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Friday, November 17, 2023

Aesop - Buried Treasure - Keeping the Public in Public Domain

London-based storyteller, Olivia Armstrong - Storyteller @Oliviasstories, on X(formerly Twitter) for MythologyMonday said: 

Even calling upon the correct god during farming was a task for Roman farmers! 

There was Sterculinus, who fertilised the earth, Vervactor who cleared the land for planting,   Redarator did the digging, Sator sowed and Occator harrowed ...  #Mythology Monday

Photo by Sheila Terry - Science Photo Library

Olivia graciously let me reprint her "tweet."  When I asked to identify that mosaic, she sent me to Science Photo Library where there is even more information.  I was especially interested in its talk of soil exhaustion and erosion.  The more marginal land was converted to olive groves and vines and many forms of today's story are set in vineyards.  I prefer placing the story over an entire farm.

This month I decided to give here some of the stories related to Thanksgiving or Gratitude Month.  At the same time I realize how easy it is to be the overlooked part of what is being called HalloThanksMas.

(found at https://imgflip.com/i/5todyw)

One of my favorite stories is an Aesop tale.  This fable I first discovered as a picture book called Buried Treasure, so that is the way I think of it.  Aesop's short teaching stories have been translated innumerable times, telling this story with varying details just as the facts about Aesop vary.  Still the stories date back to the Graeco-Roman times, so the opening information about Roman farmers is appropriate 

I chose The Aesop for Children; with pictures by Milo Winter(No mention of an author, beyond Aesop is given.)  Why a children's version when Aesop also fits adults?  It tends to give a slightly fuller view of the brief story.  I also must comment on giving "the moral of the story."  Nowadays such morals are never or rarely given, although it may sometimes be woven into the final action.  Why is it now omitted?  Besides making these teaching tales "preachy", it is entirely possible the listeners may each have appropriate but different conclusions.  The Aesop for Children was published in 1919 and gives a moral at its conclusion.  I will give it, but try to avoid reading it first and think of your own conclusion.  It may be quite different.

THE FARMER AND HIS SONS

THE FARMER AND HIS SONS

A rich old farmer, who felt that he had not many more days to live, called his sons to his bedside.

"My sons," he said, "heed what I have to say to you. Do not on any account part with the estate that has belonged to our family for so many generations. Somewhere on it is hidden a rich treasure. I do not know the exact spot, but it is there, and you will surely find it. Spare no energy and leave no spot unturned in your search."

The father died, and no sooner was he in his grave than the sons set to work digging with all their might, turning up every foot of ground with their spades, and going over the whole farm two or three times.

No hidden gold did they find; but at harvest time when they had settled their accounts and had pocketed a rich profit far greater than that of any of their neighbors, they understood that the treasure their father had told them about was the wealth of a bountiful crop, and that in their industry had they found the treasure.

Industry is itself a treasure.

***

Have a great, thankful part of Hallowthanksmas!

(from theodysseyonline.com)






********************

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

Other Public Domain story resources I recommend-

  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm

  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.
    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"

The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:        

         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html

         - Richard Martin - http://www.tellatale.eu/tales_page.html

         - Spirit of Trees - http://spiritoftrees.org/featured-folktales

         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for December 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.

       - World of Tales - http://www.worldoftales.com/ 

 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.

     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!

    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.

You can see why I recommend these to you. 

Have fun discovering even more stories

Friday, November 10, 2023

Grimm - Cat and Mouse in Partnership - Keeping the Public in Public Domain

This month is offiffiffic'ally Gratitude Month.  Of course Thanksgiving shines over the entire month.  This past week I did a Thanksgiving program, telling stories of gratitude, kindness, and thanksgiving.  I had 19 stories, more stories than could fit one program.  I did my favorite way of personalizing it by writing each story title on a separate strip of paper and putting all the strips in a cast iron pot, explaining it was the type of pot used to cook that first Thanksgiving feast.  I said we would go around the room, letting participants reach in to pull out a story.  We were able to go around more than once.

Not every story ended with gratitude or kindness.  Today's story is one of those stories forming a warning about trusting all to end happily.  It's called "Cat and Mouse in Partnership." Now what could possibly go wrong with a pairing like that?

