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Showing posts with label Lakeview Cemetery. Show all posts
Showing posts with label Lakeview Cemetery. Show all posts

Friday, August 30, 2024

Lang - The Death of Abu Nowas and of His Wife - Keeping the Public in Public Domain

This coming week on Saturday, September 7 I will once again tell as if I was an actual person briefly back from the dead. In this case I'm early Clarkston resident, Sarah (Sally) Jackson Merrill. I also have the privilege of being with her husband, Caleb Barton Merrill, portrayed by James Pabst. At their grave marking we bring these two together again,telling of their time in the American Revolution and eventually settling here in Michigan in its early years of statehood. Even if it's only what we can deduce from existing research, they led interesting lives! It has been surprising how much fun it has been letting them become the married couple they once were as we tell their stories. . . if Sarah lets Caleb talk uninterrupted! Sarah, commonly known as Sally, out-lived Caleb by nearly a quarter of a century, finally dying at age 94 after raising children, grandchildren, great-grandchildren, and even three great-great grandchildren.

From Sally's Massachusetts childhood in revolutionary times, to her marriage and family-raising in New York, and finally coming to Michigan, she saw a LOT! . . . and wasn't shy about passing on what she knew.

Of course the life of Sally and Caleb had me thinking about more than I can tell next week. Thoughts of this very real couple now in what I call "the City of the Dead" led me to an unusual story of a couple claiming to be dead. It comes from Andrew Lang's Crimson Fairy Book.

The Death Of Abu Nowas And Of His Wife

Once upon a time there lived a man whose name was Abu Nowas, and he was a great favourite with the Sultan of the country, who had a palace in the same town where Abu Nowas dwelt.

One day Abu Nowas came weeping into the hall of the palace where the Sultan was sitting, and said to him: “Oh, mighty Sultan, my wife is dead.”

“That is bad news,” replied the Sultan; “I must get you another wife.” And he bade his Grand Vizir send for the Sultana.

“This poor Abu Nowas has lost his wife,” said he, when she entered the hall.

“Oh, then we must get him another,” answered the Sultana; “I have a girl that will suit him exactly,” and clapped her hands loudly. At this signal a maiden appeared and stood before her.

“I have got a husband for you,” said the Sultana.

“Who is he?” asked the girl.

“Abu Nowas, the jester,” replied the Sultana.

“I will take him,” answered the maiden; and as Abu Nowas made no objection, it was all arranged. The Sultana had the most beautiful clothes made for the bride, and the Sultan gave the bridegroom his wedding suit, and a thousand gold pieces into the bargain, and soft carpets for the house.

So Abu Nowas took his wife home, and for some time they were very happy, and spent the money freely which the Sultan had given them, never thinking what they should do for more when that was gone. But come to an end it did, and they had to sell their fine things one by one, till at length nothing was left but a cloak apiece, and one blanket to cover them. “We have run through our fortune,” said Abu Nowas, “what are we to do now? I am afraid to go back to the Sultan, for he will command his servants to turn me from the door. But you shall return to your mistress, and throw yourself at her feet and weep, and perhaps she will help us.”

“Oh, you had much better go,” said the wife. “I shall not know what to say.”

“Well, then, stay at home, if you like,” answered Abu Nowas, “and I will ask to be admitted to the Sultan’s presence, and will tell him, with sobs, that my wife is dead, and that I have no money for her burial. When he hears that perhaps he will give us something.”

“Yes, that is a good plan,” said the wife; and Abu Nowas set out.

The Sultan was sitting in the hall of justice when Abu Nowas entered, his eyes streaming with tears, for he had rubbed some pepper into them. They smarted dreadfully, and he could hardly see to walk straight, and everyone wondered what was the matter with him.

“Abu Nowas! What has happened?” cried the Sultan.

“Oh, noble Sultan, my wife is dead,” wept he.

“We must all die,” answered the Sultan; but this was not the reply for which Abu Nowas had hoped.

“True, O Sultan, but I have neither shroud to wrap her in, nor money to bury her with,” went on Abu Nowas, in no wise abashed by the way the Sultan had received his news.

