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Showing posts sorted by relevance for query Mabel Powers. Sort by date Show all posts
Showing posts sorted by relevance for query Mabel Powers. Sort by date Show all posts

Friday, November 13, 2020

Powers - How Giving Evil for Evil Ends - Keeping the Public in Public Domain

November for the United States has traditionally been a time of elections.  Being primarily a two-party system, it has sometimes felt like the swing of a pendulum.  If you tend to think like Edgar Allan Poe in "The Pit and the Pendulum",  that swing can be dangerous.  I went looking for quotations about elections from someone never a U.S. politician, to avoid coloring what was said.  This led me to the late Indira Gandhi.  She was indeed a politician in India and was assassinated.  I won't attempt to gauge her political record here, but was impressed by many things she said listed in Brainy Quotes offering of 40 Indira Gandhi Quotes.  A few fit today's topic looking at elections, starting with "Winning or losing of the election is less important than strengthening the country."

November is also Native American Heritage Month.  Aside from Pourquoi tales, explaining Why something happened or exists, much of Native American tales are teaching tales.  ("Pourquoi" is French for "why.")  Last week I discovered a story I would hope our politicians and all of us after the election could keep in mind as the pendulum swings.



I guess you could call that the other side of the Golden Rule of "Do unto others as you would have them do unto you."

I intentionally left "THE END" as it was the end of the book, Around an Iroquois Story Fire by Mabel Powers and also fits what the story was saying.  Two other stories from that book have been posted here under that Powers hotlink.  One was at the start of last month about "Why Leaves Turn Red and Yellow", a Pourquoi tale.  I was surprised to see initially I had no biographical hotlink for her first story here.  At that time I did give her endorsement by the Iroquois Confederation and her adoption as an honorary member by the Seneca and mentioned her work in the Chautauqua movement.  I also would like now to recommend the article about her in the Chautauqua Daily, "Mabel Powers: Advocate for Native Americans, Women and Peace" 

Beyond this story, I find myself looking at two more Indira Gandhi quotes.  "This is why we feel that democracy's important: because democracy allows you to have small explosions and therefore avoid the bigger explosions."  She also said, "You cannot shake hands with a clenched fist."  Right now nobody is shaking hands thanks to Covid, but now is definitely the time to remember, as the pendulum has swung in so many elections, what happens if we store up evil and try to deliver it.

*****************

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  



At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.
Other Public Domain story resources I recommend-
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.

    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:            
         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html
         - Richard Martin - http://www.tellatale.eu/tales_page.html
         - Spirit of Trees - http://spiritoftrees.org/featured-folktales
         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.
       - World of Tales - http://www.worldoftales.com/ 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.
     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!
    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.
You can see why I recommend these to you. Have fun discovering even more stories!

 

Friday, November 21, 2025

Powers - Corn Plume and Bean Maiden - Keeping the Public in Public Domain

As we fill our tables to celebrate Thanksgiving it is appropriate to look back to the cultural roots of what is there. History.com has an interesting article, "What Are the 'Three Sisters' of Native American Agriculture?" It shows that companion planting "reflects Indigenous agricultural knowledge and teachings about cooperation and balance."

That story of the Three Sisters and the Sky Woman should have been easy to find. 

It wasn't. 

First of all I checked about  the Haudenosaunee, better known as the Iroquois Confederation.I even went to Wikipedia's article on the Three Sisters, but was unable to find a Public Domain source. I checked Arthur C. Parker, who was a Seneca and recorded many of their stories, but apparently not this one. There also is an Iroquois reprint named  Legends of the Longhouse by J.J. Cornplanter (that is a popular Iroquois last name) it opens with the Sky Woman story of the Three Sisters, but it was first published in 1938, so unfortunately we must wait another nine (9!) years for it to to become Public Domain.

Then I went to another source, Mabel Powers, who has several books telling stories from the Haudenosaunee.. While not Native American herself, she became named Yeh Sen Noh Wehs or Daughter of the Senecas for her work saving and republishing their large body of stories. Today's story is from her Stories the Iroquois Tell Their Children. Her several books unfortunately do not include the Three Sisters, but she does have today's different story, which involves all three -- Corn, Bean, and Squash. It seems to continue after the "three sustainers" were first created in that origin story. It certainly continues the idea of companion planting.

