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Showing posts with label witches. Show all posts
Showing posts with label witches. Show all posts

Friday, June 28, 2024

Ransome - Prince Ivan, the Witch Baby, and the Little Sister of the Sun - Keeping the Public in Public Domain

Today, June 29, is the birthday of Antoine de Saint-Exupery (1900), best known for the novella, The Little Prince. I won't give it here for two reasons, its length and the fact it was published in 1943 here in the United States and its copyright was indeed renewed in 1971.  You may notice links for both the author and the novella.  If your French is good enough and you really are interested, there's yet another website, https://www.antoinedesaintexupery.com/ . My own French is courtesy of ballet and Google Translate has its limits.  The link for the novella I gave is to "The Little Prince, official website" in English.  (The author's site in French gives that same site in French.) Wikipedia notes the story's translation into "more than 250 languages and dialects and among the top four selling books in the world;[98] made as both movies and TV films in a number of languages, and adapted to numerous other media in many languages." 

Yet that website for "The Little Prince" shows there continue to be events around the world, an incredible number of related products (buy online or the shop in Paris), and even a ten-year old amusement park, Le Parc du Petit Prince, that is "the first aerial theme park in the world, which offers more than 30 attractions for the whole family. Take off in a Captive Balloon, shiver with the Snake, land on a seaplane, discover the many rides, and meet the Foxes for an unforgettable day. All the magic of the Little Prince in a place unique in the world, which has already attracted 1.2 million visitors!" 

Scroll down to the links at the bottom of the site for the annual magazine.  There is yet another article on the park in Alsace (now at 1.5 million visitors and I imagine many more after the Olympics).  The text is bilingual, expecting both English and French readers.

With World War II's Nazi occupation of France the story was only published posthumously in France.  Saint-Exupery died in a plane crash on an Allied reconnaissance mission.  Two years earlier this, his only book for children, was created when " the wife of one of his publishers helped persuade Saint-Exupéry to produce a children's book,[48] hoping to calm his nerves and also compete with the new series of Mary Poppins stories by P.L. Travers."  

Illustrator: Dmitrii Isidorovich Mitrokhin
It's all very French, but knowing I couldn't tell nor publish it here, I began to think about princes and came up with a very Russian little prince.  I love Arthur Ransome's Old Peter's Russian Tales and have more than half a dozen times given here these tellable versions of Russian folklore.  A major character in the book is the classic Russian witch, Baba Yaga.

I first met the witch when Caldecott award-winning illustrator, Blair Lent, published the story from Ransome given in the anthology as "Baba Yaga and the Little Girl with the Kind Heart."  Lent simply titled his book Baba Yaga.  In searching for information for this story, I discovered that he published the book in 1966 using the pen name of Ernest Small as the author when he actually did the adaptation.

There are many stories throughout Slavic folklore and Wikipedia's article on Baba Yaga claims she has two opposite roles.  I have only every found stories of the witch, but they say she may also be "a nice old woman, who helps out the hero.[1] "

-- that footnote is in Russian and now I want to see if I can find any evidence of that personality!

Back to the little Russian prince, I believe the "witch baby", who grows like a corn seed becoming fully grown in six weeks with iron teeth is the start of Baba Yaga.  She certainly pursues the prince in the fashion of the infamous Russian witch.

PRINCE IVAN, THE WITCH BABY, AND THE LITTLE SISTER OF THE SUN.

Decorative Image

Once upon a time, very long ago, there was a little Prince Ivan who was dumb. Never a word had he spoken from the day that he was born—not so much as a "Yes" or a "No," or a "Please" or a "Thank you." A great sorrow he was to his father because he could not speak. Indeed, neither his father nor his mother could bear the sight of him, for they thought, "A poor sort of Tzar will a dumb boy make!" They even prayed, and said, "If only we could have another child, whatever it is like, it could be no worse than this tongue-tied brat who cannot say a word." And for that wish they were punished, as you shall hear. And they took no sort of care of the little Prince Ivan, and he spent all his time in the stables, listening to the tales of an old groom.

He was a wise man was the old groom, and he knew the past and the future, and what was happening under the earth. Maybe he had learnt his wisdom from the horses. Anyway, he knew more than other folk, and there came a day when he said to Prince Ivan,—

"Little Prince," says he, "to-day you have a sister, and a bad one at that. She has come because of your father's prayers and your mother's wishes. A witch she is, and she will grow like a seed of corn. In six weeks she'll be a grown witch, and with her iron teeth she will eat up your father, and eat up your mother, and eat up you too, if she gets the chance. There's no saving the old people; but if you are quick, and do what I tell you, you may escape, and keep your soul in your body. And I love you, my little dumb Prince, and do not wish to think of your little body between her iron teeth. You must go to your father and ask him for the best horse he has, and then gallop like the wind, and away to the end of the world."

