Jacobs - Raja Rasalu - Keeping the Public in Public Domain

 Did you know this month included Independence Day?...No, not here in the U.S., but on the opposite side of the globe, where two countries sit uneasily side by side with their own Independence Days one after the other.

The transition from British colony to two separate countries came for Pakistan on August 14 and India on August 15 in 1947.  Here in metro Detroit we have well-established communities for each country, but less is obvious about a possible Punjabi community.  I have told for each here, but have yet to have anyone mention the Punjab region, which was split so each country has their own Punjab state.  Punjabi culture is lightly covered by Wikipedia, but a more thorough look at both states can be found on Encyclopedia.com.

ਰਾਜਾ ਰਸਾਲੂ

Don't know all that?  If not, you probably also have never heard of their unusual folk hero, Raja Rasalu. 

I discovered Raja Rasalu while prowling for Punjabi stories, since it would be part of each country's folklore roots.   Flora Annie Steel's classic 1894 Punjabi folktale anthology was Tales of the Punjab.  She calls him their chief legendary hero, but present day information often ignores him.  In the notes section, she also attempts tracing possible actual people and times, but concludes "his story is almost hopelessly involved in pure folklore. It has often been discussed in learned journals."  She names the journals and I could give other background here, but want to dive into the story instead.  I chose Joseph Jacobs' Indian Fairy Tales over Steel precisely because he combined and condensed the legends into a single story.  Jacobs took his version from Steel's collaboration ten years earlier with Major R.C. Temple called Wide-Awake Stories:  A Collection of Tales Told by Little Children, Between Sunset and Sunrise in the Panjab and Kashmir.  Yes, some of those stories fit the nursery tale set, but definitely not Raja Rasalu.  Her later book is so similar, I wonder how much Temple contributed as she supposedly took the legends from ballads of wandering Punjabi minstrels.

If you are familiar with storytelling Tale Types, you will see Jacobs combines several story types into his one story.  I admit Jacobs' language is a bit dated, revealing it was written in 1892.  Songs or verse also are inserted.  That's a common stylistic element in Punjabi literature.  A storyteller omitting it for normal dialog still would find this episodic tale lively enough to beg for a modern re-telling.    Sometimes that happens with public domain material because of its age.

Something else that happens is my copy of Joseph Jacobs Indian Fairy Tales has a tight binding.  Unfortunately this means sometimes you have to forgive the lettering in each page's margin.  Printers call that part of the page "the gutter."  I don't have a way to get this story out of the gutter, but think it's still worth reading.  I hope you don't mind the slight fuzziness and maybe even consider it part of the challenge of traveling back to this old tale.  If you want to read more go to Archive.org's digital copy of Jacobs' book.  They were able to copy an edition without this limitation.

UPDATE: Be sure to note the cover for Indian Fairy Tales and the various illustrations, including the humorous end illustration, by John D. Batten, who illustrated all of Jacobs' anthologies.

One quick note from Jacobs: Chaipur, I should explain, is a game played by two players with eight men, each on a board in the shape of a cross, four men to each covered with squares.  The moves of the men are decided by the throws of a long form of dice. The object of the game is to see which of the players can first move all his men into the black center square of the cross. ... It is sometime said to be the origin of chess.

LSK: Rather than compare it to chess, we know it as the Parker Brothers board game of Parcheesi.  Unlike the story, bet you don't have dice made out of the bones of skeletons, but then you don't have to defeat enchanted dice and keep your head from being cut off either.  After you read today's story, you'll have an interesting  story to tell about the game and its origin.

Jacobs ends the story there and, in my opinion, it's the perfect spot for a feeling of wrapping up the main part of the narrative.  If you really want "the rest of the story" (not a "happily ever after") you can check The Adventures of the Panjab Hero Raja Rasalu and Other Folk-Tales of the Panjab by the Reverend Charles Swynnerton, published in 1884, and mentioned by Jacobs in his notes.

I do like Swynnerton's closing to the Adventures and think it would fit well with a modern retelling, especially if it began with an introduction saying Major Temple believed it was possible Raja Rasalu might be a real person from the eighth or ninth century who ruled an area along the Indus River.  Swynnerton closes with: Some say Rasalu never died, that he crossed over or descended into the river Indus to lands unknown, and that, like King Arthur, he will one day return again.

That gives the story the legendary status it deserves.

On the other hand (not to be confused with the multi-armed Hindu deity, Shiva) in deciding how you might tell it, remembering the majority of Punjabi . . . Sikh and ye shall find.

Stop that groaning!  Thank heavens you don't have skeleton bones to throw.  I freely confess I would lose a game of Chaipur or Parcheesi if I had to refrain from puns, so don't challenge me to a game.

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This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

 

Other Public Domain story resources I recommend-

• There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm

• You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.
  
  Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"

The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            

         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html

         - Karen Chace - http://karenchace.blogspot.com/search?q=public+domain

         - Richard Martin - http://www.tellatale.eu/tales_page.html

         - Spirit of Trees - http://spiritoftrees.org/featured-folktales

         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ and put in http://www.story-lovers.com/ in the search box.  I recommend using the latest "snapshot" on November 2016

       - Tim Sheppard - http://www.timsheppard.co.uk/story/storylinks.html

       - World of Tales - http://www.worldoftales.com/ 

   

You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  For an example of using the "Wayback Machine", list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is gone, but using the Wayback Machine you can still see it.  At the Wayback Machine I put in his site's address, then chose 2006 since it was a later year and clicked until I reached the Library at http://www.pjtss.net/library/.  
Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.

