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Showing posts with label Black History month. Show all posts
Showing posts with label Black History month. Show all posts

Friday, February 20, 2026

Fortier - The Tortoise - Keeping the public in Public Domain

Trying to be true to both Public Domain limits and Black History month unfortunately means stories gathered by white folklorists. Joel Chandler Harris is the best known of these for his seven volumes of Uncle Remus stories. Frankly the folkloristic attempt at using a Black dialect is probably one of the biggest problems at using such stories. 

Alcee Fortier  gets around that by publishing both a dialect version and then re-tells it in his Louisiana Folk-tales as explained by the book's subtitle, "In French dialect and English translation."  Because of this I find his collection may at times be similar to the trickster stories of Harris, but they are far more readable. He calls them Creole stories, but his Preface points to their African and "Negro" origin. The story of the Tortoise certainly has such origins.

Here's a photo of such a tortoise that just looks as if it's laughing at outwitting everybody. 
Photo by David Cadenas on Unsplash 

************* 

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."


Friday, February 14, 2025

Hurston - A pair of Eatonville tales - Keeping the Public in Public Domain

 

Alfreda Harris   
My fellow storyteller, the late (I would add great!) Alfreda Harris is on the In Memoriam page of Michigan Storytelling. Black History Month was only part of her storytelling work, but I remember fondly her love of the stories of Zora Neale Hurston. It nudged me to look and see if any of Hurston's work was in Public Domain. Imagine my delight to find eight items, but for retelling The Eatonville Anthology was pure gold!

Before I give a pair of gems from it I really should tell a bit more about Eatonville. This Florida town was very much Hurston's home, weaving its way throughout her life. Nowadays the town runs an annual award-winning festival, Zora!, which is described as  “the longest running arts and humanities festival celebrating the cultural contributions people of African ancestry have made to the world.” My apologies for not discovering it at the beginning of this month when this year's festival was held. It began in 1990 and readers might want to explore it for the future.

Hurston's stories flowed throughout her life, with Eatonville being the spring for the fountain of her writing. This 1926 anthology offers a small flood of tales. Because February is also filled with the celebration of Valentine's Day, a very brief tale of "Turpentine Love" is the opening tale here, followed by another, "The Way of a Man with a Train." (I'm a train lover, even married on one, and couldn't resist!)

Turpentine Love

Jim Merchant is always in good humor—even with his wife. He says he fell in love with her at first sight. That was some years ago. She has had all her teeth pulled out, but they still get along splendidly.

He says the first time he called on her he found out that she was subject to fits. This didn’t cool his love, however. She had several in his presence.

One Sunday, while he was there, she had one, and her mother tried to give her a dose of turpentine to stop it. Accidently, she spilled it in her eye and it cured her. She never had another fit, so they got married and have kept each other in good humor ever since.

The Way of a Man with a Train

Old Man Anderson lived seven or eight miles out in the country from Eatonville. Over by Lake Apopka. He raised feed-corn and cassava and went to market with it two or three times a year. He bought all of his victuals wholesale so he wouldn’t have to come to town for several months more.

He was different from us citybred folks. He had never seen a train. Everybody laughed at him for even the smallest child in Eatonville had either been to Maitland or Orlando and watched a train go by. On Sunday afternoons all of the young people of the village would go over to Maitland, a mile away, to see Number 35 whizz southward on its way to Tampa and wave at the passengers. So we looked down on him a little. Even we children felt superior in the presence of a person so lacking in worldly knowledge.

The grown-ups kept telling him he ought to go see a train. He always said he didn’t have time to wait so long. Only two trains a day passed through Maitland. But patronage and ridicule finally had its effect and Old Man Anderson drove in one morning early. Number 78 went north to Jacksonville at 10:20. He drove his light wagon over in the woods beside the railroad below Maitland, and sat down to wait. He began to fear that his horse would get frightened and run away with the wagon. So he took him out and led him deeper into the grove and tied him securely. Then he returned to his wagon and waited some more. Then he remembered that some of the train-wise villagers had said the engine belched fire and smoke. He had better move his wagon out of danger. It might catch afire. He climbed down from the seat and placed himself between the shafts to draw it away. Just then 78 came thundering over the trestle spouting smoke, and suddenly began blowing for Maitland. Old Man Anderson became so frightened he ran away with the wagon through the woods and tore it up worse than the horse ever could have done. He doesn’t know yet what a train looks like, and says he doesn’t care.