The little Prince ran off and found his father. There was his father, and there was his mother, and a little baby girl was in his mother's arms, screaming like a little fury.

"Well, she's not dumb," said his father, as if he were well pleased.

"Father," says the little Prince, "may I have the fastest horse in the stable?" And those were the first words that ever left his mouth.

"What!" says his father, "have you got a voice at last? Yes, take whatever horse you want. And see, you have a little sister; a fine little girl she is too. She has teeth already. It's a pity they are black, but time will put that right, and it's better to have black teeth than to be born dumb."

Little Prince Ivan shook in his shoes when he heard of the black teeth of his little sister, for he knew that they were iron. He thanked his father and ran off to the stable. The old groom saddled the finest horse there was. Such a horse you never saw. Black it was, and its saddle and bridle were trimmed with shining silver. And little Prince Ivan climbed up and sat on the great black horse, and waved his hand to the old groom, and galloped away, on and on over the wide world.

"It's a big place, this world," thought the little Prince. "I wonder when I shall come to the end of it." You see, he had never been outside the palace grounds. And he had only ridden a little Finnish pony. And now he sat high up, perched on the back of the great black horse, who galloped with hoofs that thundered beneath him, and leapt over rivers and streams and hillocks, and anything else that came in his way.

On and on galloped the little Prince on the great black horse. There were no houses anywhere to be seen. It was a long time since they had passed any people, and little Prince Ivan began to feel very lonely, and to wonder if indeed he had come to the end of the world, and could bring his journey to an end.

Suddenly, on a wide, sandy plain, he saw two old, old women sitting in the road.

They were bent double over their work, sewing and sewing, and now one and now the other broke a needle, and took a new one out of a box between them, and threaded the needle with thread from another box, and went on sewing and sewing. Their old noses nearly touched their knees as they bent over their work.

Little Prince Ivan pulled up the great black horse in a cloud of dust, and spoke to the old women.

"Grandmothers," said he, "is this the end of the world? Let me stay here and live with you, and be safe from my baby sister, who is a witch and has iron teeth. Please let me stay with you, and I'll be very little trouble, and thread your needles for you when you break them."

"Prince Ivan, my dear," said one of the old women, "this is not the end of the world, and little good would it be to you to stay with us. For as soon as we have broken all our needles and used up all our thread we shall die, and then where would you be? Your sister with the iron teeth would have you in a minute."

The little Prince cried bitterly, for he was very little and all alone. He rode on further over the wide world, the black horse galloping and galloping, and throwing the dust from his thundering hoofs.

He came into a forest of great oaks, the biggest oak trees in the whole world. And in that forest was a dreadful noise—the crashing of trees falling, the breaking of branches, and the whistling of things hurled through the air. The Prince rode on, and there before him was the huge giant, Tree-rooter, hauling the great oaks out of the ground and flinging them aside like weeds.

"I should be safe with him," thought little Prince Ivan, "and this, surely, must be the end of the world."

He rode close up under the giant, and stopped the black horse, and shouted up into the air.

"Please, great giant," says he, "is this the end of the world? And may I live with you and be safe from my sister, who is a witch, and grows like a seed of corn, and has iron teeth?"

"Prince Ivan, my dear," says Tree-rooter, "this is not the end of the world, and little good would it be to you to stay with me. For as soon as I have rooted up all these trees I shall die, and then where would you be? Your sister would have you in a minute. And already there are not many big trees left."

And the giant set to work again, pulling up the great trees and throwing them aside. The sky was full of flying trees.

Little Prince Ivan cried bitterly, for he was very little and was all alone. He rode on further over the wide world, the black horse galloping and galloping under the tall trees, and throwing clods of earth from his thundering hoofs.

He came among the mountains. And there was a roaring and a crashing in the mountains as if the earth was falling to pieces. One after another whole mountains were lifted up into the sky and flung down to earth, so that they broke and scattered into dust. And the big black horse galloped through the mountains, and little Prince Ivan sat bravely on his back. And there, close before him, was the huge giant Mountain-tosser, picking up the mountains like pebbles and hurling them to little pieces and dust upon the ground.

"This must be the end of the world," thought the little Prince; "and at any rate I should be safe with him."

"Please, great giant," says he, "is this the end of the world? And may I live with you and be safe from my sister, who is a witch, and has iron teeth, and grows like a seed of corn?"

"Prince Ivan, my dear," says Mountain-tosser, resting for a moment and dusting the rocks off his great hands, "this is not the end of the world, and little good would it be to you to stay with me. For as soon as I have picked up all these mountains and thrown them down again I shall die, and then where would you be? Your sister would have you in a minute. And there are not very many mountains left."