I wanted to use here a picture by Arthur Rackham in a Public Domain book, Grimm's Fairy Tales, he did in 1909.  The book was a breakthrough for Rackham.  If you want to know more, go to https://vintageillustrators.weebly.com/grimms-fairy-tales-332160.html --  Rackham truly shaped book illustration.  Unfortunately that book isn't online and I don't own it.  I do, however, have a copy of his illustration of the story from the Weebly article and will insert it within this version from Household Stories on Gutenberg.org  The online book is from the partnership of Lucy and Walter Crane and also produces some delightful illustrations, but in black and white.


48 
 
 CAT & MOUSE in PARTNERSHIP.
 Acat having made acquaintance with a mouse, professed such great love and friendship for her, that the mouse at last agreed that they should live and keep house together.

"We must make provision for the winter," said the cat, "or we shall suffer hunger, and you, little mouse, must not stir out, or you will be caught in a trap."

So they took counsel together and bought a little pot of fat. And then they could not tell where to put it for safety, but after long consideration the cat said there could not be a better place than the church, for nobody would steal there; and they would put it under the altar and not touch it until they were really in want. So this was done, and the little pot placed in safety.

But before long the cat was seized with a great wish to taste it.

"Listen to me, little mouse," said he; "I have been asked by my cousin to stand god-father to a little son she has brought into the world; he is white with brown spots; and they want to have the christening to-day, so let me go to it, and you stay at home and keep house."

"Oh yes, certainly," answered the mouse, "pray go by all means; and when you are feasting on all the good things, think of me; I should so like a drop of the sweet red wine."

 But there was not a word of truth in all this; the cat had no cousin, and had not been asked to stand god-father: he went to the church, straight up to the little pot, and licked the fat off the top; then he took a walk over the roofs of the town, saw his acquaintances, stretched himself in the sun, and licked his whiskers as often as he thought of the little pot of fat; and then when it was evening he went home.

"Here you are at last," said the mouse; "I expect you have had a merry time."

"Oh, pretty well," answered the cat.

"And what name did you give the child?" asked the mouse.

"Top-off," answered the cat, drily.

"Top-off!" cried the mouse, "that is a singular and wonderful name! is it common in your family?"

"What does it matter?" said the cat; "it's not any worse than Crumb-picker, like your god-child."

A little time after this the cat was again seized with a longing.

"Again I must ask you," said he to the mouse, "to do me a favour, and keep house alone for a day. I have been asked a second time to stand god-father; and as the little one has a white ring round its neck, I cannot well refuse."

So the kind little mouse consented, and the cat crept along by the town wall until he reached the church, and going straight to the little pot of fat, devoured half of it.

"Nothing tastes so well as what one keeps to oneself," said he, feeling quite content with his day's work. When he reached home, the mouse asked what name had been given to the child.

"Half-gone," answered the cat.

"Half-gone!" cried the mouse, "I never heard such a name in my life! I'll bet it's not to be found in the calendar."

Soon after that the cat's mouth began to water again for the fat.

"Good things always come in threes," said he to the mouse; "again I have been asked to stand god-father, the little one is quite black with white feet, and not any white hair on its body; such a thing does not happen every day, so you will let me go, won't you?"

"Top-off, Half-gone," murmured the mouse, "they are such curious names, I cannot but wonder at them!"

"That's because you are always sitting at home," said the cat, "in your little grey frock and hairy tail, never seeing the world, and fancying all sorts of things."

So the little mouse cleaned up the house and set it all in order. Meanwhile the greedy cat went and made an end of the little pot of fat.

"Now all is finished one's mind will be easy," said he, and came home in the evening, quite sleek and comfortable. The mouse asked at once what name had been given to the third child.

"It won't please you any better than the others," answered the cat. "It is called All-gone."

"All-gone!" cried the mouse. "What an unheard-of-name! I never met with anything like it! All-gone! whatever can it mean?" And shaking her head, she curled herself round and went to sleep. After that the cat was not again asked to stand god-father.

When the winter had come and there was nothing more to be had out of doors, the mouse began to think of their store.

"Come, cat," said she, "we will fetch our pot of fat, how good it will taste, to be sure!"

"Of course it will," said the cat, "just as good as if you stuck your tongue out of window!"

