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Friday, December 23, 2022

Alcott - A Christmas Dream - Part 4 - Keeping the Public in Public Domain

Just as Christmas is about to happen, complete with the "blizzard of a generation" possibly requiring everybody to snuggle together, Louisa May Alcott's“The Christmas Dream and How It Came to Be True” seems to bring a similar snuggly but practical feeling to its ending.  Gradesaver.com freely recognizes its inspiration in Charles Dickens' A Christmas Carol, but notes that, "In fact, the plot itself is something of a reworking of the redemptive plot of that ghost story masquerading as Christmas. Like Scrooge, Alcott’s young heroine learns the true meaning of Christmas after being dreaming of being visited by spirit of Christmas. Alcott, however, gives the familiar story a twist ending worthy of O. Henry or The Twilight Zone."

Let's see if you agree.  One other quick note, in Lulu’s Library there's no mention of an illustrator for the sole picture included and the signature is no help to researchers today.

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The next day was a very strange one; for when she woke there was no stocking to examine, no pile of gifts under her napkin, no one said "Merry Christmas!" to her, and the dinner was just as usual to her. Mamma vanished again, and Nursey kept wiping her eyes and saying: "The dear things! It's the prettiest idea I ever heard of. No one but your blessed ma could have done it."

"Do stop, Nursey, or I shall go crazy because I don't know the secret!" cried Effie, more than once; and she kept her eye on the clock, for at seven in the evening the surprise was to come off.

The longed-for hour arrived at last, and the child was too excited to ask questions when Nurse put on her cloak and hood, led her to the carriage, and they drove away, leaving their house the one dark and silent one in the row.

"I feel like the girls in the fairy tales who are led off to strange places and see fine things," said Effie, in a whisper, as they jingled through the gay streets.

"Ah, my deary, it is like a fairy tale, I do assure you, and you will see finer things than most children will tonight. Steady, now, and do just as I tell you, and don't say one word whatever you see," answered Nursey, quite quivering with excitement as she patted a large box in her lap, and nodded and laughed with twinkling eyes.

They drove into a dark yard, and Effie was led through a back door to a little room, where Nurse coolly proceeded to take off not only her cloak and hood, but her dress and shoes also. Effie stared and bit her lips, but kept still until out of the box came a little white fur coat and boots, a wreath of holly leaves and berries, and a candle with a frill of gold paper round it. A long "Oh!" escaped her then; and when she was dressed and saw herself in the glass, she started back, exclaiming, "Why, Nursey, I look like the spirit in my dream!"

"So you do; and that's the part you are to play, my pretty! Now whist, while I blind your eyes and put you in your place."

"Shall I be afraid?" whispered Effie, full of wonder; for as they went out she heard the sound of many voices, the tramp of many feet, and, in spite of the bandage, was sure a great light shone upon her when she stopped.

"You needn't be; I shall stand close by, and your ma will be there."

After the handkerchief was tied about her eyes, Nurse led Effie up some steps, and placed her on a high platform, where something like leaves touched her head, and the soft snap of lamps seemed to fill the air.

Music began as soon as Nurse clapped her hands, the voices outside sounded nearer, and the tramp was evidently coming up the stairs.

"Now, my precious, look and see how you and your dear ma have made a merry Christmas for them that needed it!"

Off went the bandage; and for a minute Effie really did think she was asleep again, for she actually stood in "a grove of Christmas trees," all gay and shining as in her vision. Twelve on a side, in two rows down the room, stood the little pines, each on its low table; and behind Effie a taller one rose to the roof, hung with wreaths of popcorn, apples, oranges, horns of candy, and cakes of all sorts, from sugary hearts to gingerbread Jumbos. On the smaller trees she saw many of her own discarded toys and those Nursey bought, as well as heaps that seemed to have rained down straight from that delightful Christmas country where she felt as if she was again.

"How splendid! Who is it for? What is that noise? Where is mamma?" cried Effie, pale with pleasure and surprise, as she stood looking down the brilliant little street from her high place.

Before Nurse could answer, the doors at the lower end flew open, and in marched twenty-four little blue-gowned orphan girls, singing sweetly, until amazement changed the song to cries of joy and wonder as the shining spectacle appeared. While they stood staring with round eyes at the wilderness of pretty things about them, mamma stepped up beside Effie, and holding her hand fast to give her courage, told the story of the dream in a few simple words, ending in this way:--

"So my little girl wanted to be a Christmas spirit too, and make this a happy day for those who had not as many pleasures and comforts as she has. She likes surprises, and we planned this for you all. She shall play the good fairy, and give each of you something from this tree, after which every one will find her own name on a small tree, and can go to enjoy it in her own way. March by, my dears, and let us fill your hands."