And the giant set to work again, lifting up the great mountains and hurling them away. The sky was full of flying mountains.

Little Prince Ivan wept bitterly, for he was very little and was all alone. He rode on further over the wide world, the black horse galloping and galloping along the mountain paths, and throwing the stones from his thundering hoofs.

At last he came to the end of the world, and there, hanging in the sky above him, was the castle of the little sister of the Sun. Beautiful it was, made of cloud, and hanging in the sky, as if it were built of red roses.

"I should be safe up there," thought little Prince Ivan, and just then the Sun's little sister opened the window and beckoned to him.

Prince Ivan patted the big black horse and whispered to it, and it leapt up high into the air and through the window, into the very courtyard of the castle.

"Stay here and play with me," said the little sister of the Sun; and Prince Ivan tumbled off the big black horse into her arms, and laughed because he was so happy.

Merry and pretty was the Sun's little sister, and she was very kind to little Prince Ivan. They played games together, and when she was tired she let him do whatever he liked and run about her castle. This way and that he ran about the battlements of rosy cloud, hanging in the sky over the end of the world.

But one day he climbed up and up to the topmost turret of the castle. From there he could see the whole world. And far, far away, beyond the mountains, beyond the forests, beyond the wide plains, he saw his father's palace where he had been born. The roof of the palace was gone, and the walls were broken and crumbling. And little Prince Ivan came slowly down from the turret, and his eyes were red with weeping.

"My dear," says the Sun's little sister, "why are your eyes so red?"

"It is the wind up there," says little Prince Ivan.

And the Sun's little sister put her head out of the window of the castle of cloud and whispered to the winds not to blow so hard.

But next day little Prince Ivan went up again to that topmost turret, and looked far away over the wide world to the ruined palace. "She has eaten them all with her iron teeth," he said to himself. And his eyes were red when he came down.

"My dear," says the Sun's little sister, "your eyes are red again."

"It is the wind," says little Prince Ivan.

And the Sun's little sister put her head out of the window and scolded the wind.

But the third day again little Prince Ivan climbed up the stairs of cloud to that topmost turret, and looked far away to the broken palace where his father and mother had lived. And he came down from the turret with the tears running down his face.

"Why, you are crying, my dear!" says the Sun's little sister. "Tell me what it is all about."

So little Prince Ivan told the little sister of the Sun how his sister was a witch, and how he wept to think of his father and mother, and how he had seen the ruins of his father's palace far away, and how he could not stay with her happily until he knew how it was with his parents.

"Perhaps it is not yet too late to save them from her iron teeth, though the old groom said that she would certainly eat them, and that it was the will of God. But let me ride back on my big black horse."

"Do not leave me, my dear," says the Sun's little sister. "I am lonely here by myself."

"I will ride back on my big black horse, and then I will come to you again."

"What must be, must," says the Sun's little sister; "though she is more likely to eat you than you are to save them. You shall go. But you must take with you a magic comb, a magic brush, and two apples of youth. These apples would make young once more the oldest things on earth."

Then she kissed little Prince Ivan, and he climbed up on his big black horse, and leapt out of the window of the castle down on the end of the world, and galloped off on his way back over the wide world.

He came to Mountain-tosser, the giant. There was only one mountain left, and the giant was just picking it up. Sadly he was picking it up, for he knew that when he had thrown it away his work would be done and he would have to die.

"Well, little Prince Ivan," says Mountain-tosser, "this is the end;" and he heaves up the mountain. But before he could toss it away the little Prince threw his magic brush on the plain, and the brush swelled and burst, and there were range upon range of high mountains, touching the sky itself.

"Why," says Mountain-tosser, "I have enough mountains now to last me for another thousand years. Thank you kindly, little Prince."

And he set to work again, heaving up mountains and tossing them down, while little Prince Ivan galloped on across the wide world.

He came to Tree-rooter, the giant. There were only two of the great oaks left, and the giant had one in each hand.

"Ah me, little Prince Ivan," says Tree-rooter, "my life is come to its end; for I have only to pluck up these two trees and throw them down, and then I shall die."

"Pluck them up," says little Prince Ivan. "Here are plenty more for you." And he threw down his comb. There was a noise of spreading branches, of swishing leaves, of opening buds, all together, and there before them was a forest of great oaks stretching farther than the giant could see, tall though he was.

"Why," says Tree-rooter, "here are enough trees to last me for another thousand years. Thank you kindly, little Prince."

And he set to work again, pulling up the big trees, laughing joyfully and hurling them over his head, while little Prince Ivan galloped on across the wide world.

He came to the two old women. They were crying their eyes out.

"There is only one needle left!" says the first.

"There is only one bit of thread in the box!" sobs the second.

