Even as autumn's weather and holidays change, the pumpkin seems to be everywhere! Roadside stands, pumpkin in food, and pumpkin decorations manage to span from October through November. Next week I have a program requesting spooky, but not too scary, material. I have a small cauldron of jokes and riddles and an even bigger cauldron of stories and song parodies for the season. When I wanted to remind myself of the classic story of The Pumpkin Giant, I was shocked at how it had disappeared from library shelves! I only found a single copy of Ellin Greene's retelling of the story which definitely belongs in the Public Domain. While the original by Mary E. Wilkins (Freeman) is no doubt going to be simplified by the storyteller, it's a story with sly humor, a bit of scary, and more, deserving of annual featuring. I found it in various anthologies, but it dates back to 1892 and the classic The Pot of Gold and Other Stories. That link is to the Wikipedia article on the book, but the actual book, complete with the definitely classic Pumpkin Giant story, is at Project Gutenberg.
| Ellin Greene's retelling with illustrations by Trina Schart Hyman |
The story is a bit long for just one blog posting. I'm going to divide it in half with the very important conclusion next week. (The original book never names the illustrator.)
THE PUMPKIN GIANT.
A very long time ago, before our grandmother's time, or our great-grandmother's, or our grandmothers' with a very long string of greats prefixed, there were no pumpkins; people had never eaten a pumpkin-pie, or even stewed pumpkin; and that was the time when the Pumpkin Giant flourished.
There have been a great many giants who have flourished since the world begun, and although a select few of them have been good giants, the majority of them have been so bad that their crimes even more than their size have gone to make them notorious. But the Pumpkin Giant was an uncommonly bad one, and his general appearance and his behavior were such as to make one shudder to an extent that you would hardly believe possible. The convulsive shivering caused by the mere mention of his name, and, in some cases where the people were unusually sensitive, by the mere thought of him even, more resembled the blue ague than anything else; indeed was known by the name of "the Giant's Shakes."
The Pumpkin Giant was very tall; he probably would have overtopped most of the giants you have ever heard of. I don't suppose the Giant who lived on the Bean-stalk whom Jack visited, was anything to compare with him; nor that it would have been a possible thing for the Pumpkin Giant, had he received an invitation to spend an afternoon with the Bean-stalk Giant, to accept, on account of his inability to enter the Bean-stalk Giant's door, no matter how much he stooped.
The Pumpkin Giant had a very large yellow head, which was also smooth and shiny. His eyes were big and round, and glowed like coals of fire; and you would almost have thought that his head was lit up inside with candles. Indeed there was a rumor to that effect amongst the common people, but that was all nonsense, of course; no one of the more enlightened class credited it for an instant. His mouth, which stretched half around his head, was furnished with rows of pointed teeth, and he was never known to hold it any other way than wide open.
The Pumpkin Giant lived in a castle, as a matter of course; it is not fashionable for a giant to live in any other kind of a dwelling—why, nothing would be more tame and uninteresting than a giant in a two-story white house with green blinds and a picket fence, or even a brown-stone front, if he could get into either of them, which he could not.
The Giant's castle was situated on a mountain, as it ought to have been, and there was also the usual courtyard before it, and the customary moat, which was full of—bones! All I have got to say about these bones is, they were not mutton bones. A great many details of this story must be left to the imagination of the reader; they are too harrowing to relate. A much tenderer regard for the feelings of the audience will be shown in this than in most giant stories; we will even go so far as to state in advance, that the story has a good end, thereby enabling readers to peruse it comfortably without unpleasant suspense.
The Pumpkin Giant was fonder of little boys and girls than anything else in the world; but he was somewhat fonder of little boys, and more particularly of fat little boys.
The fear and horror of this Giant extended over the whole country. Even the King on his throne was so severely afflicted with the Giant's Shakes that he had been obliged to have the throne propped, for fear it should topple over in some unusually violent fit. There was good reason why the King shook: his only daughter, the Princess Ariadne Diana, was probably the fattest princess in the whole world at that date. So fat was she that she had never walked a step in the dozen years of her life, being totally unable to progress over the earth by any method except rolling. And a really beautiful sight it was, too, to see the Princess Ariadne Diana, in her cloth-of-gold rolling-suit, faced with green velvet and edged with ermine, with her glittering crown on her head, trundling along the avenues of the royal gardens, which had been furnished with strips of rich carpeting for her express accommodation.
But gratifying as it would have been to the King, her sire, under other circumstances, to have had such an unusually interesting daughter, it now only served to fill his heart with the greatest anxiety on her account. The Princess was never allowed to leave the palace without a body-guard of fifty knights, the very flower of the King's troops, with lances in rest, but in spite of all this precaution, the King shook.