***

I hope the good humor that fills these two brief stories encourages you to look up more of Hurston's work. I know Alfreda would have a big smile on her face if you did.

*******************

 This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them. At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience. Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week. This is a return to my regular posting of a research project here. (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.) Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it. See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."

Friday, February 23, 2024

Jones - The Old King and the Young King - Keeping the Public in Public Domain

When I was a child I was a very good and fairly voracious reader.  One type of book popular then that I didn't like were stories told in a heavy dialect.  Since these stories were often folktales, it's ironic I now find myself hunting them up sometimes.  Modern folklorists seem to have found a better way to convey the sense of stories while giving the flavor of their teller's dialect.  An apt comparison might be foreign dishes where the spices are toned down a bit to give a hint of the original culture without overwhelming the taste for a new audience.  

This year's Black History Month theme is “African Americans and the Arts", exploring the key influence African Americans have had in the fields of "visual and performing arts, literature, fashion, folklore, language, film, music, architecture, culinary and other forms of cultural expression."  Since Public Domain with all its legal limitations means I'm not free to reprint more recent stories, I must look among those stories recorded in a heavy dialect or vernacular.  Then to make it understandable, I must attempt a translation into more typical English.


This story in an election year when people are worrying about the age of presidential candidates seems extra appropriate.  It comes from Negro Myths from the Geogia Coast and the 1888 book of stories recorded by Charles C. Jones, but the subtitle warns us it is "told in the vernacular."  The book's dedication gives us the location: "In memory of Monte Video Plantation, and of the family servants whose fidelity and affection contributed so materially to its comfort and happiness."  The preface notes Joel Chandler Harris, but cites the importance of recording tales from the "largely untrodden" Georgia coast and the Carolinas -- "myths and fanciful stories, often repeated before the war, and now seldom heard."  Like Harris's Br'er Rabbit tales, the majority are animal tales, so this tale stands out both for its brevity and view of human government clearly going back to African roots.  (It also reminds me of the Biblical story of Solomon's son's unwise leadership due to his poor choice of young advisors.)

Another excellent help the book provides is the Glossary at the end to help understand the "vernacular."  I will give the story and  after each section my attempt at putting it into standard English.  I highly recommend, at the very least, that Glossary which begins on page 185 if you find yourself similarly facing that dialect.

The Old King and the Young King

The old King heard it said they were going to put a young King in his place.  This thing worried him and made him vexed.  He wanted to keep the throne; so he gave an order to his head man to make his soldiers kill all the old people in the nation, so the young King shouldn't have any wise person for help in carrying on the business of the kingdom.  The soldiers took guns and clubs and massacred all the older people in the land.

Then the old King sent word to the young King, who the people have picked out to rule over them, that he must fetch a fat hog, but it mustn't be either a sow-hog  (a female) nor a boy-hog, but it must be a fat hog.

When the young King got the message, he returned this answer: "Tell the old King I say I have a fat barrow (a castrated male pig) in the pen, and he must come for him; but he mustn't come in the day, nor he mustn't come for him in the night."  The old King, when he heard this message, made up his mind (and ) said the young King must have a heap of sense, or else some wise man must have helped him; and he couldn't see how that can be, because all the old and the wise people in the nation were killed.  He didn't know that when the order to destroy all the old people in the kingdom, the young King hid his father in one hollow tree, and so he escaped from the soldiers, and (?) gave his son sense.

The young King returned such a smart answer, with the help of his father, that the old King couldn't make out what time to go for the fat hog; and so he gave up, and the young King, before long, came and turned him out and took his office. 

***

Whether it be Ebonics or Hip-Hop, or other linguistic changes, may the stories survive and enrich us all!

********************

Friday, March 24, 2023

Woodson - How the Dog Became the Friend of Man - Keeping the Public in Public Domain

This week I said a final goodbye to the best dog ever!


He had been a family member since the autumn of 2011.  For now I can only say I'm sure our pets must go to heaven or it wouldn't be heavenly there without them!

Do I have stories about him?  You bet I do, but for now I'm not ready to share them.  I also am not ready again to become a "fur-ever" home, but plan to foster senior malamutes.  If I can't resist going further, it will become obvious, but for now this wonderful dog is truly the best dog I've ever had the blessing to know.