CORN PLUME AND BEAN MAIDEN

The Great Spirit had smiled upon his Red Children. The land was filled with plenty, for the Great Spirit had given to them the three sustainers of life, the corn, the bean, and the squash. Flowers bloomed, birds sang, and all the earth was glad with the Red Children, for the gifts of the Great Spirit.

On one side of a hill grew the tall, waving corn, with its silk tassels and plumes. On another side, beans, with their velvety pods, climbed toward the sky. Some distance down a third slope, beautiful yellow squashes turned their faces to the sun.

One day, the Spirit of the corn grew restless. There came a rustling through the waving leaves, and a great sigh burst from the heart of the tall stalks. The Spirit of the corn was lonely.

After that, every morning at sunrise, a handsome young chief was seen to come and stand on the brow of the hill. On his head were shining red plumes. Tall, and strong, and splendid he stood, wrapped in the folds of his waving blanket, whose fringed tassels danced to the summer breeze.

"Che che hen! Che che hen! Some one I would marry! Some one I would marry!" the young chieftain would sing, many, many times.

One day, his voice reached the Squash Maiden, on the other side of the hill. The Squash Maiden drew about her a rich green blanket, into which she had woven many flaunting gold trumpet-shaped flowers. Then she ran swiftly to the young chieftain.

Marry me! Marry me

"Marry me! Marry me!" said the Squash Maiden, as she spread her beautiful gold and green blanket at his feet.

Corn Plume looked down at the Squash Maiden sitting on her blanket at his feet. She was good to look upon, and yet Corn Plume was not content. He wanted a maiden who would stand by his side, not always sit at his feet.

Then Corn Plume spoke thus to the Squash Maiden.

"Corn Plume cannot marry Squash Maiden. She is very beautiful, but she will not make song in Corn Plume's heart. Squash Maiden will grow tired of his lodge. She will not stay in his wigwam. She likes to go a long trail, and wander far from the lodge.

"Corn Plume cannot make Squash Maiden his wife, for he is not content with her. But she shall be Corn Plume's sister, and sit in his lodge whenever she will. The maiden Corn Plume weds must be ever at his side. She must go where he goes, stay where he stays."

Next morning at sunrise, the voice of Corn Plume was again heard, singing from the hilltop, "Che che hen! Che che hen! Some one I would marry! Some one I would marry! Che che hen! Che che hen!"

This time his song reached the ears of the Bean Maiden. Her heart sang, when she heard the voice of Corn Plume, for she knew that he was calling her. So light of heart was Bean Maiden, that she ran like a deer up the hillside. On and on, up and over the brow of the hill she climbed, till she reached the young chieftain's side.

Then Corn Plume turned and beheld the most beautiful maiden he had ever seen. Her eyes were deep and dark, like mountain pools. Her breath was sweet as the waters of the maple. She threw off her blanket of green, and purple, and white, and stretched her twining arms to him.

Corn Plume desired to keep Bean Maiden forever close to him. He bent his tall plumed head to her. Her arms wound round and round the young chieftain, and Corn Plume was content.

So closely were the arms of Corn Plume and the Bean Maiden entwined, so truly were they wed, that the Indians never attempted to separate them. Ever after, corn and beans were planted in the same hill, and often a squash seed was added.

Since the Great Spirit had placed the corn, the bean, and the squash together on a hill, the Indian said they should continue to live and grow and occupy a hill together.

The door of Corn Plume's lodge was ever open to the Squash Maiden, if she chose to enter. But seldom did she stay in his wigwam. More often, she was found running off on a long trail.

But Bean Maiden remained true to Corn Plume. Always she was found by his side. Never did she leave the lodge unless he went with her. Corn Plume's lodge was her lodge, and her trail was his trail.

And because the Spirits of the corn and the bean are as one, the Indians not only plant and grow them together, but cook and eat them together. "In life, they were one," they say, "We will not separate them in death."

And now, when a great rustling and sighing of the corn is heard in the White man's land, the Indians often say, "'Tis the Spirit of Corn Plume, crying for his lost Bean Maiden!"

corn ear

 **********

There is another book by Mabel Powers, Around an Iroquois Story Fire which also has a very similar story, "How Corn and Beans Came to Be", complete with a Bean Song, but Squash is not in it and, because it was copyrighted in 1950, it certainly is not Public Domain. She lived a long life, 1872-1966, and was an "Advocate for Native Americans, Women and Peace", especially in the Chautauqua area. Her own legacy deserves to remembered.