"And then we shall die!" they say both together, mumbling with their old mouths.

"Before you use the needle and thread, just eat these apples," says little Prince Ivan, and he gives them the two apples of youth.

The two old women took the apples in their old shaking fingers and ate them, bent double, mumbling with their old lips. They had hardly finished their last mouthfuls when they sat up straight, smiled with sweet red lips, and looked at the little Prince with shining eyes. They had become young girls again, and their gray hair was black as the raven.

"Thank you kindly, little Prince," say the two young girls. "You must take with you the handkerchief we have been sewing all these years. Throw it to the ground, and it will turn into a lake of water. Perhaps some day it will be useful to you."

"Thank you," says the little Prince, and off he gallops, on and on over the wide world.

He came at last to his father's palace. The roof was gone, and there were holes in the walls. He left his horse at the edge of the garden, and crept up to the ruined palace and peeped through a hole. Inside, in the great hall, was sitting a huge baby girl, filling the whole hall. There was no room for her to move. She had knocked off the roof with a shake of her head. And she sat there in the ruined hall, sucking her thumb.

And while Prince Ivan was watching through the hole he heard her mutter to herself,—

"Eaten the father, eaten the mother, And now to eat the little brother"

And she began shrinking, getting smaller and smaller every minute.

Little Prince Ivan had only just time to get away from the hole in the wall when a pretty little baby girl came running out of the ruined palace.

"You must be my little brother Ivan," she called out to him, and came up to him smiling. But as she smiled the little Prince saw that her teeth were black; and as she shut her mouth he heard them clink together like pokers.

"Come in," says she, and she took little Prince Ivan with her to a room in the palace, all broken down and cobwebbed. There was a dulcimer lying in the dust on the floor.

"Well, little brother," says the witch baby, "you play on the dulcimer and amuse yourself while I get supper ready. But don't stop playing, or I shall feel lonely." And she ran off and left him.

Little Prince Ivan sat down and played tunes on the dulcimer—sad enough tunes. You would not play dance music if you thought you were going to be eaten by a witch.

But while he was playing a little gray mouse came out of a crack in the floor. Some people think that this was the wise old groom, who had turned into a little gray mouse to save Ivan from the witch baby.

"Ivan, Ivan," says the little gray mouse, "run while you may. Your father and mother were eaten long ago, and well they deserved it. But be quick, or you will be eaten too. Your pretty little sister is putting an edge on her teeth!"

Little Prince Ivan thanked the mouse, and ran out from the ruined palace, and climbed up on the back of his big black horse, with its saddle and bridle trimmed with silver. Away he galloped over the wide world. The witch baby stopped her work and listened. She heard the music of the dulcimer, so she made sure he was still there. She went on sharpening her teeth with a file, and growing bigger and bigger every minute. And all the time the music of the dulcimer sounded among the ruins.

As soon as her teeth were quite sharp she rushed off to eat little Prince Ivan. She tore aside the walls of the room. There was nobody there—only a little gray mouse running and jumping this way and that on the strings of the dulcimer.

When it saw the witch baby the little mouse ran across the floor and into the crack and away, so that she never caught it. How the witch baby gnashed her teeth! Poker and tongs, poker and tongs—what a noise they made! She swelled up, bigger and bigger, till she was a baby as high as the palace. And then she jumped up so that the palace fell to pieces about her. Then off she ran after little Prince Ivan.

Little Prince Ivan, on the big black horse, heard a noise behind him. He looked back, and there was the huge witch, towering over the trees. She was dressed like a little baby, and her eyes flashed and her teeth clanged as she shut her mouth. She was running with long strides, faster even than the black horse could gallop—and he was the best horse in all the world.

Little Prince Ivan threw down the handkerchief that had been sewn by the two old women who had eaten the apples of youth. It turned into a deep, broad lake, so that the witch baby had to swim—and swimming is slower than running. It took her a long time to get across, and all that time Prince Ivan was galloping on, never stopping for a moment.

The witch baby crossed the lake and came thundering after him. Close behind she was, and would have caught him; but the giant Tree-rooter saw the little Prince galloping on the big black horse, and the witch baby tearing after him. He pulled up the great oaks in armfuls, and threw them down just in front of the witch baby. He made a huge pile of the big trees, and the witch baby had to stop and gnaw her way through them with her iron teeth.

It took her a long time to gnaw through the trees, and the black horse galloped and galloped ahead. But presently Prince Ivan heard a noise behind him. He looked back, and there was the witch baby, thirty feet high, racing after him, clanging with her teeth. Close behind she was, and the little Prince sat firm on the big black horse, and galloped and galloped. But she would have caught him if the giant Mountain-tosser had not seen the little Prince on the big black horse, and the great witch baby running after him. The giant tore up the biggest mountain in the world and flung it down in front of her, and another on the top of that. She had to bite her way through them, while the little Prince galloped and galloped.