“Well, give him a hundred pieces of gold,” said the Sultan, turning to the Grand Vizir. And when the money was counted out Abu Nowas bowed low, and left the hall, his tears still flowing, but with joy in his heart.

“Have you got anything?” cried his wife, who was waiting for him anxiously.

“Yes, a hundred gold pieces,” said he, throwing down the bag, “but that will not last us any time. Now you must go to the Sultana, clothed in sackcloth and robes of mourning, and tell her that your husband, Abu Nowas, is dead, and you have no money for his burial. When she hears that, she will be sure to ask you what has become of the money and the fine clothes she gave us on our marriage, and you will answer, ‘before he died he sold everything.’”

The wife did as she was told, and wrapping herself in sackcloth went up to the Sultana’s own palace, and as she was known to have been one of Subida’s favourite attendants, she was taken without difficulty into the private apartments.

“What is the matter?” inquired the Sultana, at the sight of the dismal figure.

“My husband lies dead at home, and he has spent all our money, and sold everything, and I have nothing left to bury him with,” sobbed the wife.

Then Subida took up a purse containing two hundred gold pieces, and said: “Your husband served us long and faithfully. You must see that he has a fine funeral.”

The wife took the money, and, kissing the feet of the Sultana, she joyfully hastened home. They spent some happy hours planning how they should spend it, and thinking how clever they had been. “When the Sultan goes this evening to Subida’s palace,” said Abu Nowas, “she will be sure to tell him that Abu Nowas is dead. ‘Not Abu Nowas, it is his wife,’ he will reply, and they will quarrel over it, and all the time we shall be sitting here enjoying ourselves. Oh, if they only knew, how angry they would be!”

As Abu Nowas had foreseen, the Sultan went, in the evening after his business was over, to pay his usual visit to the Sultana.

“Poor Abu Nowas is dead!” said Subida when he entered the room.

“It is not Abu Nowas, but his wife who is dead,” answered the Sultan.

“No; really you are quite wrong. She came to tell me herself only a couple of hours ago,” replied Subida, “and as he had spent all their money, I gave her something to bury him with.”

“You must be dreaming,” exclaimed the Sultan. “Soon after midday Abu Nowas came into the hall, his eyes streaming with tears, and when I asked him the reason he answered that his wife was dead, and they had sold everything they had, and he had nothing left, not so much as would buy her a shroud, far less for her burial.”

For a long time they talked, and neither would listen to the other, till the Sultan sent for the door-keeper and bade him go instantly to the house of Abu Nowas and see if it was the man or his wife who was dead. But Abu Nowas happened to be sitting with his wife behind the latticed window, which looked on the street, and he saw the man coming, and sprang up at once. “There is the Sultan’s door-keeper! They have sent him here to find out the truth. Quick! throw yourself on the bed and pretend that you are dead.” And in a moment the wife was stretched out stiffly, with a linen sheet spread across her, like a corpse.

She was only just in time, for the sheet was hardly drawn across her when the door opened and the porter came in. “Has anything happened?” asked he.

“My poor wife is dead,” replied Abu Nowas. “Look! she is laid out here.” And the porter approached the bed, which was in a corner of the room, and saw the stiff form lying underneath.

“We must all die,” said he, and went back to the Sultan.

“Well, have you found out which of them is dead?” asked the Sultan.

“Yes, noble Sultan; it is the wife,” replied the porter.

“He only says that to please you,” cried Subida in a rage; and calling to her chamberlain, she ordered him to go at once to the dwelling of Abu Nowas and see which of the two was dead. “And be sure you tell the truth about it,” added she, “or it will be the worse for you.”

As her chamberlain drew near the house, Abu Nowas caught sight of him. “There is the Sultana’s chamberlain,” he exclaimed in a fright. “Now it is my turn to die. Be quick and spread the sheet over me.” And he laid himself on the bed, and held his breath when the chamberlain came in. “What are you weeping for?” asked the man, finding the wife in tears.

“My husband is dead,” answered she, pointing to the bed; and the chamberlain drew back the sheet and beheld Abu Nowas lying stiff and motionless. Then he gently replaced the sheet and returned to the palace.