As we close today's story I want to conclude with a link to the 1933 Haudenosaunee Thanksgiving Address, which is also called "Greetings to the Natural World." Each segment ends with "Now our minds are one." Certainly in our divided world that is something worth wishing. I especially like

The Creator
Now we turn our thoughts to the Creator, or Great Spirit, and send greetings and thanks for all
the gifts of Creation. Everything we need to live a good life is here on this Mother Earth. For all the love that is still around us, we gather our minds together as one and send our choicest
words of greetings and thanks to the Creator.
Now our minds are one. 

***************************** 

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."

 

Saturday, April 29, 2017

Cowles - Origin of the Violet - Keeping the Public in Public Domain

I call my dog my "cross trainer" as every other day, if at all possible, I try to take him out for a 45 minute to an hour hike, with some days double that if time and energy permits.  (He also becomes a "cross" trainer if he doesn't get enough exercise.)  It's a perfect time to observe nature and think about things like stories.

Hiking the hills and valleys of a nearby state park right now made me wonder what Pourquois story might exist about what I was seeing and even tasting.  Pourquois tales are stories about Why or How something came to be.  When I mention tasting, it's related to

and enjoying the taste of wild plants like the leaves of wild violets which are sweeter than any lettuce.  No, I didn't have a bunch of them, just a leaf or two doesn't hurt those beautiful bits of scattered springtime color.  Euell Gibbons started Americans appreciating the edible bounty of nature without our even planting it.

Here's an Iroquois story to pay for that bite of springtime.
Photo: James Steakley / Wikimedia
A sad end to a story that seems to just pop up out of nowhere even as the wild violet does along the trail.

Earlier on this blog I have what little information could be found about Julia Darrow Cowles,who gave no source for that Iroquois tale, but at least she identified it as coming from the Iroquois.  Many early editors of Native American anthologies from many of those nations didn't identify the tradition.  Her Indian Nature Myths at least gives us that much documentation.

Logo of the Haudenosaunee Confederation
The name itself of Iroquois some say came from the French, while others believe it came from their Algonquin enemies here in this Great Lakes area and means "rattlesnakes."  They call themselves the Haudenosaunee, meaning "people of the long house."  I only use it because it is the more common description for the confederation, but the hotlink on the logo and previous sentence take you to the official website of a people who can easily lay claim to being the oldest living participatory democracy on earth.  A Wikipedia article debates their contribution to the creation of the U.S. Constitution and Bill of Rights, but the U.S. Congress in 1988 passed a resolution recognizing the influence of the Iroquois League.

Similarly it was difficult to find the source where Julia Darrow Cowles found her tale.  I searched well-regarded Iroquois books pre-dating her title. Books I have and online come from the half-Seneca folklorist, Arthur C. Parker, also Harriet Maxwell Converse and Mabel Powers, each of whom were adopted were adopted into the Seneca nation within the Confederation.  Folklorist Jeremiah Curtin was another early recorder, again from the Seneca tradition.  The U.S. Bureau of American Ethnology publications from these individuals, when online are small type and not easily browsed when a title uses an Iroquois/Haudenosaunee word.  It's not in my own books by Parker, Converse, and Powers, and the only books I own by Curtin are his Irish collections, another area of folklore he loved.

I also checked Legends of the Longhouse by J.J. Cornplanter since an Iroquois Reprints of a 1938 book, but Cornplanter is apparently a popular Iroquois name.  Hathi Trust Digital Library has the 1902 Legends of the Iroquois told by "the Cornplanter" with "authoritative notes and studies by William W. Canfield" and it's there on page 81!  I think it does a better job of starting and ending the story.  Canfield described the Cornplanter as a Seneca chief, giving two transliterations of his name meaning the Cornplanter, who told the stories shortly after the American Revolution.  Canfield explains further about the authority of the stories and how he proceeded to document them.

The ending in Legends of the Longhouse says more about the two lovers and the girl's choice to leave her people, but closes with: From this spot sprang the violets; and the winds and birds carried the seeds of the little flowers over all the world, into all countries where men dare and maidens love, so that the Indians of all ages might know that the Great Spirit would always raise a monument to true love and bravery.