At last little Prince Ivan saw the cloud castle of the little sister of the Sun, hanging over the end of the world and gleaming in the sky as if it were made of roses. He shouted with hope, and the black horse shook his head proudly and galloped on. The witch baby thundered after him. Nearer she came and nearer.

"Ah, little one," screams the witch baby, "you shan't get away this time!"

The Sun's little sister was looking from a window of the castle in the sky, and she saw the witch baby stretching out to grab little Prince Ivan. She flung the window open, and just in time the big black horse leapt up, and through the window and into the courtyard, with little Prince Ivan safe on its back.

How the witch baby gnashed her iron teeth!

"Give him up!" she screams.

"I will not," says the Sun's little sister.

"See you here," says the witch baby, and she makes herself smaller and smaller and smaller, till she was just like a real little girl. "Let us be weighed in the great scales, and if I am heavier than Prince Ivan, I can take him; and if he is heavier than I am, I'll say no more about it."

The Sun's little sister laughed at the witch baby and teased her, and she hung the great scales out of the cloud castle so that they swung above the end of the world.

Little Prince Ivan got into one scale, and down it went.

"Now," says the witch baby, "we shall see."

And she made herself bigger and bigger and bigger, till she was as big as she had been when she sat and sucked her thumb in the hall of the ruined palace. "I am the heavier," she shouted, and gnashed her iron teeth. Then she jumped into the other scale.

She was so heavy that the scale with the little Prince in it shot up into the air. It shot up so fast that little Prince Ivan flew up into the sky, up and up and up, and came down on the topmost turret of the cloud castle of the little sister of the Sun.

The Sun's little sister laughed, and closed the window, and went up to the turret to meet the little Prince. But the witch baby turned back the way she had come, and went off, gnashing her iron teeth until they broke. And ever since then little Prince Ivan and the little sister of the Sun play together in the castle of cloud that hangs over the end of the world. They borrow the stars to play at ball, and put them back at night whenever they remember.

"So when there are no stars?" asked Maroosia.

"It means that Prince Ivan and the Sun's little sister have gone to sleep over their games and forgotten to put their toys away."

***

That second to the last sentence is from the book's frame of "Old Peter" telling the story.  I like the reply and incorporate it into my own telling saying "When there are no stars at night, it means..."

Now about Baba Yaga. . . when the time rolls around for a witch story, instead of a prince, she's fascinated children for a long time.  I think I'll make a reminder to myself for some Storytelling + Research in October.  Think I'll find that " nice old woman, who helps out the hero[1] "?  Well if I do, I won't tell it in October.

**********************

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

Other Public Domain story resources I recommend-

  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm

  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.
    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"

The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:        

         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html

         - Richard Martin - http://www.tellatale.eu/tales_page.html

         - Spirit of Trees - http://spiritoftrees.org/featured-folktales

         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for December 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.

       - World of Tales - http://www.worldoftales.com/ 

 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.

     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!

    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.

You can see why I recommend these to you. 

Have fun discovering even more stories

 

Friday, June 11, 2021

Chrisman - Ah Tcha the Sleeper - Keeping the Public in Public Domain

Arthur Bowie Chrisman won the Newbery medal with his book Shen of the Sea "for the most distinguished contribution to American Children's literature during the year 1925."  Today's critical opinion, however, wouldn't agree.  Modern opinion on Goodreads.com complains about the book's lack of Chinese authenticity and potential racism.  One thing I want people to note is the publisher gave the book cover the subtitle of "Chinese Stories for Children" but the actual title page simply gives a subtitle of "A Book for Children" along with crediting Else Hasselriis for her many silhouettes illustrating the book.  There's no claim anywhere that the author was presenting stories from Chinese folklore.  The stories should stand on their own as the creative work of a man who never traveled to China, but was fascinated with it.  Yes, as one reader, Miz Lizzie, who is a folklorist on Goodreads said, "It's about as authentic as 'The Mikado' (also regarded as 'authentic' at the time)."  She and some other readers further point out the better route would have been to say it was inspired by China and also to be aware of the knowledge and time when it was written.  Often it is suggested by the readers that the book's stories are best read aloud.  Today's story I know was particularly popular on lists of stories recommended by librarian-storytellers in the early half of the 20th century.  That along with a connection with St. Louis, Missouri and this past week lead me to present it.  You decide if you would tell it as NOT authentic folklore, but created by a man who clearly loved a land he had never seen.  (I'll say more about St. Louis & this past week afterwards.)