“Well, have you found out this time?” asked the Sultan.

“My lord, it is the husband who is dead.”

“But I tell you he was with me only a few hours ago,” cried the Sultan angrily. “I must get to the bottom of this before I sleep! Let my golden coach be brought round at once.”

The coach was before the door in another five minutes, and the Sultan and Sultana both got in. Abu Nowas had ceased being a dead man, and was looking into the street when he saw the coach coming. “Quick! quick!” he called to his wife. “The Sultan will be here directly, and we must both be dead to receive him.” So they laid themselves down, and spread the sheet over them, and held their breath. At that instant the Sultan entered, followed by the Sultana and the chamberlain, and he went up to the bed and found the corpses stiff and motionless. “I would give a thousand gold pieces to anyone who would tell me the truth about this,” cried he, and at the words Abu Nowas sat up. “Give them to me, then,” said he, holding out his hand. “You cannot give them to anyone who needs them more.”

“Oh, Abu Nowas, you impudent dog!” exclaimed the Sultan, bursting into a laugh, in which the Sultana joined. “I might have known it was one of your tricks!” But he sent Abu Nowas the gold he had promised, and let us hope that it did not fly so fast as the last had done.

[From Tunische Mährchen.]

*******

Well they did say Abu Nowas was a jester. He may not have been good with money, but he certainly was quick-witted.

The Merrills had their ups and downs, both during the American Revolution and beyond, but I'm willing to bet this story would have amused them!

If you're able to come, I think you'll find they, too, led interesting lives.

******************

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

Other Public Domain story resources I recommend-

  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm

  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.
    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"

The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:        

         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html

         - Richard Martin - http://www.tellatale.eu/tales_page.html

         - Spirit of Trees - http://spiritoftrees.org/featured-folktales

         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for December 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.

       - World of Tales - http://www.worldoftales.com/ 

 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.

     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!

    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.

You can see why I recommend these to you. 

Have fun discovering even more stories




Friday, September 29, 2023

Cemetery Walk coming October 8

When making your plan for next week, this is the third annual


I will be Mrs. Christena Reese.  She lived to be 94 and, after being married to Leman Allen for 24 years, after another 20 years on her own, was married to Joseph Reese.  The Reese farm gave us Reese Road.  Christena was his third wife in 1908!  He was 69 and she was 62.  Joseph was 81 when he died in 1921.  Once again on her own, she was active for her remaining 17 years.  Roughly after a generation growing up, she alternated  generation married with a generation alone, and then did it again.  

It's said the important things are what we do during "the dash."  Joseph came from Wales and Christena from Scotland.  Both packed a lot into their time during "the dash" here in Clarkston.

If you are curious about the roads you travel in the Clarkston area, this cemetery walk will give you a glance at how and why these six areas came to be.

Friday, October 14, 2022

Lakeview Cemetery Walk and the story of Elizabeth Vliet

I know many reading my articles can't make the Cemetery Walks I do in September and October.  For Oak Hill I've been a guide taking people around to hear the stories of the people buried there.  In Clarkston both last year at the first Cemetery Walk and again this year I have become one of the buried people.  I believe the story of Elizabeth Vliet has a lot worth hearing.  She was a "war widow" and some of my research for her includes information I already knew from my portraying Liberetta Lerich Green, whose two brothers were in the Civil War (I always say there was nothing Civil about that war!) and each lived after being "guests of the Confederacy" at Libby Prison.  (Their lifespan was reduced by what they endured.)

One of the things I love about storytelling is each time is tailored to its audience.  It's rather like a snowflake in that no telling is exactly alike.  It's also why I have chosen to have my stories told to an actual audience rather than just recorded and imagining audience reactions.  Additionally I include as much audience participation as I can.  In this case asking if anyone in the groups knows what being a "guest of the Confederacy" means.  (It gives me a hint of their possible Civil War knowledge.) Similarly I ask if people know what "Decoration Day" is now called.  In this story it's quickly obvious the audience members who know and can relate to what I'm saying about the Civil War.

