Tell me if you have a topic you'd like to see. (Contact: LoiS-sez@LoiS-sez.com .)
Please also let others know about this site.

Friday, September 26, 2025

Skinner - The Devil in Prison - Keeping the Public in Public Domain

It's Hispanic Heritage Month, a time apt to catch us off guard as it starts on September 15 rather than the first. 

by Enrique R 
Charles M. Skinner is one of the few anthologists of Hispanic Heritage in Public Domain. (Next year that number will increase to give even more stories.) Looking at his Myths & Legends Beyond Our Borders there are several stories worth noting. This tale comes from the Mexican border town, Ojinaga, so close to the United States yet remote because of Pegüis Canyon, where today's story occurs. While Ojinaga is directly opposite Presidio, Texas, the ten miles of steep limestone cliffs and its Conchos River make it seem a world apart. The town's rural nature remains even as Wikipedia sadly states "Because of its location on the Río Grande border between Chihuahua and the U.S. state of Texas, Ojinaga is often a station for narcotic smuggling and illegal immigration."

Today's story steps back into "some forgotten year in the eighteenth century." 


The little church at the top of the canyon no longer seems to exist. Tourist information only mentions "In addition, the canyon also cave paintings with that date back of thousands years." Sadly the Devil is no longer "in Prison."
 
freepik.com

 **********************

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."




 

Friday, September 19, 2025

Vernon Jones/Aesop - The Bat and the Weasels - Keeping the Public in Public Domain

Another bit  of popular culture invades the calendar as DC Comics has declared September 20 Batman Day. https://comicbookclublive.com/2025/09/16/dc-comics-announces-batman-day-2025-festivities/ can fill you in on what that involves if it interests you. It made me look at real bats and what stories might go with them.

Bats bring many benefits, even though people misunderstand them. "What will understanding bat social behavior and reproductive strategies do to protect bat populations?" is the latest of many articles giving their value. My neighbors had to have bats removed from inside the siding of their old farmhouse. At the same time our neighborhood has bat houses and I hope those bats catch many insects. 

Aesop fables offer two batty stories, "The Bat, Birds and Beasts" and today's story of "The Bat and the Weasels." Essentially they are the same tale with the dual nature of the bat being the point of the story. A few week's ago I used the Vernon Jones version of  an Aesop tale and found I liked his version of "The Bat and the Weasels." That includes his interpretation of the story's moral. 

Nowadays most storytellers don't include telling their opinion of the moral, letting the audience form their own. In prowling for the right bat story from the many versions of Aesop, I found I wanted to include the moral he gives. I suggest telling the story without the moral, then possibly, after allowing a bit of time for the audience to form their own moral, give his. It seems particularly appropriate both in today's divided political climate and in the discussion of whether a moral should be stated or not.

THE BAT AND THE WEASELS

A Bat fell to the ground and was caught by a Weasel, and was just going to be killed and eaten when it begged to be let go. The Weasel said he couldn't do that because he was an enemy of all birds on principle. "Oh, but," said the Bat, "I'm not a bird at all: I'm a mouse." "So you are," said the Weasel, "now I come to look at you"; and he let it go. Some time after this the Bat was caught in just the same way by another Weasel, and, as before, begged for its life. "No," said the Weasel, "I never let a mouse go by any chance." "But I'm not a mouse," said the Bat; "I'm a bird." "Why, so you are," said the Weasel; and he too let the Bat go.

*** 

Look and see which way the wind blows before you commit yourself.

********

May the wind always blow the wisdom found in ancient fables your way. May you also not have any "bats in your belfry", just stories. At the same time may bats continue doing what they do best for the environment!

********************************** 

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."

 

Friday, September 12, 2025

Brayman - Adventure with Pirates - Keeping the Public in Public Domain

AARGH! It's time for this year's story for the International Talk Like A Pirate Day. 

You can sing along with co-creators Baur and Summers and syndicated humor columnist Dave Barry (whose promotion really publicized Talk Like a Pirate Day) on their "Drunken Sailor" Sing Along A-Go-Go video.[6] Beyond that, Michigan filk musician Tom Smith wrote the original "Talk Like a Pirate Day" song in 2003.

Of course the holiday demands finding a pirate story and that can be a bit like "walking the plank."

James O. Brayman calls himself the editor  of Thrilling Adventures by Land and Sea which he goes on to add "BEING REMARKABLE HISTORICAL FACTS, GATHERED FROM AUTHENTIC SOURCES." What those sources might be is never given, but his Preface gives a clue to what interested him and, he trusted, his readers:  

There is in the adventures of the daring and heroic, something that interests all. There is a charm about them which, while it partakes of the nature of Romance, does not exercise the same influence upon the mind or heart. When there are noble purposes and noble ends connected with them, they excite in the mind of the reader, noble impulses.

