing is of no use but to boil up. And his master won't be found, because he has gone away, and left Major to take care of himself. Mr. White knew the man, and says he had Major more than eighteen years, and he was a good horse, and now he's left to die all alone. Wouldn't I like to pound that man?"

"It was cruel, Neddy, and we must see what we can do."

So mamma put down her work and followed her boy, who raced before her to tell Posy it would be "all right" now.

Mrs. West found her small daughter perched on a stone wall, patting the head of an old white horse, who looked more like a skeleton than a living animal. Ned gave a whoop as he came, and the poor beast hastily hobbled across the road, pressing himself into a nook full of blackberry vines and thorny barberry bushes, as if trying to get out of sight and escape tormentors.

"That's the way he does when any one comes, because the boys plague him, and people drive him about till he doesn't know what to do. Isn't it a pity to see him so, mamma?" said tender-hearted Ned, as he pulled a big handful of clover from his father's field close by.

Indeed, it was sad, for the poor thing had evidently been a fine horse once; one could see that by his intelligent eye, the way he pricked up his ears, and the sorrowful sort of dignity with which he looked about him, as if asking a little compassion in memory of his long faithfulness.

"See his poor legs all swelled up, and the bones in his back, and the burrs the bad boys put in his mane, and the dusty grass he has to eat. Look! he knows me, and isn't afraid, because I'm good to him," said Ned, patting old Major, who gratefully ate fresh clover from the friendly little hand.

"Yes, and he lets me stroke his nose, mamma. It's as soft as velvet, and his big eyes don't frighten me a bit, they are so gentle. Oh, if we could only put him in our field, and keep him till he dies, I should be so happy!" said Posy, with such a wheedlesome arm about mamma's neck, that it was very hard to deny her any thing.

"If you will let me have Major, I won't ask for any other birthday present," cried Ned, with a sudden burst of generosity, inspired, perhaps, by the confiding way in which the poor beast rubbed his gray head against the boy's shoulder.

"Why, Neddy, do you really mean that? I was going to give you something you want very much. Shall I take you at your word, and give you a worn-out old horse instead?" asked mamma, surprised, yet pleased at the offer.

Ned looked at her, then at old Major, and wavered; for he guessed that the other gift was the little wheelbarrow he had begged for so long,—the dear green one, with the delicious creak and rumble to it. He had seen it at the store, and tried it, and longed for it, and planned to trundle every thing in it, from Posy to a load of hay. Yes, it must be his, and Major must be left to his fate.

Just as he decided this, however, Posy gave a cry that told him Mr. White was coming. Major pressed further into the prickly hedge, with a patient sort of sigh, and a look that went to Ned's heart, for it seemed to say,—

"Good by, little friend. Don't give up any thing for me. I'm not worth it, for I can only love you in return."

Mr. White was very near, but Major was safe; for, with a sudden red in his freckled cheeks, Ned put his arm on the poor beast's drooping neck, and said, manfully,—

"I choose him, mamma; and now he's mine, I'd like to see anybody touch him!"

It was a pretty sight,—the generous little lad befriending the old horse, and loving him for pure pity's sake, in the sweet childish way we so soon forget.

Posy clapped her hands, mamma smiled, with a bright look at her boy, while Mr. White threw over his arm the halter, with which he was about to lead Major to his doom, and hastened to say,—

"I don't want to hurt the poor critter, ma'am, but he's no mortal use, and folks complain of his being in the way; so I thought the kindest thing was to put him out of his misery."

"Does he suffer, do you think? for if so, it would be no kindness to keep him alive," said mamma.

"Well, no, I don't suppose he suffers except for food and a little care; but if he can't have 'em, it will go hard with him," answered Mr. White, wondering if the old fellow had any work in him still.

"He never should have been left in this forlorn way. Those who had had his youth and strength should have cared for him in his age;" and Mrs. West looked indignant.

"So they should, ma'am; but Miller was a mean man, and when he moved, he just left the old horse to live or die, though he told me, himself, that Major had served him well, for nigh on to twenty years. What do you calculate to do about it, ma'am?" asked Mr. White, in a hurry to be off.

"I'll show you, sir. Ned, let down the bars, and lead old Major in. That shall be his home while he lives, for so faithful a servant has earned his rest, and he shall have it."

Something in the ring of mamma's voice and the gesture of her hand made Ned's eyes kindle, and Mr. White walk away, saying, affably,—

"All right, ma'am; I haven't a word to say against it."

But somehow Mr. White's big barn did not look as handsome to him as usual when he remembered that his neighbor, who had no barn at all, had taken in the friendless horse.