Meanwhile amongst the ordinary people who could not procure an escort of fifty armed knights for the plump among their children, the ravages of the Pumpkin Giant were frightful. It was apprehended at one time that there would be very few fat little girls, and no fat little boys at all, left in the kingdom. And what made matters worse, at that time the Giant commenced taking a tonic to increase his appetite.
Finally the King, in desperation, issued a proclamation that he would knight any one, be he noble or common, who should cut off the head of the Pumpkin Giant. This was the King's usual method of rewarding any noble deed in his kingdom. It was a cheap method, and besides everybody liked to be a knight.
When the King issued his proclamation every man in the kingdom who was not already a knight, straightway tried to contrive ways and means to kill the Pumpkin Giant. But there was one obstacle which seemed insurmountable: they were afraid, and all of them had the Giant's Shakes so badly, that they could not possibly have held a knife steady enough to cut off the Giant's head, even if they had dared to go near enough for that purpose.
There was one man who lived not far from the terrible Giant's castle, a poor man, his only worldly wealth consisting in a large potato-field and a cottage in front of it. But he had a boy of twelve, an only son, who rivaled the Princess Ariadne Diana in point of fatness. He was unable to have a body-guard for his son; so the amount of terror which the inhabitants of that humble cottage suffered day and night was heart-rending. The poor mother had been unable to leave her bed for two years, on account of the Giant's Shakes; her husband barely got a living from the potato-field; half the time he and his wife had hardly enough to eat, as it naturally took the larger part of the potatoes to satisfy the fat little boy, their son, and their situation was truly pitiable.
The fat boy's name was Æneas, his father's name was Patroclus, and his mother's Daphne. It was all the fashion in those days to have classical names. And as that was a fashion as easily adopted by the poor as the rich, everybody had them. They were just like Jim and Tommy and May in these days. Why, the Princess's name, Ariadne Diana, was nothing more nor less than Ann Eliza with us.
One morning Patroclus and Æneas were out in the field digging potatoes, for new potatoes were just in the market. The Early Rose potato had not been discovered in those days; but there was another potato, perhaps equally good, which attained to a similar degree of celebrity. It was called the Young Plantagenet, and reached a very large size indeed, much larger than the Early Rose does in our time.
Well, Patroclus and Æneas had just dug perhaps a bushel of Young Plantagenet potatoes. It was slow work with them, for Patroclus had the Giant's Shakes badly that morning, and of course Æneas was not very swift. He rolled about among the potato-hills after the manner of the Princess Ariadne Diana; but he did not present as imposing an appearance as she, in his homespun farmer's frock.
All at once the earth trembled violently. Patroclus and Æneas looked up and saw the Pumpkin Giant coming with his mouth wide open. "Get behind me, O, my darling son!" cried Patroclus.
Æneas obeyed, but it was of no use; for you could see his cheeks each side his father's waistcoat.
Patroclus was not ordinarily a brave man, but he was brave in an emergency; and as that is the only time when there is the slightest need of bravery, it was just as well.
The Pumpkin Giant strode along faster and faster, opening his mouth wider and wider, until they could fairly hear it crack at the corners.
Then Patroclus picked up an enormous Young Plantagenet and threw it plump into the Pumpkin Giant's mouth. The Giant choked and gasped, and choked and gasped, and finally tumbled down and died.
HE PICKED UP AN ENORMOUS YOUNG PLANTAGENET AND THREW IT AT HIM.
Patroclus and Æneas while the Giant was choking, had run to the house and locked themselves in; then they looked out of the kitchen window; when they saw the Giant tumble down and lie quite still, they knew he must be dead. Then Daphne was immediately cured of the Giant's Shakes, and got out of bed for the first time in two years. Patroclus sharpened the carving-knife on the kitchen stove, and they all went out into the potato-field.
They cautiously approached the prostrate Giant, for fear he might be shamming, and might suddenly spring up at them and—Æneas. But no, he did not move at all; he was quite dead. And, all taking turns, they hacked off his head with the carving-knife. Then Æneas had it to play with, which was quite appropriate, and a good instance of the sarcasm of destiny.
The King was notified of the death of the Pumpkin Giant, and was greatly rejoiced thereby. His Giant's Shakes ceased, the props were removed from the throne, and the Princess Ariadne Diana was allowed to go out without her body-guard of fifty knights, much to her delight, for she found them a great hindrance to the enjoyment of her daily outings.
It was a great cross, not to say an embarrassment, when she was gleefully rolling in pursuit of a charming red and gold butterfly, to find herself suddenly stopped short by an armed knight with his lance in rest.
But the King, though his gratitude for the noble deed knew no bounds, omitted to give the promised reward and knight Patroclus.
***
The terrible Pumpkin Giant may be dead, but the story is far from over. While your "Giant's Shakes" may seem cured, please be sure to check back for the true ending next week.
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This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain." The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering new stories.
At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience. Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week. This is a return to my regular posting of a research project here. (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.) Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection. I have long recommended it and continue to do so. He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories. There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.
Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
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