There are many stories in the book, but, of course, "Adventure with Pirates" caught my eye. Its tale of resourcefulness in danger is enjoyable. The most difficult thing about it is the need for a bit of explanation of nautical terms to landlubbers. "Grapling" is a grappling iron, "a hooked iron used for grappling and holding fast a vessel or other object" and it's fastened to a rope connecting two ships or a ship and an object. A Spar is any pole used to support sails (mast, boom, gaff). A Gaff is the angled spar that forms the top edge (head) of a gaff sail. The Halyard is the rope (line) that hoists a sail or a spar. 

This AI illustration of a sail might help. 

Now to hear the tale of an old Maine fisherman and his four sons forced to outwit a pirate.

ADVENTURE WITH PIRATES.

There lived, not many years ago, on the eastern shore of Mt. Desert--a large island off the coast of Maine--an old fisherman, by the name of Jedediah Spinnet, who owned a schooner of some hundred tons burden, in which he, together with some four stout sons, was wont to go, about once a year, to the Grand Banks, for the purpose of catching codfish. The old man had five things, upon the peculiar merits of which he loved to boast--his schooner, "Betsy Jenkins," and his four sons. The four sons were all their father represented them to be, and no one ever doubted his word, when he said that their like was not to be found for fifty miles around. The oldest was thirty-two, while the youngest had just completed his twenty-sixth year, and they answered to the names of Seth, Andrew, John, and Samuel.

One morning a stranger called upon Jedediah to engage him to take to Havana some iron machinery belonging to steam engines for sugar plantations. The terms were soon agreed upon, and the old man and his sons immediately set about putting the machinery on board; that accomplished, they set sail for Havana, with a fair wind, and for several days proceeded on their course without any adventure of any kind. One morning, however, a vessel was descried off their starboard quarter, which, after some hesitation, the old man pronounced a pirate. There was not much time allowed them for doubting, for the vessel soon saluted them with a very agreeable whizzing of an eighteen pound shot under the stern.

"That means for us to heave to," remarked the old man.

"Then I guess we'd better do it hadn't we?" said Seth.

"Of course."

Accordingly, the Betsy Jenkins was brought up into the wind, and her main-boom hauled over to windward.

"Now boys," said the old man, as soon as the schooner came to a stand, "all we can do is to be as cool as possible, and to trust to fortune. There is no way to escape that I can see now; but, perhaps, if we are civil, they will take such stuff as they want, then let us go. At any rate there is no use crying about it, for it can't be helped. Now get your pistols, and see that they are surely loaded, and have your knives ready, but be sure and hide them, so that the pirates shall see no show of resistance. In a few moments all the arms which the schooner afforded, with the exception of one or two old muskets, were secured about the persons of our Down Easters, and they quietly awaited the coming of the schooner.

"One word more, boys," said the old man, just as the pirate came round under the stern.

"Now watch every movement I make, and be ready to jump the moment I speak."

As Captain Spinnet ceased speaking, the pirate luffed under the fisherman's lee-quarter, and, in a moment more, the latter's deck was graced with the presence of a dozen as savage-looking mortals as eyes ever rested upon.

"Are you the captain of this vessel," demanded the leader of the boarders, as he approached the old man.

"Yes sir."

"What is your cargo?"

"Machinery for ingines."

"Nothing else?" asked the pirate with a searching look.

At this moment, Captain Spinnet's eye caught what looked like a sail off to the southward and eastward, but no sign betrayed the discovery, and, while a brilliant idea shot through his mind, he hesitatingly replied:

"Well, there is a leetle something else."

"Ha! and what is it?"

"Why, sir, perhaps I hadn't ought to tell," said Captain Spinnet, counterfeiting the most extreme perturbation. "You see, 'twas given to me as a sort of trust, an' 't wouldn't be right for me to give up. You can take any thing else you please, for I s'pose I can't help myself."

"You are an honest codger, at any rate," said the pirate; "but, if you would live ten minutes longer, just tell me what you've got on board, and exactly where it lays."

The sight of the cocked pistol brought the old man to his senses, and, in a deprecating tone, he muttered:

"Don't kill me, sir, don't, I'll tell you all. We have got forty thousand silver dollars nailed up in boxes and stowed away under some of the boxes just forward of the cabin bulkhead, but Mr. Defoe didn't suspect that any body would have thought of looking for it there."

"Perhaps so," chuckled the pirate, while his eyes sparkled with delight. And then, turning to his own vessel, he ordered all but three of his men to jump on board the Yankee.

In a few moments the pirates had taken off the hatches, and, in their haste to get at the "silver dollars," they forgot all else; but not so with Spinnet; he had his wits at work, and no sooner had the last of the villains disappeared below the hatchway, than he turned to his boys.

"Now, boys, for our lives. Seth, you clap your knife across the fore throat and peak halyards; and you, John, cut the main. Be quick now, an' the moment you've done it, jump aboard the pirate. Andrew and Sam, you cast off the pirate's graplings; an' then you jump--then we'll walk into them three chaps aboard the clipper. Now for it."

No sooner were the last words out of the old man's mouth, than his sons did exactly as they had been directed. The fore and main halyards were cut, and the two graplings cast off at the same instant, and, as the heavy gaffs came rattling down, our five heroes leaped on board the pirate. The moment the clipper felt at liberty, her head swung off, and, before the astonished buccaneers could gain the decks of the fisherman, their own vessel was a cable's length to leeward, sweeping gracefully away before the wind, while the three men left in charge were easily secured.