AH TCHA THE SLEEPER

Years ago, in southern China, lived a boy, Ah Tcha by name. Ah Tcha was an orphan, but not according to rule. A most peculiar orphan was he. It is usual for orphans to be very, very poor. That is the world-wide custom. Ah Tcha, on the contrary, was quite wealthy. He owned seven farms, with seven times seven horses to draw the plow. He owned seven mills, with plenty of breezes to spin them. Furthermore, he owned seven thousand pieces of gold, and a fine white cat.

The farms of Ah Tcha were fertile, were wide. His horses were brisk in the furrow. His mills never lacked for grain, nor wanted for wind. And his gold was good sharp gold, with not so much as a trace of copper. Surely, few orphans have been better provided for than the youth named Ah Tcha. And what a busy person was this Ah Tcha. His bed was always cold when the sun arose. Early in the morning he went from field to field, from mill to mill, urging on the people who worked for him. The setting sun always found him on his feet, hastening from here to there, persuading his laborers to more gainful efforts. And the moon of midnight often discovered him pushing up and down the little teak-wood balls of a counting board, or else threading cash, placing coins upon a string. Eight farms, nine farms he owned, and more stout horses. Ten mills, eleven, another white cat. It was Ah Tcha’s ambition to become the richest person in the world.

They who worked for the wealthy orphan were inclined now and then to grumble. Their pay was not beggarly, but how they did toil to earn that pay which was not beggarly. It was go, and go, and go. Said the ancient woman Nu Wu, who worked with a rake in the field: “Our master drives us as if he were a fox and we were hares in the open. Round the field and round and round, hurry, always hurry.” Said Hu Shu, her husband, who bound the grain into sheaves: “Not hares, but horses. We are driven like the horses of Lung Kuan, who . . .” It’s a long story.

But Ah Tcha, approaching the murmurers, said, “Pray be so good as to hurry, most excellent Nu Wu, for the clouds gather blackly, with thunder.” And to the scowling husband he said, “Speed your work, I beg you, honorable Hu Shu, for the grain must be under shelter before the smoke of Evening Rice ascends.”

When Ah Tcha had eaten his Evening Rice, he took lantern and entered the largest of his mills. A scampering rat drew his attention to the floor. There he beheld no less than a score of rats, some gazing at him as if undecided whether to flee or continue the feast, others gnawing—and who are you, nibbling and caring not? And only a few short whisker-lengths away sat an enormous cat, sleeping the sleep of a mossy stone. The cat was black in color, black as a crow’s wing dipped in pitch, upon a night of inky darkness. That describes her coat. Her face was somewhat more black. Ah Tcha had never before seen her. She was not his cat. But his or not, he thought it a trifle unreasonable of her to sleep, while the rats held high carnival. The rats romped between her paws. Still she slept. It angered Ah Tcha. The lantern rays fell on her eyes. Still she slept. Ah Tcha grew more and more provoked. He decided then and there to teach the cat that his mill was no place for sleepy heads.

Accordingly, he seized an empty grain sack and hurled it with such exact aim that the cat was sent heels over head. “There, old Crouch-by-the-hole,” said Ah Tcha in a tone of wrath. “Remember your paining ear, and be more vigilant.” But the cat had no sooner regained her feet than she changed into . . . Nu Wu . . . changed into Nu Wu, the old woman who worked in the fields . . . a witch. What business she had in the mill is a puzzle. However, it is undoubtedly true that mills hold grain, and grain is worth money. And that may be an explanation. Her sleepiness is no puzzle at all. No wonder she was sleepy, after working so hard in the field, the day’s length through.

The anger of Nu Wu was fierce and instant. She wagged a crooked finger at Ah Tcha, screeching: “Oh, you cruel money-grubber. Because you fear the rats will eat a pennyworth of grain you must beat me with bludgeons. You make me work like a slave all day—and wish me to work all night. You beat me and disturb my slumber. Very well, since you will not let me sleep, I shall cause you to slumber eleven hours out of every dozen. . . . Close your eyes.” She swept her wrinkled hand across Ah Tcha’s face. Again taking the form of a cat, she bounded downstairs.

She had scarce reached the third step descending when Ah Tcha felt a compelling desire for sleep. It was as if he had taken gum of the white poppy flower, as if he had tasted honey of the gray moon blossom. Eyes half closed, he stumbled into a grain bin. His knees doubled beneath him. Down he went, curled like a dormouse. Like a dormouse he slumbered.