It was difficult to make Major enter the field; for he had been turned out of so many, driven away from so many lawns, and even begrudged the scanty pickings of the roadside, that he could not understand the invitation given him to enter and take possession of a great, green field, with apple trees for shade, and a brook babbling through the middle of it.

When at last he ventured over the bars, it was both sad and funny to see how hard he tried to enjoy himself and express his delight.

First, he sniffed the air, then he nibbled the sweet grass, took a long look about him, and astonished the children by lying down with a groan, and trying to roll. He could not do it, however, so lay still with his head stretched out, gently flapping his tail as if to say,—

"It's all right, my dears. I'm not very strong, and joy upsets me; but I'm quite comfortable, bless you!"

"Isn't it nice to see him, all safe and happy, mamma?" sighed Posy, folding her hands in childish satisfaction, while Ned sat down beside his horse, and began to take the burrs out of his mane.

"Very nice, only don't kill him with kindness, and be careful not to get hurt," answered mamma, as she went back to her work, feeling as if she had bought an elephant, and didn't know what to do with him.

Later in the day a sudden shower came up, and mamma looked about to be sure her little people were under cover, for they played out all day long, if possible. No chickens could the maternal hen find to gather under her wings, and so went clucking anxiously about till Sally, the cook, said, with a laugh,—

"Ned's down in the pastur', mum, holding an umberella over that old horse, and he's got a waterproof on him, too. Calvin see it, and 'most died a-laughing."

Mamma laughed too, but asked if Ned had on his rubber boots and coat.

"Yes, mum, I see him start all in his wet-weather rig, but I never mistrusted what the dear was up to till Calvin told me. Posy wanted to go, but I wouldn't let her, so she went to the upper window, where she can see the critter under his umberella."

Mamma went up to find her little girl surveying the droll prospect with solemn satisfaction; for there in the field, under the apple tree, stood Major, blanketed with the old waterproof, while his new master held an umbrella over his aged head with a patient devotion that would have endeared him to the heart of good Mr. Bergh.

Fortunately the shower was soon over, and Ned came in to dry himself, quite unconscious of any thing funny in his proceedings. Mamma kept perfectly sober while she proposed to build a rough shed for Major out of some boards on the place. Ned was full of interest at once; and with some help from Calvin, the corner under the apple tree was so sheltered that there would be no need of the umbrella hereafter.

So Major lived in clover, and was a happy horse; for Cockletop, the lame chicken, and Bobtail, the cat, welcomed him to their refuge, and soon became fast friends. Cockle chased grasshoppers or pecked about him with meditative clucks as he fed; while Bob rubbed against his legs, slept in his shed, and nibbled catnip socially as often as his constitution needed it.

But Major loved the children best, and they took good care of him, though some of their kind attentions might have proved fatal if the wise old beast had not been more prudent than they. It was pleasant to see him watch for them, with ears cocked at the first sound of the little voices, his dim eyes brightening at sight of the round faces peeping over the wall, and feeble limbs stirred into sudden activity by the beckoning of a childish hand.

The neighbors laughed at Ned, yet liked him all the better for the lesson in kindness he had taught them; and a time came when even Mr. White showed his respect for old Major.

All that summer Neddy's horse took his rest in the green meadow, but it was evident that he was failing fast, and that his "good time" came too late. Mamma prepared the children for the end as well as she could, and would have spared them the sorrow of parting by having Major killed quietly, if Ned had not begged so hard to let his horse die naturally; for age was the only disease, and Major seemed to suffer little pain, though he daily grew more weak, and lame, and blind.

One morning when the children went to carry him a soft, warm mash for breakfast, they found him dead; not in the shed, where they had left him warmly covered, but at the low place in the wall where they always got over to visit him.

There he lay, with head outstretched, as if his last desire had been to get as near them as possible, his last breath spent in thanking them. They liked to think that he crept there to say good by, and took great comfort in the memory of all they had done for him.

They cried over him tenderly, even while they agreed that it was better for him to die; and then they covered him with green boughs, after Ned had smoothed his coat for the last time, and Posy cut a lock from his mane to make mourning rings of.

Calvin said he would attend to the funeral, and went off to dig the grave in a lonely place behind the sand-bank. Ned declared that he could not have his horse dragged away and tumbled into a hole, but must see him buried in a proper manner; and mamma, with the utmost kindness, said she would provide all that was needed.

The hour was set at four in the afternoon, and the two little mourners, provided with large handkerchiefs, Ned, with a black bow on his arm, and Posy in a crape veil, went to drop a last tear over their departed friend.

At the appointed time Calvin appeared, followed by Mr. White, with a drag drawn by black Bill. This delicate attention touched Neddy; for it might have been bay Kitty, and that would have marred the solemnity of the scene.