So they set out, and when they reached the place, they found the pot, but it was standing empty.

"Oh, now I know what it all meant," cried the mouse, "now I see what sort of a partner you have been! Instead of standing god-father you have devoured it all up; first Top-off, then Half-gone, then"——

"Will you hold your tongue!" screamed the cat, "another word, and I devour you too!"

And the poor little mouse, having "All-gone" on her tongue, out it came, and the cat leaped upon her and made an end of her. And that is the way of the world.

50
 
Another version I've read ends by saying: That is why Cats and Mice no longer are friends.  As I sometimes end a story, "That's my story and I'm sticking to it!"

************************

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

Other Public Domain story resources I recommend-

  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm

  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.
    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"

The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:        

         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html

         - Richard Martin - http://www.tellatale.eu/tales_page.html

         - Spirit of Trees - http://spiritoftrees.org/featured-folktales

         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for December 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.

       - World of Tales - http://www.worldoftales.com/ 

 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.

     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!

    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.

You can see why I recommend these to you. 

Have fun discovering even more stories

Friday, November 3, 2023

Sangster - A Birthday Party - Keeping the Public in Public Domain

It wasn't a surprise party, more like when we could get the three with birthdays that fell within a month together.  There was a gathering at a nearby Chinese buffet, so the three of us and other family members could have exactly what we wanted to eat.  The Birthday song wasn't sung, but a lot of conversation and the restaurant's festive lighting made it special.  (The lights were probably originally for a Christmas tree, constantly changing colors.)  

Over the centuries people have celebrated birthdays in far humbler ways.  I found a story dating back over a century ago.  The language at times is most charitably called "quaint."  To re-tell the story to today's audiences, I would certainly change some of it.  What I wouldn't change is the idea behind it.  Because the author, Margaret Elizabeth Sangster, was often involved with religious publications or volunteer work, it's not surprising that she weaves in a bit of Luke, chapter 14, that comes right before the parable about "The Great Banquet."  She also was a poet, so when a poem is inserted in the story, the storyteller could reach in a basket or purse to bring it out and read it.  (The poem's formatting didn't transfer well from the Gutenberg reprint, so I put it all in bold.)  Sangster's party is much more personal than the Biblical banquet, with a story of how family and friends manage to turn a birthday into a celebration even though very little money is available.  It's a perfect example of "It's the thought that counts."

Unnamed illustrator's frontispiece from Holiday Stories for Young People compiled & edited by M.E. Sangster

A Birthday Story.

BY MRS. M.E. SANGSTER.

Jack Hillyard turned over in his hand the few bits of silver which he had taken from his little tin savings-bank. There were not very many of them, a ten cent piece, a quarter, half a dollar and an old silver six-pence. And he had been saving them up a long, long time.

"Well," said Jack to himself, soberly, "there aren't enough to buy mother a silk dress, but I think I'll ask Cousin Susy, if she won't spend my money and get up a birthday party for the darling little mother. A birthday cake, with, let me see, thirty-six candles, that'll be a lot, three rows deep, and a big bunch of flowers, and a book. Mother's never had a birthday party that I remember. She's always been so awfully busy working hard for us, and so awfully tired when night came, but I mean her to have one now, or my name's not Jack."

Away went Jack to consult Cousin Susy.

He found her very much occupied with her dressmaking, for she made new gowns and capes for all the ladies in town, and she was finishing up Miss Kitty Hardy's wedding outfit. With her mouth full of pins, Cousin Susy could not talk, but her brown eyes beamed on Jack as she listened to his plan. At last she took all the pins out of her mouth, and said:

"Leave it all to me, Jack. We'll give her a surprise party; I'll see about everything, dear. Whom shall we ask?"

"When thou makest a dinner or a supper," said Jack, repeating his golden text of the last Sunday's lesson, "call not thy friends, nor thy kinsmen, nor thy rich neighbors, lest they also bid thee again and a recompense be made thee. But when thou makest a feast, call the poor, the maimed, the lame, the blind, and thou shalt be blessed, for they cannot recompense thee."

"Jack! Jack! Jack!" exclaimed Cousin Susy.