I wanted to find a story to memorialize him and thought instantly of Simon Otto's "Dog Legend" in his book, We Walk in Peace.  I tried unsuccessfully to find it again in other Anishinaabe anthologies from the Public Domain.  Simon didn't choose stories to share that are well-known.  He did choose to share them with me.  Since he,too, has gone on the Long Walk (probably with a dog or dogs by his side) I have tried unsuccessfully to contact his heirs (his wife, Mary?) for permission to reprint his works.  Perhaps this is a call to try further.  All of his books are now out-of-print, but can probably be found by searching.  I have them all, complete with his encouragement to share them.  If you go looking, all his books are stories of the Anishinaabek except for Aube Na Bing; A Pictorial History of Michigan Indians and even there he slips in three legends.  "Aube na bing" means "looking back" and I look back on the ways he helped me and others appreciate this part of our state's too often missed culture, a culture that reached across the border to nearby members of Canada's First Nations.  I also remember he was criticized for sharing some stories considered "sacred."  Eventually that criticism died down, possibly recognizing the value of his sharing, but I never notice his name in the listing of important Ojibway.  I did, however, discover an excellent article in the "Petoskey News-Review" where he had a column for several years called "Talking Leaves."  The pair of interviews it contains show much about this storyteller who ended his stories with the message of "Walk in Peace."


Since I was unable to find a way to include the Anishinaabe legend of how the dog came to live with people, I wound up further away with Carter Woodson's African Myths and Proverbs.  Doctor Carter Godwin Woodson, deserves recognition for his own cultural work.  Woodson became the second African American, after W. E. B. Du Bois, to obtain a PhD degree from Harvard University. Woodson is the only person whose parents were enslaved in the United States to obtain a PhD in history.  An American historian, author, journalist, he was one of the first scholars to study the history of the African diaspora, including African-American history.  In 1926, Woodson pioneered the celebration of "Negro History Week, which of course is now Black History Month.  He split his attention between the U.S. and its African origins.  Here is his story of "How the Dog Became the Friend of Man", but there is no identification of its source beyond saying in the anthology's subtitle "Folk Tales from Various Parts of Africa."  

***

No doubt the story was repeated again and again throughout earliest history all over the world.  Dogs truly are "Man's best friend."

*******************

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

Other Public Domain story resources I recommend-

  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm

  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.
    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"

The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:        

         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html

         - Richard Martin - http://www.tellatale.eu/tales_page.html

         - Spirit of Trees - http://spiritoftrees.org/featured-folktales

         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.

       - World of Tales - http://www.worldoftales.com/ 

 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.

     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!

    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.

You can see why I recommend these to you. 

Have fun discovering even more stories

Friday, February 19, 2021

My First School - W.E.B. DuBois - Keeping the Public in Public Domain

Texas finally is getting power!  I'm still praying for the ice-flooded homes in Algonac.  Hitting the 20s, even though the windchill is less, is cause for celebration!

The contrarian, or maybe just wishful thinking part of me, tends always to think of summer when snow and cold grinds on.  Whatever schools are open in the pandemic were closed for a Snow Day earlier this week.  Michigan's talking about requiring the 2021-22 school year to include Summer School to make up for all the losses from the Pandemic.

It's time to read about a time when opening a school in the summer was a cause for joy.

I frequently present as a "One-Room School Teacher", giving a view of Michigan's early 20th century rural schools and also its roots.  Michigan does have areas where the following description by W.E.B. DuBois of southern schools in the hills of Tennessee in 1886 might match their development.  The book, Upward Path; A Reader for Colored Children, at one time was described by Amazon as:

THE UPWARD PATH contains some of those no-longer-proper words and ideas, but this is what was considered the right kind of reading for African-American children and students in 1920; to pretend it was different would rob us of the chance to understand the past a little bit better.

As someone who is not African-American I confess to struggling with those "no-longer-proper words and ideas" when reenacting yet a different program.  As Liberetta Lerich Green, when reading actual letters from her brothers during their Civil War, I find myself editing on the spot to omit those words.  Even describing the very people traveling the Underground Railroad involves choosing words with a mind inside 2021.  This is at the very heart of looking at history.  The past often includes language and actions no longer acceptable, but it is necessary.  In today's case the book was compiled by two people, a principal, Myron T. Pritchard, and Mary White Ovington, Chairman of the Board of the National Association for the Advancement of Colored People, America's oldest and largest civil rights organization.  While some humorists have renamed it the "National Association for the Advancement of Certain People", this old way of referring to African-Americans is still part of their name.