As the funeral train passed the house on its way down the lane, mamma, with another crape veil on, came out and joined the procession, so full of sympathy that the children felt deeply grateful.

The October woods were gay with red and yellow leaves, that rustled softly as they went through the wood; and when they came to the grave, Ned thanked Calvin for choosing such a pretty place. A pine sighed overhead, late asters waved beside it, and poor Major's last bed was made soft with hemlock boughs.

When he was laid in it, mamma bade them leave the old waterproof that had served for a pall still about him, and then they showered in bright leaves till nothing was visible but a glimpse of the dear white tail.

The earth was thrown in, green sods heaped over it, and then the men departed, feeling that the mourners would like to linger a little while.

As he left, Mr. White said, with the same gravity which he had preserved all through the scene,—

"You are welcome to the use of the team and my time, ma'am. I don't wish any pay for 'em; in fact, I should feel more comfortable to do this job for old Major quite free and hearty."

Mamma thanked him, and when he was gone, Ned proposed that they should sing a hymn, and Posy added, "They always sing, 'Sister, thou art mild and lovely' at funerals, you know."

Mamma with difficulty kept sober at this idea but suggested the song about "Good old Charlie," as more appropriate. So it was sung with great feeling, and then Posy said, as she "wiped her weeping eyes,"—

"Now, Ned, show mamma our eppytap."

"She means eppytarf," explained Ned, with a superior air, as he produced a board, on which he had printed with India ink the following words,—


"Here lies dear old Major. He was a good horse when he was young. But people were not kind to him when he was old. We made him as happy as we could. He loved us, and we mourn for him. Amen."


Ned's knowledge of epitaphs was very slight, so he asked mamma if this one would do; and she answered warmly,—

"It is a very good one; for it has what many lack,—the merit of being true. Put it up, dear, and I'll make a wreath to hang on the gravestone."

Much gratified, Ned planted the board at the head of the grave, Posy gathered the brightest leaves, and mamma made a lovely garland in which to frame the "eppytap."

Then they left old Major to his rest, feeling sure that somewhere there must be a lower heaven for the souls of brave and faithful animals when their unrewarded work is done.

Many children went to see that lonely grave, but not one of them disturbed a leaf, or laughed at the little epitaph that preached them a sermon from the text,—

"Blessed are the merciful."


*****

Over the years I have adopted many animals, dogs, cats (now off limits due to allergies), goats, and chickens. I'm told C.S. Lewis said they must be waiting for us in heaven because without them heaven wouldn't be heavenly. I've not been able to find that quote and would appreciate it if anybody could help me find it. I certainly agree.

*********

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “PublicDomain Story Resources."

Friday, April 12, 2024

Tolstoy - How I Learned to Ride - Keeping the Public in Public Domain

1949 Newbery Medal winner, also 1990 movie

April 13, 1902 is the birthday of Marguerite Henry whose 59 award-winning books about animals are primarily about horses.  I confess, while I rode as a camp counselor, I'm not really a horse person.  That doesn't keep me from appreciating horses and horsemanship.  As a librarian, Henry's books show every sign of remaining classics among young horse-lovers.

Her books rightfully remain in copyright for her estate. Since they are unavailable here, I went looking for another horse-loving author.  Leo Tolstoy's work comes close.  I was tempted to post his "The Old Horse" and recommend it...maybe another time.  In volume 12 of The Complete Works of Count Tolstoy that story precedes today's Tolstoy story of "How I Learned to Ride."  Storytellers could easily tell both as a story of the start of beginning a life of horsemanship and how it can affect the rider's life..

HOW I LEARNED TO RIDE

When I was a little fellow, we used to study every day, and only on Sundays and holidays went out and played with our brothers. Once my father said:

"The children must learn to ride. Send them to the riding-school!"

I was the youngest of the brothers, and I asked:

"May I, too, learn to ride?"

My father said:

"You will fall down."

I began to beg him to let me learn, and almost cried. My father said:

"All right, you may go, too. Only look out! Don't cry when you fall off. He who does not once fall down from a horse will not learn to ride."

When Wednesday came, all three of us were taken to the riding-school. We entered by a large porch, and from the large porch went to a smaller one. Beyond the porch was a very large room: instead of a floor it had sand. And in this room were gentlemen and ladies and just such boys as we. That was the riding-school. The riding-school was not very light, and there was a smell of horses, and you could hear them snap whips and call to the horses, and the horses strike their hoofs against the wooden walls. At first I was frightened and could not see things well. Then our valet called the riding-master, and said:

"Give these boys some horses: they are going to learn how to ride."