Here is Elizabeth Vliet's story as I told it (with slight variations not affecting the facts).  You might also go to various genealogy sites, especially Find A Grave. 

Elizabeth Vliet Bower and family

Welcome to my City of the Dead! 

Entrance to Lakeview Cemetery

So many families came here from New York in the 1830s and 40s, around the time of Michigan becoming a state in 1837, that it's no wonder we all know each other. Here in Clarkston we all lived within three blocks of each other.  My big sister, Sarah, and I came across Lake Erie and landed in Detroit, then traveled north to come to Clarkston where we already knew some of the people. She married Jedediah Yager, the town blacksmith, while I earned my way as a dressmaker.  I stayed in touch with our sister, Maggie, back home in New York, especially when she became a war widow.

I, too, am one and don't know who had it worse -- me being left with three small children, Joshua, Helen, and baby Josephine or my sister, Maggie, who later lost her young son.  He was her only child, named after her soldier husband, Florian, who never had a chance to meet him. Yes, it was hard raising my children, but at least they helped me cope with the loss of my husband, Nelson Vliet, but Maggie soon lost everyone. Even in death my children and their families gather here. My youngest, Josephine, and my son, Joshua are right here. A bit further away is my daughter, Helen, who married into the Clark family.

Fortunately Clarkston families all knew and supported each other within our three blocks. I was so relieved that Jedediah came back to my sister, Sarah! There were five Vliet cousins serving along with Nelson. Many people lost family members in the War of Rebellion (there was nothing Civil about that war). Another of Nelson's cousins, Mary, and I both have husbands who are not here. Both were “Guests of the Confederacy” dying in their prisons. Her's was at Libby Prison and my Nelson is buried at Andersonville Prison. This stone with his name on it is called a cenotaph. A cenotaph memorializes someone buried elsewhere.

Cenotaph at Lakeview  

 

 Andersonville Prison Cemetery with 13,714 P.O.W. graves, of which 921 are marked "unknown"

N. Vliet tombstone at Andersonville


I don't like to talk about Andersonville, but maybe it's sufficient to say that after the war the camp commander was tried by a military tribunal for war crimes, found guilty, and hung. Even at that it was a quick death for him unlike the men he held prisoner. It's a miracle anyone lived to walk out of there. When they did, they looked like skeletons. Even then it shortened the lives of the survivors from dysentery. The water you see down there in Cemetery Lake is cleaner than what they had to drink at Andersonville.

But before all of that, and even before I married Nelson, he built our family house that stands near the intersection of Holcomb, just down the street at 11 South Holcomb. He did it with his father “Wiltsie” or Wilson Vliet. 

Nelson was the oldest of nine and the first generation after his parents came from Germany.  Wiltsie was the town cabinet maker and carpenter and would even make you a boat if you needed one! Nelson lived in that house with his first wife, Sarah, and their infant son, Alonzo. Sarah and their baby died in the same year. That happened a lot back then. Some of Clarkston's knowing and supporting each other came naturally since Nelson and I had both lived in the same New York town, Ludlowville. It was no surprise when Nelson and I went back there to get married in front of our relatives a year later.

It was a good start to our family, but too soon the war took him away with the 22d Michigan Volunteer Infantry. He mustered out in Pontiac under the command of former Governor Moses Wisner as their Colonel. Governor Wisner so wanted to take our Oakland County boys to defend the Union and end slavery. Wisner was a known abolitionist and even had his barn burned for championing that too often unpopular position. Wisner, too, didn't survive, but instead died of Typhoid Fever just a month later.

With their being the twenty-second infantry regiment you can see why Lincoln had been so happy with the many volunteer regiments from Michigan.  He was known for saying “Thank God for Michigan!” At first it looked like the 22d would be spared. They were in Kentucky until the spring of '63, then on to Nashville to guard the railroad which carried Union supplies through the summer. Unfortunately in September they were sent to Georgia for the Battle of Chickamauga. (My sister, Sarah's husband, Jedediah Yager, as a blacksmith was at Chickamauga with his Michigan cavalry regiment and will tell you more as you go further on your Cemetery Walk.) We all went down to the Clarkston rail depot to get the Detroit newspapers telling about how the war was going and learn of any casualties.  Chickamauga was the first major defeat for the Union. Only Gettysburg had higher casualties, but the main cause of Union deaths overall during the war was disease and that included my Nelson.