DuBois himself, at the founding and naming of the NAACP, suggested the word 'colored', rather than 'black', was used to include 'dark skinned people everywhere' according to his biographer, David Levering Lewis.  DuBois was long-time editor and reporter in the NAACP journal, "The Crisis" and possibly today's remembrance comes from it.  Whatever its source it reminds me of another book of his, Darkwater; Voices Within the Veil, where he used the term "veil."  Lewis explains:

             The 'veil' was that which covered colored people around the world. In the book, he hoped to lift the veil  and show white readers what life was like behind the veil, and how it distorted the viewpoints of those looking through it – in both directions.

Darkwater came out in 1920, the same year as The Upward Path.  Let's lift that veil and see how a young Fisk University student experienced those early schools.

MY FIRST SCHOOL

W. E. B. DUBOIS

Once upon a time I taught school in the hills of Tennessee, where the broad dark vale of the Mississippi begins to roll and crumple to greet the Alleghanies. I was a Fisk student then, and all Fisk men thought that Tennessee—beyond the Veil—was theirs alone, and in vacation time they sallied forth in lusty bands to meet the county school-commissioners. Young and happy, I too went, and I shall not soon forget that summer.

First, there was a Teachers' Institute at the county-seat; and there distinguished guests of the superintendent taught the teachers fractions and spelling and other mysteries,—white teachers in the morning, Negroes at night. A picnic now and then, and a supper, and the rough world was softened by laughter and song. I remember how—but I wander.

There came a day when all the teachers left the Institute and began the hunt for schools. I learn from hearsay (for my mother was mortally afraid of firearms) that the hunting of ducks and bears and men is wonderfully interesting, but I am sure that the man who has never hunted a country school has something to learn of the pleasures of the chase. I see now the white, hot roads lazily rise and fall and wind before me under the burning July sun; I feel the deep weariness of heart and limb as ten, eight, six miles stretch relentlessly ahead; I feel my heart sink heavily as I hear again and again, "Got a teacher? Yes." So I walked on—horses were too expensive—until I wandered beyond railways, beyond stage lines, to a land of "varmints" and rattlesnakes, where the coming of a stranger was an event, and men lived and died in the shadow of one blue hill.

Sprinkled over hill and dale lay cabins and farmhouses, shut out from the world by the forests and the rolling hills toward the east. There I found at last a little school. Josie told me of it; she was a thin, homely girl of twenty, with a dark-brown face and thick, hard hair. I had crossed the stream at Watertown, and rested under the great willows; then I had gone to the little cabin in the lot where Josie was resting on her way to town. The gaunt farmer made me welcome, and Josie, hearing my errand, told me anxiously that they wanted a school over the hill; that but once since the war had a teacher been there; that she herself longed to learn,—and thus she ran on, talking fast and loud, with much earnestness and energy.

Next morning I crossed the tall round hill, lingered to look at the blue and yellow mountains stretching toward the Carolinas, then plunged into the wood, and came out at Josie's home. It was a dull frame cottage with four rooms, perched just below the brow of the hill, amid peach trees. The father was a quiet, simple soul, calmly ignorant, with no touch of vulgarity. The mother was different,—strong, bustling, and energetic, with a quick, restless tongue, and an ambition to live "like folks."

There was a crowd of children. Two boys had gone away. There remained two growing girls; a shy midget of eight; John, tall, awkward, and eighteen; Jim, younger, quicker, and better looking; and two babies of indefinite age. Then there was Josie herself. She seemed to be the center of the family: always busy at service, or at home, or berry-picking; a little nervous and inclined to scold, like her mother, yet faithful, too, like her father. She had about her a certain fineness, the shadow of an unconscious moral heroism that would willingly give all of life to make life broader, deeper, and fuller for her and hers.

I saw much of this family afterwards, and grew to love them for their honest efforts to be decent and comfortable, and for their knowledge of their own ignorance. There was with them no affectation. The mother would scold the father for being so "easy"; Josie would roundly berate the boys for carelessness; and all know that it was a hard thing to dig a living out of a rocky side-hill.

I secured the school. I remember the day I rode horseback out to the commissioner's house with a pleasant young white fellow who wanted the white school. The road ran down the bed of a stream; the sun laughed and the water jingled, and we rode on. "Come in," said the commissioner,—"come in. Have a seat. Yes, that certificate will do. Stay to dinner. What do you want a month?" "Oh," thought I, "this is lucky"; but even then fell the first awful shadow of the Veil, for they ate first, then I—alone.