"I was only repeating my last golden text," answered Jack. "We don't often have to give a feast, and as it was so extraordinary," said Jack, saying the big word impressively, "I thought of my verse. I suppose we'd better ask the people mother likes, and they are the poor, the halt, the blind, and the deaf; for we haven't any rich neighbors, nor any kinsmen, except you, dear Cousin Susy."

"Well, I'm a kinswoman and a neighbor, dear, but I'm not rich. Now, let me see," said Miss Susy, smoothing out the shining white folds of Kitty Hardy's train. "We will send notes, and you must write them. There is old Ralph, the peddler, who is too deaf to hear if you shout at him ever and ever so much, but he'll enjoy seeing a good time; and we'll have Florrie Maynard, with her crutches and her banjo, and she'll have a happy time and sing for us; and Mrs. Maloney, the laundress, with her blind Patsy. I don't see Jackie, but you'll have a Scripture party after all. Run along and write your letters, and to-night we'll trot around and deliver them."

This was the letter Jack wrote:

"Dear Friend:—My mother's going to have a birthday next Saturday night, and she'll be thirty-six years old. That's pretty old. So I'm going to give her a surprise birthday party, and Cousin Susy's helping me with the surprise. Please come and help too, at eight o'clock sharp.

"Yours truly,

"Jack".

When this note was received everybody decided to go, and, which Jack did not expect, everybody decided to take a present along.

"You'll spend all my money, won't you?" said Jack.

"Certainly, my boy, I will, every penny. Except, perhaps, the old silver sixpence. Suppose we give that to the mother as a keepsake?"

"Very well, you know best. All I want is that she shall have a good time, a very good time. She's such a good mother."

"Jack," said Susy, "you make me think of some verses I saw in a book the other day. Let me read them to you." And Cousin Susy, who had a way of copying favorite poems and keeping them, fished out this one from her basket:

    LITTLE HANS.

    Little Hans was helping mother 

 

    Carry home the lady's basket;  

 

    Chubby hands of course were lifting  

 

    One great handle—can you ask it?  

 

    As he tugged away beside her,  

 

    Feeling oh! so brave and strong,  

 

    Little Hans was softly singing  

 

    To himself a little song:

    "Some time I'll be tall as father,  

    Though I think it's very funny,  

    And I'll work and build big houses,  

    And give mother all the money,  

    For," and little Hans stopped singing, 

    Feeling oh! so strong and grand, 

    "I have got the sweetest mother  

    You can find in all the land."

Now, some people couldn't do very much with the funds at Cousin Susy's disposal, but she could, and when Jack's money was spent for refreshments what do you think they had? Why, a great big pan of gingerbread, all marked out in squares with the knife, and raisins in it; and a round loaf of cup cake, frosted over with sugar, with thirty-six tiny tapers all ready to light, and a pitcher of lemonade, a plate of apples, and a big platter of popped corn.

Jack danced for joy, but softly, for mother had come home from her day's work and was tired, and the party was to be a surprise, and she was not to be allowed to step into the little square parlor.

That parlor was the pride of Jack and his mother. It had a bright rag carpet, a table with a marble top, six chairs, and a stool called an ottoman. On the wall between the windows hung a framed picture of Jack's dear father, who was in heaven, and over the mantelpiece there was a framed bouquet of flowers, embroidered by Jack's mother on white satin, when she had been a girl at school.

"Seems to me, Jack," said Mrs. Hillyard as she sat down in the kitchen to her cup of tea, "there is a smell of fresh gingerbread; I wonder who's having company."

Jack almost bit his tongue trying not to laugh.

"Oh!" said he grandly, "gingerbread isn't anything, mamma. When I'm a man you shall have pound-cake every day for breakfast."

By and by Mrs. Maloney and Patsy dropped in.

"I thought," said Mrs. Maloney, "it was kind o'lonesome-like at home, and I'd step in and see you and Jack to-night, ma'am."

"That was very kind," replied Mrs. Hillyard.

"Why, here comes Mr. Ralph," she added. "Well the more the merrier!"

Tap, tap, tap.

The neighbors kept coming, and coming, and Jack grew more and more excited, till at last when all were present, Cousin Susy, opening the parlor door, displayed the marble-top of the table covered with a white cloth, and there were the refreshments.

"A happy birthday, mother."

"Many returns."