"Halloa, there!" shouted Captain Spinnet, as the luckless pirates crowded around the lee gangway of their prize, "when you find them silver dollars, just let us know, will you?"

Half a dozen pistol shots was all the answer the old man got, but they did him no harm; and, crowding up all sail, he made for the vessel he had discovered, which lay dead to leeward of him, and which he made out to be a large ship. The clipper cut through the water like a dolphin, and, in a remarkably short space of time, Spinnet luffed up under the ship's stern, and explained all that had happened. The ship proved to be an East Indiaman, bound for Charleston, having, all told, thirty men on board, twenty of whom at once jumped into the clipper and offered their services in helping to take the pirate.

Before dark, Captain Spinnet was once more within hailing distance of his own vessel, and raising a trumpet to his mouth, he shouted:

"Schooner ahoy! Will you quietly surrender yourselves prisoners, if we come on board!"

"Come and try it!" returned the pirate captain, as he brandished his cutlass above his head in a threatening manner, which seemed to indicate that he would fight to the last.

But that was his last moment, for Seth was crouched below the bulwarks, taking deliberate aim along the barrel of a heavy rifle, and, as the bloody villain was in the act of turning to his men, the sharp crack of Seth Spinnet's weapon rang its fatal death-peal, and the next moment the captain fell back into the arms of his men, with a brace of bullets in his heart.

"Now," shouted the old man, as he leveled the long pivot gun, and seized a lighted match, "I'll give you just five minutes to make your minds up in, and, if you don't surrender, I'll blow every one of you into the other world."

The death of their captain, and, withal the sight of the pivot gun--its peculiar properties they knew full well--brought the pirates to their senses, and they threw down their weapons, and agreed to give themselves up.

In two days from that time, Captain Spinnet delivered his cargo safely in Havana, gave the pirates into the hands of the civil authorities, and delivered the clipper up to the government, in return for which, he received a sum of money sufficient for an independence during the remainder of his life, as well as a very handsome medal from the government.

****

While Brayman doesn't bother to give his sources, I like that he says they are "REMARKABLE HISTORICAL FACTS, GATHERED FROM AUTHENTIC SOURCES." Of course those sources are all long gone, so if it's a "fish tale" there's no one around now to deny it.  It might even be possible that up around Mt. Desert--a large island off the coast of Maine -- folks still talk about an old fisherman by the name of Jedediah Spinnet, I think he deserves to be remembered.

****************************

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."

 

 

Friday, September 5, 2025

Babbitt - The Penny-Wise Monkey - Keeping the Public in Public Domaihn

Like many with a bit of change in my pocket, I've been thinking about the coming demise of the penny. Then I found this 

 

kenr2155
To give credit to the artist I tried to find a bit more about The Unknown Punster. It looks as if he (Ken R 2155) hangs out on Pinterest

I sometimes change the common saying that puns are the lowest form of humor. Puns are the LoiS form of humor!

Possibly I should join The Unknown Punster's 1,500 followers.  

So many sayings about pennies have been part of our culture. Looking through folk literature I found a very appropriate (and timely!) story that fits the "penny wise/pound foolish" idea. Will future translations from the Sanskrit need to change the title?

THE PENNY-WISE MONKEY

Once upon a time the king of a large and rich country gathered together his army to take a faraway little country. The king and his soldiers marched all morning long and then went into camp in the forest.

When they fed the horses they gave them some peas to eat. One of the Monkeys living in the forest saw the peas and jumped down to get some of them. He filled his mouth and hands with them, and up into the tree he went again, and sat down to eat the peas.

As he sat there eating the peas, one pea fell from his hand to the ground. At once the greedy Monkey dropped all the peas he had in his hands, and ran down to hunt for the lost pea. But he could not find that one pea. He climbed up into his tree again, and sat still looking very glum. "To get more, I threw away what I had," he said to himself.

The king had watched the Monkey, and he said to himself: "I will not be like this foolish Monkey, who lost much to gain a little. I will go back to my own country and enjoy what I now have."

So he and his men marched back home. 

***

Ellen C. Babbitt's More Jataka Tales was the source of that and her first book of Jataka Tales with her translation from the Sanskrit of early Buddhist fables is equally good. 

Her Foreword to the second book gives even more background: The Jataka tales, regarded as historic in the Third Century B. C., are the oldest collection of folk-lore extant. They come down to us from that dim far-off time when our forebears told tales around the same hearth fire on the roof of the world. Professor Rhys Davids speaks of them as "a priceless record of the childhood of our race. The same stories are found in Greek, Latin, Arabic, Persian, and in most European languages. The Greek versions of the Jataka tales were adapted and ascribed to the famous storyteller, Aesop, and under his name handed down as a continual feast for the children in the West,--tales first invented to please and instruct our far-off cousins in the East." Here East, though East, meets West!  

Whether it's a penny or inflated to a nickel for your thoughts, it's a story with wisdom worth sharing. 

******************

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."