The schoolhouse was a log hut, where Colonel Wheeler used to shelter his corn. It sat in a lot behind a rail fence and thorn bushes, near the sweetest of springs. There was an entrance where a door once was, and within, a massive rickety fireplace; great chinks between the logs served as windows. Furniture was scarce. A pale blackboard crouched in the corner. My desk was made of three boards, reinforced at critical points, and my chair, borrowed from the landlady, had to be returned every night. Seats for the children—these puzzled me much. I was haunted by a New England vision of neat little desks and chairs, but, alas! the reality was rough plank benches without backs, and at times without legs. They had the one virtue of making naps dangerous,—possibly fatal, for the floor was not to be trusted.

It was a hot morning late in July when the school opened. I trembled when I heard the patter of little feet down the dusty road, and saw the growing row of dark solemn faces and bright eager eyes facing me. First came Josie and her brothers and sisters. The longing to know, to be a student in the great school at Nashville, hovered like a star above this child-woman amid her work and worry, and she studied doggedly. There were the Dowells from their farm over toward Alexandria,—Fanny, with her smooth black face and wondering eyes; Martha, brown and dull; the pretty girl-wife of a brother, and the younger brood.

There were the Burkes,—two brown and yellow lads, and a tiny haughty-eyed girl. Fat Reuben's little chubby girl came, with golden face and old-gold hair, faithful and solemn. 'Thenie was on hand early,—a jolly, ugly, good-hearted girl, who slyly dipped snuff and looked after her little bow-legged brother. When her mother could spare her, 'Tildy came,—a midnight beauty, with starry eyes and tapering limbs; and her brother, correspondingly homely. And then the big boys,—the hulking Lawrences; the lazy Neills, unfathered sons of mother and daughter; Hickman, with a stoop in his shoulders; and the rest.

There they sat, nearly thirty of them, on the rough benches, their faces shading from a pale cream to a deep brown, the little feet bare and swinging, the eyes full of expectation, with here and there a twinkle of mischief, and the hands grasping Webster's blue-back spelling-book. I loved my school, and the fine faith the children had in the wisdom of their teacher was truly marvelous. We read and spelled together, wrote a little, picked flowers, sang, and listened to stories of the world beyond the hill.

At times the school would dwindle away, and I would start out. I would visit Mun Eddings, who lived in two very dirty rooms, and ask why little Lugene, whose flaming face seemed ever ablaze with the dark-red hair uncombed, was absent all last week, or why I missed so often the inimitable rags of Mack and Ed. Then the father, who worked Colonel Wheeler's farm on shares, would tell me how the crops needed the boys; and the thin, slovenly mother, whose face was pretty when washed, assured me that Lugene must mind the baby. "But we'll start them again next week." When the Lawrences stopped, I knew that the doubts of the old folks about book-learning had conquered again, and so, toiling up the hill, and getting as far into the cabin as possible, I put Cicero "pro Archia Poeta" into the simplest English with local applications, and usually convinced them—for a week or so.

On Friday nights I often went home with some of the children,—sometimes to Doc Burke's farm. He was a great, loud, thin Black, ever working, and trying to buy the seventy-five acres of hill and dale where he lived; but people said that he would surely fail, and the "white folks would get it all." His wife was a magnificent Amazon, with saffron face and shining hair, uncorseted and barefooted, and the children were strong and beautiful. They lived in a one-and-a-half-room cabin in the hollow of the farm, near the spring. The front room was full of great fat white beds, scrupulously neat; and there were bad chromos on the walls, and a tired center-table. In the tiny back kitchen I was often invited to "take out and help" myself to fried chicken and wheat biscuit, "meat" and corn pone, string-beans and berries.

At first I used to be a little alarmed at the approach of bedtime in the lone bedroom, but embarrassment was very deftly avoided. First, all the children nodded and slept, and were stowed away in one great pile of goose feathers; next, the mother and the father discreetly slipped away to the kitchen while I went to bed; then, blowing out the dim light, they retired in the dark. In the morning all were up and away before I thought of awaking. Across the road, where fat Reuben lived, they all went out-doors while the teacher retired, because they did not boast the luxury of a kitchen.

I liked to stay with the Dowells, for they had four rooms and plenty of good country fare. Uncle Bird had a small, rough farm, all woods and hills, miles from the big road; but he was full of tales,—he preached now and then,—and with his children, berries, horses, and wheat he was happy and prosperous. Often, to keep the peace, I must go where life was less lovely; for instance, 'Tildy's mother was incorrigibly dirty, Reuben's larder was limited seriously, and herds of untamed insects wandered over the Eddingses' beds. Best of all I loved to go to Josie's, and sit on the porch, eating peaches, while the mother bustled and talked: how Josie had bought the sewing-machine; how Josie worked at service in winter, but that four dollars a month was "mighty little" wages; how Josie longed to go away to school, but that it "looked like" they never could get far enough ahead to let her; how the crops failed and the well was yet unfinished; and, finally, how "mean" some of the white folks were.