Powers, whose book, Stories the Iroquois Tell Their Children, available for free through both Project Gutenberg and Archive.orgArchive.org, tells not only about her sources, but how she became named Yeh Sen Noh Wehs or Daughter of the Senecas.  She is the only one specifically saying she collected from all the Iroquois.  She tells us a story was ended traditionally with "Na ho" meaning "It is the end" -- and for today it is.
*************
Here's my closing for days when I have a story in Keeping the Public in Public Domain
***************** 

This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it. 

Other Public Domain story resources I recommend -
  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm
  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.
Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"
You can see why I recommend these to you. Have fun discovering even more stories!

Friday, November 25, 2022

Powers - A Firemaker and a Peacemaker - Keeping the Public in Public Domain

While this is almost the end of this year's Native American Heritage Month, it certainly should never be the end of some of the wisdom told in the stories of this continent's First Nations both in the U.S. and Canada.  Our country seems particularly in the grip of mass murders and hate.  This week has been our Thanksgiving, but it has too often felt like we are doing everything possible to hurt each other.  That sent me hunting for stories with a possibility of helping.  Margaret Read MacDonald's book, Peace Tales; World Folktales to Talk About is an excellent modern book with the added benefit generally found in folklore books nowadays of including a bibliography of the sources for its stories.  MacDonald has her doctorate in folklore and is particularly thorough in not only giving her sources and other books on her topic, but much more including ways to tell the stories.

MacDonald gave a version of an Iroquois peacemaking technique that she found as a story in a book by Mabel Powers (or Yeh Sen Noh Wehs, which means "The One Who Carries and Tells the Stories").  Back on November 13, 2020 I have included another story, "How Giving Evil for Evil Ends" from Powers' book, Around an Iroquois Story Fire.  It is definitely appropriate for a desire to find a conflict resolution or Peace tale to talk about.  Peace Tales, however, uses a story Powers tells in Stories the Iroquois Tell Their Children.  MacDonald re-tells "How Two Indian Boys Settled a Quarrel" calling her version, "The Argument Sticks."  It is so condensed it looks more like poetry.  I will include the original story, but only after the story named in today's blog title.  At first the title story seems more like an explanation of Iroquois customs including the role of women as Peacemakers, but the story part really begins when telling of "a Peacewoman" who "proved untrue to her trust."  Because the story of the boys is both short and another method of peacekeeping, it will follow today's title story.

A FIREMAKER AND A PEACEMAKER

In the olden times, tribes of Indians did not always live in one place as they do now. They sometimes wandered from one valley or woodland to another. When they came to a sheltered place, where there was pure running water, and where plenty of game and wood were to be found, they would build their lodges and light their council fires.

There they might camp for one moon, or for many moons. As long as their arrows brought game on the hunting trails near, they would not break camp. But if game grew scarce, or if for any reason they did not like the camp ground, they would move farther on.

Sometimes they would go several days' journey, before they found a camping place such as they liked.

The first thing that was done in making a camp was to secure fire and light the council fire. This fire was always kept burning. It never went out while they remained.

The Indians loved the fire. It was the gift of the Great Spirit to the Red Children. It kept them warm and cooked their food by day, and protected them by night.

A line of fires was kept burning around the camp. This protected the Red Children from the wild animals, for all animals fear fire, and are charmed by it. They might prowl and howl all night long outside the fire ring, but never would they attempt to come within that ring. There the Indians could sleep in peace, guarded by the spirits of the fire.

The Indian that could make fire first became a chief and leader. When it was decided to camp at a certain place, a signal would be given. At this the young braves would leap into the woods, to see which one first could bring back fire. Each had his own secret way of making it. Usually a bowstring was twisted about a fire stick, and the stick was turned rapidly in a groove. In a few seconds, smoke would rise from the sawdust that formed. After a little fanning a flame would leap forth.

The Indian whose brain and hand worked swiftest and surest was the smartest and best man. He became a Firemaker, and was made a chief of the tribe. He could do something that the rest could not,—at least he had proved himself to be more skillful. Such a man, it was thought, had a better understanding of all things, and therefore could tell the rest of the tribe what ought to be done.

He no longer was just a man who ate and slept, walked and ran. He was a man with a mind. He could think and could do things. So he became a Firemaker chief, and he helped the tribe to think and do.

The Iroquois Red Children believe that there are three kinds of men: those that use the body only; those that use body and mind; and those that use body, mind, and spirit.