You may notice his grave also has the marker saying G.A.R. That stands for Grand Army of the Republic which after the war is the name for the Union Army veterans. Nelson was part of that army even though he didn't live to march in their reunions.

After the war I was one of many war widows. I supported our little family with my dressmaking. I also took solace in something called Decoration Day which eventually spread all over the country, even the south. We didn't have these paved roads, or even gravel roads from town to here at the time, but every year I gathered flowers and flags and walked down the hill from Clarkston, then up the hill to here, and decorated the ever increasing number of veterans from that war. Then it was down this hill and back up the hill to Clarkston again and home.

But children grow up and start their own lives. Here at the cemetery you passed the pink marble obelisk (they look like a finger pointing up to heaven) near your entrance. It was made for Charles Bower, who came from the same county in New York as I did. He, too, had lost a spouse, his wife. Their's had been a long marriage and we were both alone as our children were finally grown. After two years of talking and sharing our losses, we were ready to share our old age and my big empty home. He was 65 and I was 49. <sigh!> It was only for a year. At 50 I was twice a widow.

Over time my daughters, Helen a bit, but especially Josephine had also become involved in recognizing those who “gave their all.” Josephine even learned to become a dressmaker like me. When I died after still more years as a widow, she continued Decoration Day although it became Memorial Day and, shortly before she died, she passed the ceremony on to the American Legion. On what you call Memorial Day they remember all the veterans here complete with ladies in black dresses putting roses on the graves around the flag pole as part of the presentation.

This is a City of the Dead and here the people of Clarkston continue to know and support each other. I just wish my Nelson could be here instead of at Andersonville. 

***

As you may have noticed last week from the bottom of the poster for the Cemetery Walk it was: Sponsored by the National Society Daughters of the American Revolution, Sashabaw Plains Chapter with funds going to the Restoration of Lakeview Cemetery historic gravestones.  

Monthly during warm weather volunteer gravestone cleaning proceeds along with professional assistance from Carter Cemetery Restoration Company.  It was also in May the Eagle Scout project for James Lazur, a Clarkston High School senior. Dave Carter of Carter Cemetery Restoration Company  mentored James and his swim teammates as they learned to restore some of the historic headstones at the cemetery. James brought Scouts, family and friends to the cemetery to wash headstones. He planned, fundraised, and executed his project.

Clarkston Junior High students at the Vliet cenotataph, Elizabeth's grave marker is in the lower left 

In addition to the professional and monthly volunteer cleaning, Clarkston involvement continues with Clarkston Junior High School students in Mr. Alexander Sennabaum's American History classes coming to Lakeview Cemetery on Tuesday, May 24. They washed headstones in the historic area just to the left of the entrance to the cemetery. As a class project and Service Learning project, the students had researched the early citizens of Clarkston, and especially the Civil War soldiers from Clarkston. They had created a three to five minute video about the life of the early settlers or soldiers. Working with their Technology teacher, Mr. Sennabaum, and Mrs. Rogers, the Academic Service Learning Coordinator, they created a QR code for their video and it is printed on a blue plastic stake that is placed right next to the gravestone. Community members that visit the cemetery can scan the QR code, listen to the students' presentations and learn about the early settlers who founded Clarkston.

This is what you find from the QR code at Nelson Vliet's cenotaph.


Clearly Clarkston continues to know and support each other.

 

 


 



Friday, October 7, 2022

Lakeview Cemetery Walk and Richards - The Silver Crown - Keeping the Public in Public Domain

Hope to see you at this Cemetery Walk and I have a bit of information on why cemeteries are important plus a very brief story.  If you know Clarkston, I will become the owner of the green house at the intersection of Holcomb and Washington.  Elizabeth Vliet's husband was a "Guest of the Confederacy" and died at Andersonville Prison. 