"May you live a hundred years."

One and another had some kind word to say, and each gave a present, a card, or a flower, or a trifle of some sort, but with so much good will and love that Mrs. Hillyard's face beamed. All day she stood behind a counter in a great big shop, and worked hard for her bread and Jack's, but when evening came she was a queen at home with her boy and her friends to pay her honor.

"And were you surprised, and did you like the cake and the thirty-six candles, dearest, darling mamma?" said Jack, when everybody had gone home.

"Yes, my own manly little laddie, I liked everything, and I was never so surprised in my life." So the birthday party was a great success.


May you, too, enjoy many happy birthdays and other intimate celebrations.  Whether it happens in a restaurant or a private location, "It's the thought that counts."

*********

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

Other Public Domain story resources I recommend-

  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm

  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.
    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"

The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:        

         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html

         - Richard Martin - http://www.tellatale.eu/tales_page.html

         - Spirit of Trees - http://spiritoftrees.org/featured-folktales

         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for December 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.

       - World of Tales - http://www.worldoftales.com/ 

 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.

     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!

    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.

You can see why I recommend these to you. 

Have fun discovering even more stories

 

Friday, October 27, 2023

Larkin - Mary Culhaine - Keeping the Public in Public Domain

from Crosscards.com in the category of "Oops and sorry"

That cat should be all black for Halloween, but his face and paw photograph so much better on a "tuxedo" cat ... consider it the costume for a black cat.  As for me, I truly am embarrassed.  I often work ahead on my blog posts and last week accidentally posted the start of this week's posting of Chuck Larkin's version of my favorite spooky tale, "Mary Culhaine and the Dead Man."  I wouldn't have even realized it if it wasn't for a loyal reader, friend and mentor, Joseph Gaudet, better known as Papa Joe.

He said: I think I'll try putting Darth's voice into one of my Tales this week and see if the kid was right. BTW, in the version of Mary Culhaine I tell, the corpse only makes a slice in a finger of each of the boys. Even still, it's pretty horrifying.

That alerted me there must be a way he saw it.  YIKES!  Well it was complete except for my actually giving the story.  I gave this link, but here is that story as Chuck told it, along with his comments on why he made the choices he did.  I added breaks to the paragraphs for easier reading, but there are also page breaks I'm unable to eliminate.

Mary Culhaine

(Chuck noted this:)
A few years back a school board religious fuss over
this story resulted in a need for a script. I found that both
the Folktellers and Carol Birch had a manuscript version
available from National Storytelling Association (NSA) on
audio cassettes based on a published version from the
early ’70s.
One will note that the dialogue between the characters
returning to the grave yard in the published version is in an
illogical reverse order. Logically the Cadaver asks the ques-
tions and Mary answers. I have included the Bible with holy
water in order to upgrade to southern USA culture (our Bible
thumping kids do not know “Holy Water”). The substitution
of dirty water in some variations also is not logical.
Manuscript variants can be found titled “Mary Culhane
and the Dead Man” in The Goblins Giggle, by Molly Bang
and “The Blood Drawing Ghost” in Robert D. San Souci’s
collection “Even More Short and Shivery.” I have also lis-
tened to a version told by a storyteller from Belfast, Ireland
and this old Irish legend has many variations as the story
involved teenagers and was quite different.

***
Jim Culhaine was walking home during the long shad-
ows of the late afternoon. He was swinging his blackthorn
walking stick, feeling good. Jim had been drinking with his
friends and was a bit late for supper. He decided to take
a short cut through the cemetery. Just as he was about
to step over the wall to the woods path he noticed a fresh
opened grave! “Ah, now that’s a bit strange I wonder why
the new grave? No one in Carlisle has died or I would have
heard about the wake.” As Jim stood there thinking he
heard a strange groaning sound from the open grave. The
noise startled him! He gave a jump, dropped his blackthorn
walking stick, turned and leaped over the wall. Jim being
a bit skittish quickly went through the woods path and the
streets to his house.