Now it happened that sometimes an Indian grew to be so kind and so great, that he could not only strike the fire we see, but the fire we do not see,—the fire of love that burns in the hearts of people.



When an Indian could strike this kind of fire, and warm the hearts not only of his own tribe but of all tribes, so that they came to love one another, he was a great chief, a Peacemaker chief. Such a man would go from tribe to tribe, teaching the people how they should do, so that all might live in peace and plenty, like brothers.

 

To be a Peacemaker was the highest seat an Indian could take. Few Indians became Peacemaker chiefs, and they were the great men of the tribe.

Indian women also might become Peacemakers. At one time the Iroquois had a Peace Wigwam, where all disputes and quarrels were settled.

The most beautiful, just, and fair-minded woman of all the tribes was chosen to sit in this wigwam. It was her duty to tend the Peace fire, and to see that it never went out. She also kept a pot of hominy always steaming over the fire.

If two Indians had a dispute, it was the custom for them to run to the Peacemaker's wigwam. They entered from opposite sides. Inside the wigwam, a deerskin curtain separated them from each other.

The Peacemaker would listen to the grievance of the one and then to that of the other. Then she would draw aside the curtain, get the enemies together, and settle the dispute with justice.

The two would then eat of the hominy, and depart in peace,—no longer enemies, but friends.

No nation could fight another nation without the consent of the Peacemaker. Because the peacewomen were wise, and just, and kind, and taught men to love, not fight each other, the Iroquois were for many years at peace.

But one day, it is said, a Peacewoman proved untrue to her trust. She thought more of her own happiness than that of the nation.

 

This woman was very beautiful, and the people loved her. For some time she sat in the Peace Wigwam, and tended faithfully the Peace fire.

One day an Oneida and a Cayuga chief fell to quarreling. They sought the Peace Wigwam. As they entered and saw the young Peacewoman tending the fire, each thought he had never seen a woman so beautiful.

Into the heart of each there leaped the desire that she might tend his wigwam fire.

The Peacemaker listened to the quarrel of the young chiefs and settled it justly. Then each tried to persuade her to leave the Peace fire and return with him to his lodge. But the Peacemaker said, "No, I must tend the fire, it must be kept burning." The chiefs departed with heavy hearts.

But the Oneida chief could not forget the beautiful woman. When a moon had passed, he returned to the Peace Wigwam. This time he persuaded the Peacemaker to leave her fire and return with him to sit at his wigwam door.

The Peace fire flickered and went out. The Iroquois again went on the warpath, and for many, many moons, they fought and suffered and died.


HOW TWO INDIAN BOYS SETTLED A QUARREL

arrows

Flying Squirrel and Lightning Bow were two little Indian boys. They lived by Singing River, and they played from sunrise to sunset. They were as happy as the day was long.

In the summer, they fished and swam in Singing River, and they shot their arrows into chipmunk and woodpecker holes. Sometimes they played "Dodging Arrows," a game their mother had taught them when they were very young.

In the winter, they jumped into fleecy snowdrifts and rolled until their little bronze bodies took on a red-raspberry tint. Then they would send their snow-snakes skimming over the hard crust of snow.

Snow-snakes were small rods of wood, polished smooth with resin, oil, or wax. They could be thrown long distances. Long Moose—Lightning Bow and Flying Squirrel's father—could throw a snow-snake a mile and a half, over the crust of the snow. But the snow-snakes he used were eight feet long and tipped with lead.

It was the Moon of Berries. Six times had Flying Squirrel and Lightning Bow seen the Berry Moon hang her horn in the night sky. And not once in all their lives had they quarreled.

One morning, Flying Squirrel and Lightning Bow planned a foot race. Seven times they were to run. Three times, Flying Squirrel had made the goal first. Three times, Lightning Bow had outrun him. The seventh race was claimed by each. No one saw them run, so no one could decide the game. And they fell to quarreling.

 

 Louder and louder their voices were raised. More and more angry they grew.

White Fawn, their mother, was baking corn bread on the coals of the wigwam fire. The angry voices reached her ears. She stepped to the door.

"For shame!" she called. "Go and set up your sticks."

Then she showed Lightning Bow and Flying Squirrel how to set up three sticks so they would stand for many days.