I went looking and found this explanation of why cemeteries are important.  It originated with the Texas Historical Commission and my only changes are changing the state to Michigan because it's certainly true here and wherever you may be.

Importance of Cemeteries

Cemeteries are among the most valuable of historic resources. They are reminders of various settlement patterns, such as villages, rural communities, urban centers, and ghost towns. Cemeteries can reveal information about historic events, religions, lifestyles, and genealogy.

Names on gravemarkers serve as a directory of early residents and reflect the ethnic diversity and unique population of an area. Cultural influence in gravemarker design, cemetery decoration, and landscaping contribute to the complete narrative of Michigan history. Established in large part for the benefit of the living, cemeteries perpetuate the memories of the deceased, giving a place character and definition.

Unfortunately, historic cemeteries do not necessarily remain permanent reminders of our heritage. Across Michigan, they are threatened by development and expanding urban areas, natural forces such as weathering and uncontrolled vegetation, lack of fences to keep cattle from toppling headstones, and vandalism and theft, including removal of headstones and objects. Neglect accelerates and compounds the process.

If not recorded and cared for, these reminders of early settlements could be lost forever.

***

I tend to think of cemeteries as being Cities of the Dead -- rather like Spoon River Anthology, by Edgar Lee Masters and also adapted into a play and similarly the play, Our Town, by Thornton Wilder.  Just think of all the stories in any cemetery!

That started me looking for a story about cemeteries.  I found the title story in The Silver Crown; Another Book of Fables, but was surprised to discover a different Laura E. Richards story about The  Grave Diggers was here back in September 23, 2020 before other cemetery walks.  Richards has the skill to write something just big enough to cover the subject and keep it interesting.

THE SILVER CROWN

"And shall I be a king?" asked the child, "and shall I wear a crown?"

"You shall surely wear a crown," said the Angel, "and a kingdom is waiting for you."

"Oh, joy!" said the child. "But tell me, how will it come about? for now I am only a little child, and the crown would hardly stay on my curls."

"Nay! that I may not tell," said the Angel. "Only ride and run your best, for the way is long to your kingdom, and the time short."

So the child rode and ran his best, crossing hills and valleys, broad streams and foaming torrents. Here and there he saw people at work or at play, and on these he looked eagerly.

"Perhaps, when they see me," he said, "they will run to meet me, and will crown me with a golden crown, and lead me to their palace and throne me there as king!"

But the folk were all busy with their tasks or their sport, and none heeded him, or left their business for him; and still he must fare forward alone, for the Way called him.

Also, he came upon many travellers like himself, some coming toward him, others passing him by. On these, too, he looked earnestly, and would stop now one, now another, and question him.

"Do you know," he asked, "of any kingdom in these parts where the crown is ready and the folk wait for a king?"

Then one would laugh, and another weep, and another jeer, but all alike shook their heads.

"I am seeking crown and kingdom for myself," cried one; "is it likely that I can be finding one for you, too? Each one for himself, and the Way for all!"

Another said: "You seek in vain. There are no crowns, only fools' caps with asses' ears and bells that jingle in them."

But others, and these they who had been longest on the way, only looked on him, some sadly, some kindly, and made no answer; and still he fared onward, for the Way called him.

Now and then he stopped to help some poor soul who had fallen into trouble, and when he did that the way lightened before him, and he felt the heart light within him; but at other times the hurry was strong on him, so that he would turn away his face, and shut his ears to the cries that rang in them; and when he did that, the way darkened, and oftentimes he stumbled himself, and fell into pits and quagmires, and must cry for help, sometimes on those to whom he had refused it.

By and by he forgot about the crown and the kingdom; or if he thought of them, it was but as a far-off dream of dim gold, such as one sees at morning when the sun breaks through the mist. But still he knew that the way was long and the time short, and still he rode and ran his best.

At the last he was very weary, and his feet could carry him no further, when, looking up, he saw that the way came to an end before him, and there was a gate, and one in white sitting by it, who beckoned to him. Trembling, yet glad, the child drew near, and knew the Angel who had spoken to him at the beginning.

"Welcome!" said the Angel, "you come in good time. And what of the Way?"