The family was already seated at the dinner table. As
Jim sat down he said, “ah, I dropped my walking stick!” His
daughter Mary Culhaine, who was about 18 years old at
the time said, “Daddy where did you drop it?” “I remember
something startled me as I was crossing the graveyard and
I dropped it just inside of the wall by the woods path. I’ll
fetch it in the morning.” “Daddy I’ll fetch it for you now.”
Before any body could stop her Mary was up and running
out the door. She ran down the street through the woods
path and hopped over the wall. It was now dusk. In the
darkness she could still see the long slender black walking
stick in the grass.

As Mary was bending over to pick up the stick when
she heard. “Mary, Mary Culhaine, come over here and help

me out of this grave.” Mary started to turn and head for the
wall but she found she could not move. A force held her
and she found herself standing and turning. Slowly, strug-
gling she was being forced to walk toward a gaping hole
of an open grave which looked like a deeper blackness on
the dark ground. “Mary reach down here and help me up
out of this grave.” Mary found herself kneeling down on the
side of the grave and then her hand on its’ own began to
reach down into the darkness. Something cold and clam-
my grabbed hold of her hand and began pulling itself up
out of the grave. The creature next climbed onto her back,
wrapped its’ arms around her neck and legs around her
waist. “All right Mary stand up and take me into the town.”
Mary found herself slowly standing and with the creature
holding and ridding her piggy back turned and crossed the
graveyard wall.

Mary left the woods path and started walking down
the street. As she was passing the first house the creature
said, “Mary stop here.” “Sniff, sniff, sniff. Keep going to
the next house Mary.” Mary found herself being stopped
at each house while the creature sniffed the air. When they
reached the corner the creature lifted one arm and pointed.
“Mary turn that way.” In the moonlight Mary could see the
outstretched arm. She could see where the flesh had rot-
ted off the bones and parts of the creature’s skeleton were
visible, plus it smelt pretty bad! “What is it you are smelling
for?” “Mary I am smelling each house looking for a house
without any holy water or Bibles in it. Keep moving. Stop
here, sniff, sniff, sniff. Now the next house.”

House after house they stopped and the creature, an
old dead cadaver sniffed the air. Finely the creature said,
“ah Mary here is a house with no holy water or Bibles. We
will go in here.” Mary looked up at the house in the moon-
light and recognized the Finnagin home. She knew that
there were three teenage boys upstairs sleeping in the front
bedroom and there parents were sleeping in the upstairs
back bedroom. “I don’t want to go in their home, we will
wake them up!” “No one wakes up Mary when we go into
their homes. Now do it.” Mary tried to resist but the crea-
tures power was too strong and they entered the house.
“Take me into the kitchen Mary.”

When they reached the kitchen the cadaver slipped
off Mary’s back and sat on a chair by the kitchen table.
“Mary fi x me two bowls of oatmeal.” Mary went over to the
old wood stove and opened it up. She placed some kin-
dling wood on the banked coals and blew softly to restart
the fire. Next she placed in some firewood and closed the
stove. Mary opened the cupboard and found the oatmeal.
She pored water into a pot, placed the pot on the stove and
stirred in the oatmeal. “Mary pick up that bowl and come

over here.” The creature again climbed piggy back on
Mary. “Now Mary go upstairs and into the bathroom. Pick
up that razor and go into the boy’s room.” “I don’t want to
go into the boy’s room!” “Do what I say!”

As Mary was forced to turn to walk into the boy’s room
the door opened slowly in front of her. “Mary take the razor
and cut that boy’s finger and catch the blood in the bowl.”
“I don’t want to do that!” “Do it!” Mary had no control over
her body and as her hand reached down with the razor and
cut the tip of the boy’s finger, her other hand with the bowl
caught the blood. Not much blood came from the boy’s
finger. Less than an ounce when the boy’s finger stopped
bleeding and the boy stopped breathing. “Now Mary get
some blood from each of the other boys.” Mary noticed
when she was done that all three boys had stopped breath-
ing. “Mary put the razor back into the bathroom and then
go back into the kitchen. When they got back into the
kitchen the creature again slipped off of Mary’s back into
the chair. “Mary mix the blood into the oatmeal and serve it
to me in two bowls.” Mary stirred the blood into the cooked
oatmeal and pored it into two bowl and placed the bowls
and a spoon before the creature.