From that hour began a change in Ah Tcha’s fortune. The spell gripped him fast. Nine-tenths of his time was spent in sleep. Unable to watch over his laborers, they worked when they pleased, which was seldom. They idled when so inclined—and that was often, and long. Furthermore, they stole in a manner most shameful. Ah Tcha’s mills became empty of grain. His fields lost their fertility. His horses disappeared—strayed, so it was said. Worse yet, the unfortunate fellow was summoned to a magistrate’s yamen, there to defend himself in a lawsuit. A neighbor declared that Ah Tcha’s huge black cat had devoured many chickens. There were witnesses who swore to the deed. They were sure, one and all, that Ah Tcha’s black cat was the cat at fault. Ah Tcha was sleeping too soundly to deny that the cat was his. . . . So the magistrate could do nothing less than make the cat’s owner pay damages, with all costs of the lawsuit.

Thereafter, trials at court were a daily occurrence. A second neighbor said that Ah Tcha’s black cat had stolen a flock of sheep. Another complained that the cat had thieved from him a herd of fattened bullocks. Worse and worse grew the charges. And no matter how absurd, Ah Tcha, sleeping in the prisoner’s cage, always lost and had to pay damages. His money soon passed into other hands. His mills were taken from him. His farms went to pay for the lawsuits. Of all his wide lands, there remained only one little acre—and it was grown up in worthless bushes. Of all his goodly buildings, there was left one little hut, where the boy spent most of his time, in witch-imposed slumber.

Now, near by in the mountain of Huge Rocks Piled, lived a greatly ferocious loong, or, as foreigners would say, a dragon. This immense beast, from tip of forked tongue to the end of his shadow, was far longer than a barn. With the exception of length, he was much the same as any other loong. His head was shaped like that of a camel. His horns were deer horns. He had bulging rabbit eyes, a snake neck. Upon his many ponderous feet were tiger claws, and the feet were shaped very like sofa cushions. He had walrus whiskers, and a breath of red-and-blue flame. His voice was like the sound of a hundred brass kettles pounded. Black fish scales covered his body, black feathers grew upon his limbs. Because of his color he was sometimes called Oo Loong. From that it would seem that Oo means neither white nor pink.

The black loong was not regarded with any great esteem. His habit of eating a man—two men if they were little—every day made him rather unpopular. Fortunately, he prowled only at night. Those folk who went to bed decently at nine o’clock had nothing to fear. Those who rambled well along toward midnight, often disappeared with a sudden and complete thoroughness.

As every one knows, cats are much given to night skulking. The witch cat, Nu Wu, was no exception. Midnight often found her miles afield. On such a midnight, when she was roving in the form of a hag, what should approach but the black dragon. Instantly the loong scented prey, and instantly he made for the old witch.

There followed such a chase as never was before on land or sea. Up hill and down dale, by stream and wood and fallow, the cat woman flew and the dragon coursed after. The witch soon failed of breath. She panted. She wheezed. She stumbled on a bramble and a claw slashed through her garments. Too close for comfort. The harried witch changed shape to a cat, and bounded off afresh, half a li at every leap. The loong increased his pace and soon was close behind, gaining. For a most peculiar fact about the loong is that the more he runs the easier his breath comes, and the swifter grows his speed. Hence, it is not surprising that his fiery breath was presently singeing the witch cat’s back.

In a twinkling the cat altered form once more, and as an old hag scuttled across a turnip field. She was merely an ordinarily powerful witch. She possessed only the two forms—cat and hag. Nor did she have a gift of magic to baffle or cripple the hungry black loong. Nevertheless, the witch was not despairing. At the edge of the turnip field lay Ah Tcha’s miserable patch of thick bushes. So thick were the bushes as to be almost a wall against the hag’s passage. As a hag, she could have no hope of entering such a thicket. But as a cat, she could race through without hindrance. And the dragon would be sadly bothered in following. Scheming thus, the witch dashed under the bushes—a cat once more.

Ah Tcha was roused from slumber by the most outrageous noise that had ever assailed his ears. There was such a snapping of bushes, such an awful bellowed screeching that even the dead of a century must have heard. The usually sound-sleeping Ah Tcha was awakened at the outset. He soon realized how matters stood—or ran. Luckily, he had learned of the only reliable method for frightening off the dragon. He opened his door and hurled a red, a green, and a yellow firecracker in the monster’s path.

In through his barely opened door the witch cat dragged her exhausted self. “I don’t see why you couldn’t open the door sooner,” she scolded, changing into a hag. “I circled the hut three times before you had the gumption to let me in.”

“I am very sorry, good mother. I was asleep.” From Ah Tcha.

“Well, don’t be so sleepy again,” scowled the witch, “or I’ll make you suffer. Get me food and drink.”

“Again, honored lady, I am sorry. So poor am I that I have only water for drink. My food is the leaves and roots of bushes.”

“No matter. Get what you have—and quickly.”

Ah Tcha reached outside the door and stripped a handful of leaves from a bush. He plunged the leaves into a kettle of hot water and signified that the meal was prepared. Then he lay down to doze, for he had been awake fully half a dozen minutes and the desire to sleep was returning stronger every moment.