"I came as fast as I could," said the child, "but many things hindered me, and now I am weary, and can go no further."

"But what did you find on the way?" asked the Angel.

"Oh! I found joy and sorrow," said the child, "good measure of both; but never a crown, such as you promised me, and never a kingdom."

"Oh, dear, foolish child," said the Angel. "You are wearing your crown. It is of purest silver, and shines like white frost; and as for your kingdom, the name of it is Rest, and here the entrance to it."

***

Cemeteries should make us think and want to know the stories there.  May you, too, earn a crown.

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This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

Other Public Domain story resources I recommend-

  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm

  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.
    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"

The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:        

         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html

         - Richard Martin - http://www.tellatale.eu/tales_page.html

         - Spirit of Trees - http://spiritoftrees.org/featured-folktales

         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.

       - World of Tales - http://www.worldoftales.com/ 

 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.

     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!

    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.

You can see why I recommend these to you. 

Have fun discovering even more stories

Thursday, October 7, 2021

Walking in a Graveyard

The phrase "somebody just walked over my grave" is a superstition about when a person gets a creepy chill.  Various sites give a dry explanation but U.K site, The Phrase Finder, gives a slightly fuller look at its medieval legendary origin, an American variant I'd forgotten, and a scientific explanation.  (It's an interesting site to prowl for sayings you may wonder about their origin.)

If you are in my area, please join me for yet another cemetery walk.  That's why I'm sending this out as yet a second early message.  A storyteller's life is filled with a calendar dotted with individual programs -- or at least it was before the schedule canceling caused by Covid.  Things have become end-of-warm-weather hectic as we stand on the brink of another winter once again unpredictable as to how storytelling, theatre, schools, libraries, museums and so much more will be affected.

I love doing what I call "running my mouth for fun and profit!"  Storytelling is my main focus with added bits of time substituting at a nearby library because I didn't want to lose my skills at another profession I love.  Covid has moved storytelling into the virtual world and caused me to look at what I do and why I do it.

Earlier this week I mentioned my undergraduate degree in Theatre Arts.  Theatre for me is addictive.  For many years my library schedule prevented returning to it.  The first time I was able once again to return, I found it sucking me back into its world.  Nowadays that means Community Theatre as most professional commitments would require more than my storytelling time permits.  Even that is limited to involvement within a half hour of my home.  At one point Michigan began offering more film work.  I confess to considering it, but never "got around to it."  Why?  My reluctance to convert my storytelling to a virtual platform revealed the reason.  

For several years at my first library job I had a weekly radio and later cable television program.  My theatre training permits my imagining an audience when performing alone, so why don't I seek virtual opportunities?  When a venue wants me to come and be filmed for presentation virtually, I will do it, BUT find even the smallest of audiences makes the process so much more rewarding.  Why?  Why do I do what I do?  Examining those questions revealed a need for audience response.  Even the less direct  (and slightly less satisfactory) involvement of directing a show still can give audience response.  Similarly doing online reference work lacks the public response a librarian receives over the desk or, at least, on the phone.  I require public contact and response in my work.  Movies, for example, lack that.  They give, at best, a delayed response.  

This blog is called "Storytelling + Research = LoiS", but I would hate to lose all interaction with an audience.  It's why I've never really followed through on switching to writing as a profession.  So if you're able to catch my storytelling, it probably will be a live performance.  Yes, I have some recorded programs, but, like snowflakes, each live performance is different.  The audience interaction in them makes a difference in how I present it.  When done just before a videographer it will differ somewhat from what I offer to an actual audience.  

A perfect example of that occurs this month in "spooky" programs offered to families possibly bringing preschoolers up through older children and still another to disabled adults touched by Covid deaths.  I must judge each group avoiding inappropriate material and present what is most likely to be what that audience can enjoy.  Former president Bill Clinton made famous the phrase "It's the economy, stupid" to explain what he saw as the critical deciding factor in elections.  For my storytelling it's the audience which is critical.  It would be stupid for me to eliminate their response in my work.  

That's the end of my self-examination and next week I will return to a story fitting this month's spooky nature.