You can see why I recommend these to you. Have fun discovering even more stories!

Lang - Wali Dad, the Simple-Hearted - Keeping the Public in Public Domain

Today I want people to know the story which inspired this entire month of tales about gratitude, "Wali Dad, the Simple-Hearted."  For those who love to compare and contrast versions, there are two lovely picture book editions. 

That second version is also available as a Reader's Theater script or you may find it in Aaron Shepard's collection of such scripts in his

Here's the contents for that book:

"The Adventures of Mouse Deer" (Indonesia)

"The Calabash Kids" (Tanzania)

"The Hidden One" (Native America)

"The Boy Who Wanted the Willies" (Europe)

"The Princess Mouse" (Finland)

"The Legend of Slappy Hooper" (U.S.)

"The Gifts of Wali Dad" (India, Pakistan)

"The Baker's Dozen" (U.S.)

"Master Maid" (Norway)

"The Magic Brocade" (China)

"Forty Fortunes" (Iran)

"Master Man" (Nigeria)

"Savitri" (India)

"The Enchanted Storks" (Iraq)

"The Crystal Heart" (Vietnam)

"The Sea King's Daughter" (Russia)

There's also another place for ideas on performing the story at Tell It My Way. 

But each of those is a retelling.  As Aaron Shepard notes: This is a retelling of the “Story of Wali Dâd the Simple-hearted,” found in Andrew Lang’s Brown Fairy Book (1904). The tale was given to Lang by a Major Campbell—a British army officer stationed in India’s Punjab—who heard it from “an Indian.” Since the Punjab was later split between India and Pakistan, I have thought it best to attribute the tale to both countries. The dominant influences of the story are Islamic and Zoroastrian rather than Hindu.

I want you to know the original as collected by Andrew Lang.

Illustrated by H.J. Ford

My own copy is not up to the rigors of scanning, but the story can be found online and I'd really hate for you to miss it.  Here's the text, minus the book's original illustration, from Lit2Go.  (Lit2Go also gives two activities, one mathematical and one outlining the cause and effect of each action within the story as it is part of the Educational Technology Clearinghouse which supports K-12 education.)

I am, however, scanning that original illustration because the Peris -- and Wali Dad -- should be seen -- along with Aaron's explanation of them.  His own research tells us "Peris are an import from Persian mythology. Originally considered evil, their image changed gradually to benevolent beings akin to fairies or angels. It is said they feed only on the odor of perfume."  Mmmm, how sweet an idea!





Both Aaron Shepard and Lit2Go remind you the story comes from Lang's The Brown Fairy Book.  You may notice that's a Dover Publications book cover.  At one time they published the entire "Rainbow series" by Lang.  Unfortunately they now only offer some of the series and the Brown Fairy Book is not one of them.  For affordable hard copies of what they still provide, go to Dover Publications books by Andrew Lang  where the good news is they have even more than just the Rainbow series, as they include such books as Lang's Arabian Nights Entertainments.  For an online copy of the whole book, thank heavens for Project Gutenberg, who have some other unusual Lang books as well as, so far, ten of the twelve Rainbow -- as of this writing omitting Orange and Lilac.  For a full list of contents, go to Wikipedia's article on Andrew Lang's Fairy Books to find all the stories in these wonderful books which Lang produced between 1889 and 1910.

Now for a bit of a personal suggestion on the telling of this story.  The story is fairly long, 3,522 words according to Lit2Go or 10 pages of text + illustration in my copy.  Dear Wali manages quite a few gifts on his limited budget.  (Just shows how much good we all can do!)  That Lit2Go activity about each action's cause and effect is a great tool to have near the teller, or at least keep a list of the gifts.

Here are a few interesting additional tidbits I discovered.

• Wikipedia's article on the meaning of the Arabic word "Wali" tells us the word means "custodian", "protector", "helper", etc., but the most common meaning of the word is that of a Muslim saint or holy person.  Wali Dad certainly fits that in the story.  
• Rudyard Kipling uses the name in his short story, "On the City Wall."
• There actually is a city in Pakistan called Wali Dad.  Here in the U.S. it's the start of our winter, but there Weather.com gives this week's forecast as in the 80s and sunny.

Here in the United States, whether sunny or not, the fourth Thursday in November has been declared Thanksgiving Day.  Recently people seem to want to call it Turkey Day, after the most common dish eaten and now I've seen one commercial trying to call it Thanks Getting Day!  I absolutely never plan to shop on Thanksgiving Day.  It's a day to celebrate with your family and think about the many reasons you may have for gratitude.  I hope this month's stories have given you ways to enjoy and tell about your gratitude.  As today's story shows, this isn't limited by religion, and Keeping the Public in Public Domain isn't limited in time, we all have such reasons if we only look.
*************
This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.    

There are many online resources for Public Domain stories, none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I recommended it earlier and want to continue to do so.  He has just loaded Stith Thompson's Motif Index into his server as a database so one can search the whole 6 volumes for whatever word or expression he likes by pressing one key. http://folkmasa.org/motiv/motif.htm

He also loaded to his server the doctorate thesis of Prof. Dov Noy (Neunan) "Motif-index of Talmudic-Midrahic literature" Indiana University, 1954, as a PDF file.

http://folkmasa.org/motiv/NOY_%20Dov_%20Motif-Index_of_Talmudic-Midrashic_Literature.pdf

in the hope that some of you would make use of it.

You can see why that is a site I recommend to you.

Have fun discovering even more stories!