Nobody told them to do it, but all the hands were clapped heartily before a single child stirred; then one by one they came to look up wonderingly at the pretty giver of the feast as she leaned down to offer them great yellow oranges, red apples, bunches of grapes, bonbons, and cakes, till all were gone, and a double row of smiling faces turned toward her as the children filed back to their places in the orderly way they had been taught.

Then each was led to her own tree by the good ladies who had helped mamma with all their hearts; and the happy hubbub that arose would have satisfied even Santa Claus himself,--shrieks of joy, dances of delight, laughter and tears (for some tender little things could not bear so much pleasure at once, and sobbed with mouths full of candy and hands full of toys). How they ran to show one another the new treasures! how they peeped and tasted, pulled and pinched, until the air was full of queer noises, the floor covered with papers, and the little trees left bare of all but candles!

"I don't think heaven can be any gooder than this," sighed one small girl, as she looked about her in a blissful maze, holding her full apron with one hand, while she luxuriously carried sugar-plums to her mouth with the other.

"Is that a truly angel up there?" asked another, fascinated by the little white figure with the wreath on its shining hair, who in some mysterious way had been the cause of all this merry-making.

"I wish I dared to go and kiss her for this splendid party," said a lame child, leaning on her crutch, as she stood near the steps, wondering how it seemed to sit in a mother's lap, as Effie was doing, while she watched the happy scene before her.

Effie heard her, and remembering Tiny Tim, ran down and put her arms about the pale child, kissing the wistful face, as she said sweetly, "You may; but mamma deserves the thanks. She did it all; I only dreamed about it."

Lame Katy felt as if "a truly angel" was embracing her, and could only stammer out her thanks, while the other children ran to see the pretty spirit, and touch her soft dress, until she stood in a crowd of blue gowns laughing as they held up their gifts for her to see and admire.

Mamma leaned down and whispered one word to the older girls; and suddenly they all took hands to dance round Effie, singing as they skipped.

It was a pretty sight, and the ladies found it hard to break up the happy revel; but it was late for small people, and too much fun is a mistake. So the girls fell into line, and marched before Effie and mamma again, to say goodnight with such grateful little faces that the eyes of those who looked grew dim with tears. Mamma kissed every one; and many a hungry childish heart felt as if the touch of those tender lips was their best gift. Effie shook so many small hands that her own tingled; and when Katy came she pressed a small doll into Effie's hand, whispering, "You didn't have a single present, and we had lots. Do keep that; it's the prettiest thing I got."

"I will," answered Effie, and held it fast until the last smiling face was gone, the surprise all over, and she safe in her own bed, too tired and happy for anything but sleep.

"Mamma, it was a beautiful surprise, and I thank you so much! I don't see how you did it; but I like it best of all the Christmases I ever had, and mean to make one every year. I had my splendid big present, and here is the dear little one to keep for love of poor Katy; so even that part of my wish came true."

And Effie fell asleep with a happy smile on her lips, her one humble gift still in her hand, and a new love for Christmas in her heart that never changed through a long life spent in doing good.

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I'm always torn between giving information critical to a story before presenting it or letting the tale be told first. Similarly making comments after a story can seem like telling an audience how to react.  In the past, when this was done evaluating works in a literature class, I called it a process that "takes the wings off a butterfly."  This story needs very little evaluation.  The story presents itself.  If you want evaluation, go to Gradesaver.com.  If you want the story online, go to Project Gutenberg (and please support them!) for volume one of three 1886 copies of Lulu's LibraryIt was published two years before Alcott's death.  

My copy of Lulu's Library is a reprint claiming to be the “Complete Authorized Edition” by Grosset & Dunlap of the Little, Brown edition, but this story is not in it.  My copy has nine stories, while that  Project Gutenberg volume one edition has 12.  If you are buying, avoid this version:

I'm a great believer in Public Domain, but if a book claims to be Alcott's “Complete Authorized Edition” of her 1885 copyright it needs all stories, most definitely including this story.

Now before we wrap and unwrap Christmas packages I've a film recommendation: The Man Who Invented Christmas.  In a review, Time magazine mentioned that "some major plot points are the product of dramatic license" but concluded that the film "does provide viewers with a fairly accurate sense of how Dickens successfully changed the way Christmas is celebrated".  Alcott never aimed that high, but her story's final part is a worthwhile addition.

Merry Christmas (and Happy Hanukkah) to you and keep stories alive by retelling them.

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This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

Other Public Domain story resources I recommend-

  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm

  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.
    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"

The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:        

         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html

         - Richard Martin - http://www.tellatale.eu/tales_page.html

         - Spirit of Trees - http://spiritoftrees.org/featured-folktales

         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.

       - World of Tales - http://www.worldoftales.com/ 

 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.

     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!

    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.

You can see why I recommend these to you. 

Have fun discovering even more stories

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