The creature pushed one bowl across the table, “you
eat that bowl Mary.” “I don’t want to eat any bloody oat-
meal” “Do it. Mary’s hand picked up another spoon, sat
down and her hand dipped the spoon into the bloody
oatmeal and started moving the spoon toward her mouth.
Mary struggled as hard as she could and just as the spoon
reached her chin she was able to turn her shaking hand
over and spilled the oatmeal into her neck kerchief. She
looked at the creature but it was looking down at its’ own
bowl. Mary was able to finish first and drop each spoonful
into her kerchief without being caught. “All right Mary clean
up everything so nobody knows we were in this house.”
Mary cleaned the bowls, spoons and the pot and banked
the fi re. As she was returning things to the cupboard she
was able to slip the kerchief off from around her head and
hide it behind a stack of dishes without being seen. “I’m
done.” “Then let’s leave now.”

The creature again climbed on Mary’s back and they
went out the front door. “Are those boy’s dead?” “They
might as well be Mary only some of that bloody oatmeal
on their lips would bring them back to life again. He, he, he
we ate it all. Say Mary do you see that pile of rocks over
there in that empty field?” “Yes,” “What do you call that
field Mary?” “We call that the haunted field no one goes in
that field.” “Oh that is funny Mary, he, he, he that field is not
haunted Mary we just got people thinking that. We keep our
gold and silver in that field under those rocks.” “Why did you
tell me that I don’t want to know that?” “Because you are
going back into the grave with me Mary and live under the

ground.” “I don’t want to do that!” “You’re going to Mary.”
URRACH “What was that sound Mary?” “I don’t know it
sounded like a baby lamb bleating for its’ mother.” “Well,
lets hurry to the graveyard Mary.” As they were walking
through the graveyard again they heard URRACH. “What
was that Mary?” “Well, it sounded like an old hoot owl.”
“Hurry Mary into the graveyard. Stop resisting me!” Mary
did all she could to keep from moving forward but the crea-
tures power was too much. She stepped across the stone
wall and tried everything she could to keep away from that
open grave. She found herself kneeling down on her hands
and knees as the creature slid off her body into the grave.
The suddenly again the sound UR UR UR URACH. “Mary
you lied to me those sounds were the rooster crowing. You
lied to me, get down here in this grave.” But Mary knew that
when the Rooster crows for the third time the first beam
of morning sunlight was rushing over the trees and hit the
graveyard. Immediately the creatures power started to drop
off of her. Mary held on until she was able to break free and
roll over away from the grave. She picked up her daddy’s
walking stick and ran home. Mary placed the blackthorn
walking stick by the front door and went up to bed.

About ten o’clock Mary’s mother woke her up. “Mary
I’ve terrible news. The Finnagin boys have died in their
sleep and we are having the wake.” “Momma I’ve been
up all night I’ll be over later.” Mary got up about two in the
afternoon and went over to the Finnagin’s home. When the
Irish die they have a party we call a wake. People do cry
but they are the Keeners not everybody. In fact Father Kelly
was doing his magic tricks when Mary arrived.

Mary went up to Mrs. Finnagin. “Ah Ms. Finnagin I’m
sad for your loss but may I ask you a question?” “Sure
you can Mary, what can I do for you?” “Ms. Finnagin don’t
you own that old piece of rocky land they call the haunted
field?” “Yes, I do Mary why do you ask about that now at
the wake?” “Well, Ms. Finnagin if you will give me that wee
piece of land I can bring your three boys back to life, I can,
I can!” “Oh Mary if you can, the haunted field is yours.”
Well, the village attorney was at the wake and she drew up
the necessary papers to transfer ownership of the land to
Mary. Then Mary chased everybody out of the house and
retrieved that kerchief with the bloody oatmeal from behind
the dishes. She carried it upstairs and put some on each of
the boys lips and they started breathing at once. Within five
minutes they were sitting up feeling good and did not know
anything was wrong.

Mary hired some young men to move that pile of rocks
and found a catch of gold and silver coins that were worth
more to the museums then the value of the gold and silver.
Mary built a huge white house with pillars holding up the
front roof. And inside by every door is a box nailed to the

wall that has a small vial of holy water and a Bible. This
story took place in western Ireland close to three hundred
years ago. Since the Storytelling renaissance began in 1970
so many Storytellers have told this story that the village of
Carlisle has not only remodeled the Mary Culhaine home
but the Holiday Inn has built a motel in Carlisle to handle
the tourist from all over the world. When you visit Carlisle
you will find that every building even the barns have boxes
next to the doors with bottles of holy water and a Bible.
I’ve been told that every motel room has a box with a glass
front so you can see the vial of holy water and the enclosed
Gideon Bible.