For two summers I lived in this little world; it was dull and humdrum. The girls looked at the hill in wistful longing, and the boys fretted and haunted Alexandria. Alexandria was "town,"—a straggling, lay village of houses, churches, and shops, and an aristocracy of Toms, Dicks, and Captains. Cuddled on the hill to the north was the village of the colored folks, who lived in three- or four-room unpainted cottages, some neat and homelike, and some dirty. The dwellings were scattered rather aimlessly, but they centered about the twin temples of the hamlet, the Methodist and the Hard-Shell Baptist churches. These, in turn, leaned gingerly on a sad-colored schoolhouse. Hither my little world wended its crooked way on Sunday to meet other worlds, and gossip, and wonder, and make the weekly sacrifice with frenzied priest at the altar of the "old-time religion." Then the soft melody and mighty cadences of Negro song fluttered and thundered.

I have called my tiny community a world, and so its isolation made it; and yet there was among us but a half-awakened common consciousness, sprung from common joy and grief, at burial, birth, or wedding; from a common hardship in poverty, poor land, and low wages; and above all, from the sight of the Veil that hung between us and Opportunity. All this caused us to think some thoughts together; but these, when ripe for speech, were spoken in various languages. Those whose eyes twenty-five or more years before had seen "the glory of the coming of the Lord," saw in every present hindrance or help a dark fatalism bound to bring all things right in His own good time. The mass of those to whom slavery was a dim recollection of childhood found the world a puzzling thing: it asked little of them, and they answered with little, and yet it ridiculed their offering. Such a paradox they could not understand, and therefore sank into listless indifference, or shiftlessness, or reckless bravado. There were, however, some—such as Josie, Jim and Ben—to whom War, Hell, and Slavery were but childhood tales, whose young appetites had been whetted to an edge by school and story and half-awakened thought. Ill could they be content, born without and beyond the World. And their weak wings beat against their barriers,—barriers of caste, of youth, of life; at last, in dangerous moments, against everything that opposed even a whim.

******************

Some of this matches my own audience's appetite that also "has been whetted to an edge by school and story and half-awakened thought" when talking about one room schools. 

Here in Michigan, at https://www.miorsa.org/ I'm delighted to see the tentative plans for nearby Brighton to host an annual conference.

Beyond that, the long ago community in DuBois's reminiscence deserves a lifting of "the Veil."

******************

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  



At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.
       - World of Tales - http://www.worldoftales.com/ 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.
     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!




Saturday, February 3, 2018

Blaisdell - The Clothes-Line Telegraph

Black History month tends to bring my programs about the local Lerich family to audiences.  Liberetta Lerich Green and her family were abolitionists and had an Underground Railroad Station in Utica.  Here's the event presented by the  Novi Historical Commission at the Novi Public Library on February 8.  Learn about Michigan's role in abolition, the Underground Railroad, and the Civil War as told by a woman who grew up with it.

There are so many stories, including claims some historians doubt about the use of the laundry line for signals to the Underground Railroad.  This story from Albert F. Blaisdell's Stories of the Civil War takes a different view showing the clothes line's value for military intelligence.

The story follows a picture of a simple craft I made several years ago at Greenfield Village's Civil War Days.  It's the rosette or cockade worn by a Union sympathizer, which the Lerichs certainly were.  I let the safety pin show as it's simply red, white, and blue ribbon pulled into a circle and stitched onto a pin.  Yes, that Wikipedia link says safety pins were patented in 1849.  Campaign buttons are a form of communication, as is storytelling.  If you go to Creative Cockades you will find they are a centuries old way of showing support for a cause, the political lapel pins of yesteryear.  There are pages about cockades for the Union, Confederate, Mourning, Revolutionary War, Suffragette, and Copperhead (opponents of the Civil War and the Union) opinions.  Today's story shows Dabney figured out yet another useful form of communication easily overlooked.
As Albert Blaisdell explained in putting his book together, "These stories are designed to interest as well as to instruct young people, and to excite in their minds a keen desire to know more of the noble deeds of their fathers and grandfathers, who sacrificed so much during this momentous period of our country's history."  Even now that desire and knowledge is needed.
*******************
This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  



At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.
       - World of Tales - http://www.worldoftales.com/ 
     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!