The witch soon supped and departed, without leaving so much as half a “Thank you.” When Ah Tcha awoke again, his visitor was gone. The poor boy flung another handful of leaves into his kettle and drank quickly. He had good reason for haste. Several times he had fallen asleep with the cup at his lips—a most unpleasant situation, and scalding. Having taken several sips, Ah Tcha stretched him out for a resumption of his slumber. Five minutes passed . . . ten minutes . . . fifteen. . . . Still his eyes failed to close. He took a few more sips from the cup and felt more awake than ever.

“I do believe,” said Ah Tcha, “that she has thanked me by bewitching my bushes. She has charmed the leaves to drive away my sleepiness.”

And so she had. Whenever Ah Tcha felt tired and sleepy—and at first that was often—he had only to drink of the bewitched leaves. At once his drowsiness departed. His neighbors soon learned of the bushes that banished sleep. They came to drink of the magic brew. There grew such a demand that Ah Tcha decided to set a price on the leaves. Still the demand continued. More bushes were planted. Money came.

Throughout the province people called for “the drink of Ah Tcha.” In time they shortened it by asking for “Ah Tcha’s drink,” then for “Tcha’s drink,” and finally for “Tcha.”

And that is its name at present, “Tcha,” or “Tay,” or “Tea,” as some call it. And one kind of Tea is still called “Oo Loong”—“Black Dragon.”

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I noticed Chrisman knew enough Chinese words to call a dragon a "Loong ."  I've also seen it as a "Lung", but that transliteration would have people thinking of the English word "lung."  He opened with the main character using an abacus and that Chinese coins had a hole in the center for stringing together.  I don't have an abacus to show, but do have some of those coins with a hole to illustrate his greedy start.  While the author's concerns may appear critical of the Chinese, surely greed and overbearing bosses are common everywhere and throughout the ages.

So why do I mention St. Louis?  

This past week, on June 10, I heard was "Iced Tea Day" and the story told by the radio announcer was it dates back to the 1904 St. Louis World's Fair.  Supposedly a hot day led to the invention of pouring it over ice.  It turns out this is one of many stories about as accurate as Chrisman.  Iced Tea is one of many St. Louis World's Fair food stories debunked on SeriousEats which says: 
If you believe the popular tales, more new American foods were invented at the 1904 World's Fair in St. Louis, Missouri, than during any other single event in history. The list includes the hamburger, the hot dog, peanut butter, iced tea, the club sandwich, cotton candy, and the ice cream cone, to name just a few. If all the pop histories and internet stories have it right, American foodways would be almost unrecognizable if the 1904 fair had not been held.

 

That picture from the Library of Congress collection shows it as the 1904 Louisiana Purchase Exposition, which is the official name.  The link takes you to a Wikipedia article with a wonderful section on the "Legacy" from the event.  Yes, it, too, talks about the food, but being born and growing up in St. Louis it was the buildings, originally expected to be temporary, that remain important to me.  I didn't realize the administration building for Washington University in St. Louis was a fair building.  Some of the fair's "legacy" went to other locations, but a separate article on Forest Park, where the fair was held, tells even more about that legacy.  Yes, I learned things in both articles as I grew up close enough to hear the Zoo's lions and tigers on an early morning before traffic drowned them out.  I remembered the aviary cage you could walk through dating back to the Exposition.  The park's buildings and other features include some I erroneously attributed to the fair, such as the Jewel Box and its Floral Clock (built in the 1930s and the clock is a memorial to Korean War military dead).  Some were correct, such as the waterfall known as The Cascades where I'm in a family picture dating back to my preschool years.  One of those correct, is the Art Museum.  I loved it so much I often saved lunch and bus money to buy art postcards there.  Instead I said goodbye to the statue out front of the Apotheosis of St. Louis before starting the long hike home.  I didn't know it was a bronze replica of a plaster statue at the fair -- nor the lawsuit by the original statue's sculptor (copyright issues even in 1906!).  It was indeed presented by the Exposition in remembrance of the fair.  I also didn't know things like the Exposition's "Bullfight Riot" and forgot the statue of King Louis IX, the namesake of the city, has had his sword stolen so often it's "considered a rite of passage for students in the engineering program at nearby Washington University."

It was for me a landmark deserving that "goodbye...before starting the long hike home."  Thank you for joining me on this trip back in time.

Charles Niehaus - http://en.wikipedia.org/wiki/Image:Apotheosis-of-saint-louis.jpg https://www.flickr.com/photos/cfaulkingham/19384712/
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This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  



At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.
       - World of Tales - http://www.worldoftales.com/ 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.
     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!