***

Chuck doesn't credit Curtin, but merely calls it "A traditional Irish tale collected and adapted by Chuck Larkin"  For another personal version, I let Mary be especially fond of the youngest boy, who is her own age.  After becoming rich from the buried treasure she marries him.

That's the story and I'm happy to share it with anyone who loves a bloody, spooky story.

****************** Here's my standard message for "Keeping the Public in Public Domain" about finding stories online (including about Chuck Larkin's website) 

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

Other Public Domain story resources I recommend-

  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm

  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.
    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"

The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:        

         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html

         - Richard Martin - http://www.tellatale.eu/tales_page.html

         - Spirit of Trees - http://spiritoftrees.org/featured-folktales

         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for December 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.

       - World of Tales - http://www.worldoftales.com/ 

 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.

     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!

    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.

You can see why I recommend these to you. 

Have fun discovering even more stories

Friday, October 20, 2023

"The Shortest Scary Stories in the World"

Photo by Sabina Music Rich on Unsplash

As a storyteller I regularly tell stories in the Public Domain.  It's also why a large segment of this blog is in the category of Keeping the Public in Public Domain.  Whether you are a professional storyteller or not, it's my way of helping keep alive stories that should not fade away.  Certain the last two weeks did this as the story of The Pumpkin Giant deserves to be kept alive.  

Recently I had a program where the audience wanted spooky, but not too scary stories.  I told the group coordinator I used material that fit the requirement, BUT if she heard about any nightmares to remember when we sleep we use the events of the day to work out our problems.  I told her about a mother once telling me her child had a nightmare about crocodiles after a story in Preschool Storytime.  The story was about Bernard Waber's Lyle the Crocodile.  There are many books in the series, one of which is titled Lovable Lyle and gives a clue to just how the character goes out of his way to be anything but frightening.

With that "spooky, but not too scary" requirement, I offered a small cauldron of jokes and riddles and a large black cast iron pot with yellow paper strips for the titles of song parodies related to the topic and orange strips with the titles of appropriate stories.  Everybody in the group was on still another group of strips letting me choose the next person to decide what we heard.  They were allowed to choose a joke or riddle, a song, a story, or to pass.  This left the program to be shaped by the group as there was just enough time to call on all 17 attendees.

Among the stories was a strip called "The Shortest Scary Stories in the World."  There were so many stories available, it was never chosen.  If it had, I would have said there are Three! that claim to be "The Shortest Scary Stories in the World"  plus another of "All the Scary Stories in the World in Six Seconds."  Which would they choose: 1,2,3, or "All the Scary Stories in the World in Six Seconds?"  

Unfortunately for my recognition of authorship and possibly copyright, I am completely unable to find the source of "The Shortest Scary Stories in the World."  I suspected it was on Jackie Baldwin's site, Story-Lover's World.  Jackie tried to be the public archive for the email list, Storytell.  The list originally was sponsored by Texas Woman's University.  Eventually the university no longer was able to support it, so Jackie's "SOS:Searching Out Stories" section of her business site is as close as we can come to archiving those earlier suggestions.  Sadly her site ended in December of 2016 with https://web.archive.org/web/20161204114224/http://www.story-lovers.com/listsofstories.html .  I strongly recommend using it as a first stop bibliography when putting a storytelling program together on a theme.  I know the late Jackie Baldwin appreciated knowing it was still used even after she could no longer maintain it.  

The National Storytelling Network now hosts the Storytell list at https://storynet.org/groups/storytell/storytell-listserv/.  Membership in NSN is not a requirement to subscribe, but the archives are only available to subscribers to the list.

Trying all manner of searches never did turn up the source of "The Shortest Scary Stories in the World."  If someone can lead me to it, I'll gladly acknowledge their work and, if permitted, keep it posted here.  


 Next week I plan to take a second look at two versions of my favorite scary tale.
Steve Talkowski on Behance.net