"Now go into the wood, set up your sticks, and leave your quarrel there," she said. "When the Berry Moon has passed, you shall return and see if the sticks are still standing.

"If they lean toward the rising sun, Lightning Bow was right. If they lean toward the setting sun, Flying Squirrel won. If they have fallen down, neither was right and neither won."

Lightning Bow and Flying Squirrel went into the wood and set up their sticks. Then they began to throw balls with willow wands, and soon they were happy again.


The sun had risen and set many times. The Berry Moon had passed. It was the Thunder Moon, when White Fawn said to Lightning Bow and Flying Squirrel, "Today you may go into the wood and see if your sticks are still standing."

Hand in hand, the two little Indian boys ran into the wood. They found only a heap of rotting sticks.

Flying Squirrel and Lightning Bow stood and looked at the sticks. They thought and thought.

"What did we set up the sticks for?" each asked of the other.

And for the life of them they could not remember what they had quarreled about, and why they had set up the sticks!


Further thoughts beyond the book

While the book's title page and cover don't list the illustrator, it's easily seen on the drawing of the two boys (and less easily on the one of three Iroquois) by W. Fletcher White.  I was able to learn he was born in Indiana.  I searched because the two boys surely would have needed more to wear than just loincloths on days snowy enough to play Snow Snakes!

However you may be dressed these days, let us all try to not repeat the ending of the first story:

The Peace fire flickered and went out. The Iroquois again went on the warpath, and for many, many moons, they fought and suffered and died.

George Santayana's quote  about “Those who cannot remember the past are condemned to repeat it” seems most appropriate

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This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories.  


At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

Other Public Domain story resources I recommend-

  • There are many online resources for Public Domain stories, maybe none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I have long recommended it and continue to do so.  He has loaded Stith Thompson's Motif Index into his server as a database so you can search the whole 6 volumes for whatever word or expression you like by pressing one key. http://folkmasa.org/motiv/motif.htm

  • You may have noticed I'm no longer certain Dr. Perez has the largest database, although his offering the Motif Index certainly qualifies for those of us seeking specific types of stories.  There's another site, FairyTalez claiming to be the largest, with "over 2000 fairy tales, folktales, and fables" and they are "fully optimized for phones, tablets, and PCs", free and presented without ads.
    Between those two sites, there is much for story-lovers, but as they say in infomercials, "Wait, there's more!"

The email list for storytellers, Storytell, discussed Online Story Sources and came up with these additional suggestions:        

         - David K. Brown - http://people.ucalgary.ca/~dkbrown/stories.html

         - Richard Martin - http://www.tellatale.eu/tales_page.html

         - Spirit of Trees - http://spiritoftrees.org/featured-folktales

         - Story-Lovers - http://www.story-lovers.com/ is now only accessible through the Wayback Machine, described below, but the late Jackie Baldwin's wonderful site lives on there, fully searchable manually (the Google search doesn't work), at https://archive.org/ .  It's not easy, but go to Story-lovers.com snapshot for October 22 2016  and you can click on SOS: Searching Out Stories to scroll down through the many story topics and click on the story topic that interests you.

       - World of Tales - http://www.worldoftales.com/ 

 
           - Zalka Csenge Virag - http://multicoloreddiary.blogspot.com doesn't give the actual stories, but her recommendations, working her way through each country on a continent, give excellent ideas for finding new books and stories to love and tell.

     
You're going to find many of the links on these sites have gone down, BUT go to the Internet Archive Wayback Machine to find some of these old links.  Tim's site, for example, is so huge probably updating it would be a full-time job.  In the case of Story-Lovers, it's great that Jackie Baldwin set it up to stay online as long as it did after she could no longer maintain it.  Possibly searches maintained it.  Unfortunately Storytell list member, Papa Joe is on both Tim Sheppard's site and Story-Lovers, but he no longer maintains his old Papa Joe's Traveling Storytelling Show website and his Library (something you want to see!) is now only on the Wayback Machine.  It took some patience working back through claims of snapshots but finally in December of 2006 it appears!

    Somebody as of this writing whose stories can still be found by his website is the late Chuck Larkin - http://chucklarkin.com/stories.html.  I prefer to list these sites by their complete address so they can be found by the Wayback Machine, a.k.a. Archive.org, when that becomes the only way to find them.

You can see why I recommend these to you. 

Have fun discovering even more stories