The master said:

"All right!"

Then he looked at me, and said:

"He is very small, yet."

But the valet said:

"He promised not to cry when he falls down."

The master laughed and went away.

Then they brought three saddled horses, and we took off our cloaks and walked down a staircase to the riding-school. The master was holding a horse by a cord, and my brothers rode around him. At first they rode at a slow pace, and later at a trot. Then they brought a pony. It was a red horse, and his tail was cut off. He was called Ruddy. The master laughed, and said to me:

"Well, young gentleman, get on your horse!"

I was both happy and afraid, and tried to act in such a manner as not to be noticed by anybody. For a long time I tried to get my foot into the stirrup, but could not do it because I was too small. Then the master raised me up in his hands and put me on the saddle. He said:

"The young master is not heavy,—about two pounds in weight, that is all."

At first he held me by my hand, but I saw that my brothers were not held, and so I begged him to let go of me. He said:

"Are you not afraid?"

I was very much afraid, but I said that I was not. I was so much afraid because Ruddy kept dropping his ears. I thought he was angry at me. The master said:

"Look out, don't fall down!" and let go of me. At first Ruddy went at a slow pace, and I sat up straight. But the saddle was sleek, and I was afraid I would slip off. The master asked me:

"Well, are you fast in the saddle?"

I said:

"Yes, I am."

"If so, go at a slow trot!" and the master clicked his tongue.

Ruddy started at a slow trot, and began to jog me. But I kept silent, and tried not to slip to one side. The master praised me:

"Oh, a fine young gentleman, indeed!"

I was very glad to hear it.

Just then the master's friend went up to him and began to talk with him, and the master stopped looking at me.

Suddenly I felt that I had slipped a little to one side on my saddle. I wanted to straighten myself up, but was unable to do so. I wanted to call out to the master to stop the horse, but I thought it would be a disgrace if I did it, and so kept silence. The master was not looking at me and Ruddy ran at a trot, and I slipped still more to one side. I looked at the master and thought that he would help me, but he was still talking with his friend, and without looking at me kept repeating:

"Well done, young gentleman!"

I was now altogether to one side, and was very much frightened. I thought that I was lost; but I felt ashamed to cry. Ruddy shook me up once more, and I slipped off entirely and fell to the ground. Then Ruddy stopped, and the master looked at the horse and saw that I was not on him. He said:

"I declare, my young gentleman has dropped off!" and walked over to me.

When I told him that I was not hurt, he laughed and said:

"A child's body is soft."

I felt like crying. I asked him to put me again on the horse, and I was lifted on the horse. After that I did not fall down again.

Thus we rode twice a week in the riding-school, and I soon learned to ride well, and was not afraid of anything.


That 1904 version was translated from the original Russian and edited by Leo Wiener, Assistant Professor of Slavic Languages at Harvard University.

If in a live telling, I would pair the Tolstoy tales with a tale from India I've been unable to find in Public Domain.  I recall several different titles given to it, The Hallowed Horse - the picture book by Demi, "The Wonderful Horse" or "A Horse Called Terror."  Sudhin Ghose was my first author of the tale.  My copy of it  (titled "The Wonderful Horse") is in Folk Tales and Fairy Stories from India .  Because Ghose died in 1965, publishing in Britain, his works entering Public Domain are based on that date and are unavailable until 1935. Do I tell stories in copyright?  Yes, as my retelling is part of its oral tradition.  To show you the power of the story, I was once in a hospital lying on a gurney, talking of course.  The technician recognized my voice and proceeded to retell it in all its many complicated twists and turns.  He had overheard me telling the story at a Festival of the Horse.  The funny thing for me is that I could have sworn my audience was no bigger than a few relatives who also came.  If you are fortunate enough to find it I'm sure you will enjoy and remember it, too.

UPDATE: Sharp-eyed reader and storyteller, Mary Garrett, noted my saying Sudhin Ghose's works don't become Public Domain until 1935.  <GASP!>  Guess all my historical programs set in the 20th century have me still thinking in the wrong century.  Ghose's work becomes Public Domain in 2035.  Getting my head straight is only part of the reason I hate copyrights based on the death date of the author.  I could start a rant on the whole topic, but, for now, will correct my error and mumble to myself.

*****************************

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

Other Public Domain story resources I recommend-

  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm

  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.
    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"

The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:        

         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html

         - Richard Martin - http://www.tellatale.eu/tales_page.html

         - Spirit of Trees - http://spiritoftrees.org/featured-folktales

         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for December 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.

       - World of Tales - http://www.worldoftales.com/ 

 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.

     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!

    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.

You can see why I recommend these to you. 

Have fun discovering even more stories